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Grace Ndiritu delves into radical approaches to education, drawing from her self-directed research in alternative, nomadic, and spiritual communities. Her experiences - from Buddhist monasteries to permaculture communities - profoundly shaped her understanding of embodied learning and its relevance in times of social upheaval. "Being together: A manual for living"(...)
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Grace Ndiritu delves into radical approaches to education, drawing from her self-directed research in alternative, nomadic, and spiritual communities. Her experiences - from Buddhist monasteries to permaculture communities - profoundly shaped her understanding of embodied learning and its relevance in times of social upheaval. "Being together: A manual for living"(...)
Title:
Being Together: A Manual for Living
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Grace Ndiritu delves into radical approaches to education, drawing from her self-directed research in alternative, nomadic, and spiritual communities. Her experiences - from Buddhist monasteries to permaculture communities - profoundly shaped her understanding of embodied learning and its relevance in times of social upheaval. "Being together: A manual for living" reflects on these themes, weaving voices from her social practices to explore collective action and shared destiny within the context of contemporary art education. This second edition, enriched with new essays, deepens the dialogue around these ideas. Published alongside her solo exhibition "The compassionate rebels, tools for everyday living part 1" at Page Not Found, the book extends the exhibition’s exploration of transformative educational practices and communal living.
Being Together: A Manual for Living
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Grace Ndiritu delves into radical approaches to education, drawing from her self-directed research in alternative, nomadic, and spiritual communities. Her experiences - from Buddhist monasteries to permaculture communities - profoundly shaped her understanding of embodied learning and its relevance in times of social upheaval. "Being together: A manual for living" reflects on these themes, weaving voices from her social practices to explore collective action and shared destiny within the context of contemporary art education. This second edition, enriched with new essays, deepens the dialogue around these ideas. Published alongside her solo exhibition "The compassionate rebels, tools for everyday living part 1" at Page Not Found, the book extends the exhibition’s exploration of transformative educational practices and communal living.
Form:
books
books
Publication:
February 2025
February 2025
Subject:
Art Theory
Art Theory
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books
books
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From their Southeastern European bases in Bucharest and Sofia, artists Dan Perjovschi and Nedko Solakov have taken the international art world by storm over the course of the last 15 years, showing their work either solo or jointly at such prestigious venues as the 2007 Venice Biennale, Documenta 12 in Kassel, Germany and The Museum of Modern Art, New York. Both artists(...)
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From their Southeastern European bases in Bucharest and Sofia, artists Dan Perjovschi and Nedko Solakov have taken the international art world by storm over the course of the last 15 years, showing their work either solo or jointly at such prestigious venues as the 2007 Venice Biennale, Documenta 12 in Kassel, Germany and The Museum of Modern Art, New York. Both artists(...)
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Dan Perjovschi, Nedko Solakov
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From their Southeastern European bases in Bucharest and Sofia, artists Dan Perjovschi and Nedko Solakov have taken the international art world by storm over the course of the last 15 years, showing their work either solo or jointly at such prestigious venues as the 2007 Venice Biennale, Documenta 12 in Kassel, Germany and The Museum of Modern Art, New York. Both artists work with pictures, texts and biting irony to comment on the social, political and cultural status quo. Early this year, Perjovschi and Solakov took over Vienna's BA-CA-Kunstforum, drawing all over the walls, floors and surrounding architecture with felt-tipped markers and pencils. Political, witty, subversive and fresh, this winning exhibition is documented here.
Dan Perjovschi, Nedko Solakov
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From their Southeastern European bases in Bucharest and Sofia, artists Dan Perjovschi and Nedko Solakov have taken the international art world by storm over the course of the last 15 years, showing their work either solo or jointly at such prestigious venues as the 2007 Venice Biennale, Documenta 12 in Kassel, Germany and The Museum of Modern Art, New York. Both artists work with pictures, texts and biting irony to comment on the social, political and cultural status quo. Early this year, Perjovschi and Solakov took over Vienna's BA-CA-Kunstforum, drawing all over the walls, floors and surrounding architecture with felt-tipped markers and pencils. Political, witty, subversive and fresh, this winning exhibition is documented here.
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books
books
Publication:
September 2008, Vienna
September 2008, Vienna
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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Designed by Zak Kyes "The work, in full-colour words, pictures, drawings, films and wonderings, has been carried out from 1958 until this morning. Alongside Greene's own texts there are essays by Samantha Hardingham, Sand Helsel, Sam Jacob and Robin Middleton. 'The brink of a conceptual abyss - not a bad place to be?' David Greene (founding member of the legendary(...)
$85.00
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Designed by Zak Kyes "The work, in full-colour words, pictures, drawings, films and wonderings, has been carried out from 1958 until this morning. Alongside Greene's own texts there are essays by Samantha Hardingham, Sand Helsel, Sam Jacob and Robin Middleton. 'The brink of a conceptual abyss - not a bad place to be?' David Greene (founding member of the legendary(...)
Subject:
Architecture Monographs
Architecture Monographs
Publication:
April 2008, London
April 2008, London
Title:
David Greene: L.A.W.U.N Project #19
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Designed by Zak Kyes "The work, in full-colour words, pictures, drawings, films and wonderings, has been carried out from 1958 until this morning. Alongside Greene's own texts there are essays by Samantha Hardingham, Sand Helsel, Sam Jacob and Robin Middleton. 'The brink of a conceptual abyss - not a bad place to be?' David Greene (founding member of the legendary 'Archigram', this is the first monograph on his solo work) and his collaborators invite you to view projects that chart a peripatetic drift from form to invisibility, in the process illuminating the possibilities for architecture in a culture dominated by information technology. Accepted definitions and applications of new technologies are doggedly raised and questioned."
David Greene: L.A.W.U.N Project #19
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Designed by Zak Kyes "The work, in full-colour words, pictures, drawings, films and wonderings, has been carried out from 1958 until this morning. Alongside Greene's own texts there are essays by Samantha Hardingham, Sand Helsel, Sam Jacob and Robin Middleton. 'The brink of a conceptual abyss - not a bad place to be?' David Greene (founding member of the legendary 'Archigram', this is the first monograph on his solo work) and his collaborators invite you to view projects that chart a peripatetic drift from form to invisibility, in the process illuminating the possibilities for architecture in a culture dominated by information technology. Accepted definitions and applications of new technologies are doggedly raised and questioned."
Form:
books
books
Publication:
April 2008, London
April 2008, London
Subject:
Architecture Monographs
Architecture Monographs
Form:
books
books
Title:
Mary Corse
Mary Corse
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$70.00
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Mary Corse (born 1945) earned acclaim in the 1960s for pieces ranging from shaped-canvas paintings to ingenious light works. Corse has dedicated the decades since to establishing a unique practice at the crossroads of abstract expressionism and minimalism. Despite her now-frequent association with California’s Light and Space movement, the Los Angeles-based artist evolved(...)
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Mary Corse (born 1945) earned acclaim in the 1960s for pieces ranging from shaped-canvas paintings to ingenious light works. Corse has dedicated the decades since to establishing a unique practice at the crossroads of abstract expressionism and minimalism. Despite her now-frequent association with California’s Light and Space movement, the Los Angeles-based artist evolved(...)
Title:
Mary Corse
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Mary Corse (born 1945) earned acclaim in the 1960s for pieces ranging from shaped-canvas paintings to ingenious light works. Corse has dedicated the decades since to establishing a unique practice at the crossroads of abstract expressionism and minimalism. Despite her now-frequent association with California’s Light and Space movement, the Los Angeles-based artist evolved independently of the region’s dominant personalities, philosophies and scenes. Produced in conjunction with her solo exhibition at Kayne Griffin Corcoran, this is the first major catalog on the artist. With an essay by Suzanne Hudson and an interview by Alex Bacon, it initiates a critical reappraisal of an artist whose singular vision has been hidden for too long.
Mary Corse
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Mary Corse (born 1945) earned acclaim in the 1960s for pieces ranging from shaped-canvas paintings to ingenious light works. Corse has dedicated the decades since to establishing a unique practice at the crossroads of abstract expressionism and minimalism. Despite her now-frequent association with California’s Light and Space movement, the Los Angeles-based artist evolved independently of the region’s dominant personalities, philosophies and scenes. Produced in conjunction with her solo exhibition at Kayne Griffin Corcoran, this is the first major catalog on the artist. With an essay by Suzanne Hudson and an interview by Alex Bacon, it initiates a critical reappraisal of an artist whose singular vision has been hidden for too long.
Form:
books
books
Publication:
November 2017
November 2017
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
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$86.95
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Coincides with four solo exhibitions in New York, San Francisco, Minneapolis, and Berlin. Taking its name from a line in the Wallace Stevens' poem ''The Gray Room,'' Alec Soth's latest book is a lyrical exploration of the limitations of photographic representation. While these large-format color photographs are made all over the world, they aren't about any particular(...)
$86.95
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Summary:
Coincides with four solo exhibitions in New York, San Francisco, Minneapolis, and Berlin. Taking its name from a line in the Wallace Stevens' poem ''The Gray Room,'' Alec Soth's latest book is a lyrical exploration of the limitations of photographic representation. While these large-format color photographs are made all over the world, they aren't about any particular(...)
Title:
Alec Soth: I know how furiously your heart is beating
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$86.95
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Coincides with four solo exhibitions in New York, San Francisco, Minneapolis, and Berlin. Taking its name from a line in the Wallace Stevens' poem ''The Gray Room,'' Alec Soth's latest book is a lyrical exploration of the limitations of photographic representation. While these large-format color photographs are made all over the world, they aren't about any particular place or population. By a process of intimate and often extended engagement, Soth's portraits and images of his subject's surroundings involve an enquiry into the extent to which a photographic likeness can depict more than the outer surface of an individual, and perhaps even plumb the depths of something unknowable about both the sitter and the photographer.
Alec Soth: I know how furiously your heart is beating
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$86.95
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Summary:
Coincides with four solo exhibitions in New York, San Francisco, Minneapolis, and Berlin. Taking its name from a line in the Wallace Stevens' poem ''The Gray Room,'' Alec Soth's latest book is a lyrical exploration of the limitations of photographic representation. While these large-format color photographs are made all over the world, they aren't about any particular place or population. By a process of intimate and often extended engagement, Soth's portraits and images of his subject's surroundings involve an enquiry into the extent to which a photographic likeness can depict more than the outer surface of an individual, and perhaps even plumb the depths of something unknowable about both the sitter and the photographer.
Form:
books
books
Publication:
March 2019
March 2019
Subject:
Photography monographs
Photography monographs
Form:
books
books
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$46.95
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''Happysad souvenirs'' is a series of photographs taken in 2018 and 2019 during Hiller’s travels through China, Japan, Singapore, Thailand, Taiwan and Vietnam. Paul Hiller, born in 1984 in Germany, is a professional photographer and artist. He first graduated as a photo lab manager and then got his diploma at the Academy of Fine Arts Munich (class of Prof. Klaus vom(...)
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''Happysad souvenirs'' is a series of photographs taken in 2018 and 2019 during Hiller’s travels through China, Japan, Singapore, Thailand, Taiwan and Vietnam. Paul Hiller, born in 1984 in Germany, is a professional photographer and artist. He first graduated as a photo lab manager and then got his diploma at the Academy of Fine Arts Munich (class of Prof. Klaus vom(...)
Title:
Paul Hiller: Happysad souvenirs
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''Happysad souvenirs'' is a series of photographs taken in 2018 and 2019 during Hiller’s travels through China, Japan, Singapore, Thailand, Taiwan and Vietnam. Paul Hiller, born in 1984 in Germany, is a professional photographer and artist. He first graduated as a photo lab manager and then got his diploma at the Academy of Fine Arts Munich (class of Prof. Klaus vom Bruch, new media). His photographs are not only shown in solo and group exhibitions in Germany and Europe, but they are also being displayed in many international print and online art platforms. His work is part of the so-called straight photography. He celebrates the art and the techniques of photography by shooting on analog film cameras only.
Paul Hiller: Happysad souvenirs
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''Happysad souvenirs'' is a series of photographs taken in 2018 and 2019 during Hiller’s travels through China, Japan, Singapore, Thailand, Taiwan and Vietnam. Paul Hiller, born in 1984 in Germany, is a professional photographer and artist. He first graduated as a photo lab manager and then got his diploma at the Academy of Fine Arts Munich (class of Prof. Klaus vom Bruch, new media). His photographs are not only shown in solo and group exhibitions in Germany and Europe, but they are also being displayed in many international print and online art platforms. His work is part of the so-called straight photography. He celebrates the art and the techniques of photography by shooting on analog film cameras only.
Form:
books
books
Publication:
July 2022
July 2022
Subject:
Photography monographs
Photography monographs
Form:
audio
audio
Title:
The Spinal Landscape.
The Spinal Landscape.
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Description:
1 online resource.
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Publication:
[Place of publication not identified] : Urbanomic, 2019.
[Place of publication not identified] : Urbanomic, 2019.
Form:
audio
audio
Publication:
[Place of publication not identified] : Urbanomic, 2019.
[Place of publication not identified] : Urbanomic, 2019.
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books
books
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$18.00
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Riferendosi ad un vuoto progettuale di almeno 50 anni (con genesi nella dialettica tra Adorno e Benjamin degli anni Trenta, fino alla musica concettuale di John Cage di metà Novecento e agli esiti ultimi di Philip Glass), Andrea Branzi riconferma in questo saggio la propria posizione di sovvertitore delle logiche concettuali e spaziali del progetto: come fenomeno(...)
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Riferendosi ad un vuoto progettuale di almeno 50 anni (con genesi nella dialettica tra Adorno e Benjamin degli anni Trenta, fino alla musica concettuale di John Cage di metà Novecento e agli esiti ultimi di Philip Glass), Andrea Branzi riconferma in questo saggio la propria posizione di sovvertitore delle logiche concettuali e spaziali del progetto: come fenomeno(...)
Title:
La musica contemporanea e il suo spazio
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Riferendosi ad un vuoto progettuale di almeno 50 anni (con genesi nella dialettica tra Adorno e Benjamin degli anni Trenta, fino alla musica concettuale di John Cage di metà Novecento e agli esiti ultimi di Philip Glass), Andrea Branzi riconferma in questo saggio la propria posizione di sovvertitore delle logiche concettuali e spaziali del progetto: come fenomeno “inatteso”, la Musica contemporanea genera nuovi prototipi urbani, compositivi, cognitivi inaspettati. L’inatteso, nello specifico, non è solo la musica come generativa di un nuovo layer urbano, ma è una terza via di pensiero sullo spazio in toto. Spazio che viene disassato dalle logiche compositive visive e oggettuali tipiche della modernità, matrice di una prassi monodirezionata, verso una dimensione più aperta, orizzontale, sensoriale: una nuova esperienza intellettuale e di immaginazione.
La musica contemporanea e il suo spazio
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Riferendosi ad un vuoto progettuale di almeno 50 anni (con genesi nella dialettica tra Adorno e Benjamin degli anni Trenta, fino alla musica concettuale di John Cage di metà Novecento e agli esiti ultimi di Philip Glass), Andrea Branzi riconferma in questo saggio la propria posizione di sovvertitore delle logiche concettuali e spaziali del progetto: come fenomeno “inatteso”, la Musica contemporanea genera nuovi prototipi urbani, compositivi, cognitivi inaspettati. L’inatteso, nello specifico, non è solo la musica come generativa di un nuovo layer urbano, ma è una terza via di pensiero sullo spazio in toto. Spazio che viene disassato dalle logiche compositive visive e oggettuali tipiche della modernità, matrice di una prassi monodirezionata, verso una dimensione più aperta, orizzontale, sensoriale: una nuova esperienza intellettuale e di immaginazione.
Form:
books
books
Publication:
September 2023
September 2023
Subject:
Acoustics
Acoustics
Form:
books
books
Price:
$81.50
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Summary:
Julien Levy (1906–1981) was one of the most influential proponents of photography and Surrealism during the second quarter of the twentieth century. In his gallery, which operated from 1931 to 1949, Levy hosted the first New York exhibition devoted to Surrealism and presented early solo exhibitions of many photographers now considered iconic in their field, including(...)
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Summary:
Julien Levy (1906–1981) was one of the most influential proponents of photography and Surrealism during the second quarter of the twentieth century. In his gallery, which operated from 1931 to 1949, Levy hosted the first New York exhibition devoted to Surrealism and presented early solo exhibitions of many photographers now considered iconic in their field, including(...)
Publication:
June 2006, Philadelphia /New Haven
June 2006, Philadelphia /New Haven
Title:
Dreaming in black and white : photography at the Julien Levy gallery
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Julien Levy (1906–1981) was one of the most influential proponents of photography and Surrealism during the second quarter of the twentieth century. In his gallery, which operated from 1931 to 1949, Levy hosted the first New York exhibition devoted to Surrealism and presented early solo exhibitions of many photographers now considered iconic in their field, including Henri Cartier-Bresson, Walker Evans, Clarence John Laughlin, George Platt Lynes, and Lee Miller. He also developed close relationships with artists Salvador Dalí, Max Ernst, and Man Ray, among others, and is credited with discovering Joseph Cornell. This book is published to commemorate the centenary of Levy’s birth and to celebrate the Philadelphia Museum of Art’s major acquisition of more than 2,500 photographs from his collection.
Dreaming in black and white : photography at the Julien Levy gallery
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Julien Levy (1906–1981) was one of the most influential proponents of photography and Surrealism during the second quarter of the twentieth century. In his gallery, which operated from 1931 to 1949, Levy hosted the first New York exhibition devoted to Surrealism and presented early solo exhibitions of many photographers now considered iconic in their field, including Henri Cartier-Bresson, Walker Evans, Clarence John Laughlin, George Platt Lynes, and Lee Miller. He also developed close relationships with artists Salvador Dalí, Max Ernst, and Man Ray, among others, and is credited with discovering Joseph Cornell. This book is published to commemorate the centenary of Levy’s birth and to celebrate the Philadelphia Museum of Art’s major acquisition of more than 2,500 photographs from his collection.
Form:
books
books
Publication:
June 2006, Philadelphia /New Haven
June 2006, Philadelphia /New Haven
Form:
books
books
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$16.95
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In 1968, toward the end of a decade that witnessed civil rights protests, the escalation of the war in Vietnam, and an expanded notion of artistic practice (epitomized by "Happenings"), Yvonne Rainer presented her evening-length work, The Mind is a Muscle. A choreographed, multipart performance for seven dancers, interspersed with film and text, this major work was built(...)
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In 1968, toward the end of a decade that witnessed civil rights protests, the escalation of the war in Vietnam, and an expanded notion of artistic practice (epitomized by "Happenings"), Yvonne Rainer presented her evening-length work, The Mind is a Muscle. A choreographed, multipart performance for seven dancers, interspersed with film and text, this major work was built(...)
Title:
Yvonne Rainer: the mind is a muscle
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In 1968, toward the end of a decade that witnessed civil rights protests, the escalation of the war in Vietnam, and an expanded notion of artistic practice (epitomized by "Happenings"), Yvonne Rainer presented her evening-length work, The Mind is a Muscle. A choreographed, multipart performance for seven dancers, interspersed with film and text, this major work was built upon a backbone of variations on Rainer's dance solo, Trio A. In this extended illustrated essay exploring The Mind is a Muscle, Catherine Wood examines the political and media context in which Rainer chose to use the dance-theatre situation as her medium and analyzes Rainer's radical approach to image-making in live form. Catherine Wood is Curator of contemporary art/performance at Tate Modern.
Yvonne Rainer: the mind is a muscle
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In 1968, toward the end of a decade that witnessed civil rights protests, the escalation of the war in Vietnam, and an expanded notion of artistic practice (epitomized by "Happenings"), Yvonne Rainer presented her evening-length work, The Mind is a Muscle. A choreographed, multipart performance for seven dancers, interspersed with film and text, this major work was built upon a backbone of variations on Rainer's dance solo, Trio A. In this extended illustrated essay exploring The Mind is a Muscle, Catherine Wood examines the political and media context in which Rainer chose to use the dance-theatre situation as her medium and analyzes Rainer's radical approach to image-making in live form. Catherine Wood is Curator of contemporary art/performance at Tate Modern.
Form:
books
books
Publication:
January 1900, London
January 1900, London
Subject:
Art Theory
Art Theory
