4413 Results
Form:
textual records
textual records
Reference number:
AP206.S2.009
Description:
File was originally housed in a binder along with content arranged in AP206.S2.006, AP206.S2.007 and AP206.S2.008. This file contains the following papers: "Struggle for Image in Art" "New trends in Indian Architecture," 1972 "Living in Cities" "Aesthetic Offence by Noise," 1972
AP206.S2.009
Description:
File was originally housed in a binder along with content arranged in AP206.S2.006, AP206.S2.007 and AP206.S2.008. This file contains the following papers: "Struggle for Image in Art" "New trends in Indian Architecture," 1972 "Living in Cities" "Aesthetic Offence by Noise," 1972
People:
Date:
1959-1972
1959-1972
Title:
Published and unpublished papers (folder 4 of 4)
Actions:
AP206.S2.009
Description:
File was originally housed in a binder along with content arranged in AP206.S2.006, AP206.S2.007 and AP206.S2.008. This file contains the following papers: "Struggle for Image in Art" "New trends in Indian Architecture," 1972 "Living in Cities" "Aesthetic Offence by Noise," 1972
Published and unpublished papers (folder 4 of 4)
Actions:
AP206.S2.009
Description:
File was originally housed in a binder along with content arranged in AP206.S2.006, AP206.S2.007 and AP206.S2.008. This file contains the following papers: "Struggle for Image in Art" "New trends in Indian Architecture," 1972 "Living in Cities" "Aesthetic Offence by Noise," 1972
Form:
textual records
textual records
Date:
1959-1972
1959-1972
People:
Form:
textual records
textual records
Actions:
Reference number:
AP075.S3.SS1.019
Description:
Contains typescript text for the following lectures by Cornelia Hahn Oberlander: - The Magic of Sand - Indoors and Out - Planning for Play Everywhere. Play in Hospitals, 1984. - Landscape Architecture in the 20th Century: The Relationship of Architecture and - Landscape Architecture. Museum of Modern Art October 21-22. - Lecture given at the Vancouver Art Gallery, 1954. - The TVA as creator of a Regional Landscape. - Greening the City. University of Texas. November 18, 1994. - The Garden in My Life and My Work. Western Washington University. June 14, 1988. - Nature in the City: or, the City in Nature. Architecture and Urban Studies Alliance, Calgary, Alberta. February 11, 1987. - Address to the Graduating Classes in Agrcultural Sciences, Applied Science, Architecture, Landscape Architecture, Community and Regional Planning, Forestry, - Interdisciplinary Studies. The University of British Columbia. May 29, 1991. - The Garden as Art. Van Dusen Botanical Garden. October 2, 1990. - Landscapes that Shaped Vancouver. The Society of Architectural Historians. October 13, 2000. - Breaking Ground. Smith College. March 26, 2001. - Green Spaces: Inspiring Landscapes by Women - Landscape Architecture in the Next Millenium. Hotel Vancouver. March 29, 1999. - Landscape Architecture: Bridge Between Buliding and Nature. Toronto, ON. November 26, 1999. - Limiting Footprints: An Ecological Approach to Landscape Architecture. Harvard University. March 27, 2001. - Leadership in Landscape: Sustainable Development Directions for the Future. Smith College. March 18, 1998. - Linking Places to Design: An Ecological Approach. Alaska Design Forum Lecture. April 1999. - Limiting Footprints: An Ecological Approach to Landscape Architecture. February 22, 2001. - The Meanings of Gardens… Transformed. University of Virginia. March 23, 2001. - Landscape Architecture North of the Arctic Circle. University of Massachusetts, Amherst. March 26, 2007. - Landscape Architecture Aesthetics and Sustainability. Palm Springs, CA. March 15, 2008. - Limiting Footprints: Low Impact Technologies. University of Arkansas. February 20, 2005. - Conservation of 20th Century Canadian Landscapes. ASLA CSLA Montreal. September 22, 2001. - Government Complex of the Province of British Columbia, Vancouver, BC: Changes of a City. October 11, 1979. - Heritage of Green Spaces: Robson Square. Vancouver Heritage Foundation. April 21, 2010. - Where Architecture Meets the Trees. Smith College. February 29, 1992. - Green Roofs and Sustainable Development: Ideas into Action. McGill University. October 21, 2005.
AP075.S3.SS1.019
Description:
Contains typescript text for the following lectures by Cornelia Hahn Oberlander: - The Magic of Sand - Indoors and Out - Planning for Play Everywhere. Play in Hospitals, 1984. - Landscape Architecture in the 20th Century: The Relationship of Architecture and - Landscape Architecture. Museum of Modern Art October 21-22. - Lecture given at the Vancouver Art Gallery, 1954. - The TVA as creator of a Regional Landscape. - Greening the City. University of Texas. November 18, 1994. - The Garden in My Life and My Work. Western Washington University. June 14, 1988. - Nature in the City: or, the City in Nature. Architecture and Urban Studies Alliance, Calgary, Alberta. February 11, 1987. - Address to the Graduating Classes in Agrcultural Sciences, Applied Science, Architecture, Landscape Architecture, Community and Regional Planning, Forestry, - Interdisciplinary Studies. The University of British Columbia. May 29, 1991. - The Garden as Art. Van Dusen Botanical Garden. October 2, 1990. - Landscapes that Shaped Vancouver. The Society of Architectural Historians. October 13, 2000. - Breaking Ground. Smith College. March 26, 2001. - Green Spaces: Inspiring Landscapes by Women - Landscape Architecture in the Next Millenium. Hotel Vancouver. March 29, 1999. - Landscape Architecture: Bridge Between Buliding and Nature. Toronto, ON. November 26, 1999. - Limiting Footprints: An Ecological Approach to Landscape Architecture. Harvard University. March 27, 2001. - Leadership in Landscape: Sustainable Development Directions for the Future. Smith College. March 18, 1998. - Linking Places to Design: An Ecological Approach. Alaska Design Forum Lecture. April 1999. - Limiting Footprints: An Ecological Approach to Landscape Architecture. February 22, 2001. - The Meanings of Gardens… Transformed. University of Virginia. March 23, 2001. - Landscape Architecture North of the Arctic Circle. University of Massachusetts, Amherst. March 26, 2007. - Landscape Architecture Aesthetics and Sustainability. Palm Springs, CA. March 15, 2008. - Limiting Footprints: Low Impact Technologies. University of Arkansas. February 20, 2005. - Conservation of 20th Century Canadian Landscapes. ASLA CSLA Montreal. September 22, 2001. - Government Complex of the Province of British Columbia, Vancouver, BC: Changes of a City. October 11, 1979. - Heritage of Green Spaces: Robson Square. Vancouver Heritage Foundation. April 21, 2010. - Where Architecture Meets the Trees. Smith College. February 29, 1992. - Green Roofs and Sustainable Development: Ideas into Action. McGill University. October 21, 2005.
People:
Date:
1954-2010
1954-2010
Title:
Texts of Cornelia Hahn Oberlander for various lectures
Actions:
AP075.S3.SS1.019
Description:
Contains typescript text for the following lectures by Cornelia Hahn Oberlander: - The Magic of Sand - Indoors and Out - Planning for Play Everywhere. Play in Hospitals, 1984. - Landscape Architecture in the 20th Century: The Relationship of Architecture and - Landscape Architecture. Museum of Modern Art October 21-22. - Lecture given at the Vancouver Art Gallery, 1954. - The TVA as creator of a Regional Landscape. - Greening the City. University of Texas. November 18, 1994. - The Garden in My Life and My Work. Western Washington University. June 14, 1988. - Nature in the City: or, the City in Nature. Architecture and Urban Studies Alliance, Calgary, Alberta. February 11, 1987. - Address to the Graduating Classes in Agrcultural Sciences, Applied Science, Architecture, Landscape Architecture, Community and Regional Planning, Forestry, - Interdisciplinary Studies. The University of British Columbia. May 29, 1991. - The Garden as Art. Van Dusen Botanical Garden. October 2, 1990. - Landscapes that Shaped Vancouver. The Society of Architectural Historians. October 13, 2000. - Breaking Ground. Smith College. March 26, 2001. - Green Spaces: Inspiring Landscapes by Women - Landscape Architecture in the Next Millenium. Hotel Vancouver. March 29, 1999. - Landscape Architecture: Bridge Between Buliding and Nature. Toronto, ON. November 26, 1999. - Limiting Footprints: An Ecological Approach to Landscape Architecture. Harvard University. March 27, 2001. - Leadership in Landscape: Sustainable Development Directions for the Future. Smith College. March 18, 1998. - Linking Places to Design: An Ecological Approach. Alaska Design Forum Lecture. April 1999. - Limiting Footprints: An Ecological Approach to Landscape Architecture. February 22, 2001. - The Meanings of Gardens… Transformed. University of Virginia. March 23, 2001. - Landscape Architecture North of the Arctic Circle. University of Massachusetts, Amherst. March 26, 2007. - Landscape Architecture Aesthetics and Sustainability. Palm Springs, CA. March 15, 2008. - Limiting Footprints: Low Impact Technologies. University of Arkansas. February 20, 2005. - Conservation of 20th Century Canadian Landscapes. ASLA CSLA Montreal. September 22, 2001. - Government Complex of the Province of British Columbia, Vancouver, BC: Changes of a City. October 11, 1979. - Heritage of Green Spaces: Robson Square. Vancouver Heritage Foundation. April 21, 2010. - Where Architecture Meets the Trees. Smith College. February 29, 1992. - Green Roofs and Sustainable Development: Ideas into Action. McGill University. October 21, 2005.
Texts of Cornelia Hahn Oberlander for various lectures
Actions:
AP075.S3.SS1.019
Description:
Contains typescript text for the following lectures by Cornelia Hahn Oberlander: - The Magic of Sand - Indoors and Out - Planning for Play Everywhere. Play in Hospitals, 1984. - Landscape Architecture in the 20th Century: The Relationship of Architecture and - Landscape Architecture. Museum of Modern Art October 21-22. - Lecture given at the Vancouver Art Gallery, 1954. - The TVA as creator of a Regional Landscape. - Greening the City. University of Texas. November 18, 1994. - The Garden in My Life and My Work. Western Washington University. June 14, 1988. - Nature in the City: or, the City in Nature. Architecture and Urban Studies Alliance, Calgary, Alberta. February 11, 1987. - Address to the Graduating Classes in Agrcultural Sciences, Applied Science, Architecture, Landscape Architecture, Community and Regional Planning, Forestry, - Interdisciplinary Studies. The University of British Columbia. May 29, 1991. - The Garden as Art. Van Dusen Botanical Garden. October 2, 1990. - Landscapes that Shaped Vancouver. The Society of Architectural Historians. October 13, 2000. - Breaking Ground. Smith College. March 26, 2001. - Green Spaces: Inspiring Landscapes by Women - Landscape Architecture in the Next Millenium. Hotel Vancouver. March 29, 1999. - Landscape Architecture: Bridge Between Buliding and Nature. Toronto, ON. November 26, 1999. - Limiting Footprints: An Ecological Approach to Landscape Architecture. Harvard University. March 27, 2001. - Leadership in Landscape: Sustainable Development Directions for the Future. Smith College. March 18, 1998. - Linking Places to Design: An Ecological Approach. Alaska Design Forum Lecture. April 1999. - Limiting Footprints: An Ecological Approach to Landscape Architecture. February 22, 2001. - The Meanings of Gardens… Transformed. University of Virginia. March 23, 2001. - Landscape Architecture North of the Arctic Circle. University of Massachusetts, Amherst. March 26, 2007. - Landscape Architecture Aesthetics and Sustainability. Palm Springs, CA. March 15, 2008. - Limiting Footprints: Low Impact Technologies. University of Arkansas. February 20, 2005. - Conservation of 20th Century Canadian Landscapes. ASLA CSLA Montreal. September 22, 2001. - Government Complex of the Province of British Columbia, Vancouver, BC: Changes of a City. October 11, 1979. - Heritage of Green Spaces: Robson Square. Vancouver Heritage Foundation. April 21, 2010. - Where Architecture Meets the Trees. Smith College. February 29, 1992. - Green Roofs and Sustainable Development: Ideas into Action. McGill University. October 21, 2005.
