3964 Results
Level of archival description:
Series
Series
Title:
Wenzel Hablik
Wenzel Hablik
Actions:
Reference number:
AP162.S3
Description:
Series documents the contribution of architect Wenzel Hablik to the correspondence circle of Die gläserne Kette. Hablik participated using the pseudonym W.H.. Born in Brüx, Germany, (now Most, in Czech Republic) in 1881, Hablik worked as a porcelina painter from 1895 to 1897 and later as architectural draftsman. Between 1897 to 1902 he studied architecture at the Faschsdule für Tonindustrie und verwandte Gewerbe in Teplitz-Schönau, and at the Kungstgewerbeschule in Vienna in 1902. Between 1905 and 1906, he studied painting at the Akademie für bildenbe Künste in Prague. He worked in Itzehoe, Germany, after an invitation by a patron, Richard Biel, in 1907, where he start collaborating on textile designs with Elisabeth Lindemann, who he married in 1917. His work was exhibited at the Austellung für unbekannte Architeckten in 1919. The same year he joined the Arbeitsrat für Kunst lead by Bruno Taut. In 1925, Hablik published "Zyklus Architektur" an artist folio presenting some of his etched architectural fantasies. He worked for the family workshop by designing textiles and wall hangings. He died in 1934 in Itzehoe. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises letters and a drawing by Wenzel Hablik.
AP162.S3
Description:
Series documents the contribution of architect Wenzel Hablik to the correspondence circle of Die gläserne Kette. Hablik participated using the pseudonym W.H.. Born in Brüx, Germany, (now Most, in Czech Republic) in 1881, Hablik worked as a porcelina painter from 1895 to 1897 and later as architectural draftsman. Between 1897 to 1902 he studied architecture at the Faschsdule für Tonindustrie und verwandte Gewerbe in Teplitz-Schönau, and at the Kungstgewerbeschule in Vienna in 1902. Between 1905 and 1906, he studied painting at the Akademie für bildenbe Künste in Prague. He worked in Itzehoe, Germany, after an invitation by a patron, Richard Biel, in 1907, where he start collaborating on textile designs with Elisabeth Lindemann, who he married in 1917. His work was exhibited at the Austellung für unbekannte Architeckten in 1919. The same year he joined the Arbeitsrat für Kunst lead by Bruno Taut. In 1925, Hablik published "Zyklus Architektur" an artist folio presenting some of his etched architectural fantasies. He worked for the family workshop by designing textiles and wall hangings. He died in 1934 in Itzehoe. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises letters and a drawing by Wenzel Hablik.
People:
Date:
circa 1919-1920
circa 1919-1920
Title:
Wenzel Hablik
Actions:
AP162.S3
Description:
Series documents the contribution of architect Wenzel Hablik to the correspondence circle of Die gläserne Kette. Hablik participated using the pseudonym W.H.. Born in Brüx, Germany, (now Most, in Czech Republic) in 1881, Hablik worked as a porcelina painter from 1895 to 1897 and later as architectural draftsman. Between 1897 to 1902 he studied architecture at the Faschsdule für Tonindustrie und verwandte Gewerbe in Teplitz-Schönau, and at the Kungstgewerbeschule in Vienna in 1902. Between 1905 and 1906, he studied painting at the Akademie für bildenbe Künste in Prague. He worked in Itzehoe, Germany, after an invitation by a patron, Richard Biel, in 1907, where he start collaborating on textile designs with Elisabeth Lindemann, who he married in 1917. His work was exhibited at the Austellung für unbekannte Architeckten in 1919. The same year he joined the Arbeitsrat für Kunst lead by Bruno Taut. In 1925, Hablik published "Zyklus Architektur" an artist folio presenting some of his etched architectural fantasies. He worked for the family workshop by designing textiles and wall hangings. He died in 1934 in Itzehoe. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises letters and a drawing by Wenzel Hablik.
Wenzel Hablik
Actions:
AP162.S3
Description:
Series documents the contribution of architect Wenzel Hablik to the correspondence circle of Die gläserne Kette. Hablik participated using the pseudonym W.H.. Born in Brüx, Germany, (now Most, in Czech Republic) in 1881, Hablik worked as a porcelina painter from 1895 to 1897 and later as architectural draftsman. Between 1897 to 1902 he studied architecture at the Faschsdule für Tonindustrie und verwandte Gewerbe in Teplitz-Schönau, and at the Kungstgewerbeschule in Vienna in 1902. Between 1905 and 1906, he studied painting at the Akademie für bildenbe Künste in Prague. He worked in Itzehoe, Germany, after an invitation by a patron, Richard Biel, in 1907, where he start collaborating on textile designs with Elisabeth Lindemann, who he married in 1917. His work was exhibited at the Austellung für unbekannte Architeckten in 1919. The same year he joined the Arbeitsrat für Kunst lead by Bruno Taut. In 1925, Hablik published "Zyklus Architektur" an artist folio presenting some of his etched architectural fantasies. He worked for the family workshop by designing textiles and wall hangings. He died in 1934 in Itzehoe. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises letters and a drawing by Wenzel Hablik.
Level of archival description:
series
series
Date:
circa 1919-1920
circa 1919-1920
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Douglas C. Simpson fonds
Douglas C. Simpson fonds
Reference number:
AP076
Synopsis:
The Douglas C. Simpson fonds documents Simpson's 1938 graduation thesis project, residential projects from early in his career in Ottawa, furniture projects, and residential and commercial projects in British Columbia including those by the firm Semmens, Simpson. The fonds is composed primarily of drawings and photographs dating from 1938-1992, with the bulk of the documents ranging from ca. 1940 to ca. 1960.
AP076
Synopsis:
The Douglas C. Simpson fonds documents Simpson's 1938 graduation thesis project, residential projects from early in his career in Ottawa, furniture projects, and residential and commercial projects in British Columbia including those by the firm Semmens, Simpson. The fonds is composed primarily of drawings and photographs dating from 1938-1992, with the bulk of the documents ranging from ca. 1940 to ca. 1960.
People:
Date:
1938-1992, [predominant ca. 1940-ca. 1960]
1938-1992, [predominant ca. 1940-ca. 1960]
Title:
Douglas C. Simpson fonds
Actions:
AP076
Synopsis:
The Douglas C. Simpson fonds documents Simpson's 1938 graduation thesis project, residential projects from early in his career in Ottawa, furniture projects, and residential and commercial projects in British Columbia including those by the firm Semmens, Simpson. The fonds is composed primarily of drawings and photographs dating from 1938-1992, with the bulk of the documents ranging from ca. 1940 to ca. 1960.
Douglas C. Simpson fonds
Actions:
AP076
Synopsis:
The Douglas C. Simpson fonds documents Simpson's 1938 graduation thesis project, residential projects from early in his career in Ottawa, furniture projects, and residential and commercial projects in British Columbia including those by the firm Semmens, Simpson. The fonds is composed primarily of drawings and photographs dating from 1938-1992, with the bulk of the documents ranging from ca. 1940 to ca. 1960.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1938-1992, [predominant ca. 1940-ca. 1960]
1938-1992, [predominant ca. 1940-ca. 1960]
People:
Quantity:
3 ring binder(s)
3 ring binder(s)
Actions:
Reference number:
PHCON2003:0003
Description:
Binders include colour copies, made from digital images of slides, negatives, and photographs held in a binder, which was lent to CCA for copying in 2003 by the Estate of Gordon Matta-Clark. The photographic materials include some early photographs of Gordon Matta-Clark and his family, but mainly document the following early Matta-Clark projects: Photo-Fry (1969), Agar (1969-1970); Incendiary Wafers (1970-1971); Fire Boy (1971); Garbage Wall (1970); Jacks (1971); Pig Roast (1971); Tree Dance (1971); Belly Curtain (1971); Time Well (1971); Cherry Tree (1971); Winter Garden (1971); Sauna (1973); Food (1971-1973); and Untitled Wall Cutting (Santiago) (1971).
PHCON2003:0003
Description:
Binders include colour copies, made from digital images of slides, negatives, and photographs held in a binder, which was lent to CCA for copying in 2003 by the Estate of Gordon Matta-Clark. The photographic materials include some early photographs of Gordon Matta-Clark and his family, but mainly document the following early Matta-Clark projects: Photo-Fry (1969), Agar (1969-1970); Incendiary Wafers (1970-1971); Fire Boy (1971); Garbage Wall (1970); Jacks (1971); Pig Roast (1971); Tree Dance (1971); Belly Curtain (1971); Time Well (1971); Cherry Tree (1971); Winter Garden (1971); Sauna (1973); Food (1971-1973); and Untitled Wall Cutting (Santiago) (1971).
People:
Date:
negatives exposed 1943-1971
negatives exposed 1943-1971
Title:
Working photographs from 1971
Actions:
PHCON2003:0003
Description:
Binders include colour copies, made from digital images of slides, negatives, and photographs held in a binder, which was lent to CCA for copying in 2003 by the Estate of Gordon Matta-Clark. The photographic materials include some early photographs of Gordon Matta-Clark and his family, but mainly document the following early Matta-Clark projects: Photo-Fry (1969), Agar (1969-1970); Incendiary Wafers (1970-1971); Fire Boy (1971); Garbage Wall (1970); Jacks (1971); Pig Roast (1971); Tree Dance (1971); Belly Curtain (1971); Time Well (1971); Cherry Tree (1971); Winter Garden (1971); Sauna (1973); Food (1971-1973); and Untitled Wall Cutting (Santiago) (1971).
Working photographs from 1971
Actions:
PHCON2003:0003
Description:
Binders include colour copies, made from digital images of slides, negatives, and photographs held in a binder, which was lent to CCA for copying in 2003 by the Estate of Gordon Matta-Clark. The photographic materials include some early photographs of Gordon Matta-Clark and his family, but mainly document the following early Matta-Clark projects: Photo-Fry (1969), Agar (1969-1970); Incendiary Wafers (1970-1971); Fire Boy (1971); Garbage Wall (1970); Jacks (1971); Pig Roast (1971); Tree Dance (1971); Belly Curtain (1971); Time Well (1971); Cherry Tree (1971); Winter Garden (1971); Sauna (1973); Food (1971-1973); and Untitled Wall Cutting (Santiago) (1971).
Quantity:
3 ring binder(s)
3 ring binder(s)
Date:
negatives exposed 1943-1971
negatives exposed 1943-1971
People:
Level of archival description:
Project
Project
Title:
Casal das Figueiras, Setubal
Casal das Figueiras, Setubal
Actions:
Reference number:
CD034.S1.1975.PR02
Description:
This project series contains seven reproductions of drawings displayed in the exhibit to document the Casal das Figueiras neighbourhood, in Setúbal, south of Lisbon, Portugal. The exhibit text explained that: ... the Setúbal port-city experienced the political vibrations of the revolutionary year with great intensity. The Casal das Figueiras neighbourhood was designed for a fishing community living in a difficult area to build on due to its steep incline. The challenge that the project architect Gonçalo Byrne faced was to maintain the structure of single-family housing with the outhouse or courtyard, the typology that the local populations requested, while making a large urban gesture. The proposal was based on two types of housing (the square and rectangular plans). This overcame the problem of the 36 percent slope in an architecturally striking manner, while it also managed to fulfil the major requirement inherent in any SAAL operation of minimizing costs. (The SAAL Process, Housing in Portugal 1974–76) Gonçalo Byrne worked for SAAL/Lisbon and Central South with Ana Ferreira Rebocho, Berta Sá Caetano and the residents' association Casal das Figueiras, that was founded on October 30th, 1975. The project included 420 dwellings. The operation began in July 1975 , with a construction date in October 1976. This project series contains reproductions of implementation plans and design development drawings. The original drawings were produced in 1978-1979 and were reproduced in 2015 for the exhibit.
CD034.S1.1975.PR02
Description:
This project series contains seven reproductions of drawings displayed in the exhibit to document the Casal das Figueiras neighbourhood, in Setúbal, south of Lisbon, Portugal. The exhibit text explained that: ... the Setúbal port-city experienced the political vibrations of the revolutionary year with great intensity. The Casal das Figueiras neighbourhood was designed for a fishing community living in a difficult area to build on due to its steep incline. The challenge that the project architect Gonçalo Byrne faced was to maintain the structure of single-family housing with the outhouse or courtyard, the typology that the local populations requested, while making a large urban gesture. The proposal was based on two types of housing (the square and rectangular plans). This overcame the problem of the 36 percent slope in an architecturally striking manner, while it also managed to fulfil the major requirement inherent in any SAAL operation of minimizing costs. (The SAAL Process, Housing in Portugal 1974–76) Gonçalo Byrne worked for SAAL/Lisbon and Central South with Ana Ferreira Rebocho, Berta Sá Caetano and the residents' association Casal das Figueiras, that was founded on October 30th, 1975. The project included 420 dwellings. The operation began in July 1975 , with a construction date in October 1976. This project series contains reproductions of implementation plans and design development drawings. The original drawings were produced in 1978-1979 and were reproduced in 2015 for the exhibit.
People:
Date:
1978-1979
1978-1979
Title:
Casal das Figueiras, Setubal
Actions:
CD034.S1.1975.PR02
Description:
This project series contains seven reproductions of drawings displayed in the exhibit to document the Casal das Figueiras neighbourhood, in Setúbal, south of Lisbon, Portugal. The exhibit text explained that: ... the Setúbal port-city experienced the political vibrations of the revolutionary year with great intensity. The Casal das Figueiras neighbourhood was designed for a fishing community living in a difficult area to build on due to its steep incline. The challenge that the project architect Gonçalo Byrne faced was to maintain the structure of single-family housing with the outhouse or courtyard, the typology that the local populations requested, while making a large urban gesture. The proposal was based on two types of housing (the square and rectangular plans). This overcame the problem of the 36 percent slope in an architecturally striking manner, while it also managed to fulfil the major requirement inherent in any SAAL operation of minimizing costs. (The SAAL Process, Housing in Portugal 1974–76) Gonçalo Byrne worked for SAAL/Lisbon and Central South with Ana Ferreira Rebocho, Berta Sá Caetano and the residents' association Casal das Figueiras, that was founded on October 30th, 1975. The project included 420 dwellings. The operation began in July 1975 , with a construction date in October 1976. This project series contains reproductions of implementation plans and design development drawings. The original drawings were produced in 1978-1979 and were reproduced in 2015 for the exhibit.
Casal das Figueiras, Setubal
Actions:
CD034.S1.1975.PR02
Description:
This project series contains seven reproductions of drawings displayed in the exhibit to document the Casal das Figueiras neighbourhood, in Setúbal, south of Lisbon, Portugal. The exhibit text explained that: ... the Setúbal port-city experienced the political vibrations of the revolutionary year with great intensity. The Casal das Figueiras neighbourhood was designed for a fishing community living in a difficult area to build on due to its steep incline. The challenge that the project architect Gonçalo Byrne faced was to maintain the structure of single-family housing with the outhouse or courtyard, the typology that the local populations requested, while making a large urban gesture. The proposal was based on two types of housing (the square and rectangular plans). This overcame the problem of the 36 percent slope in an architecturally striking manner, while it also managed to fulfil the major requirement inherent in any SAAL operation of minimizing costs. (The SAAL Process, Housing in Portugal 1974–76) Gonçalo Byrne worked for SAAL/Lisbon and Central South with Ana Ferreira Rebocho, Berta Sá Caetano and the residents' association Casal das Figueiras, that was founded on October 30th, 1975. The project included 420 dwellings. The operation began in July 1975 , with a construction date in October 1976. This project series contains reproductions of implementation plans and design development drawings. The original drawings were produced in 1978-1979 and were reproduced in 2015 for the exhibit.
Level of archival description:
Project
Project
Date:
1978-1979
1978-1979
People:
Actions:
Reference number:
PHCON2002:0016:018
Description:
Binder documents correspondence addressed to Anne Alpert in New York City, New York and at her summer house in Sag Harbor, New York, along with memorabilia and photographs from the mid-1970s to the end of her life in 1997. Included are the letters of condolences following the deaths of her two sons, John Sebastian Matta, who died in 1976, and Gordon Matta-Clark, who died in 1978. Also documented is Alpert's ongoing relationship with members of the Matta family, including Roberto Matta, Malitte Matta and their daughter Federica. Reviews and announcements of exhibitions by Roberto Matta as well as Matta-Clark are also included. Binder contains photographs and textual records.
PHCON2002:0016:018
Description:
Binder documents correspondence addressed to Anne Alpert in New York City, New York and at her summer house in Sag Harbor, New York, along with memorabilia and photographs from the mid-1970s to the end of her life in 1997. Included are the letters of condolences following the deaths of her two sons, John Sebastian Matta, who died in 1976, and Gordon Matta-Clark, who died in 1978. Also documented is Alpert's ongoing relationship with members of the Matta family, including Roberto Matta, Malitte Matta and their daughter Federica. Reviews and announcements of exhibitions by Roberto Matta as well as Matta-Clark are also included. Binder contains photographs and textual records.
People:
Date:
1976-1997
1976-1997
Title:
Gordon Matta-Clark Mother's papers: Letters from 1976 to 1996
Actions:
PHCON2002:0016:018
Description:
Binder documents correspondence addressed to Anne Alpert in New York City, New York and at her summer house in Sag Harbor, New York, along with memorabilia and photographs from the mid-1970s to the end of her life in 1997. Included are the letters of condolences following the deaths of her two sons, John Sebastian Matta, who died in 1976, and Gordon Matta-Clark, who died in 1978. Also documented is Alpert's ongoing relationship with members of the Matta family, including Roberto Matta, Malitte Matta and their daughter Federica. Reviews and announcements of exhibitions by Roberto Matta as well as Matta-Clark are also included. Binder contains photographs and textual records.
Gordon Matta-Clark Mother's papers: Letters from 1976 to 1996
Actions:
PHCON2002:0016:018
Description:
Binder documents correspondence addressed to Anne Alpert in New York City, New York and at her summer house in Sag Harbor, New York, along with memorabilia and photographs from the mid-1970s to the end of her life in 1997. Included are the letters of condolences following the deaths of her two sons, John Sebastian Matta, who died in 1976, and Gordon Matta-Clark, who died in 1978. Also documented is Alpert's ongoing relationship with members of the Matta family, including Roberto Matta, Malitte Matta and their daughter Federica. Reviews and announcements of exhibitions by Roberto Matta as well as Matta-Clark are also included. Binder contains photographs and textual records.
Date:
1976-1997
1976-1997
People:
Form:
photographs
photographs
Actions:
Reference number:
ARCH256503
Description:
"Over rough flooring and to increasingly uncomfortable sound and lighting the visitor to the Christian Pavilion enters the negative zone where he becomes vividly conscious of hatred, family quarrels, starvation, hunger and war, resulting from man's attempt to conduct his life without God. / Dans la seconde zone, l'espace architectural, les images et les sons ont été conçus de manière à créer un[e] impression de malaise et un sentiment d'inquiétude. Les murs convergent, le plafond s'abaisse, des images illustrant les querrelles [sic], l'oppression, la famine, la haine et la guerre, exposeront les conséquences tragiques du comportement négatif de l'homme lorsqu'il s'éloigne de l'Evangile de Jésus-Christ."--Description.
ARCH256503
Description:
"Over rough flooring and to increasingly uncomfortable sound and lighting the visitor to the Christian Pavilion enters the negative zone where he becomes vividly conscious of hatred, family quarrels, starvation, hunger and war, resulting from man's attempt to conduct his life without God. / Dans la seconde zone, l'espace architectural, les images et les sons ont été conçus de manière à créer un[e] impression de malaise et un sentiment d'inquiétude. Les murs convergent, le plafond s'abaisse, des images illustrant les querrelles [sic], l'oppression, la famine, la haine et la guerre, exposeront les conséquences tragiques du comportement négatif de l'homme lorsqu'il s'éloigne de l'Evangile de Jésus-Christ."--Description.
People:
Date:
1967
1967
Title:
Interior view of the Christian Pavilion?, Expo 67, Montréal, Québec
Actions:
ARCH256503
Description:
"Over rough flooring and to increasingly uncomfortable sound and lighting the visitor to the Christian Pavilion enters the negative zone where he becomes vividly conscious of hatred, family quarrels, starvation, hunger and war, resulting from man's attempt to conduct his life without God. / Dans la seconde zone, l'espace architectural, les images et les sons ont été conçus de manière à créer un[e] impression de malaise et un sentiment d'inquiétude. Les murs convergent, le plafond s'abaisse, des images illustrant les querrelles [sic], l'oppression, la famine, la haine et la guerre, exposeront les conséquences tragiques du comportement négatif de l'homme lorsqu'il s'éloigne de l'Evangile de Jésus-Christ."--Description.
Interior view of the Christian Pavilion?, Expo 67, Montréal, Québec
Actions:
ARCH256503
Description:
"Over rough flooring and to increasingly uncomfortable sound and lighting the visitor to the Christian Pavilion enters the negative zone where he becomes vividly conscious of hatred, family quarrels, starvation, hunger and war, resulting from man's attempt to conduct his life without God. / Dans la seconde zone, l'espace architectural, les images et les sons ont été conçus de manière à créer un[e] impression de malaise et un sentiment d'inquiétude. Les murs convergent, le plafond s'abaisse, des images illustrant les querrelles [sic], l'oppression, la famine, la haine et la guerre, exposeront les conséquences tragiques du comportement négatif de l'homme lorsqu'il s'éloigne de l'Evangile de Jésus-Christ."--Description.
Form:
photographs
photographs
Date:
1967
1967
People:
Form:
events
events
Actions:
Description:
Families explore the creative potential of a recycled material by building houses and other imagined structures in cardboard. Inspired by the exhibition 1973: Sorry, Out of Gas (2007), Cardboard Houses introduces innovative ways of building that have a reduced environmental impact.
Families explore the creative potential of a recycled material by building houses and other imagined structures in cardboard. Inspired by the exhibition 1973: Sorry, Out of Gas (2007), Cardboard Houses introduces innovative ways of building that have a reduced environmental impact.
Date:
27 April 2008
27 April 2008
Title:
Cardboard Houses: Exploration of Do-It-Yourself
Actions:
Description:
Families explore the creative potential of a recycled material by building houses and other imagined structures in cardboard. Inspired by the exhibition 1973: Sorry, Out of Gas (2007), Cardboard Houses introduces innovative ways of building that have a reduced environmental impact.
Cardboard Houses: Exploration of Do-It-Yourself
Actions:
Description:
Families explore the creative potential of a recycled material by building houses and other imagined structures in cardboard. Inspired by the exhibition 1973: Sorry, Out of Gas (2007), Cardboard Houses introduces innovative ways of building that have a reduced environmental impact.
Form:
events
events
Date:
27 April 2008
27 April 2008
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
André Blouin fonds
André Blouin fonds
Actions:
Reference number:
AP038
Synopsis:
The André Blouin fonds, 1933-1996, documents the professional career of architect André Blouin. Materials in this fonds consist of the following: approximately 4821 drawings (including reprographic copies), 4006 photographic materials, 52 l.m. of textual records, 127 panels and 4 reels of 16 mm film.
AP038
Synopsis:
The André Blouin fonds, 1933-1996, documents the professional career of architect André Blouin. Materials in this fonds consist of the following: approximately 4821 drawings (including reprographic copies), 4006 photographic materials, 52 l.m. of textual records, 127 panels and 4 reels of 16 mm film.
People:
Date:
1933-1996
1933-1996
Title:
André Blouin fonds
Actions:
AP038
Synopsis:
The André Blouin fonds, 1933-1996, documents the professional career of architect André Blouin. Materials in this fonds consist of the following: approximately 4821 drawings (including reprographic copies), 4006 photographic materials, 52 l.m. of textual records, 127 panels and 4 reels of 16 mm film.
André Blouin fonds
Actions:
AP038
Synopsis:
The André Blouin fonds, 1933-1996, documents the professional career of architect André Blouin. Materials in this fonds consist of the following: approximately 4821 drawings (including reprographic copies), 4006 photographic materials, 52 l.m. of textual records, 127 panels and 4 reels of 16 mm film.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1933-1996
1933-1996
People:
Form:
events
events
Title:
E pour École
E pour École
Actions:
Description:
What could a school in Montréal look like? During March Break, families are invited to come and explore how the design of school spaces can create a feeling of belonging and inspire learning. Work together to build a model that translates your dreams into reality.
What could a school in Montréal look like? During March Break, families are invited to come and explore how the design of school spaces can create a feeling of belonging and inspire learning. Work together to build a model that translates your dreams into reality.
Date:
8 March 2013
8 March 2013
Title:
E pour École
Actions:
Description:
What could a school in Montréal look like? During March Break, families are invited to come and explore how the design of school spaces can create a feeling of belonging and inspire learning. Work together to build a model that translates your dreams into reality.
E pour École
Actions:
Description:
What could a school in Montréal look like? During March Break, families are invited to come and explore how the design of school spaces can create a feeling of belonging and inspire learning. Work together to build a model that translates your dreams into reality.
Form:
events
events
Date:
8 March 2013
8 March 2013
Level of archival description:
Series
Series
Title:
Professional work in Canada
Professional work in Canada
Reference number:
AP163.S2
Description:
Series documents Victor Prus's projects, including his early work when he arrived in Canada, in 1952, and his projects dating from the time that he created his own pratice in Montréal in 1954 to the mid 1990s. Material includes competition entries, built and unbuilt projects and conceptual projects. The series contains commissions from the early 1950s, such as single-family residences for individual clients or friends, housing design competitions and building design competitions, including unrealized projects. The majority of the documents in the series are related to his major projects such as the Centre commercial Rockland (1960), the Mont-Royal and Bonaventure Metro Stations (1966), the Expo'67 Stadium (1967), St. Augustine's Church and James Lyng High School (1968), the Royal Canadian Air Force Memorial (1969), Brudenell River Recreational Park (1970), the Langelier Metro Station (1971), the Grand Théâtre de Québec (1971) and the Palais des Congrès de Montréal (1983). The series also documents Victor Prus's activities as visiting professor or professor at the École d'architecture de Québec or at McGill University as well as his lectures. Promotional documents from Victor Prus and Associates are also included in the series. The series contains conceptual, design development, working and presentation drawings, presentation panels (particularly for competitions), study and presentation models and photographs. A significant amount of textual records related to most of his projects are included. The series also contains publications, such as issues of periodicals, and index cards and microfiches listing some of Prus's architectural projects.
AP163.S2
Description:
Series documents Victor Prus's projects, including his early work when he arrived in Canada, in 1952, and his projects dating from the time that he created his own pratice in Montréal in 1954 to the mid 1990s. Material includes competition entries, built and unbuilt projects and conceptual projects. The series contains commissions from the early 1950s, such as single-family residences for individual clients or friends, housing design competitions and building design competitions, including unrealized projects. The majority of the documents in the series are related to his major projects such as the Centre commercial Rockland (1960), the Mont-Royal and Bonaventure Metro Stations (1966), the Expo'67 Stadium (1967), St. Augustine's Church and James Lyng High School (1968), the Royal Canadian Air Force Memorial (1969), Brudenell River Recreational Park (1970), the Langelier Metro Station (1971), the Grand Théâtre de Québec (1971) and the Palais des Congrès de Montréal (1983). The series also documents Victor Prus's activities as visiting professor or professor at the École d'architecture de Québec or at McGill University as well as his lectures. Promotional documents from Victor Prus and Associates are also included in the series. The series contains conceptual, design development, working and presentation drawings, presentation panels (particularly for competitions), study and presentation models and photographs. A significant amount of textual records related to most of his projects are included. The series also contains publications, such as issues of periodicals, and index cards and microfiches listing some of Prus's architectural projects.
People:
Date:
1952-1993
1952-1993
Title:
Professional work in Canada
Actions:
AP163.S2
Description:
Series documents Victor Prus's projects, including his early work when he arrived in Canada, in 1952, and his projects dating from the time that he created his own pratice in Montréal in 1954 to the mid 1990s. Material includes competition entries, built and unbuilt projects and conceptual projects. The series contains commissions from the early 1950s, such as single-family residences for individual clients or friends, housing design competitions and building design competitions, including unrealized projects. The majority of the documents in the series are related to his major projects such as the Centre commercial Rockland (1960), the Mont-Royal and Bonaventure Metro Stations (1966), the Expo'67 Stadium (1967), St. Augustine's Church and James Lyng High School (1968), the Royal Canadian Air Force Memorial (1969), Brudenell River Recreational Park (1970), the Langelier Metro Station (1971), the Grand Théâtre de Québec (1971) and the Palais des Congrès de Montréal (1983). The series also documents Victor Prus's activities as visiting professor or professor at the École d'architecture de Québec or at McGill University as well as his lectures. Promotional documents from Victor Prus and Associates are also included in the series. The series contains conceptual, design development, working and presentation drawings, presentation panels (particularly for competitions), study and presentation models and photographs. A significant amount of textual records related to most of his projects are included. The series also contains publications, such as issues of periodicals, and index cards and microfiches listing some of Prus's architectural projects.
Professional work in Canada
Actions:
AP163.S2
Description:
Series documents Victor Prus's projects, including his early work when he arrived in Canada, in 1952, and his projects dating from the time that he created his own pratice in Montréal in 1954 to the mid 1990s. Material includes competition entries, built and unbuilt projects and conceptual projects. The series contains commissions from the early 1950s, such as single-family residences for individual clients or friends, housing design competitions and building design competitions, including unrealized projects. The majority of the documents in the series are related to his major projects such as the Centre commercial Rockland (1960), the Mont-Royal and Bonaventure Metro Stations (1966), the Expo'67 Stadium (1967), St. Augustine's Church and James Lyng High School (1968), the Royal Canadian Air Force Memorial (1969), Brudenell River Recreational Park (1970), the Langelier Metro Station (1971), the Grand Théâtre de Québec (1971) and the Palais des Congrès de Montréal (1983). The series also documents Victor Prus's activities as visiting professor or professor at the École d'architecture de Québec or at McGill University as well as his lectures. Promotional documents from Victor Prus and Associates are also included in the series. The series contains conceptual, design development, working and presentation drawings, presentation panels (particularly for competitions), study and presentation models and photographs. A significant amount of textual records related to most of his projects are included. The series also contains publications, such as issues of periodicals, and index cards and microfiches listing some of Prus's architectural projects.
Level of archival description:
Series 2
Series 2
Date:
1952-1993
1952-1993
People:
