Paul Bonatz: 1877-1956
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Spanning Germany's modernist era and its Empire days to the postwar Federal Republic of Germany, the glittering career of Paul Bonatz (1877-1956) is studded with stylistically disparate gems. Bonatz was famed as a designer of industrial and civic architecture; his best known work is the Stuttgart railway station (1911-27). This volume surveys his career.
Paul Bonatz: 1877-1956
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Spanning Germany's modernist era and its Empire days to the postwar Federal Republic of Germany, the glittering career of Paul Bonatz (1877-1956) is studded with stylistically disparate gems. Bonatz was famed as a designer of industrial and civic architecture; his best known work is the Stuttgart railway station (1911-27). This volume surveys his career.
Architecture Monographs
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City of the Seven Hills, spiritual home of Catholic Christianity, city of the artistic imagination, enduring symbol of our common European heritage—Rome has inspired, charmed, and tempted empire-builders, dreamers, writers, and travelers across the twenty-seven centuries of its existence. Ferdinand Addis tells this rich story in a grand narrative style for a new(...)
The eternal city: a history of Rome
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City of the Seven Hills, spiritual home of Catholic Christianity, city of the artistic imagination, enduring symbol of our common European heritage—Rome has inspired, charmed, and tempted empire-builders, dreamers, writers, and travelers across the twenty-seven centuries of its existence. Ferdinand Addis tells this rich story in a grand narrative style for a new generation of readers.
History until 1900, Classicism
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xxii, 384 pages : illustrations (some color), portraits ; 29 cm
New York : Metropolitan Museum of Art, [1993], Distributed by Harry N. Abrams., ©1993
The Waking dream : photography's first century : selections from the Gilman Paper Company collection / Maria Morris Hambourg [and others].
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xxii, 384 pages : illustrations (some color), portraits ; 29 cm
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New York : Metropolitan Museum of Art, [1993], Distributed by Harry N. Abrams., ©1993
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xvi, 199 pages : illustrations ; 28 cm
Baltimore, Md : Johns Hopkins University Press ; London : Althone Press, ©1999.
Nature's museums : Victorian science and the architecture of display / Carla Yanni.
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xvi, 199 pages : illustrations ; 28 cm
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Baltimore, Md : Johns Hopkins University Press ; London : Althone Press, ©1999.
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« L’Empire de la nature » est une histoire des jardins botaniques établis dans les colonies européennes des Caraïbes, d’Asie et d’Afrique entre la fin du XVIIIe siècle. En tous lieux, ces jardins, enclaves de nature ordonnée, symboles d’une sauvagerie domptée, donnent à voir la maîtrise du monde naturel et sont institués comme des outils de la domination coloniale. Lieux(...)
L'empire de la nature : Une histoire des jardins botaniques coloniaux
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« L’Empire de la nature » est une histoire des jardins botaniques établis dans les colonies européennes des Caraïbes, d’Asie et d’Afrique entre la fin du XVIIIe siècle. En tous lieux, ces jardins, enclaves de nature ordonnée, symboles d’une sauvagerie domptée, donnent à voir la maîtrise du monde naturel et sont institués comme des outils de la domination coloniale. Lieux de savoir botanique, pépinières de vente de plantes pour la colonie, espaces de contact pour les sociétés coloniales, les jardins botaniques sont envisagés dans leur dimension savante globale, leur fonction politique et leurs usages économiques. Aux mises en réseau entre les institutions métropolitaines et les jardins coloniaux répond une microhistoire de sites dont les destinées varient en fonction des empires et des territoires.
Gardens
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An investigation into Shanghai’s rise from peripheral port to urban center. Even before the romanticized golden era of Shanghai in the 1930s, the famed Asian city was remarkable for its uniqueness and East-meets-West cosmopolitanism. Meng Yue analyzes a century-long shift of urbanity from China’s heartland to its shore. During the period between the decline of Jiangnan(...)
Shanghai and the edges of empires
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An investigation into Shanghai’s rise from peripheral port to urban center. Even before the romanticized golden era of Shanghai in the 1930s, the famed Asian city was remarkable for its uniqueness and East-meets-West cosmopolitanism. Meng Yue analyzes a century-long shift of urbanity from China’s heartland to its shore. During the period between the decline of Jiangnan cities such as Suzhou and Yangzhou and Shanghai’s early twentieth-century rise, the overlapping cultural edges of a failing Chinese royal order and the encroachment of Western imperialists converged. Simultaneously appropriating and resisting imposing forces, Shanghai opened itself to unruly, subversive practices, becoming a crucible of creativity and modernism. Calling into question conventional ways of conceptualizing modernity, colonialism, and intercultural relations, Meng Yue examines such cultural practices as the work of the commercial press, street theater, and literary arts, and shows that what appear to be minor cultural changes often signal the presence of larger political and economic developments. Engaging theories of modernity and postcolonial and global cultural studies, Meng Yue reveals the paradoxical interdependence between imperial and imperialist histories and the retranslation of culture that characterized the most notable result of China’s urban relocation—the emergence of the international city of Shanghai.
Contemporary Asian Architecture
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Catalogue of Ruwedel's September 2002 exhibition at Presentation House Gallery. The book covers Ruwedel's work from 1990 to the present, divided into three sections: The Ice Age; Pictures of Hell; and Westward The Course of Empire. These three series are interrelated, as archeological history, land use and the act of naming places combined to form a picture of human(...)
Photography monographs
January 1900, North Vancouver
Mark Ruwedel : written on the land
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Catalogue of Ruwedel's September 2002 exhibition at Presentation House Gallery. The book covers Ruwedel's work from 1990 to the present, divided into three sections: The Ice Age; Pictures of Hell; and Westward The Course of Empire. These three series are interrelated, as archeological history, land use and the act of naming places combined to form a picture of human interaction with the land.
Photography monographs
L'Exposition
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On peut tout exposer : quelques bibelots du second Empire, un recueil de photographies, un boudoir d'outre-tombe, une héroïne célèbre pour sa beauté, sa fatuité et sa fin lamentable. On peut tout exposer : une femme à la place d'une autre, la peur de son propre corps, une manière d'entrer en scène, l'ivresse de la séduction, un abandon, des objets qui rassurent, une ruine.
L'Exposition
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On peut tout exposer : quelques bibelots du second Empire, un recueil de photographies, un boudoir d'outre-tombe, une héroïne célèbre pour sa beauté, sa fatuité et sa fin lamentable. On peut tout exposer : une femme à la place d'une autre, la peur de son propre corps, une manière d'entrer en scène, l'ivresse de la séduction, un abandon, des objets qui rassurent, une ruine.
Literature and poetry
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Concrete has been used in arches, vaults, and domes dating as far back as the Roman Empire. Today, it is everywhere—in our roads, bridges, sidewalks, walls, and architecture. For each person on the planet, nearly three tons of concrete are produced every year. Used almost universally in modern construction, concrete has become a polarizing material that provokes intense(...)
Concrete and culture : a material history
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Concrete has been used in arches, vaults, and domes dating as far back as the Roman Empire. Today, it is everywhere—in our roads, bridges, sidewalks, walls, and architecture. For each person on the planet, nearly three tons of concrete are produced every year. Used almost universally in modern construction, concrete has become a polarizing material that provokes intense loathing in some and fervent passion in others.
Materials and Lighting
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James H. Bollen’s photographs are inspired by the legendary British writer J. G. Ballard (1930- 2009), and Ballard’s semi-autobiographical novel Empire of the Sun. Ballard was born in Shanghai in 1930 in what was then known as the International Settlement. Through extensive readings of Ballard’s highly visual fiction, Bollen explores a literary exhibition and heritage of(...)
Jim's terrible city: J.G. Ballard and Shangai
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James H. Bollen’s photographs are inspired by the legendary British writer J. G. Ballard (1930- 2009), and Ballard’s semi-autobiographical novel Empire of the Sun. Ballard was born in Shanghai in 1930 in what was then known as the International Settlement. Through extensive readings of Ballard’s highly visual fiction, Bollen explores a literary exhibition and heritage of Shanghai with his own painterly photographic language.
Photography monographs