Form:
textual records
textual records
Date:
1954-2010
1954-2010
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP207.S1.2012.PR10
Description:
The project series documents "Materiali Da Construzione" a photo montage of what Pettena considered construction material (stones, twigs, straw, leaves and sand) and presented in the form of a catalogue. "What nature offers to an often unwitting observation, or to an appreciation of a solely aesthetic type, is here picked out, considered and classified as possible construction material." [1] The project series contains a photo montage of samples of each of the construction materials and photographs of various types of materials for selection. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-materials-2012/ (last accessed 27 January 2020)
AP207.S1.2012.PR10
Description:
The project series documents "Materiali Da Construzione" a photo montage of what Pettena considered construction material (stones, twigs, straw, leaves and sand) and presented in the form of a catalogue. "What nature offers to an often unwitting observation, or to an appreciation of a solely aesthetic type, is here picked out, considered and classified as possible construction material." [1] The project series contains a photo montage of samples of each of the construction materials and photographs of various types of materials for selection. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-materials-2012/ (last accessed 27 January 2020)
People:
Date:
2011-2015
2011-2015
Title:
Materiali Da Construzione [Construction Materials] (2012)
Actions:
AP207.S1.2012.PR10
Description:
The project series documents "Materiali Da Construzione" a photo montage of what Pettena considered construction material (stones, twigs, straw, leaves and sand) and presented in the form of a catalogue. "What nature offers to an often unwitting observation, or to an appreciation of a solely aesthetic type, is here picked out, considered and classified as possible construction material." [1] The project series contains a photo montage of samples of each of the construction materials and photographs of various types of materials for selection. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-materials-2012/ (last accessed 27 January 2020)
Materiali Da Construzione [Construction Materials] (2012)
Actions:
AP207.S1.2012.PR10
Description:
The project series documents "Materiali Da Construzione" a photo montage of what Pettena considered construction material (stones, twigs, straw, leaves and sand) and presented in the form of a catalogue. "What nature offers to an often unwitting observation, or to an appreciation of a solely aesthetic type, is here picked out, considered and classified as possible construction material." [1] The project series contains a photo montage of samples of each of the construction materials and photographs of various types of materials for selection. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-materials-2012/ (last accessed 27 January 2020)
Level of archival description:
Project
Project
Date:
2011-2015
2011-2015
People:
Level of archival description:
Project
Project
Title:
Rink
Rink
Actions:
Reference number:
AP144.S2.D160
Description:
File documents a consultancy project related to the Channel Tunnel Rail Link (CTRL) running from London to Folkestone, England. Price was commissioned to work in conjunction with engineering and environmental teams to provide input to the aesthetic design of major structures located along the CTRL route. A significant part of the work done on the project relates to a proposal to use a bridge rather than a tunnel on the section of the link crossing the Thames. The bridge would have been built between Gravesend, Kent and Tilbury, Thurrock. Material in this file was produced between 1986 and 1997, but predominantly in 1992. File contains conceptual drawings and textual records.
AP144.S2.D160
Description:
File documents a consultancy project related to the Channel Tunnel Rail Link (CTRL) running from London to Folkestone, England. Price was commissioned to work in conjunction with engineering and environmental teams to provide input to the aesthetic design of major structures located along the CTRL route. A significant part of the work done on the project relates to a proposal to use a bridge rather than a tunnel on the section of the link crossing the Thames. The bridge would have been built between Gravesend, Kent and Tilbury, Thurrock. Material in this file was produced between 1986 and 1997, but predominantly in 1992. File contains conceptual drawings and textual records.
People:
Date:
1986-1997, predominant 1992
1986-1997, predominant 1992
Title:
Rink
Actions:
AP144.S2.D160
Description:
File documents a consultancy project related to the Channel Tunnel Rail Link (CTRL) running from London to Folkestone, England. Price was commissioned to work in conjunction with engineering and environmental teams to provide input to the aesthetic design of major structures located along the CTRL route. A significant part of the work done on the project relates to a proposal to use a bridge rather than a tunnel on the section of the link crossing the Thames. The bridge would have been built between Gravesend, Kent and Tilbury, Thurrock. Material in this file was produced between 1986 and 1997, but predominantly in 1992. File contains conceptual drawings and textual records.
Rink
Actions:
AP144.S2.D160
Description:
File documents a consultancy project related to the Channel Tunnel Rail Link (CTRL) running from London to Folkestone, England. Price was commissioned to work in conjunction with engineering and environmental teams to provide input to the aesthetic design of major structures located along the CTRL route. A significant part of the work done on the project relates to a proposal to use a bridge rather than a tunnel on the section of the link crossing the Thames. The bridge would have been built between Gravesend, Kent and Tilbury, Thurrock. Material in this file was produced between 1986 and 1997, but predominantly in 1992. File contains conceptual drawings and textual records.
Level of archival description:
File 160
File 160
Date:
1986-1997, predominant 1992
1986-1997, predominant 1992
People:
Level of archival description:
Project
Project
Reference number:
CI005.S1.1919.PR1
Description:
Oud was commissioned to design a distillery factory and warehouse just outside of Purmerend. Oud's original drawings consist of a rectangular hall and a distillery placed in a symmetrical layout. Oud later expanded his design in 1919 and modified it according to the client's wishes. Although the plans were never realized for the distillery factory in Purmerend, Oud's factory design and photographs of a model were exhibited as an example of the De Stijl aesthetic in the Paris Rosenberg gallery (Taverne et al. 2001,150-156). The project series includes design drawings as well as photographs of plans for the factory and warehouse. The series also includes a photograph of a model.
CI005.S1.1919.PR1
Description:
Oud was commissioned to design a distillery factory and warehouse just outside of Purmerend. Oud's original drawings consist of a rectangular hall and a distillery placed in a symmetrical layout. Oud later expanded his design in 1919 and modified it according to the client's wishes. Although the plans were never realized for the distillery factory in Purmerend, Oud's factory design and photographs of a model were exhibited as an example of the De Stijl aesthetic in the Paris Rosenberg gallery (Taverne et al. 2001,150-156). The project series includes design drawings as well as photographs of plans for the factory and warehouse. The series also includes a photograph of a model.
People:
Date:
1919
1919
Title:
Factory and Warehouse, Purmerend, Netherlands (1919-1920)
Actions:
CI005.S1.1919.PR1
Description:
Oud was commissioned to design a distillery factory and warehouse just outside of Purmerend. Oud's original drawings consist of a rectangular hall and a distillery placed in a symmetrical layout. Oud later expanded his design in 1919 and modified it according to the client's wishes. Although the plans were never realized for the distillery factory in Purmerend, Oud's factory design and photographs of a model were exhibited as an example of the De Stijl aesthetic in the Paris Rosenberg gallery (Taverne et al. 2001,150-156). The project series includes design drawings as well as photographs of plans for the factory and warehouse. The series also includes a photograph of a model.
Factory and Warehouse, Purmerend, Netherlands (1919-1920)
Actions:
CI005.S1.1919.PR1
Description:
Oud was commissioned to design a distillery factory and warehouse just outside of Purmerend. Oud's original drawings consist of a rectangular hall and a distillery placed in a symmetrical layout. Oud later expanded his design in 1919 and modified it according to the client's wishes. Although the plans were never realized for the distillery factory in Purmerend, Oud's factory design and photographs of a model were exhibited as an example of the De Stijl aesthetic in the Paris Rosenberg gallery (Taverne et al. 2001,150-156). The project series includes design drawings as well as photographs of plans for the factory and warehouse. The series also includes a photograph of a model.
Level of archival description:
project
project
Date:
1919
1919
People:
Form:
textual records
textual records
Reference number:
AP206.S2.006
Description:
File was originally housed in a binder along with content arranged in AP206.S2.007, AP206.S2.008 and AP206.S2.009. This file contains the following papers: "Architecture as a Career," 1970 "The Modular" 1968 "Aesthetic Offence by Noise," 1972 "Education of an Architect bearing in mind Economic, Cultural, and Technical needs of the Country" "Convocation address by Principal Aditya Prakash," at Chandigarh College of Architecture, 1970
AP206.S2.006
Description:
File was originally housed in a binder along with content arranged in AP206.S2.007, AP206.S2.008 and AP206.S2.009. This file contains the following papers: "Architecture as a Career," 1970 "The Modular" 1968 "Aesthetic Offence by Noise," 1972 "Education of an Architect bearing in mind Economic, Cultural, and Technical needs of the Country" "Convocation address by Principal Aditya Prakash," at Chandigarh College of Architecture, 1970
People:
Date:
1959-1972
1959-1972
Title:
Published and unpublished papers (folder 1 of 4)
Actions:
AP206.S2.006
Description:
File was originally housed in a binder along with content arranged in AP206.S2.007, AP206.S2.008 and AP206.S2.009. This file contains the following papers: "Architecture as a Career," 1970 "The Modular" 1968 "Aesthetic Offence by Noise," 1972 "Education of an Architect bearing in mind Economic, Cultural, and Technical needs of the Country" "Convocation address by Principal Aditya Prakash," at Chandigarh College of Architecture, 1970
Published and unpublished papers (folder 1 of 4)
Actions:
AP206.S2.006
Description:
File was originally housed in a binder along with content arranged in AP206.S2.007, AP206.S2.008 and AP206.S2.009. This file contains the following papers: "Architecture as a Career," 1970 "The Modular" 1968 "Aesthetic Offence by Noise," 1972 "Education of an Architect bearing in mind Economic, Cultural, and Technical needs of the Country" "Convocation address by Principal Aditya Prakash," at Chandigarh College of Architecture, 1970
Form:
textual records
textual records
Date:
1959-1972
1959-1972
People:
Level of archival description:
Project
Project
Reference number:
CI005.S1.1918.PR2
Description:
Emilie Knappert commissioned De Vonk Holiday Hostel as a home for working class girls – a project undertaken with the support of the charitable cooperation of the Vereeniging Buitenbedrijf foundation. Oud was recommended for the design by architect, H.P. Berlage, who was unable to undertake the commission. Oud worked with existing designs to systematize and streamline the existing plans and to create a highly symmetrical building. Contemporaries viewed the building as exemplifying the aesthetic of monumentality. The design was conceived of, collaboratively, with artists Van Doesburg and Harm Kamerlingh Onnes (Taverne et al. 2001, 139-143). The project series includes photographs of the window designed by Onnes and of the entrance with the tiled floor, designed by Van Doesburg.
CI005.S1.1918.PR2
Description:
Emilie Knappert commissioned De Vonk Holiday Hostel as a home for working class girls – a project undertaken with the support of the charitable cooperation of the Vereeniging Buitenbedrijf foundation. Oud was recommended for the design by architect, H.P. Berlage, who was unable to undertake the commission. Oud worked with existing designs to systematize and streamline the existing plans and to create a highly symmetrical building. Contemporaries viewed the building as exemplifying the aesthetic of monumentality. The design was conceived of, collaboratively, with artists Van Doesburg and Harm Kamerlingh Onnes (Taverne et al. 2001, 139-143). The project series includes photographs of the window designed by Onnes and of the entrance with the tiled floor, designed by Van Doesburg.
People:
Date:
1918
1918
Title:
De Vonk Holiday Hostel, Noordwijkerhout, Netherlands (1917-1919)
Actions:
CI005.S1.1918.PR2
Description:
Emilie Knappert commissioned De Vonk Holiday Hostel as a home for working class girls – a project undertaken with the support of the charitable cooperation of the Vereeniging Buitenbedrijf foundation. Oud was recommended for the design by architect, H.P. Berlage, who was unable to undertake the commission. Oud worked with existing designs to systematize and streamline the existing plans and to create a highly symmetrical building. Contemporaries viewed the building as exemplifying the aesthetic of monumentality. The design was conceived of, collaboratively, with artists Van Doesburg and Harm Kamerlingh Onnes (Taverne et al. 2001, 139-143). The project series includes photographs of the window designed by Onnes and of the entrance with the tiled floor, designed by Van Doesburg.
De Vonk Holiday Hostel, Noordwijkerhout, Netherlands (1917-1919)
Actions:
CI005.S1.1918.PR2
Description:
Emilie Knappert commissioned De Vonk Holiday Hostel as a home for working class girls – a project undertaken with the support of the charitable cooperation of the Vereeniging Buitenbedrijf foundation. Oud was recommended for the design by architect, H.P. Berlage, who was unable to undertake the commission. Oud worked with existing designs to systematize and streamline the existing plans and to create a highly symmetrical building. Contemporaries viewed the building as exemplifying the aesthetic of monumentality. The design was conceived of, collaboratively, with artists Van Doesburg and Harm Kamerlingh Onnes (Taverne et al. 2001, 139-143). The project series includes photographs of the window designed by Onnes and of the entrance with the tiled floor, designed by Van Doesburg.
Level of archival description:
project
project
Date:
1918
1918
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP207.S1.2012.PR02
Description:
The project series documents a series of photographs entitled "Progetti D'Architettura" by Pettena in 2012. The photographs series consists of a landscape photographs showing geological formations similar to the one seen from the city of Bolzano, Pettena's birthplace. This project is "reflections on architecture inspired by the mountains of his birthplace, symbol of a presence that conceptually, and often unconsciously, accompanies us in our aesthetic choices. Choices that are translated in architecture through the awareness of the transformation of spaces through time and of the effects of different lights and different perceptions." [1] The project series contains a photo montage of landscape photographs. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-architecture-projects-2012/ (last accessed 27 January 2020)
AP207.S1.2012.PR02
Description:
The project series documents a series of photographs entitled "Progetti D'Architettura" by Pettena in 2012. The photographs series consists of a landscape photographs showing geological formations similar to the one seen from the city of Bolzano, Pettena's birthplace. This project is "reflections on architecture inspired by the mountains of his birthplace, symbol of a presence that conceptually, and often unconsciously, accompanies us in our aesthetic choices. Choices that are translated in architecture through the awareness of the transformation of spaces through time and of the effects of different lights and different perceptions." [1] The project series contains a photo montage of landscape photographs. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-architecture-projects-2012/ (last accessed 27 January 2020)
People:
Date:
2012-2015
2012-2015
Title:
Progetti D'Architettura [Architecture Projects] (2012)
Actions:
AP207.S1.2012.PR02
Description:
The project series documents a series of photographs entitled "Progetti D'Architettura" by Pettena in 2012. The photographs series consists of a landscape photographs showing geological formations similar to the one seen from the city of Bolzano, Pettena's birthplace. This project is "reflections on architecture inspired by the mountains of his birthplace, symbol of a presence that conceptually, and often unconsciously, accompanies us in our aesthetic choices. Choices that are translated in architecture through the awareness of the transformation of spaces through time and of the effects of different lights and different perceptions." [1] The project series contains a photo montage of landscape photographs. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-architecture-projects-2012/ (last accessed 27 January 2020)
Progetti D'Architettura [Architecture Projects] (2012)
Actions:
AP207.S1.2012.PR02
Description:
The project series documents a series of photographs entitled "Progetti D'Architettura" by Pettena in 2012. The photographs series consists of a landscape photographs showing geological formations similar to the one seen from the city of Bolzano, Pettena's birthplace. This project is "reflections on architecture inspired by the mountains of his birthplace, symbol of a presence that conceptually, and often unconsciously, accompanies us in our aesthetic choices. Choices that are translated in architecture through the awareness of the transformation of spaces through time and of the effects of different lights and different perceptions." [1] The project series contains a photo montage of landscape photographs. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-architecture-projects-2012/ (last accessed 27 January 2020)
Level of archival description:
Project
Project
Date:
2012-2015
2012-2015
People:
Level of archival description:
Project
Project
Title:
House, Selsdon
House, Selsdon
Reference number:
AP144.S2.D42
Description:
File documents an unexecuted project for a detached private residence located at Beech Way in Selsdon, Surrey, (now Croydon, part of Greater London), England, for Jean Newlove (Mrs. Jean McColl). The local planning authority refused the project citing aesthetic considerations. The house was to be constructed as a "series of interleaved reinforced concrete trays" supported by columns ("Cedric Price Supplement No. 2", 'Architectural Design', vol. 41, (January 1971), 36). File contains conceptual and design development sketches that explore exterior elevations, stair and glazing details; axonometric drawings and sections that show relationship between floor levels and functions; and framing plans showing the preliminary structural layout. Material in this file was produced between 1962 and 1964. File contains conceptual drawings, design development drawings, presentation drawings, photographic materials, and textual records.
AP144.S2.D42
Description:
File documents an unexecuted project for a detached private residence located at Beech Way in Selsdon, Surrey, (now Croydon, part of Greater London), England, for Jean Newlove (Mrs. Jean McColl). The local planning authority refused the project citing aesthetic considerations. The house was to be constructed as a "series of interleaved reinforced concrete trays" supported by columns ("Cedric Price Supplement No. 2", 'Architectural Design', vol. 41, (January 1971), 36). File contains conceptual and design development sketches that explore exterior elevations, stair and glazing details; axonometric drawings and sections that show relationship between floor levels and functions; and framing plans showing the preliminary structural layout. Material in this file was produced between 1962 and 1964. File contains conceptual drawings, design development drawings, presentation drawings, photographic materials, and textual records.
People:
Date:
1962-1964
1962-1964
Title:
House, Selsdon
Actions:
AP144.S2.D42
Description:
File documents an unexecuted project for a detached private residence located at Beech Way in Selsdon, Surrey, (now Croydon, part of Greater London), England, for Jean Newlove (Mrs. Jean McColl). The local planning authority refused the project citing aesthetic considerations. The house was to be constructed as a "series of interleaved reinforced concrete trays" supported by columns ("Cedric Price Supplement No. 2", 'Architectural Design', vol. 41, (January 1971), 36). File contains conceptual and design development sketches that explore exterior elevations, stair and glazing details; axonometric drawings and sections that show relationship between floor levels and functions; and framing plans showing the preliminary structural layout. Material in this file was produced between 1962 and 1964. File contains conceptual drawings, design development drawings, presentation drawings, photographic materials, and textual records.
House, Selsdon
Actions:
AP144.S2.D42
Description:
File documents an unexecuted project for a detached private residence located at Beech Way in Selsdon, Surrey, (now Croydon, part of Greater London), England, for Jean Newlove (Mrs. Jean McColl). The local planning authority refused the project citing aesthetic considerations. The house was to be constructed as a "series of interleaved reinforced concrete trays" supported by columns ("Cedric Price Supplement No. 2", 'Architectural Design', vol. 41, (January 1971), 36). File contains conceptual and design development sketches that explore exterior elevations, stair and glazing details; axonometric drawings and sections that show relationship between floor levels and functions; and framing plans showing the preliminary structural layout. Material in this file was produced between 1962 and 1964. File contains conceptual drawings, design development drawings, presentation drawings, photographic materials, and textual records.
Level of archival description:
File 42
File 42
Date:
1962-1964
1962-1964
People:
Level of archival description:
Project
Project
Actions:
Reference number:
CI005.S1.1925.PR1
Description:
The Rotterdam building inspectorate, Bouwpolite & Woningdienst, rejected the original plans for the design of the Café de Unie by a private developer, and instead commissioned Oud, as municipal architect, to design the building on Calandplein. This design marked a departure for Oud from public and private buildings to the design of a commercial building. Oud's design incorporated advertisement from its conception as he designed a facade of boards, cement, and glass with an illuminated sign – this was in keeping with the contemporary aesthetic of De Stijl, which explored creative uses of advertisement. Oud designed the signs to be turned inward, to draw attention away from the surrounding buildings, and incorporated bright colours (Taverne et al. 2001, 342). Project series includes drawings of plans as well as photographs of exterior views and of the principal facade of the Café de Unie.
CI005.S1.1925.PR1
Description:
The Rotterdam building inspectorate, Bouwpolite & Woningdienst, rejected the original plans for the design of the Café de Unie by a private developer, and instead commissioned Oud, as municipal architect, to design the building on Calandplein. This design marked a departure for Oud from public and private buildings to the design of a commercial building. Oud's design incorporated advertisement from its conception as he designed a facade of boards, cement, and glass with an illuminated sign – this was in keeping with the contemporary aesthetic of De Stijl, which explored creative uses of advertisement. Oud designed the signs to be turned inward, to draw attention away from the surrounding buildings, and incorporated bright colours (Taverne et al. 2001, 342). Project series includes drawings of plans as well as photographs of exterior views and of the principal facade of the Café de Unie.
People:
Date:
1925
1925
Title:
Café de Unie, Rotterdam, Netherlands (1925)
Actions:
CI005.S1.1925.PR1
Description:
The Rotterdam building inspectorate, Bouwpolite & Woningdienst, rejected the original plans for the design of the Café de Unie by a private developer, and instead commissioned Oud, as municipal architect, to design the building on Calandplein. This design marked a departure for Oud from public and private buildings to the design of a commercial building. Oud's design incorporated advertisement from its conception as he designed a facade of boards, cement, and glass with an illuminated sign – this was in keeping with the contemporary aesthetic of De Stijl, which explored creative uses of advertisement. Oud designed the signs to be turned inward, to draw attention away from the surrounding buildings, and incorporated bright colours (Taverne et al. 2001, 342). Project series includes drawings of plans as well as photographs of exterior views and of the principal facade of the Café de Unie.
Café de Unie, Rotterdam, Netherlands (1925)
Actions:
CI005.S1.1925.PR1
Description:
The Rotterdam building inspectorate, Bouwpolite & Woningdienst, rejected the original plans for the design of the Café de Unie by a private developer, and instead commissioned Oud, as municipal architect, to design the building on Calandplein. This design marked a departure for Oud from public and private buildings to the design of a commercial building. Oud's design incorporated advertisement from its conception as he designed a facade of boards, cement, and glass with an illuminated sign – this was in keeping with the contemporary aesthetic of De Stijl, which explored creative uses of advertisement. Oud designed the signs to be turned inward, to draw attention away from the surrounding buildings, and incorporated bright colours (Taverne et al. 2001, 342). Project series includes drawings of plans as well as photographs of exterior views and of the principal facade of the Café de Unie.
Level of archival description:
project
project
Date:
1925
1925
People:
