1304 Results
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books
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Description:
xv, 262 pages ; illustrations ; 24 cm
Description:
xv, 262 pages ; illustrations ; 24 cm
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Abingdon, Oxon ; New York, NY : Routledge, an imprint of the Taylor & Francis Group, 2020.
Abingdon, Oxon ; New York, NY : Routledge, an imprint of the Taylor & Francis Group, 2020.
Title:
Non-standard architectural productions : between aesthetic experience and social action / edited by Sandra Karina Löschke.
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xv, 262 pages ; illustrations ; 24 cm
Non-standard architectural productions : between aesthetic experience and social action / edited by Sandra Karina Löschke.
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xv, 262 pages ; illustrations ; 24 cm
Form:
books
books
Publication:
Abingdon, Oxon ; New York, NY : Routledge, an imprint of the Taylor & Francis Group, 2020.
Abingdon, Oxon ; New York, NY : Routledge, an imprint of the Taylor & Francis Group, 2020.
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books
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557 pages : illustrations ; 25 cm
Description:
557 pages : illustrations ; 25 cm
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Cinisello Balsamo (Milano) : Silvana Editoriale, [2021], ©2021
Cinisello Balsamo (Milano) : Silvana Editoriale, [2021], ©2021
Title:
The story of (my) exhibitions / Germano Celant.
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557 pages : illustrations ; 25 cm
The story of (my) exhibitions / Germano Celant.
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Description:
557 pages : illustrations ; 25 cm
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books
books
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Cinisello Balsamo (Milano) : Silvana Editoriale, [2021], ©2021
Cinisello Balsamo (Milano) : Silvana Editoriale, [2021], ©2021
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audio
audio
Title:
Nizhónígo Hadadít'eh.
Nizhónígo Hadadít'eh.
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1 online resource.
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[Place of publication not identified] : Momus, 2023.
[Place of publication not identified] : Momus, 2023.
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audio
audio
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[Place of publication not identified] : Momus, 2023.
[Place of publication not identified] : Momus, 2023.
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books
books
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xvii, 201 pages : illustrations ; 25 cm.
Description:
xvii, 201 pages : illustrations ; 25 cm.
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Publication:
Cambridge, MA : MIT Press, 2010.
Cambridge, MA : MIT Press, 2010.
Title:
Architecture at the edge of everything else / edited by Esther Choi and Marrikka Trotter.
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xvii, 201 pages : illustrations ; 25 cm.
Architecture at the edge of everything else / edited by Esther Choi and Marrikka Trotter.
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xvii, 201 pages : illustrations ; 25 cm.
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books
books
Publication:
Cambridge, MA : MIT Press, 2010.
Cambridge, MA : MIT Press, 2010.
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books
books
Title:
Curating art now
Curating art now
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$46.99
(available in store)
Summary:
''Curating Art Now'' is a timely reflection on the practice of curating and the role of the art curator during a period of rapid change. Curating has a pivotal position in the art world: it is embedded in the identity and expertise of the museum and plays an ever-increasing role in the commercial art sector too. Current curatorial practice encompasses a wide range of(...)
$46.99
(available in store)
Summary:
''Curating Art Now'' is a timely reflection on the practice of curating and the role of the art curator during a period of rapid change. Curating has a pivotal position in the art world: it is embedded in the identity and expertise of the museum and plays an ever-increasing role in the commercial art sector too. Current curatorial practice encompasses a wide range of(...)
Title:
Curating art now
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$46.99
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Summary:
''Curating Art Now'' is a timely reflection on the practice of curating and the role of the art curator during a period of rapid change. Curating has a pivotal position in the art world: it is embedded in the identity and expertise of the museum and plays an ever-increasing role in the commercial art sector too. Current curatorial practice encompasses a wide range of activities, from the care of collections in museums to the presentation of large-scale contemporary biennials, and from collaboration with artists to presentations of work on digital platforms.
Curating art now
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$46.99
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Summary:
''Curating Art Now'' is a timely reflection on the practice of curating and the role of the art curator during a period of rapid change. Curating has a pivotal position in the art world: it is embedded in the identity and expertise of the museum and plays an ever-increasing role in the commercial art sector too. Current curatorial practice encompasses a wide range of activities, from the care of collections in museums to the presentation of large-scale contemporary biennials, and from collaboration with artists to presentations of work on digital platforms.
Form:
books
books
Publication:
November 2022
November 2022
Subject:
Museology
Museology
Form:
books
books
Title:
Curating research
Curating research
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$40.00
(available to order)
Summary:
This anthology of newly commissioned texts presents a series of detailed examples of the different kinds of knowledge production that have recently emerged within the field of curatorial practice. The first volume of its kind to provide an overview of the theme of research within contemporary curating, Curating Research marks a new phase in developments of the profession(...)
$40.00
(available to order)
Summary:
This anthology of newly commissioned texts presents a series of detailed examples of the different kinds of knowledge production that have recently emerged within the field of curatorial practice. The first volume of its kind to provide an overview of the theme of research within contemporary curating, Curating Research marks a new phase in developments of the profession(...)
Title:
Curating research
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$40.00
(available to order)
Summary:
This anthology of newly commissioned texts presents a series of detailed examples of the different kinds of knowledge production that have recently emerged within the field of curatorial practice. The first volume of its kind to provide an overview of the theme of research within contemporary curating, Curating Research marks a new phase in developments of the profession globally. Consisting of case studies and contextual analyses by curators, artists, critics and academics.
Curating research
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$40.00
(available to order)
Summary:
This anthology of newly commissioned texts presents a series of detailed examples of the different kinds of knowledge production that have recently emerged within the field of curatorial practice. The first volume of its kind to provide an overview of the theme of research within contemporary curating, Curating Research marks a new phase in developments of the profession globally. Consisting of case studies and contextual analyses by curators, artists, critics and academics.
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books
books
Publication:
January 2015
January 2015
Subject:
Museology
Museology
Form:
books
books
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1 online resource : illustrations.
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Publication:
Ostfildern : Hatje Cantz, [2012], ©2012
Ostfildern : Hatje Cantz, [2012], ©2012
Title:
Show and tell = Zeigen und Erzählen / Iwona Blazwick ; translation/Übersetzung: Astrid Wege.
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Description:
1 online resource : illustrations.
Show and tell = Zeigen und Erzählen / Iwona Blazwick ; translation/Übersetzung: Astrid Wege.
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Description:
1 online resource : illustrations.
Form:
books
books
Publication:
Ostfildern : Hatje Cantz, [2012], ©2012
Ostfildern : Hatje Cantz, [2012], ©2012
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Subject:
Form:
books
books
Title:
Curating Subjects
Curating Subjects
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$36.00
(available to order)
Summary:
This book is a welcome addition to he growing literature about exhibition making. Moving away from autobiographical, first person narratives, Curating Subjects instead invites its broad range of contributors to comment upon the curatorial endeavours of others. Conflating and colliding the past and the present with possible futures this book unfolds as an idiosyncratic(...)
$36.00
(available to order)
Summary:
This book is a welcome addition to he growing literature about exhibition making. Moving away from autobiographical, first person narratives, Curating Subjects instead invites its broad range of contributors to comment upon the curatorial endeavours of others. Conflating and colliding the past and the present with possible futures this book unfolds as an idiosyncratic(...)
Title:
Curating Subjects
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$36.00
(available to order)
Summary:
This book is a welcome addition to he growing literature about exhibition making. Moving away from autobiographical, first person narratives, Curating Subjects instead invites its broad range of contributors to comment upon the curatorial endeavours of others. Conflating and colliding the past and the present with possible futures this book unfolds as an idiosyncratic conversation that is at once informative, entertaining, and often revealing.
Curating Subjects
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$36.00
(available to order)
Summary:
This book is a welcome addition to he growing literature about exhibition making. Moving away from autobiographical, first person narratives, Curating Subjects instead invites its broad range of contributors to comment upon the curatorial endeavours of others. Conflating and colliding the past and the present with possible futures this book unfolds as an idiosyncratic conversation that is at once informative, entertaining, and often revealing.
Form:
books
books
Publication:
October 2011, London
October 2011, London
Subject:
Museology
Museology
Form:
books
books
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$29.95
(available to order)
Summary:
Once considered a mere caretaker for collections, the curator is now widely viewed as a globally connected auteur. Over the last twenty-five years, as international group exhibitions and biennials have become the dominant mode of presenting contemporary art to the public, curatorship has begun to be perceived as a constellation of creative activities not unlike artistic(...)
$29.95
(available to order)
Summary:
Once considered a mere caretaker for collections, the curator is now widely viewed as a globally connected auteur. Over the last twenty-five years, as international group exhibitions and biennials have become the dominant mode of presenting contemporary art to the public, curatorship has begun to be perceived as a constellation of creative activities not unlike artistic(...)
Title:
The culture of curating and the curating of culture(s)
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$29.95
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Summary:
Once considered a mere caretaker for collections, the curator is now widely viewed as a globally connected auteur. Over the last twenty-five years, as international group exhibitions and biennials have become the dominant mode of presenting contemporary art to the public, curatorship has begun to be perceived as a constellation of creative activities not unlike artistic praxis. The curator has gone from being a behind-the-scenes organizer and selector to a visible, centrally important cultural producer. In The Culture of Curating and the Curating of Culture(s), Paul O’Neill examines the emergence of independent curatorship and the discourse that helped to establish it. O’Neill describes how, by the 1980s, curated group exhibitions - large-scale, temporary projects with artworks cast as illustrative fragments - came to be understood as the creative work of curator-auteurs. The proliferation of new biennials and other large international exhibitions in the 1990s created a cohort of high-profile, globally mobile curators, moving from Venice to Paris to Kassel. In the 1990s, curatorial and artistic practice converged, blurring the distinction between artist and curator. O’Neill argues that this change in the understanding of curatorship was shaped by a curator-centered discourse that effectively advocated - and authorized - the new independent curatorial practice. Drawing on the extensive curatorial literature and his own interviews with leading curators, critics, art historians, and artists, O’Neill traces the development of the curator-as-artist model and the ways it has been contested. The Culture of Curating and the Curating of Culture(s) documents the many ways in which our perception of art has been transformed by curating and the discourses surrounding it.
The culture of curating and the curating of culture(s)
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Price:
$29.95
(available to order)
Summary:
Once considered a mere caretaker for collections, the curator is now widely viewed as a globally connected auteur. Over the last twenty-five years, as international group exhibitions and biennials have become the dominant mode of presenting contemporary art to the public, curatorship has begun to be perceived as a constellation of creative activities not unlike artistic praxis. The curator has gone from being a behind-the-scenes organizer and selector to a visible, centrally important cultural producer. In The Culture of Curating and the Curating of Culture(s), Paul O’Neill examines the emergence of independent curatorship and the discourse that helped to establish it. O’Neill describes how, by the 1980s, curated group exhibitions - large-scale, temporary projects with artworks cast as illustrative fragments - came to be understood as the creative work of curator-auteurs. The proliferation of new biennials and other large international exhibitions in the 1990s created a cohort of high-profile, globally mobile curators, moving from Venice to Paris to Kassel. In the 1990s, curatorial and artistic practice converged, blurring the distinction between artist and curator. O’Neill argues that this change in the understanding of curatorship was shaped by a curator-centered discourse that effectively advocated - and authorized - the new independent curatorial practice. Drawing on the extensive curatorial literature and his own interviews with leading curators, critics, art historians, and artists, O’Neill traces the development of the curator-as-artist model and the ways it has been contested. The Culture of Curating and the Curating of Culture(s) documents the many ways in which our perception of art has been transformed by curating and the discourses surrounding it.
Form:
books
books
Publication:
September 2012
September 2012
Subject:
Museology
Museology
Form:
books
books
Title:
Curating and repair
Curating and repair
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$45.00
(available to order)
Summary:
''Curating & Repair'' is a publication exploring contemporary curatorial practices and exhibition-making as contexts for dialogue, exchange and the remaking of social and cultural relations through repair. It seeks actionable insights into how artistic work, its mediation and the institutions that support it might be mobilised toward more sustainable and interdependent(...)
$45.00
(available to order)
Summary:
''Curating & Repair'' is a publication exploring contemporary curatorial practices and exhibition-making as contexts for dialogue, exchange and the remaking of social and cultural relations through repair. It seeks actionable insights into how artistic work, its mediation and the institutions that support it might be mobilised toward more sustainable and interdependent(...)
Title:
Curating and repair
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$45.00
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Summary:
''Curating & Repair'' is a publication exploring contemporary curatorial practices and exhibition-making as contexts for dialogue, exchange and the remaking of social and cultural relations through repair. It seeks actionable insights into how artistic work, its mediation and the institutions that support it might be mobilised toward more sustainable and interdependent worlds. Taking flight from perspectives on translation, solidarity and power, ''Curating & Repair'' approaches mediation both as contested terrain and generative possibility. It discusses the importance of challenging normative power relations in artistic collaboration, alongside the difficulties of sustaining creative work against the undertow of multiplying global crises. By aligning the curatorial with the dialogical, it calls attention to the serious, collective work that we as artists, mediators and publics have at our hands
Curating and repair
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Price:
$45.00
(available to order)
Summary:
''Curating & Repair'' is a publication exploring contemporary curatorial practices and exhibition-making as contexts for dialogue, exchange and the remaking of social and cultural relations through repair. It seeks actionable insights into how artistic work, its mediation and the institutions that support it might be mobilised toward more sustainable and interdependent worlds. Taking flight from perspectives on translation, solidarity and power, ''Curating & Repair'' approaches mediation both as contested terrain and generative possibility. It discusses the importance of challenging normative power relations in artistic collaboration, alongside the difficulties of sustaining creative work against the undertow of multiplying global crises. By aligning the curatorial with the dialogical, it calls attention to the serious, collective work that we as artists, mediators and publics have at our hands
Form:
books
books
Publication:
March 2026
March 2026
Subject:
Museology
Museology
