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Leslie Sklair: Argues that the almost exclusive focus of the media on iconic architecture and starchitects presents a misleading account of the industry. Posits that iconic architecture at the city, national, and global scales is part of an ideological and cultural strategy. Draws on a series of formal interviews with practicing architects and people working in and around(...)
The icon project: architecture, cities, and capitalist globalization
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Leslie Sklair: Argues that the almost exclusive focus of the media on iconic architecture and starchitects presents a misleading account of the industry. Posits that iconic architecture at the city, national, and global scales is part of an ideological and cultural strategy. Draws on a series of formal interviews with practicing architects and people working in and around architecture from all over the world. Features the first attempt to establish empirically the structure of the architecture industry worldwide in the 21st century, using industry sources of data
Architectural Theory
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When buildings are deemed ugly, what are the consequences? In ''Ugliness and Judgment,'' Timothy Hyde considers the role of aesthetic judgment and its concern for uglines in architectural debates and their resulting social effects across three centuries of British architectural history. From eighteenth-century ideas about Stonehenge to Prince Charles' opinions about the(...)
Ugliness and judgement: on architecture in the public eye
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When buildings are deemed ugly, what are the consequences? In ''Ugliness and Judgment,'' Timothy Hyde considers the role of aesthetic judgment and its concern for uglines in architectural debates and their resulting social effects across three centuries of British architectural history. From eighteenth-century ideas about Stonehenge to Prince Charles' opinions about the National Gallery, Hyde uncovers a new story of aesthetic judgment, where arguments about architectural ugliness do not pertain solely to buildings or assessments of style, but intrude into other spheres of civil society.
Architectural Theory
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Is architecture art? This vexed question has been posed since the 1700s, when—breaking from earlier centuries in which there were no divisions between visual artist, architect, and engineer—architects and laypeople alike began to see these vocations as distinct. Exploring how this separation of roles occurred, and how in the twentieth century arts and architecture started(...)
The judicious eye: architecture against the other arts
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Is architecture art? This vexed question has been posed since the 1700s, when—breaking from earlier centuries in which there were no divisions between visual artist, architect, and engineer—architects and laypeople alike began to see these vocations as distinct. Exploring how this separation of roles occurred, and how in the twentieth century arts and architecture started to come together again, The Judicious Eye is the definitive history of the relationships between painting, sculpture, and architecture as they have shifted over the past three centuries. Joseph Rykwert locates the first major shift during the Enlightenment, when key philosophers drew implied and explicit distinctions between the visual arts and architecture. As time progressed, architects came to see themselves as part of an established profession, while visual artists increasingly moved toward society’s margins, deepening the chasm between them. Detailing the eventual attempts to heal this breach, Rykwert concludes in the mid-twentieth century, when the artistic avant-garde turned to architects in its battle against a stagnant society. The Judicious Eye, then, provides a necessary foundation for understanding architecture and visual art in the twenty-first century, as they continue to break new ground by growing closer to their intertwined roots.
Architectural Theory
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Through a series of close readings of two major figures of the modern movement, Adolf Loos and Le Corbusier, Beatriz Colomina argues that architecture only becomes modern in its engagement with the mass media, and that in so doing it radically displaces the(...)
Privacy and publicity : modern architecture as mass media
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Through a series of close readings of two major figures of the modern movement, Adolf Loos and Le Corbusier, Beatriz Colomina argues that architecture only becomes modern in its engagement with the mass media, and that in so doing it radically displaces the traditional sense of space and subjectivity. "Privacy and Publicity" questions certain ideological assumptions underlying the received view of modern architecture and reconsiders the methodology of architectural criticism itself. Where conventional criticism portrays modern architecture as a high artistic practice in opposition to mass culture, Colomina sees the emerging systems of communication that have come to define twentieth-century culture -- the mass media -- as the true site within which modern architecture was produced. She considers architectural discourse as the intersection of a number of systems of representation such as drawings, models, photographs, books, films, and advertisements. This does not mean abandoning the architectural object, the building, but rather looking at it in a different way. The building is understood here in the same way as all the media that frame it, as a mechanism of representation in its own right.
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April 1996, Cambridge
Architectural Theory
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Architect of the Broadway Chambers Building, the US Custom House, the Minnesota State Capitol, the St. Louis Art Museum, and large-scale projects like the city plan for New Haven, Connecticut, Gilbert is most famous for his skyscrapers - "symbols of our national genius and unrestraint" - monuments of the Beaux Arts "City Beautiful" aesthetic he embraced throughout(...)
Cass Gilbert : the architecture of inventing the skyline
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Architect of the Broadway Chambers Building, the US Custom House, the Minnesota State Capitol, the St. Louis Art Museum, and large-scale projects like the city plan for New Haven, Connecticut, Gilbert is most famous for his skyscrapers - "symbols of our national genius and unrestraint" - monuments of the Beaux Arts "City Beautiful" aesthetic he embraced throughout his career. Containing essays by major Gilbert scholars, Inventing the Skyline documents fascinating details about the buildings: the color scheme of the main entrance of the Minnesota State Capitol, made to resemble the Byzantine tomb of Galla Placidia in Ravenna; the controversy that erupted over the use of female nudes on the relief of the Essex County Courthouse; and the ill-fated plans for the George Washington Bridge as a Beaux Arts monument with elaborate plazas, fountains, and sculptures.
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August 2000, New York
Architecture Monographs
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In this study, Kathleen James examines Mendelsohn's department stores, office buildings and cinemas. She shows that in these buildings, Mendelsohn's architecture closely reflected the controversies over modernity, including relativity, consumerism, and urban planning, that raged during the years of the Weimar Republic.
Erich Mendelsohn and the architecture of German modernism
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In this study, Kathleen James examines Mendelsohn's department stores, office buildings and cinemas. She shows that in these buildings, Mendelsohn's architecture closely reflected the controversies over modernity, including relativity, consumerism, and urban planning, that raged during the years of the Weimar Republic.
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August 1997, Cambridge
Architecture Monographs
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Ce livre présente l'histoire du programme de construction du ministère des travaux publics de 1867 à 1967.
Les biens de la Couronne : l'architecture du ministère des travaux publics,1867-1967
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Ce livre présente l'histoire du programme de construction du ministère des travaux publics de 1867 à 1967.
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January 1900, Toronto
Architecture in Canada
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Complete listing of all existing buildings by R.M. Schindler.
MAK Center for Art and Architecture : R.M. Schindler
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Complete listing of all existing buildings by R.M. Schindler.
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July 1996, Munich
Architecture Monographs
Conception non formelle en architecture: expériences d'apprentissage et pratiques de conception
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Les travaux présentés dans cet ouvrage concernent l'enseignement de la conception contemporaine en architecture. Est appelé conception non formelle l'ensemble des procédures d'improvisation, de bricolage et de détournement qui permettent aujourd'hui aux concepteurs de s'écarter de la planification et de la modélisation, pour atteindre une architecture du moment et de(...)
Conception non formelle en architecture: expériences d'apprentissage et pratiques de conception
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Les travaux présentés dans cet ouvrage concernent l'enseignement de la conception contemporaine en architecture. Est appelé conception non formelle l'ensemble des procédures d'improvisation, de bricolage et de détournement qui permettent aujourd'hui aux concepteurs de s'écarter de la planification et de la modélisation, pour atteindre une architecture du moment et de l'occasion. L'une des thèses sous-jacentes de ces textes consiste à assumer l'analogie fondamentale qui lie l'acte d'apprendre et celui de concevoir. Dans cette vision, tout praticien réflexif serait un apprenant permanent et, inversement, toute situation d'apprentissage reposerait sur le développement constant d'une pratique réflexive. Ici, la pensée critique est opératoire et l'observation du monde une action de transformation. Plusieurs expériences sont décrites et tentent de déplacer les lignes de cette séparation fatale qui oppose trop souvent savoir théorique et raison pratique, conception et réalisation, ou encore, recherche et enseignement dans le domaine de la conception architecturale.
Architectural Theory
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In Outlaw Territories, Felicity Scott traces the relation of architecture and urbanism to human unsettlement and territorial insecurity during the 1960s and 1970s. Investigating a set of responses to the growing urban unrest in the developed and developing worlds, Scott revisits an era when the discipline of architecture staked out a role in global environmental(...)
Outlaw Territories: Environments of Insecurity/ Architectures of Counterinsurgency
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In Outlaw Territories, Felicity Scott traces the relation of architecture and urbanism to human unsettlement and territorial insecurity during the 1960s and 1970s. Investigating a set of responses to the growing urban unrest in the developed and developing worlds, Scott revisits an era when the discipline of architecture staked out a role in global environmental governance and the biopolitical management of populations. She describes architecture’s response to the displacement of persons brought on by migration, urbanization, environmental catastrophe, and warfare, and she traces architecture’s relationship to the material, environmental, psychological, and geopolitical transformations brought on by postindustrial technologies and neoliberal capitalism after World War II. At the height of the U.S.-led war in Vietnam and Cambodia, with ongoing decolonization struggles in many parts of the world, architecture not only emerged as a target of political agitation because of its inherent normativity but also became heavily enmeshed with military, legal, and humanitarian apparatuses, participating in scientific and technological research dedicated to questions of international management and security. Once architecture became aligned with a global matrix of forces concerned with the environment, economic development, migration, genocide, and war, its role shifted at times toward providing strategic expertise for institutions born of neoliberal capitalism. Scott investigates this nexus and questions how and to what ends architecture and the environment came to be intimately connected to the expanded exercise of power within the shifting geopolitical frameworks at this time.
Architectural Theory