3024 Results
Form:
drawings, textual records, works of art
drawings, textual records, works of art
Actions:
Reference number:
DR1974:0002:012:001-049
Description:
- This album contains student drawings by Hubert Rohault de Fleury executed at the École spéciale de peinture, sculpture et architecture, Paris (1798-1802), including drawings for the Grand Prix Competitions of 1800, 1801 and 1802, the Concours d'essai, the Concours d'émulation of 1800 and 1801, and other undetermined competitions. The drawings illustrate all stages of the design and competition process, ranging from preliminary sketches and esquisses to finished renderings, but do not include the renderings submitted to the Grand Prix Competitions. Drawings for the conversion of the Église de la Madeleine into a Temple de la Gloire (ca. 1806-1807) include line and wash drawings. Hubert's 1800 Grand Prix entry for an École nationale des beaux-arts was awarded the "deuxième Grand Prix" and this album includes: the esquisse; a handwritten copy of the programme; 11 large-scale line drawings - sections, elevations, and details of the ornamentation (DR1974:0002:012:008 R; DR1974:0002:012:012 R; DR1974:0002:012:037, DR1974:0002:012:039, DR1974:0002:012:041 - DR1974:0002:012:049). Two other drawings depict an École des beaux-arts, but they do not conform to the esquisse of Hubert's 1800 Grand Prix entry (DR1974:0002:012:012 V and DR1974:0002:012:013). Hubert's 1801 Grand Prix entry for a forum or public square dedicated to peace, is represented by the esquisse and four elevations, one coloured with wash (DR1974:0002:012:009 R/V - DR1974:0002:012:011 R). Studies of triumphal arches, probably relate to this project (DR1974:0002:012:011 V). Hubert's winning 1802 Grand Prix entry for a public fair with a hall for the exhibition of products of industry located on the banks of a large river is represented by an elevation and sectional elevation for the esquisse; 3 prints; finished plans, one of which is possibly part of the esquisse; elevations; sectional elevations; and one section (DR1974:0002:012:001 R/V - DR1974:0002:012:006 R/V:001-004). Three drawings which are apparently for public fairs are perhaps studies for the 1802 Grand Prix Competition (DR1974:0002:012:007 R:001-003). Also included are Hubert's entries in the Concours d'essai for each of these Grand Prix Competitions. The presence of "devises" on several drawings indicates they are the submitted competition entries: a school or college for the Concours d'émulation of 25 June 1801, for which Rohault de Fleury won a medal, a temple, a lycée, an opera house, a public bath, a sepulchral chapel, and possibly an exchange. An uncharacteristic nocturnal elevation is possibly for a cenotaph dedicated to Isaac Newton (DR1974:0002:012:014). Rohault de Fleury's design for the conversion of the Église de la Madeleine is represented by two plans (one with an elevation) drawn on engraved plans of the Madeleine, three sketch plans, a section, an elevation of a capital and other ornamentation, and an engraved plan of the designs by Pierre Contant d'Ivry and Guillaume Martin Couture for the same project.
DR1974:0002:012:001-049
Description:
- This album contains student drawings by Hubert Rohault de Fleury executed at the École spéciale de peinture, sculpture et architecture, Paris (1798-1802), including drawings for the Grand Prix Competitions of 1800, 1801 and 1802, the Concours d'essai, the Concours d'émulation of 1800 and 1801, and other undetermined competitions. The drawings illustrate all stages of the design and competition process, ranging from preliminary sketches and esquisses to finished renderings, but do not include the renderings submitted to the Grand Prix Competitions. Drawings for the conversion of the Église de la Madeleine into a Temple de la Gloire (ca. 1806-1807) include line and wash drawings. Hubert's 1800 Grand Prix entry for an École nationale des beaux-arts was awarded the "deuxième Grand Prix" and this album includes: the esquisse; a handwritten copy of the programme; 11 large-scale line drawings - sections, elevations, and details of the ornamentation (DR1974:0002:012:008 R; DR1974:0002:012:012 R; DR1974:0002:012:037, DR1974:0002:012:039, DR1974:0002:012:041 - DR1974:0002:012:049). Two other drawings depict an École des beaux-arts, but they do not conform to the esquisse of Hubert's 1800 Grand Prix entry (DR1974:0002:012:012 V and DR1974:0002:012:013). Hubert's 1801 Grand Prix entry for a forum or public square dedicated to peace, is represented by the esquisse and four elevations, one coloured with wash (DR1974:0002:012:009 R/V - DR1974:0002:012:011 R). Studies of triumphal arches, probably relate to this project (DR1974:0002:012:011 V). Hubert's winning 1802 Grand Prix entry for a public fair with a hall for the exhibition of products of industry located on the banks of a large river is represented by an elevation and sectional elevation for the esquisse; 3 prints; finished plans, one of which is possibly part of the esquisse; elevations; sectional elevations; and one section (DR1974:0002:012:001 R/V - DR1974:0002:012:006 R/V:001-004). Three drawings which are apparently for public fairs are perhaps studies for the 1802 Grand Prix Competition (DR1974:0002:012:007 R:001-003). Also included are Hubert's entries in the Concours d'essai for each of these Grand Prix Competitions. The presence of "devises" on several drawings indicates they are the submitted competition entries: a school or college for the Concours d'émulation of 25 June 1801, for which Rohault de Fleury won a medal, a temple, a lycée, an opera house, a public bath, a sepulchral chapel, and possibly an exchange. An uncharacteristic nocturnal elevation is possibly for a cenotaph dedicated to Isaac Newton (DR1974:0002:012:014). Rohault de Fleury's design for the conversion of the Église de la Madeleine is represented by two plans (one with an elevation) drawn on engraved plans of the Madeleine, three sketch plans, a section, an elevation of a capital and other ornamentation, and an engraved plan of the designs by Pierre Contant d'Ivry and Guillaume Martin Couture for the same project.
People:
Subject:
architecture, temporary architecture, urban planning
architecture, temporary architecture, urban planning
Date:
drawings executed 1800-1807, manuscripts between 1800 and 1802, published 1806
drawings executed 1800-1807, manuscripts between 1800 and 1802, published 1806
Title:
Album of student drawings for architectural competitions held at the École spéciale de peinture, sculpture et architecture and drawings for the conversion of the Église de la Madeleine into a Temple de la Gloire, Paris
Actions:
DR1974:0002:012:001-049
Description:
- This album contains student drawings by Hubert Rohault de Fleury executed at the École spéciale de peinture, sculpture et architecture, Paris (1798-1802), including drawings for the Grand Prix Competitions of 1800, 1801 and 1802, the Concours d'essai, the Concours d'émulation of 1800 and 1801, and other undetermined competitions. The drawings illustrate all stages of the design and competition process, ranging from preliminary sketches and esquisses to finished renderings, but do not include the renderings submitted to the Grand Prix Competitions. Drawings for the conversion of the Église de la Madeleine into a Temple de la Gloire (ca. 1806-1807) include line and wash drawings. Hubert's 1800 Grand Prix entry for an École nationale des beaux-arts was awarded the "deuxième Grand Prix" and this album includes: the esquisse; a handwritten copy of the programme; 11 large-scale line drawings - sections, elevations, and details of the ornamentation (DR1974:0002:012:008 R; DR1974:0002:012:012 R; DR1974:0002:012:037, DR1974:0002:012:039, DR1974:0002:012:041 - DR1974:0002:012:049). Two other drawings depict an École des beaux-arts, but they do not conform to the esquisse of Hubert's 1800 Grand Prix entry (DR1974:0002:012:012 V and DR1974:0002:012:013). Hubert's 1801 Grand Prix entry for a forum or public square dedicated to peace, is represented by the esquisse and four elevations, one coloured with wash (DR1974:0002:012:009 R/V - DR1974:0002:012:011 R). Studies of triumphal arches, probably relate to this project (DR1974:0002:012:011 V). Hubert's winning 1802 Grand Prix entry for a public fair with a hall for the exhibition of products of industry located on the banks of a large river is represented by an elevation and sectional elevation for the esquisse; 3 prints; finished plans, one of which is possibly part of the esquisse; elevations; sectional elevations; and one section (DR1974:0002:012:001 R/V - DR1974:0002:012:006 R/V:001-004). Three drawings which are apparently for public fairs are perhaps studies for the 1802 Grand Prix Competition (DR1974:0002:012:007 R:001-003). Also included are Hubert's entries in the Concours d'essai for each of these Grand Prix Competitions. The presence of "devises" on several drawings indicates they are the submitted competition entries: a school or college for the Concours d'émulation of 25 June 1801, for which Rohault de Fleury won a medal, a temple, a lycée, an opera house, a public bath, a sepulchral chapel, and possibly an exchange. An uncharacteristic nocturnal elevation is possibly for a cenotaph dedicated to Isaac Newton (DR1974:0002:012:014). Rohault de Fleury's design for the conversion of the Église de la Madeleine is represented by two plans (one with an elevation) drawn on engraved plans of the Madeleine, three sketch plans, a section, an elevation of a capital and other ornamentation, and an engraved plan of the designs by Pierre Contant d'Ivry and Guillaume Martin Couture for the same project.
Album of student drawings for architectural competitions held at the École spéciale de peinture, sculpture et architecture and drawings for the conversion of the Église de la Madeleine into a Temple de la Gloire, Paris
Actions:
DR1974:0002:012:001-049
Description:
- This album contains student drawings by Hubert Rohault de Fleury executed at the École spéciale de peinture, sculpture et architecture, Paris (1798-1802), including drawings for the Grand Prix Competitions of 1800, 1801 and 1802, the Concours d'essai, the Concours d'émulation of 1800 and 1801, and other undetermined competitions. The drawings illustrate all stages of the design and competition process, ranging from preliminary sketches and esquisses to finished renderings, but do not include the renderings submitted to the Grand Prix Competitions. Drawings for the conversion of the Église de la Madeleine into a Temple de la Gloire (ca. 1806-1807) include line and wash drawings. Hubert's 1800 Grand Prix entry for an École nationale des beaux-arts was awarded the "deuxième Grand Prix" and this album includes: the esquisse; a handwritten copy of the programme; 11 large-scale line drawings - sections, elevations, and details of the ornamentation (DR1974:0002:012:008 R; DR1974:0002:012:012 R; DR1974:0002:012:037, DR1974:0002:012:039, DR1974:0002:012:041 - DR1974:0002:012:049). Two other drawings depict an École des beaux-arts, but they do not conform to the esquisse of Hubert's 1800 Grand Prix entry (DR1974:0002:012:012 V and DR1974:0002:012:013). Hubert's 1801 Grand Prix entry for a forum or public square dedicated to peace, is represented by the esquisse and four elevations, one coloured with wash (DR1974:0002:012:009 R/V - DR1974:0002:012:011 R). Studies of triumphal arches, probably relate to this project (DR1974:0002:012:011 V). Hubert's winning 1802 Grand Prix entry for a public fair with a hall for the exhibition of products of industry located on the banks of a large river is represented by an elevation and sectional elevation for the esquisse; 3 prints; finished plans, one of which is possibly part of the esquisse; elevations; sectional elevations; and one section (DR1974:0002:012:001 R/V - DR1974:0002:012:006 R/V:001-004). Three drawings which are apparently for public fairs are perhaps studies for the 1802 Grand Prix Competition (DR1974:0002:012:007 R:001-003). Also included are Hubert's entries in the Concours d'essai for each of these Grand Prix Competitions. The presence of "devises" on several drawings indicates they are the submitted competition entries: a school or college for the Concours d'émulation of 25 June 1801, for which Rohault de Fleury won a medal, a temple, a lycée, an opera house, a public bath, a sepulchral chapel, and possibly an exchange. An uncharacteristic nocturnal elevation is possibly for a cenotaph dedicated to Isaac Newton (DR1974:0002:012:014). Rohault de Fleury's design for the conversion of the Église de la Madeleine is represented by two plans (one with an elevation) drawn on engraved plans of the Madeleine, three sketch plans, a section, an elevation of a capital and other ornamentation, and an engraved plan of the designs by Pierre Contant d'Ivry and Guillaume Martin Couture for the same project.
Form:
drawings, textual records, works of art
drawings, textual records, works of art
Date:
drawings executed 1800-1807, manuscripts between 1800 and 1802, published 1806
drawings executed 1800-1807, manuscripts between 1800 and 1802, published 1806
People:
Subject:
architecture, temporary architecture, urban planning
architecture, temporary architecture, urban planning
Form:
works of art
works of art
Title:
Design for a triumphal arch
Design for a triumphal arch
Actions:
Reference number:
DR1990:0046
Description:
Triumphal arch flanked by two pairs of fluted Doric columns that have capitals ornamented with grotesques. The arch leads to a coffered barrel vault and grotesques covering both sides of the interior walls. The entablature is also Doric, with metopes featuring bovine skulls and alternating circular ornaments. In the attic story is a quadrilateral cartouche with a Latin inscription that reads “MVLTA RENAS CENTVR QVE NVNCCECIDERE.” On either side of the cartouche are arabesques with anthropomorphic feet and vases/urns that are also decorated with grotesque ornamentation. Above is a series of three scalloped niches. The central niche uses a highly ornamental Corinthian order below a triangular pediment.
DR1990:0046
Description:
Triumphal arch flanked by two pairs of fluted Doric columns that have capitals ornamented with grotesques. The arch leads to a coffered barrel vault and grotesques covering both sides of the interior walls. The entablature is also Doric, with metopes featuring bovine skulls and alternating circular ornaments. In the attic story is a quadrilateral cartouche with a Latin inscription that reads “MVLTA RENAS CENTVR QVE NVNCCECIDERE.” On either side of the cartouche are arabesques with anthropomorphic feet and vases/urns that are also decorated with grotesque ornamentation. Above is a series of three scalloped niches. The central niche uses a highly ornamental Corinthian order below a triangular pediment.
People:
Subject:
architecture
architecture
Date:
early 1530s
early 1530s
Title:
Design for a triumphal arch
Actions:
DR1990:0046
Description:
Triumphal arch flanked by two pairs of fluted Doric columns that have capitals ornamented with grotesques. The arch leads to a coffered barrel vault and grotesques covering both sides of the interior walls. The entablature is also Doric, with metopes featuring bovine skulls and alternating circular ornaments. In the attic story is a quadrilateral cartouche with a Latin inscription that reads “MVLTA RENAS CENTVR QVE NVNCCECIDERE.” On either side of the cartouche are arabesques with anthropomorphic feet and vases/urns that are also decorated with grotesque ornamentation. Above is a series of three scalloped niches. The central niche uses a highly ornamental Corinthian order below a triangular pediment.
Design for a triumphal arch
Actions:
DR1990:0046
Description:
Triumphal arch flanked by two pairs of fluted Doric columns that have capitals ornamented with grotesques. The arch leads to a coffered barrel vault and grotesques covering both sides of the interior walls. The entablature is also Doric, with metopes featuring bovine skulls and alternating circular ornaments. In the attic story is a quadrilateral cartouche with a Latin inscription that reads “MVLTA RENAS CENTVR QVE NVNCCECIDERE.” On either side of the cartouche are arabesques with anthropomorphic feet and vases/urns that are also decorated with grotesque ornamentation. Above is a series of three scalloped niches. The central niche uses a highly ornamental Corinthian order below a triangular pediment.
Form:
works of art
works of art
Date:
early 1530s
early 1530s
People:
Subject:
architecture
architecture
Form:
works of art
works of art
Title:
Design for a triumphal arch
Design for a triumphal arch
Actions:
Reference number:
DR1990:0045
Description:
This print shows a heavily ornamented triumphal arch leading to vaulted corridor. Pairs of columns on either side of the portal have Corinthian capitals and fluted shafts sit atop non-canonical urn-like bases. The corridor that recedes into the distance has quadripartite vaults. The entablature features two male profile portrait rondels surrounded by laurel leaves. The frieze includes putti, arabesques, and grotesques. The attic story has two urns on either side of a central fronton with a Latin inscription evoking the mythical city of Troy and the date of execution, 1534. These elements are also covered in grotesques. At the top, an empty cartouche is flanked by two cornucopia and two additional vases/urns.
DR1990:0045
Description:
This print shows a heavily ornamented triumphal arch leading to vaulted corridor. Pairs of columns on either side of the portal have Corinthian capitals and fluted shafts sit atop non-canonical urn-like bases. The corridor that recedes into the distance has quadripartite vaults. The entablature features two male profile portrait rondels surrounded by laurel leaves. The frieze includes putti, arabesques, and grotesques. The attic story has two urns on either side of a central fronton with a Latin inscription evoking the mythical city of Troy and the date of execution, 1534. These elements are also covered in grotesques. At the top, an empty cartouche is flanked by two cornucopia and two additional vases/urns.
People:
Subject:
architecture
architecture
Date:
1534
1534
Title:
Design for a triumphal arch
Actions:
DR1990:0045
Description:
This print shows a heavily ornamented triumphal arch leading to vaulted corridor. Pairs of columns on either side of the portal have Corinthian capitals and fluted shafts sit atop non-canonical urn-like bases. The corridor that recedes into the distance has quadripartite vaults. The entablature features two male profile portrait rondels surrounded by laurel leaves. The frieze includes putti, arabesques, and grotesques. The attic story has two urns on either side of a central fronton with a Latin inscription evoking the mythical city of Troy and the date of execution, 1534. These elements are also covered in grotesques. At the top, an empty cartouche is flanked by two cornucopia and two additional vases/urns.
Design for a triumphal arch
Actions:
DR1990:0045
Description:
This print shows a heavily ornamented triumphal arch leading to vaulted corridor. Pairs of columns on either side of the portal have Corinthian capitals and fluted shafts sit atop non-canonical urn-like bases. The corridor that recedes into the distance has quadripartite vaults. The entablature features two male profile portrait rondels surrounded by laurel leaves. The frieze includes putti, arabesques, and grotesques. The attic story has two urns on either side of a central fronton with a Latin inscription evoking the mythical city of Troy and the date of execution, 1534. These elements are also covered in grotesques. At the top, an empty cartouche is flanked by two cornucopia and two additional vases/urns.
Form:
works of art
works of art
Date:
1534
1534
People:
Subject:
architecture
architecture
Form:
photographs
photographs
Actions:
Reference number:
PH1980:0048.05:001-041
Description:
- Album PH1980:0048.05:001-041 includes: ten views of the ruins at Karnak; six views of ruins at Medinet Habu; four views of temples at Philae; four views of ruins at Thebes; three views of a temple at Dendera; three views of a temple at Idfu; two views of temples at Luxor; two views of tombs at Djebel-el-Selceleh; one view of the Nile and one view of the port at Aswan; one view of the port and one view of the Vice King's palace at Syout; and one view each of Girga, the village of Balianeh or El-Madsouneh, and lotus capitals at Isna.
PH1980:0048.05:001-041
Description:
- Album PH1980:0048.05:001-041 includes: ten views of the ruins at Karnak; six views of ruins at Medinet Habu; four views of temples at Philae; four views of ruins at Thebes; three views of a temple at Dendera; three views of a temple at Idfu; two views of temples at Luxor; two views of tombs at Djebel-el-Selceleh; one view of the Nile and one view of the port at Aswan; one view of the port and one view of the Vice King's palace at Syout; and one view each of Girga, the village of Balianeh or El-Madsouneh, and lotus capitals at Isna.
People:
Subject:
architecture, topographic
architecture, topographic
Date:
published 1859-1860
published 1859-1860
Title:
Album of views of ruins of temples, temple complexes and tombs, with several views of towns, villages, ports, and one palace, Ottoman Empire (now in Egypt)
Actions:
PH1980:0048.05:001-041
Description:
- Album PH1980:0048.05:001-041 includes: ten views of the ruins at Karnak; six views of ruins at Medinet Habu; four views of temples at Philae; four views of ruins at Thebes; three views of a temple at Dendera; three views of a temple at Idfu; two views of temples at Luxor; two views of tombs at Djebel-el-Selceleh; one view of the Nile and one view of the port at Aswan; one view of the port and one view of the Vice King's palace at Syout; and one view each of Girga, the village of Balianeh or El-Madsouneh, and lotus capitals at Isna.
Album of views of ruins of temples, temple complexes and tombs, with several views of towns, villages, ports, and one palace, Ottoman Empire (now in Egypt)
Actions:
PH1980:0048.05:001-041
Description:
- Album PH1980:0048.05:001-041 includes: ten views of the ruins at Karnak; six views of ruins at Medinet Habu; four views of temples at Philae; four views of ruins at Thebes; three views of a temple at Dendera; three views of a temple at Idfu; two views of temples at Luxor; two views of tombs at Djebel-el-Selceleh; one view of the Nile and one view of the port at Aswan; one view of the port and one view of the Vice King's palace at Syout; and one view each of Girga, the village of Balianeh or El-Madsouneh, and lotus capitals at Isna.
Form:
photographs
photographs
Date:
published 1859-1860
published 1859-1860
People:
Subject:
architecture, topographic
architecture, topographic
Form:
works of art
Quantity:
20 print(s)
works of art
Quantity:
20 print(s)
Title:
Détails d'architecture
Détails d'architecture
Actions:
Reference number:
DR1990:0047:001-020
Description:
The etchings in this set include designs for various parts of architectural orders including column bases, capitals, and entablatures. There is some overlap with prints in Du Cerceau’s 'Détails d’ordres antiques' (notably elements on Plates 007 and 011), however most of the etchings include novel elements drawn from the type of ornament in use in works produced by the First School of Fontainebleau such as armor, musical instruments, and fruit. In purportedly representing architectural elements drawn from antiquity, Du Cerceau introduces a high level of variation and innovation. Some of these details are whimsical, for example a small detail of a dog on the entablature of Plate 002. Each plate is organized to accommodate the greatest number of variations possible. For example, Plate 12 includes two friezes, one with a series of musical instruments and the other with instruments of war – suggesting that the designs could be adapted to suit each patron’s particular interests.
DR1990:0047:001-020
Description:
The etchings in this set include designs for various parts of architectural orders including column bases, capitals, and entablatures. There is some overlap with prints in Du Cerceau’s 'Détails d’ordres antiques' (notably elements on Plates 007 and 011), however most of the etchings include novel elements drawn from the type of ornament in use in works produced by the First School of Fontainebleau such as armor, musical instruments, and fruit. In purportedly representing architectural elements drawn from antiquity, Du Cerceau introduces a high level of variation and innovation. Some of these details are whimsical, for example a small detail of a dog on the entablature of Plate 002. Each plate is organized to accommodate the greatest number of variations possible. For example, Plate 12 includes two friezes, one with a series of musical instruments and the other with instruments of war – suggesting that the designs could be adapted to suit each patron’s particular interests.
People:
Subject:
architecture
architecture
Date:
engraved circa 1566-1570
engraved circa 1566-1570
Title:
Détails d'architecture
Actions:
DR1990:0047:001-020
Description:
The etchings in this set include designs for various parts of architectural orders including column bases, capitals, and entablatures. There is some overlap with prints in Du Cerceau’s 'Détails d’ordres antiques' (notably elements on Plates 007 and 011), however most of the etchings include novel elements drawn from the type of ornament in use in works produced by the First School of Fontainebleau such as armor, musical instruments, and fruit. In purportedly representing architectural elements drawn from antiquity, Du Cerceau introduces a high level of variation and innovation. Some of these details are whimsical, for example a small detail of a dog on the entablature of Plate 002. Each plate is organized to accommodate the greatest number of variations possible. For example, Plate 12 includes two friezes, one with a series of musical instruments and the other with instruments of war – suggesting that the designs could be adapted to suit each patron’s particular interests.
Détails d'architecture
Actions:
DR1990:0047:001-020
Description:
The etchings in this set include designs for various parts of architectural orders including column bases, capitals, and entablatures. There is some overlap with prints in Du Cerceau’s 'Détails d’ordres antiques' (notably elements on Plates 007 and 011), however most of the etchings include novel elements drawn from the type of ornament in use in works produced by the First School of Fontainebleau such as armor, musical instruments, and fruit. In purportedly representing architectural elements drawn from antiquity, Du Cerceau introduces a high level of variation and innovation. Some of these details are whimsical, for example a small detail of a dog on the entablature of Plate 002. Each plate is organized to accommodate the greatest number of variations possible. For example, Plate 12 includes two friezes, one with a series of musical instruments and the other with instruments of war – suggesting that the designs could be adapted to suit each patron’s particular interests.
Form:
works of art
Quantity:
20 print(s)
works of art
Quantity:
20 print(s)
Date:
engraved circa 1566-1570
engraved circa 1566-1570
People:
Subject:
architecture
architecture
Form:
drawings, works of art
Quantity:
2 portfolio(s)
drawings, works of art
Quantity:
2 portfolio(s)
Actions:
Reference number:
DR1974:0002:032:001-066
Description:
- This group comprises two portfolios entitled Arabesques et Mosaïques (DR1974:0002:032:001 - DR1974:0002:032:048 and Ornements et architecture Gothique (DR1974:0002:032:049 - DR1974:0002:032:066). The portfolio entitled Arabesques et Mosaïques comprises 46 sheets, mostly ornament drawings and interior views which are partially or fully coloured with watercolour, or perhaps gouache. Geometric, interlacing and foliate ornament, many apparently of Islamic origin, and arabesques predominate. Inscriptions on some of the drawings indicate their sources which include mosques in Cairo, various buildings in Italy and Sicily and and arabesques from the Palazzo del Tè and Palazzo ducale in Mantua. A number of drawings are uninscribed and consequently the source of the ornament cannot be identified. The presence of inscribed numbers on some of the drawings suggests that they may have been copied or traced from books. Drawings DR1974:0002:032:034 - DR1974:0002:032:038, which depict two ancient tombs on mainland Italy and various architectural subjects in Sicily, are perhaps travel sketches. This portfolio also includes one sheet of drawings depicting pottery (DR1974:0002:032:028), and a partial side elevation and a detail of the entablature of a classical temple with polychrome ornament (DR1974:0002:032:029). -- The portfolio entitled Ornements Et architecture Gothique comprises 17 sheets, mostly graphite line drawings on tracing paper - some of which are probably tracings - depicting details of French and English Gothic and Romanesque architecture. This portfolio includes numerous drawings of capitals as well as other ornamented stone and wooden elements such as corbels, mouldings, finials and gargoyles. Inscriptions indicate the source of the detail on a number of the drawings. Also included in this portfolio is a sheet of numbered drawings of furniture (DR1974:0002:032:053), a longitudinal section of Cathédrale Sainte-Marie, Bayonne, France (DR1974:0002:032:056), and a frontal elevation of Freiburg Munster in Freiburg im Breisgau, Germany (DR1974:0002:032:065).
DR1974:0002:032:001-066
Description:
- This group comprises two portfolios entitled Arabesques et Mosaïques (DR1974:0002:032:001 - DR1974:0002:032:048 and Ornements et architecture Gothique (DR1974:0002:032:049 - DR1974:0002:032:066). The portfolio entitled Arabesques et Mosaïques comprises 46 sheets, mostly ornament drawings and interior views which are partially or fully coloured with watercolour, or perhaps gouache. Geometric, interlacing and foliate ornament, many apparently of Islamic origin, and arabesques predominate. Inscriptions on some of the drawings indicate their sources which include mosques in Cairo, various buildings in Italy and Sicily and and arabesques from the Palazzo del Tè and Palazzo ducale in Mantua. A number of drawings are uninscribed and consequently the source of the ornament cannot be identified. The presence of inscribed numbers on some of the drawings suggests that they may have been copied or traced from books. Drawings DR1974:0002:032:034 - DR1974:0002:032:038, which depict two ancient tombs on mainland Italy and various architectural subjects in Sicily, are perhaps travel sketches. This portfolio also includes one sheet of drawings depicting pottery (DR1974:0002:032:028), and a partial side elevation and a detail of the entablature of a classical temple with polychrome ornament (DR1974:0002:032:029). -- The portfolio entitled Ornements Et architecture Gothique comprises 17 sheets, mostly graphite line drawings on tracing paper - some of which are probably tracings - depicting details of French and English Gothic and Romanesque architecture. This portfolio includes numerous drawings of capitals as well as other ornamented stone and wooden elements such as corbels, mouldings, finials and gargoyles. Inscriptions indicate the source of the detail on a number of the drawings. Also included in this portfolio is a sheet of numbered drawings of furniture (DR1974:0002:032:053), a longitudinal section of Cathédrale Sainte-Marie, Bayonne, France (DR1974:0002:032:056), and a frontal elevation of Freiburg Munster in Freiburg im Breisgau, Germany (DR1974:0002:032:065).
People:
Subject:
architecture, interior design, ornament
architecture, interior design, ornament
Date:
between 1800 and 1868
between 1800 and 1868
Title:
Two portfolios of drawings of ornament and other architectural subjects, mainly Italian and Islamic, and details of English and French Gothic and Romanesque architecture
Actions:
DR1974:0002:032:001-066
Description:
- This group comprises two portfolios entitled Arabesques et Mosaïques (DR1974:0002:032:001 - DR1974:0002:032:048 and Ornements et architecture Gothique (DR1974:0002:032:049 - DR1974:0002:032:066). The portfolio entitled Arabesques et Mosaïques comprises 46 sheets, mostly ornament drawings and interior views which are partially or fully coloured with watercolour, or perhaps gouache. Geometric, interlacing and foliate ornament, many apparently of Islamic origin, and arabesques predominate. Inscriptions on some of the drawings indicate their sources which include mosques in Cairo, various buildings in Italy and Sicily and and arabesques from the Palazzo del Tè and Palazzo ducale in Mantua. A number of drawings are uninscribed and consequently the source of the ornament cannot be identified. The presence of inscribed numbers on some of the drawings suggests that they may have been copied or traced from books. Drawings DR1974:0002:032:034 - DR1974:0002:032:038, which depict two ancient tombs on mainland Italy and various architectural subjects in Sicily, are perhaps travel sketches. This portfolio also includes one sheet of drawings depicting pottery (DR1974:0002:032:028), and a partial side elevation and a detail of the entablature of a classical temple with polychrome ornament (DR1974:0002:032:029). -- The portfolio entitled Ornements Et architecture Gothique comprises 17 sheets, mostly graphite line drawings on tracing paper - some of which are probably tracings - depicting details of French and English Gothic and Romanesque architecture. This portfolio includes numerous drawings of capitals as well as other ornamented stone and wooden elements such as corbels, mouldings, finials and gargoyles. Inscriptions indicate the source of the detail on a number of the drawings. Also included in this portfolio is a sheet of numbered drawings of furniture (DR1974:0002:032:053), a longitudinal section of Cathédrale Sainte-Marie, Bayonne, France (DR1974:0002:032:056), and a frontal elevation of Freiburg Munster in Freiburg im Breisgau, Germany (DR1974:0002:032:065).
Two portfolios of drawings of ornament and other architectural subjects, mainly Italian and Islamic, and details of English and French Gothic and Romanesque architecture
Actions:
DR1974:0002:032:001-066
Description:
- This group comprises two portfolios entitled Arabesques et Mosaïques (DR1974:0002:032:001 - DR1974:0002:032:048 and Ornements et architecture Gothique (DR1974:0002:032:049 - DR1974:0002:032:066). The portfolio entitled Arabesques et Mosaïques comprises 46 sheets, mostly ornament drawings and interior views which are partially or fully coloured with watercolour, or perhaps gouache. Geometric, interlacing and foliate ornament, many apparently of Islamic origin, and arabesques predominate. Inscriptions on some of the drawings indicate their sources which include mosques in Cairo, various buildings in Italy and Sicily and and arabesques from the Palazzo del Tè and Palazzo ducale in Mantua. A number of drawings are uninscribed and consequently the source of the ornament cannot be identified. The presence of inscribed numbers on some of the drawings suggests that they may have been copied or traced from books. Drawings DR1974:0002:032:034 - DR1974:0002:032:038, which depict two ancient tombs on mainland Italy and various architectural subjects in Sicily, are perhaps travel sketches. This portfolio also includes one sheet of drawings depicting pottery (DR1974:0002:032:028), and a partial side elevation and a detail of the entablature of a classical temple with polychrome ornament (DR1974:0002:032:029). -- The portfolio entitled Ornements Et architecture Gothique comprises 17 sheets, mostly graphite line drawings on tracing paper - some of which are probably tracings - depicting details of French and English Gothic and Romanesque architecture. This portfolio includes numerous drawings of capitals as well as other ornamented stone and wooden elements such as corbels, mouldings, finials and gargoyles. Inscriptions indicate the source of the detail on a number of the drawings. Also included in this portfolio is a sheet of numbered drawings of furniture (DR1974:0002:032:053), a longitudinal section of Cathédrale Sainte-Marie, Bayonne, France (DR1974:0002:032:056), and a frontal elevation of Freiburg Munster in Freiburg im Breisgau, Germany (DR1974:0002:032:065).
Form:
drawings, works of art
Quantity:
2 portfolio(s)
drawings, works of art
Quantity:
2 portfolio(s)
Date:
between 1800 and 1868
between 1800 and 1868
People:
Subject:
architecture, interior design, ornament
architecture, interior design, ornament
Form:
books
books
Actions:
Holdings:
Description:
50 pages : illustrations, maps, plans (some color) ; 31 cm
Description:
50 pages : illustrations, maps, plans (some color) ; 31 cm
Author:
Subject:
Publication:
Victoria : The Board, 1959.
Victoria : The Board, 1959.
Title:
The capital region plan : as approved by the Capital Region Planning Board of British Columbia at a special meeting held on January 4, 1959.
Actions:
Holdings:
Description:
50 pages : illustrations, maps, plans (some color) ; 31 cm
The capital region plan : as approved by the Capital Region Planning Board of British Columbia at a special meeting held on January 4, 1959.
Actions:
Holdings:
Description:
50 pages : illustrations, maps, plans (some color) ; 31 cm
Form:
books
books
Publication:
Victoria : The Board, 1959.
Victoria : The Board, 1959.
Author:
Subject:
Form:
books
books
Title:
Tomorrow's capital : background papers : tasks 1.1-2.6 / [National Capital Commission Task Force].
Tomorrow's capital : background papers : tasks 1.1-2.6 / [National Capital Commission Task Force].
Actions:
Holdings:
Description:
1 volume (various pagings) : illustrations, maps, plans ; 30 cm
Description:
1 volume (various pagings) : illustrations, maps, plans ; 30 cm
Author:
Subject:
Publication:
Ottawa : National Capital Commission = Commission de la Capitale nationale, 1973.
Ottawa : National Capital Commission = Commission de la Capitale nationale, 1973.
Title:
Tomorrow's capital : background papers : tasks 1.1-2.6 / [National Capital Commission Task Force].
Actions:
Holdings:
Description:
1 volume (various pagings) : illustrations, maps, plans ; 30 cm
Tomorrow's capital : background papers : tasks 1.1-2.6 / [National Capital Commission Task Force].
Actions:
Holdings:
Description:
1 volume (various pagings) : illustrations, maps, plans ; 30 cm
Form:
books
books
Publication:
Ottawa : National Capital Commission = Commission de la Capitale nationale, 1973.
Ottawa : National Capital Commission = Commission de la Capitale nationale, 1973.
Author:
Subject:
Form:
artefacts
artefacts
Title:
Capital Savings [model].
Capital Savings [model].
Actions:
Holdings:
Description:
1 model : metal with bronze finish ; 13 x 14 x 9 cm. + 1 key, all in presentation box (16 x 17 x 12 cm.)
Description:
1 model : metal with bronze finish ; 13 x 14 x 9 cm. + 1 key, all in presentation box (16 x 17 x 12 cm.)
Author:
Subject:
Publication:
[1978] (Chicago, U.S.A. : Banthrico)
[1978] (Chicago, U.S.A. : Banthrico)
Title:
Capital Savings [model].
Actions:
Holdings:
Description:
1 model : metal with bronze finish ; 13 x 14 x 9 cm. + 1 key, all in presentation box (16 x 17 x 12 cm.)
Capital Savings [model].
Actions:
Holdings:
Description:
1 model : metal with bronze finish ; 13 x 14 x 9 cm. + 1 key, all in presentation box (16 x 17 x 12 cm.)
Form:
artefacts
artefacts
Publication:
[1978] (Chicago, U.S.A. : Banthrico)
[1978] (Chicago, U.S.A. : Banthrico)
Author:
Subject:
Form:
books
books
Actions:
Holdings:
Description:
39 pages : illustrations, maps, portraits ; 23 cm
Description:
39 pages : illustrations, maps, portraits ; 23 cm
Author:
Subject:
Publication:
Dodoma, Tanzania : Capital Development Authority, 1981.
Dodoma, Tanzania : Capital Development Authority, 1981.
Title:
Building the national capital : a special report to mark the fourth anniversary of the founding of Chama cha Mapinduzi.
Actions:
Holdings:
Description:
39 pages : illustrations, maps, portraits ; 23 cm
Building the national capital : a special report to mark the fourth anniversary of the founding of Chama cha Mapinduzi.
Actions:
Holdings:
Description:
39 pages : illustrations, maps, portraits ; 23 cm
Form:
books
books
Publication:
Dodoma, Tanzania : Capital Development Authority, 1981.
Dodoma, Tanzania : Capital Development Authority, 1981.
Author:
Subject:
