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The new issue is in store ! Forty years on from the first moon landing, architecture in Space is entering a new era. Over the last decade, there has been a fundamental shift in the Space industry from short-term pioneering expeditions to long-term planning for colonisation, and new ventures such as Space tourism. Architects are now involved in designing the interiors of(...)
AD Space architecture: the new frontier for design research
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The new issue is in store ! Forty years on from the first moon landing, architecture in Space is entering a new era. Over the last decade, there has been a fundamental shift in the Space industry from short-term pioneering expeditions to long-term planning for colonisation, and new ventures such as Space tourism. Architects are now involved in designing the interiors of long-term habitable structures in Space, such as the International Space Station, researching advanced robotic fabrication technologies for building structures on the Moon and Mars, envisioning new 'space yachts' for the super-rich, and building new facilities, such as the Virgin Galactic 'Spaceport America' in New Mexico designed by Foster + Partners. Meanwhile the mystique of Space remains as alluring as ever, as high-profile designers and educators -- such as Greg Lynn -- are running designs studios drawing upon ever more inventive computational design techniques. This issue of AD features the most significant current projects underway and highlights key areas of research in Space, such as energy, materials, manufacture and robotics. It also looks at how this research and investment in new technologies might transfer to terrestrial design and construction. Contributors include: Anders Carlson, Anita Genupta, Behrokh Khoshnevis. Space architects: Constance Adams, Marc Cohen, Ondrej Doule, Scott Howe, Brent Sherwood, John Spencer, Madhu Thangavelu, Andreas Vogler. Architects: Bevk Perovic Arhitekti, Dekleva Gregoric Arhitekti, Foster + Partners, Neil Leach, Greg Lynn, OFIS architects, SADAR + VUGA.
Magazines
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''Drawing Matter Extracts 2: Women writing architecture'' is edited by Helen Thomas and collects together 24 texts written by women in architectural practice and connected disciplines. The anthology is published to coincide with the launch of the Women Writing Architecture website (www. womenwritingarchitecture.org), an annotated bibliography of writing about(...)
Drawing Matter Extracts 2: Women writing architecture
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''Drawing Matter Extracts 2: Women writing architecture'' is edited by Helen Thomas and collects together 24 texts written by women in architectural practice and connected disciplines. The anthology is published to coincide with the launch of the Women Writing Architecture website (www. womenwritingarchitecture.org), an annotated bibliography of writing about architecture by women. ''Women writing architecture'' includes texts by Helen Thomas, Sheila O’Donnell, Stephanie Macdonald, Philippa Lewis, Caroline Voet, Iris Moon, Desley Luscombe, Zoe Zenghelis, Mari Lending, Maria Conen, Deanna Petherbridge, Marie-José van Hee, Roz Barr, Asli Çiçek, Ana Araujo, Sarah Handelman, Emma Letizia Jones, Anahat Chandra, Emily Priest, Angharad Davies, Deepiga Kameswaran and Emerald Liu.
Architectural Theory
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In this third issue of Space Magazine, published by Moon, we are returning home. It started with the passing of the legendary Swedish photographer Lars Tunbjörk, as we were putting the finishing touches to our last issue. Lars, who died too young at 59, changed the way we view ourselve. Our editor-at-large and curator Greger Ulf Nilson, was close friends with Lars, as(...)
Space magazine 03: Sophie Hicks
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In this third issue of Space Magazine, published by Moon, we are returning home. It started with the passing of the legendary Swedish photographer Lars Tunbjörk, as we were putting the finishing touches to our last issue. Lars, who died too young at 59, changed the way we view ourselve. Our editor-at-large and curator Greger Ulf Nilson, was close friends with Lars, as they had been working together on books and projects since the 1990s. It meant a lot when Greger told us he wanted to revisit the work he did with Lars on the book Home. Which got us thinking. Home…
Magazines
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The first Apollo images of the Earth have produced a perspective enabling humanity to act on Earth and its nature as if it controlled it from "outside." The recent developments of satellite technologies have had a significant impact on the modes of representations as well as the conceptions of geography and space. Today, the visualization modes of geospatial information(...)
New geographies 4: Scales of the earth
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The first Apollo images of the Earth have produced a perspective enabling humanity to act on Earth and its nature as if it controlled it from "outside." The recent developments of satellite technologies have had a significant impact on the modes of representations as well as the conceptions of geography and space. Today, the visualization modes of geospatial information reinforce the concept of the Earth as an "object." This new "geography from above" -the home, the city, entire territories, the Earth itself, the Moon, Mars and beyond- redefine our environment, subjectivities and practises. With such tools at hand, architects conceive of the geographic as a possible scale, site of intervention and design approach.
Magazines
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Interdisciplinary in design and concept, ''Speculation, Now'' illuminates unexpected convergences between images, concepts, and language. Artwork is interspersed among essays that approach speculation and progressive change from surprising perspectives. A radical cartographer asks whether "the speculative" can be represented on a map. An ethnographer investigates(...)
Critical Theory
March 2015
Speculation now: essays and artwork
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Interdisciplinary in design and concept, ''Speculation, Now'' illuminates unexpected convergences between images, concepts, and language. Artwork is interspersed among essays that approach speculation and progressive change from surprising perspectives. A radical cartographer asks whether "the speculative" can be represented on a map. An ethnographer investigates religious possession in Islam to contemplate states between the divine and the seemingly human.The book's artful, nonlinear design mirrors and reinforces the notion of contingency that animates it. Artists and essayists include William Darity Jr., Filip De Boeck, Boris Groys, Hans Haacke, Darrick Hamilton, Laura Kurgan, Lin + Lam, Gary Lincoff, Lize Mogel, Christina Moon, Stefania Pandolfo, Satya Pemmaraju, Mary Poovey, Walid Raad, Sherene Schostak, Robert Sember, and Srdjan Jovanovic Weiss.
Critical Theory
Birds of Maine
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Long after the demise of humankind, birds roam freely around the Moon complete with fruitful trees, sophisticated fungal networks, and an enviable socialist order. The universal worm feeds all, there are no weekends, and economics is as fantastical a study as unicorn psychology. No concept of money or wealth plagues the thoughts of these free-minded birds. Instead, there(...)
Birds of Maine
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Long after the demise of humankind, birds roam freely around the Moon complete with fruitful trees, sophisticated fungal networks, and an enviable socialist order. The universal worm feeds all, there are no weekends, and economics is as fantastical a study as unicorn psychology. No concept of money or wealth plagues the thoughts of these free-minded birds. Instead, there are angsty teens who form bands to show off their best bird song and other youngsters who yearn to become clothing designers even though clothes are only necessary during war. (The truly honorable professions for most birds are historian or librarian.) These birds are free to crush on hot pelicans and live their best lives until a crash-landed human from Earth threatens to change everything.
Illustration
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A magic square is a grid of numbers, arranged in such a way that the sum along any row, column, or corner to corner diagonal is the same. Magic squares are found throughout antiquity and by the time they had arrived in Renaissance Europe, by way of the translation of Arabic magical texts, 7 magic squares were known, starting with a 3x3 and ending with a 9x9 square. Due to(...)
Magic squares: Some notes on the tables of Agrippa
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A magic square is a grid of numbers, arranged in such a way that the sum along any row, column, or corner to corner diagonal is the same. Magic squares are found throughout antiquity and by the time they had arrived in Renaissance Europe, by way of the translation of Arabic magical texts, 7 magic squares were known, starting with a 3x3 and ending with a 9x9 square. Due to their numerical balance, these squares were seen as reflective of an inherent balance in the cosmos, and were linked to the 7 known planetary bodies of the time: Saturn, Jupiter, Mars, the Sun, Venus, Mercury, and the Moon. Through the magic of the numbers in each square, radiating forces associated with each planet could be accessed and directed by way of a talismanic sigil.
Zines
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Beginning with Venusia (2005) and continuing with Mercury Station (2009), Mark von Schlegell's System Series has moved backward in time, investigating the contours of time, memory, perception, and control in the inter-planetary system that emerge off-world in the twenty-second and twenty-third centuries during Earth's full collapse. In the latest installment, Sundogz,(...)
Sundogz
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Beginning with Venusia (2005) and continuing with Mercury Station (2009), Mark von Schlegell's System Series has moved backward in time, investigating the contours of time, memory, perception, and control in the inter-planetary system that emerge off-world in the twenty-second and twenty-third centuries during Earth's full collapse. In the latest installment, Sundogz, set among the water-rich moons of planet Uranus, extremist astro-marine "spacers" have constructed an aquatic world of extraordinary scope and ambition, entirely invisible to the System at large. The Good Fortune, a spaceship en route to Moon Miranda, the most beautiful and troublesome of Uranus's satellites, sends out a party to explore rumors of a secret fish farm in the ring. Now the "Oan Bubble" must attempt to survive its discovery.
Architecture and the imaginary
Lake Verea: Modern Barragan
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In this intimate archive, the contemporary Mexican photographer duo Lake Verea record their pilgrimages, made over the course of nearly two decades, to the house of Mexican architect Luis Barragán (1902–88). As devotees of the architect, the duo began photographing the modernist mecca in 2006, endeavoring to approach as closely as possible to Barragán's spirit. The(...)
Photography monographs
January 2026
Lake Verea: Modern Barragan
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In this intimate archive, the contemporary Mexican photographer duo Lake Verea record their pilgrimages, made over the course of nearly two decades, to the house of Mexican architect Luis Barragán (1902–88). As devotees of the architect, the duo began photographing the modernist mecca in 2006, endeavoring to approach as closely as possible to Barragán's spirit. The artists sat in his chairs, opened his closets, listened in silence and kissed in the house's enchanted garden. Modern Barragán compiles the fruits of their reverent labor. The photographs capture the house across a myriad of atmospheric conditions—in daylight, under the light of the full moon, by streetlight and against stormy skies. Flash photography lends the house a spectral quality; rubbed with aluminum sheets, the walls reveal their hidden textures, evoking the hidden memories contained within the home.
Photography monographs
James Welling : flowers
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This concise and beautiful exhibition catalogue features arresting, colorful, Rorschach Test-like photograms of flowers by the Los Angeles-based conceptual photographer James Welling. For this series, Welling placed the blossoms of a common southern California plant on sheets of 8x10 film and exposed them to light. The negatives were then projected onto special photo(...)
James Welling : flowers
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This concise and beautiful exhibition catalogue features arresting, colorful, Rorschach Test-like photograms of flowers by the Los Angeles-based conceptual photographer James Welling. For this series, Welling placed the blossoms of a common southern California plant on sheets of 8x10 film and exposed them to light. The negatives were then projected onto special photo paper through a color mural enlarger and color filters, to produce the dramatic, spectral, almost sun - or moon - dappled images reproduced here. Currently a professor of fine art at UCLA, Welling studied at CalArts in the early 1970s. Welling was the subject of a midcareer retrospective at the Wexner Center for the Arts in 2000, which traveled to the Museum of Contemporary Art in Los Angeles. He is represented in New York by David Zwirner Gallery and in Los Angeles by Regen Projects.
Photography monographs