5559 Results
Form:
exhibitions
exhibitions
Description:
Other Soundings: Selected Works by John Hejduk, 1954–1997, the first major retrospective of Hejduk’s work, explores the themes that have always preoccupied him: architecture as a social act, the wall, the house, the church, passage and transformation, the experience of the city. The importance of John Hejduk rests on his teaching and on the originality of his vision of(...)
Other Soundings: Selected Works by John Hejduk, 1954–1997, the first major retrospective of Hejduk’s work, explores the themes that have always preoccupied him: architecture as a social act, the wall, the house, the church, passage and transformation, the experience of the city. The importance of John Hejduk rests on his teaching and on the originality of his vision of(...)
Location:
Main galleries
Main galleries
Date:
22 October 1997 to 15 February 1998
22 October 1997 to 15 February 1998
Title:
Other Soundings: Selected Works by John Hejduk, 1954-1997
Actions:
Description:
Other Soundings: Selected Works by John Hejduk, 1954–1997, the first major retrospective of Hejduk’s work, explores the themes that have always preoccupied him: architecture as a social act, the wall, the house, the church, passage and transformation, the experience of the city. The importance of John Hejduk rests on his teaching and on the originality of his vision of(...)
Other Soundings: Selected Works by John Hejduk, 1954-1997
Actions:
Description:
Other Soundings: Selected Works by John Hejduk, 1954–1997, the first major retrospective of Hejduk’s work, explores the themes that have always preoccupied him: architecture as a social act, the wall, the house, the church, passage and transformation, the experience of the city. The importance of John Hejduk rests on his teaching and on the originality of his vision of(...)
Form:
exhibitions
exhibitions
Date:
22 October 1997 to
15 February 1998
22 October 1997 to
15 February 1998
Location:
Main galleries
Main galleries
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Amancio Williams fonds
Amancio Williams fonds
Reference number:
AP205
Synopsis:
The Amancio Williams fonds documents Williams' career as an architect and designer from the 1940s to the late 1980s. The fonds documents his work for over 80 architectural, urban planning and furniture design projects, as well as the administration of his architecture practice, and his professional activities through correspondence, photographic material, and promotional materials.
AP205
Synopsis:
The Amancio Williams fonds documents Williams' career as an architect and designer from the 1940s to the late 1980s. The fonds documents his work for over 80 architectural, urban planning and furniture design projects, as well as the administration of his architecture practice, and his professional activities through correspondence, photographic material, and promotional materials.
People:
Date:
1848-2010s
1848-2010s
Title:
Amancio Williams fonds
Actions:
AP205
Synopsis:
The Amancio Williams fonds documents Williams' career as an architect and designer from the 1940s to the late 1980s. The fonds documents his work for over 80 architectural, urban planning and furniture design projects, as well as the administration of his architecture practice, and his professional activities through correspondence, photographic material, and promotional materials.
Amancio Williams fonds
Actions:
AP205
Synopsis:
The Amancio Williams fonds documents Williams' career as an architect and designer from the 1940s to the late 1980s. The fonds documents his work for over 80 architectural, urban planning and furniture design projects, as well as the administration of his architecture practice, and his professional activities through correspondence, photographic material, and promotional materials.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1848-2010s
1848-2010s
People:
Form:
exhibitions
exhibitions
Actions:
Description:
Visions and Views combines contemporary photography and engravings from the seventeenth and eighteenth centuries to establish a dialogue between two different approaches to representing Francesco Borromini’s built work. The photographs, part of a larger commission acquired by the CCA, were taken in Rome by Toronto photographer Edward Burtynsky in 1999. They are presented(...)
Visions and Views combines contemporary photography and engravings from the seventeenth and eighteenth centuries to establish a dialogue between two different approaches to representing Francesco Borromini’s built work. The photographs, part of a larger commission acquired by the CCA, were taken in Rome by Toronto photographer Edward Burtynsky in 1999. They are presented(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
15 March 2000 to 7 May 2000
15 March 2000 to 7 May 2000
Title:
Visions and Views: The Architecture of Borromini in the Photographs of Edward Burtynsky
Actions:
Description:
Visions and Views combines contemporary photography and engravings from the seventeenth and eighteenth centuries to establish a dialogue between two different approaches to representing Francesco Borromini’s built work. The photographs, part of a larger commission acquired by the CCA, were taken in Rome by Toronto photographer Edward Burtynsky in 1999. They are presented(...)
Visions and Views: The Architecture of Borromini in the Photographs of Edward Burtynsky
Actions:
Description:
Visions and Views combines contemporary photography and engravings from the seventeenth and eighteenth centuries to establish a dialogue between two different approaches to representing Francesco Borromini’s built work. The photographs, part of a larger commission acquired by the CCA, were taken in Rome by Toronto photographer Edward Burtynsky in 1999. They are presented(...)
Form:
exhibitions
exhibitions
Date:
15 March 2000 to
7 May 2000
15 March 2000 to
7 May 2000
Location:
Octagonal gallery
Octagonal gallery
Form:
research
research
Actions:
Description:
Bechtel-CCA Collection Research Grants: Peter Coffman (Queens University); Christina Contandriopoulos (McGill University); Heather Diack (University of Toronto); Brent Epp (University of British Columbia); Jennifer Ferng (Massachusetts Institute of Technology); Nicolas Gaudreau (Concordia University, Montreal); Lauren Kroiz (Massachusetts Institute of Technology);(...)
Bechtel-CCA Collection Research Grants: Peter Coffman (Queens University); Christina Contandriopoulos (McGill University); Heather Diack (University of Toronto); Brent Epp (University of British Columbia); Jennifer Ferng (Massachusetts Institute of Technology); Nicolas Gaudreau (Concordia University, Montreal); Lauren Kroiz (Massachusetts Institute of Technology);(...)
Date:
January 2004 to August 2004
January 2004 to August 2004
Title:
Doctoral Students Program 2004
Actions:
Description:
Bechtel-CCA Collection Research Grants: Peter Coffman (Queens University); Christina Contandriopoulos (McGill University); Heather Diack (University of Toronto); Brent Epp (University of British Columbia); Jennifer Ferng (Massachusetts Institute of Technology); Nicolas Gaudreau (Concordia University, Montreal); Lauren Kroiz (Massachusetts Institute of Technology);(...)
Doctoral Students Program 2004
Actions:
Description:
Bechtel-CCA Collection Research Grants: Peter Coffman (Queens University); Christina Contandriopoulos (McGill University); Heather Diack (University of Toronto); Brent Epp (University of British Columbia); Jennifer Ferng (Massachusetts Institute of Technology); Nicolas Gaudreau (Concordia University, Montreal); Lauren Kroiz (Massachusetts Institute of Technology);(...)
Form:
research
research
Date:
January 2004 to
August 2004
January 2004 to
August 2004
Form:
photographs
photographs
Actions:
Reference number:
DR2012:0012:112:002
Description:
Ring binder containing transparencies, related to the following projects from 1970 to 1989: - Une histoire, 1974-1977 (4 transparencies); - Fragments, 1975-1978 (1 transparency); - Streetwork, 1978 (3 transparencies); - Edifice, 1979 (2 transparencies, including 1 duplicate); - A Chicago construction, 1981-1983 (4 transparencies, including 1 duplicate); - A Toronto construction, 1982 (1 transparency); - A construction in Venice, 1985-1986 (2 transparencies); - Pliny on my mind, 1983 (1 transparency); - German series 1, 1980-1983 (6 transparencies, including 3 duplicates); - German series 2, 1981-1985 (2 transparencies, including 1 duplicate); - German series 3, 1980-1990 (3 transparencies, including 2 duplicates); - German series 4, 1983-1987 (3 transparencies); - From Laugier to Popova, 1985 (3 transparencies, including 1 duplicate); - A Lethbridge construction, 1985 (5 transparencies, including 2 duplicates); - CCA garden, 1987-1990 (40 transparencies, 1 negative, including 11 duplicates).
DR2012:0012:112:002
Description:
Ring binder containing transparencies, related to the following projects from 1970 to 1989: - Une histoire, 1974-1977 (4 transparencies); - Fragments, 1975-1978 (1 transparency); - Streetwork, 1978 (3 transparencies); - Edifice, 1979 (2 transparencies, including 1 duplicate); - A Chicago construction, 1981-1983 (4 transparencies, including 1 duplicate); - A Toronto construction, 1982 (1 transparency); - A construction in Venice, 1985-1986 (2 transparencies); - Pliny on my mind, 1983 (1 transparency); - German series 1, 1980-1983 (6 transparencies, including 3 duplicates); - German series 2, 1981-1985 (2 transparencies, including 1 duplicate); - German series 3, 1980-1990 (3 transparencies, including 2 duplicates); - German series 4, 1983-1987 (3 transparencies); - From Laugier to Popova, 1985 (3 transparencies, including 1 duplicate); - A Lethbridge construction, 1985 (5 transparencies, including 2 duplicates); - CCA garden, 1987-1990 (40 transparencies, 1 negative, including 11 duplicates).
People:
Date:
1975-1990
1975-1990
Title:
Photographs of various artworks from Melvin Charney's projects
Actions:
DR2012:0012:112:002
Description:
Ring binder containing transparencies, related to the following projects from 1970 to 1989: - Une histoire, 1974-1977 (4 transparencies); - Fragments, 1975-1978 (1 transparency); - Streetwork, 1978 (3 transparencies); - Edifice, 1979 (2 transparencies, including 1 duplicate); - A Chicago construction, 1981-1983 (4 transparencies, including 1 duplicate); - A Toronto construction, 1982 (1 transparency); - A construction in Venice, 1985-1986 (2 transparencies); - Pliny on my mind, 1983 (1 transparency); - German series 1, 1980-1983 (6 transparencies, including 3 duplicates); - German series 2, 1981-1985 (2 transparencies, including 1 duplicate); - German series 3, 1980-1990 (3 transparencies, including 2 duplicates); - German series 4, 1983-1987 (3 transparencies); - From Laugier to Popova, 1985 (3 transparencies, including 1 duplicate); - A Lethbridge construction, 1985 (5 transparencies, including 2 duplicates); - CCA garden, 1987-1990 (40 transparencies, 1 negative, including 11 duplicates).
Photographs of various artworks from Melvin Charney's projects
Actions:
DR2012:0012:112:002
Description:
Ring binder containing transparencies, related to the following projects from 1970 to 1989: - Une histoire, 1974-1977 (4 transparencies); - Fragments, 1975-1978 (1 transparency); - Streetwork, 1978 (3 transparencies); - Edifice, 1979 (2 transparencies, including 1 duplicate); - A Chicago construction, 1981-1983 (4 transparencies, including 1 duplicate); - A Toronto construction, 1982 (1 transparency); - A construction in Venice, 1985-1986 (2 transparencies); - Pliny on my mind, 1983 (1 transparency); - German series 1, 1980-1983 (6 transparencies, including 3 duplicates); - German series 2, 1981-1985 (2 transparencies, including 1 duplicate); - German series 3, 1980-1990 (3 transparencies, including 2 duplicates); - German series 4, 1983-1987 (3 transparencies); - From Laugier to Popova, 1985 (3 transparencies, including 1 duplicate); - A Lethbridge construction, 1985 (5 transparencies, including 2 duplicates); - CCA garden, 1987-1990 (40 transparencies, 1 negative, including 11 duplicates).
Form:
photographs
photographs
Date:
1975-1990
1975-1990
People:
Form:
research
research
Actions:
Description:
TD Bank Group-CCA Collection Research Grants Recipients: Amin Alsaden (Harvard University, Graduate School of Design); Heather Braiden (McGill University); Christina Crawford (Harvard University, Graduate School of Design); Ayca Koseoglu (McGill University); Whitten Overby (Cornell University, College of Architecture, Art and Planning); Dana Samuel (Concordia(...)
TD Bank Group-CCA Collection Research Grants Recipients: Amin Alsaden (Harvard University, Graduate School of Design); Heather Braiden (McGill University); Christina Crawford (Harvard University, Graduate School of Design); Ayca Koseoglu (McGill University); Whitten Overby (Cornell University, College of Architecture, Art and Planning); Dana Samuel (Concordia(...)
Date:
June 2014 to September 2014
June 2014 to September 2014
Title:
Doctoral Students Program 2014
Actions:
Description:
TD Bank Group-CCA Collection Research Grants Recipients: Amin Alsaden (Harvard University, Graduate School of Design); Heather Braiden (McGill University); Christina Crawford (Harvard University, Graduate School of Design); Ayca Koseoglu (McGill University); Whitten Overby (Cornell University, College of Architecture, Art and Planning); Dana Samuel (Concordia(...)
Doctoral Students Program 2014
Actions:
Description:
TD Bank Group-CCA Collection Research Grants Recipients: Amin Alsaden (Harvard University, Graduate School of Design); Heather Braiden (McGill University); Christina Crawford (Harvard University, Graduate School of Design); Ayca Koseoglu (McGill University); Whitten Overby (Cornell University, College of Architecture, Art and Planning); Dana Samuel (Concordia(...)
Form:
research
research
Date:
June 2014 to
September 2014
June 2014 to
September 2014
Form:
exhibitions
exhibitions
Actions:
Description:
Dieter Appelt: The Catastrophe of Things presents images of the attic of the Künstlerhaus Bethanien in Berlin. Fascinated by sites charged with history, German artist Dieter Appelt uses his examination of the attic to inquire into the invisible, mysterious, and indefinite forces of decay that lie beyond everyday experience. By concentrating on structural details, and by(...)
Dieter Appelt: The Catastrophe of Things presents images of the attic of the Künstlerhaus Bethanien in Berlin. Fascinated by sites charged with history, German artist Dieter Appelt uses his examination of the attic to inquire into the invisible, mysterious, and indefinite forces of decay that lie beyond everyday experience. By concentrating on structural details, and by(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
17 April 1996 to 4 August 1996
17 April 1996 to 4 August 1996
Title:
Dieter Appelt: The Catastrophe of Things
Actions:
Description:
Dieter Appelt: The Catastrophe of Things presents images of the attic of the Künstlerhaus Bethanien in Berlin. Fascinated by sites charged with history, German artist Dieter Appelt uses his examination of the attic to inquire into the invisible, mysterious, and indefinite forces of decay that lie beyond everyday experience. By concentrating on structural details, and by(...)
Dieter Appelt: The Catastrophe of Things
Actions:
Description:
Dieter Appelt: The Catastrophe of Things presents images of the attic of the Künstlerhaus Bethanien in Berlin. Fascinated by sites charged with history, German artist Dieter Appelt uses his examination of the attic to inquire into the invisible, mysterious, and indefinite forces of decay that lie beyond everyday experience. By concentrating on structural details, and by(...)
Form:
exhibitions
exhibitions
Date:
17 April 1996 to
4 August 1996
17 April 1996 to
4 August 1996
Location:
Octagonal gallery
Octagonal gallery
Form:
exhibitions
exhibitions
Actions:
Description:
Realism and Illusion: Catherine Wagner Photographs the Disney Theme Parks presents a visual essay of the Disney theme parks in Anaheim, Orlando, Tokyo, and Paris. Fascinated by the importance of illusion in the design and layout of the parks, Wagner aspired “to add yet another layer of deception to this already simulated world, our world, where illusion is now more real(...)
Realism and Illusion: Catherine Wagner Photographs the Disney Theme Parks presents a visual essay of the Disney theme parks in Anaheim, Orlando, Tokyo, and Paris. Fascinated by the importance of illusion in the design and layout of the parks, Wagner aspired “to add yet another layer of deception to this already simulated world, our world, where illusion is now more real(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
17 June 1997 to 28 September 1997
17 June 1997 to 28 September 1997
Title:
Realism and Illusion: Catherine Wagner Photographs the Disney Theme Parks
Actions:
Description:
Realism and Illusion: Catherine Wagner Photographs the Disney Theme Parks presents a visual essay of the Disney theme parks in Anaheim, Orlando, Tokyo, and Paris. Fascinated by the importance of illusion in the design and layout of the parks, Wagner aspired “to add yet another layer of deception to this already simulated world, our world, where illusion is now more real(...)
Realism and Illusion: Catherine Wagner Photographs the Disney Theme Parks
Actions:
Description:
Realism and Illusion: Catherine Wagner Photographs the Disney Theme Parks presents a visual essay of the Disney theme parks in Anaheim, Orlando, Tokyo, and Paris. Fascinated by the importance of illusion in the design and layout of the parks, Wagner aspired “to add yet another layer of deception to this already simulated world, our world, where illusion is now more real(...)
Form:
exhibitions
exhibitions
Date:
17 June 1997 to
28 September 1997
17 June 1997 to
28 September 1997
Location:
Octagonal gallery
Octagonal gallery
Form:
events
events
Title:
Making Seed Bombs
Making Seed Bombs
Actions:
Description:
Montréal-based artist Gina Badger shows workshop participants how to make seed-bombs – balls of dirt, clay, water, and seeds that can be used to start gardens in the city. The workshop is presented in collaboration with DARE-DARE (Centre de diffusion d’art multidisciplinaire de Montréal). In conjunction with the exhibition Actions: What You Can Do With the City (2008),(...)
Montréal-based artist Gina Badger shows workshop participants how to make seed-bombs – balls of dirt, clay, water, and seeds that can be used to start gardens in the city. The workshop is presented in collaboration with DARE-DARE (Centre de diffusion d’art multidisciplinaire de Montréal). In conjunction with the exhibition Actions: What You Can Do With the City (2008),(...)
Date:
14 March 2009
14 March 2009
Title:
Making Seed Bombs
Actions:
Description:
Montréal-based artist Gina Badger shows workshop participants how to make seed-bombs – balls of dirt, clay, water, and seeds that can be used to start gardens in the city. The workshop is presented in collaboration with DARE-DARE (Centre de diffusion d’art multidisciplinaire de Montréal). In conjunction with the exhibition Actions: What You Can Do With the City (2008),(...)
Making Seed Bombs
Actions:
Description:
Montréal-based artist Gina Badger shows workshop participants how to make seed-bombs – balls of dirt, clay, water, and seeds that can be used to start gardens in the city. The workshop is presented in collaboration with DARE-DARE (Centre de diffusion d’art multidisciplinaire de Montréal). In conjunction with the exhibition Actions: What You Can Do With the City (2008),(...)
Form:
events
events
Date:
14 March 2009
14 March 2009
Form:
exhibitions
exhibitions
Description:
The exhibition Jai Tech: ÁbalosHerreros selected by Juan José Castellón examines the way the tower typology manifests distinct, strategic approaches in the architecture of ÁbalosHerreros, a firm that operated in Madrid from 1984 until 2008. Objects presented include site plans, photomontages, models, floor plans, and photographs. The exhibition also features a selection(...)
The exhibition Jai Tech: ÁbalosHerreros selected by Juan José Castellón examines the way the tower typology manifests distinct, strategic approaches in the architecture of ÁbalosHerreros, a firm that operated in Madrid from 1984 until 2008. Objects presented include site plans, photomontages, models, floor plans, and photographs. The exhibition also features a selection(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
24 May 2015 to 12 July 2015
24 May 2015 to 12 July 2015
Title:
Jai Tech: Ábalos&Herreros selected by Juan José Castellón
Actions:
Description:
The exhibition Jai Tech: ÁbalosHerreros selected by Juan José Castellón examines the way the tower typology manifests distinct, strategic approaches in the architecture of ÁbalosHerreros, a firm that operated in Madrid from 1984 until 2008. Objects presented include site plans, photomontages, models, floor plans, and photographs. The exhibition also features a selection(...)
Jai Tech: Ábalos&Herreros selected by Juan José Castellón
Actions:
Description:
The exhibition Jai Tech: ÁbalosHerreros selected by Juan José Castellón examines the way the tower typology manifests distinct, strategic approaches in the architecture of ÁbalosHerreros, a firm that operated in Madrid from 1984 until 2008. Objects presented include site plans, photomontages, models, floor plans, and photographs. The exhibition also features a selection(...)
Form:
exhibitions
exhibitions
Date:
24 May 2015 to
12 July 2015
24 May 2015 to
12 July 2015
Location:
Octagonal gallery
Octagonal gallery
