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journals and magazines
journals and magazines
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"Evoking through design" features built work and speculative projects that highlight how contemporary practices are using devices such as spatial compositing, surface articulation, novel manipulations of matter and computational code in order to constitute spatial conditions radiating in delicate and sophisticated atmospheres. The theoretical foundations of the subject(...)
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"Evoking through design" features built work and speculative projects that highlight how contemporary practices are using devices such as spatial compositing, surface articulation, novel manipulations of matter and computational code in order to constitute spatial conditions radiating in delicate and sophisticated atmospheres. The theoretical foundations of the subject(...)
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AD Evoking through design: contemporary moods in architecture
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"Evoking through design" features built work and speculative projects that highlight how contemporary practices are using devices such as spatial compositing, surface articulation, novel manipulations of matter and computational code in order to constitute spatial conditions radiating in delicate and sophisticated atmospheres. The theoretical foundations of the subject are also explored through core essays on key themes: the historic lineage of the evocation of atmosphere and moods in architecture; the more recent preoccupation with speculative realism in architecture; the human body and atmosphere; and picturesque techniques.
AD Evoking through design: contemporary moods in architecture
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"Evoking through design" features built work and speculative projects that highlight how contemporary practices are using devices such as spatial compositing, surface articulation, novel manipulations of matter and computational code in order to constitute spatial conditions radiating in delicate and sophisticated atmospheres. The theoretical foundations of the subject are also explored through core essays on key themes: the historic lineage of the evocation of atmosphere and moods in architecture; the more recent preoccupation with speculative realism in architecture; the human body and atmosphere; and picturesque techniques.
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journals and magazines
journals and magazines
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February 2017
February 2017
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Magazines
Magazines
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xxiii, 645 pages : illustrations ; 29 cm
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xxiii, 645 pages : illustrations ; 29 cm
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Cambridge, Mass. : MIT Press, ©1984.
Cambridge, Mass. : MIT Press, ©1984.
Title:
Voyage into substance : art, science, nature, and the illustrated travel account, 1760-1840 / Barbara Maria Stafford.
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xxiii, 645 pages : illustrations ; 29 cm
Voyage into substance : art, science, nature, and the illustrated travel account, 1760-1840 / Barbara Maria Stafford.
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xxiii, 645 pages : illustrations ; 29 cm
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books
books
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Cambridge, Mass. : MIT Press, ©1984.
Cambridge, Mass. : MIT Press, ©1984.
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books
books
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Leap before you look : Black Mountain College, 1933-1957 / Helen Molesworth ; with Ruth Erickson.
Leap before you look : Black Mountain College, 1933-1957 / Helen Molesworth ; with Ruth Erickson.
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399 pages : illustrations (some color), music (some color), portraits (some color) ; 33 cm
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399 pages : illustrations (some color), music (some color), portraits (some color) ; 33 cm
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Boston : Institute of Contemporary Art/Boston ; New Haven ; London : in association with Yale University Press, [2015], ©2015
Boston : Institute of Contemporary Art/Boston ; New Haven ; London : in association with Yale University Press, [2015], ©2015
Title:
Leap before you look : Black Mountain College, 1933-1957 / Helen Molesworth ; with Ruth Erickson.
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399 pages : illustrations (some color), music (some color), portraits (some color) ; 33 cm
Leap before you look : Black Mountain College, 1933-1957 / Helen Molesworth ; with Ruth Erickson.
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399 pages : illustrations (some color), music (some color), portraits (some color) ; 33 cm
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books
books
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Boston : Institute of Contemporary Art/Boston ; New Haven ; London : in association with Yale University Press, [2015], ©2015
Boston : Institute of Contemporary Art/Boston ; New Haven ; London : in association with Yale University Press, [2015], ©2015
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books
books
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$57.99
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Lesser known, but still existing Japanese architecture and vintage interiors from the 1950s, 60s and 70s are documented in this hip tribute to modern architecture. A compilation CD with background music remixed by DJ Comoesta Yaegashi helps create an appropriate listening atmosphere.
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Lesser known, but still existing Japanese architecture and vintage interiors from the 1950s, 60s and 70s are documented in this hip tribute to modern architecture. A compilation CD with background music remixed by DJ Comoesta Yaegashi helps create an appropriate listening atmosphere.
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Contemporary Asian Architecture
Contemporary Asian Architecture
Publication:
June 2006, Tokyo
June 2006, Tokyo
Title:
Mod east
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Lesser known, but still existing Japanese architecture and vintage interiors from the 1950s, 60s and 70s are documented in this hip tribute to modern architecture. A compilation CD with background music remixed by DJ Comoesta Yaegashi helps create an appropriate listening atmosphere.
Mod east
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$57.99
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Lesser known, but still existing Japanese architecture and vintage interiors from the 1950s, 60s and 70s are documented in this hip tribute to modern architecture. A compilation CD with background music remixed by DJ Comoesta Yaegashi helps create an appropriate listening atmosphere.
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books
books
Publication:
June 2006, Tokyo
June 2006, Tokyo
Subject:
Contemporary Asian Architecture
Contemporary Asian Architecture
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journals and magazines
journals and magazines
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''Toxic Atmospheres'' consists in a different approach to space and bodies to the strictly physical one usually described in The Funambulist. Its editorial argument draws on the concepts of “being-in-the-breathable” (Peter Sloterdijk), “the weather” (Christina Sharpe), and “combat breathing” (Frantz Fanon) to resolutely politicize what is usually approached through an(...)
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''Toxic Atmospheres'' consists in a different approach to space and bodies to the strictly physical one usually described in The Funambulist. Its editorial argument draws on the concepts of “being-in-the-breathable” (Peter Sloterdijk), “the weather” (Christina Sharpe), and “combat breathing” (Frantz Fanon) to resolutely politicize what is usually approached through an(...)
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The Funambulist 14, Toxic atmospheres. November-December 2017
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''Toxic Atmospheres'' consists in a different approach to space and bodies to the strictly physical one usually described in The Funambulist. Its editorial argument draws on the concepts of “being-in-the-breathable” (Peter Sloterdijk), “the weather” (Christina Sharpe), and “combat breathing” (Frantz Fanon) to resolutely politicize what is usually approached through an environmentalist perspective. The toxicity described throughout its pages are the atmospheric conditions of colonialism, imperialism, and/or capitalism.
The Funambulist 14, Toxic atmospheres. November-December 2017
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''Toxic Atmospheres'' consists in a different approach to space and bodies to the strictly physical one usually described in The Funambulist. Its editorial argument draws on the concepts of “being-in-the-breathable” (Peter Sloterdijk), “the weather” (Christina Sharpe), and “combat breathing” (Frantz Fanon) to resolutely politicize what is usually approached through an environmentalist perspective. The toxicity described throughout its pages are the atmospheric conditions of colonialism, imperialism, and/or capitalism.
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journals and magazines
journals and magazines
Publication:
December 2017
December 2017
Subject:
Magazines
Magazines
Form:
books
books
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$12.95
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This issue of Un Sedicesimo is an incursion into the 19th century gloomy atmosphere of Edgar Allan Poe's short story: The Murders in the Rue Morgue. Over the 16 pages, Gianluigi Toccafondo gives us his version of one of the great crime writer's most famous tales, published for the first time in 1841. A macabre double crime takes place in a Parisian apartment. Ferocious(...)
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This issue of Un Sedicesimo is an incursion into the 19th century gloomy atmosphere of Edgar Allan Poe's short story: The Murders in the Rue Morgue. Over the 16 pages, Gianluigi Toccafondo gives us his version of one of the great crime writer's most famous tales, published for the first time in 1841. A macabre double crime takes place in a Parisian apartment. Ferocious(...)
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Un sedicesimo 21: rue Morgue, Edgar Allan Poe
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This issue of Un Sedicesimo is an incursion into the 19th century gloomy atmosphere of Edgar Allan Poe's short story: The Murders in the Rue Morgue. Over the 16 pages, Gianluigi Toccafondo gives us his version of one of the great crime writer's most famous tales, published for the first time in 1841. A macabre double crime takes place in a Parisian apartment. Ferocious and unexplainable, it can only be solved by brilliant detective, Auguste Dupin. The lugubrious details of the story are transferred to an unprecedented black and white issue of Un Sedicesimo. The pages are crowded with quick ink strokes, differing shades of tempera and daubs of colour, to recreate in dark and urgent images the murky atmosphere of the tale.
Un sedicesimo 21: rue Morgue, Edgar Allan Poe
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This issue of Un Sedicesimo is an incursion into the 19th century gloomy atmosphere of Edgar Allan Poe's short story: The Murders in the Rue Morgue. Over the 16 pages, Gianluigi Toccafondo gives us his version of one of the great crime writer's most famous tales, published for the first time in 1841. A macabre double crime takes place in a Parisian apartment. Ferocious and unexplainable, it can only be solved by brilliant detective, Auguste Dupin. The lugubrious details of the story are transferred to an unprecedented black and white issue of Un Sedicesimo. The pages are crowded with quick ink strokes, differing shades of tempera and daubs of colour, to recreate in dark and urgent images the murky atmosphere of the tale.
Form:
books
books
Publication:
November 2011
November 2011
Subject:
Illustration
Illustration
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books
books
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$27.95
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We barely talk about them and seldom know their names. Philosophy has always overlooked them; even biology considers them as mere decoration on the tree of life. And yet plants give life to the Earth: they produce the atmosphere that surrounds us, they are the origin of the oxygen that animates us. Plants embody the most direct, elementary connection that life can(...)
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We barely talk about them and seldom know their names. Philosophy has always overlooked them; even biology considers them as mere decoration on the tree of life. And yet plants give life to the Earth: they produce the atmosphere that surrounds us, they are the origin of the oxygen that animates us. Plants embody the most direct, elementary connection that life can(...)
Title:
The life of plants: A metaphysics of mixture
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We barely talk about them and seldom know their names. Philosophy has always overlooked them; even biology considers them as mere decoration on the tree of life. And yet plants give life to the Earth: they produce the atmosphere that surrounds us, they are the origin of the oxygen that animates us. Plants embody the most direct, elementary connection that life can establish with the world. In this highly original book, Emanuele Coccia argues that, as the very creator of atmosphere, plants occupy the fundamental position from which we should analyze all elements of life. From this standpoint, we can no longer perceive the world as a simple collection of objects or as a universal space containing all things, but as the site of a veritable metaphysical mixture. Since our atmosphere is rendered possible through plants alone, life only perpetuates itself through the very circle of consumption undertaken by plants. In other words, life exists only insofar as it consumes other life, removing any moral or ethical considerations from the equation. In contrast to trends of thought that discuss nature and the cosmos in general terms, Coccia’s account brings the infinitely small together with the infinitely big, offering a radical redefinition of the place of humanity within the realm of life.
The life of plants: A metaphysics of mixture
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We barely talk about them and seldom know their names. Philosophy has always overlooked them; even biology considers them as mere decoration on the tree of life. And yet plants give life to the Earth: they produce the atmosphere that surrounds us, they are the origin of the oxygen that animates us. Plants embody the most direct, elementary connection that life can establish with the world. In this highly original book, Emanuele Coccia argues that, as the very creator of atmosphere, plants occupy the fundamental position from which we should analyze all elements of life. From this standpoint, we can no longer perceive the world as a simple collection of objects or as a universal space containing all things, but as the site of a veritable metaphysical mixture. Since our atmosphere is rendered possible through plants alone, life only perpetuates itself through the very circle of consumption undertaken by plants. In other words, life exists only insofar as it consumes other life, removing any moral or ethical considerations from the equation. In contrast to trends of thought that discuss nature and the cosmos in general terms, Coccia’s account brings the infinitely small together with the infinitely big, offering a radical redefinition of the place of humanity within the realm of life.
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books
books
Publication:
December 2018
December 2018
Subject:
Environment and environmental theory
Environment and environmental theory
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books
books
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$39.95
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In Manhattan Atmospheres , David Gissen explores the rise of the “late-modern” architectural environment as a form of “socio-nature” during New York City’s crisis years. The period between the mid-1960s and early 1980s in New York City has long been a case-study in the collapse of urban networks. Images of blighted buildings, degraded landscapes, and collapsed(...)
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In Manhattan Atmospheres , David Gissen explores the rise of the “late-modern” architectural environment as a form of “socio-nature” during New York City’s crisis years. The period between the mid-1960s and early 1980s in New York City has long been a case-study in the collapse of urban networks. Images of blighted buildings, degraded landscapes, and collapsed(...)
Title:
Manhattan Atmospheres: architecture, the interior environment and urban crisis
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In Manhattan Atmospheres , David Gissen explores the rise of the “late-modern” architectural environment as a form of “socio-nature” during New York City’s crisis years. The period between the mid-1960s and early 1980s in New York City has long been a case-study in the collapse of urban networks. Images of blighted buildings, degraded landscapes, and collapsed infrastructure typify the way this period in the city have been represented. But rather than a site of urban collapse, the ambition of New York City’s built environment continued, albeit inside the environments of late-modern architectural space.
Manhattan Atmospheres: architecture, the interior environment and urban crisis
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In Manhattan Atmospheres , David Gissen explores the rise of the “late-modern” architectural environment as a form of “socio-nature” during New York City’s crisis years. The period between the mid-1960s and early 1980s in New York City has long been a case-study in the collapse of urban networks. Images of blighted buildings, degraded landscapes, and collapsed infrastructure typify the way this period in the city have been represented. But rather than a site of urban collapse, the ambition of New York City’s built environment continued, albeit inside the environments of late-modern architectural space.
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books
books
Publication:
December 2013
December 2013
Subject:
Urban Theory
Urban Theory
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books
books
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$52.95
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Between 1900 and 1950 the British state amassed a huge collection of over 800 historic buildings, monuments, and sites and opened them to the public. This engaging book explains why the extraordinary collecting frenzy took place, locating it in the fragile and nostalgic atmosphere of the interwar years, dominated by neo-romanticism and cultural protectionism.
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Between 1900 and 1950 the British state amassed a huge collection of over 800 historic buildings, monuments, and sites and opened them to the public. This engaging book explains why the extraordinary collecting frenzy took place, locating it in the fragile and nostalgic atmosphere of the interwar years, dominated by neo-romanticism and cultural protectionism.
Title:
Men for the ministry: how Britain saved its heritage
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Between 1900 and 1950 the British state amassed a huge collection of over 800 historic buildings, monuments, and sites and opened them to the public. This engaging book explains why the extraordinary collecting frenzy took place, locating it in the fragile and nostalgic atmosphere of the interwar years, dominated by neo-romanticism and cultural protectionism.
Men for the ministry: how Britain saved its heritage
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Between 1900 and 1950 the British state amassed a huge collection of over 800 historic buildings, monuments, and sites and opened them to the public. This engaging book explains why the extraordinary collecting frenzy took place, locating it in the fragile and nostalgic atmosphere of the interwar years, dominated by neo-romanticism and cultural protectionism.
Form:
books
books
Publication:
August 2013
August 2013
Form:
books
books
Title:
Fusako Kodama 1960-1980
Fusako Kodama 1960-1980
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Between agitation and lightness, Fusako Kodama depicts the effervescence of modern Japan. From 1960 to 1980, she captures the atmosphere of places and the energy of people.Movement is constant; disorder occurs at times; gestures are carefree and instinctive: Fusako Kodama captures forward momentum. Her spontaneous photographs summon surprising perspectives where subjects(...)
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Between agitation and lightness, Fusako Kodama depicts the effervescence of modern Japan. From 1960 to 1980, she captures the atmosphere of places and the energy of people.Movement is constant; disorder occurs at times; gestures are carefree and instinctive: Fusako Kodama captures forward momentum. Her spontaneous photographs summon surprising perspectives where subjects(...)
Title:
Fusako Kodama 1960-1980
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Between agitation and lightness, Fusako Kodama depicts the effervescence of modern Japan. From 1960 to 1980, she captures the atmosphere of places and the energy of people.Movement is constant; disorder occurs at times; gestures are carefree and instinctive: Fusako Kodama captures forward momentum. Her spontaneous photographs summon surprising perspectives where subjects appear slightly out of sync. Between restlessness and lightness, Fusako Kodama portrays a certain effervescence of modern Japan. From 1960 to 1980, she captures the atmosphere of cities and villages inhabited by animated beings. Through her unusual and spontaneous framing, the prolific photographer casts a gaze that is both gentle and vibrant over twenty years of Japan. 1960-1980 is the first book by Fusako Kodama published in the West, where she is still relatively unknown. This work aligns with the ongoing efforts of Chose Commune, which aims to shed light on contemporary Japanese photographers beyond their country of origin.
Fusako Kodama 1960-1980
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$105.00
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Between agitation and lightness, Fusako Kodama depicts the effervescence of modern Japan. From 1960 to 1980, she captures the atmosphere of places and the energy of people.Movement is constant; disorder occurs at times; gestures are carefree and instinctive: Fusako Kodama captures forward momentum. Her spontaneous photographs summon surprising perspectives where subjects appear slightly out of sync. Between restlessness and lightness, Fusako Kodama portrays a certain effervescence of modern Japan. From 1960 to 1980, she captures the atmosphere of cities and villages inhabited by animated beings. Through her unusual and spontaneous framing, the prolific photographer casts a gaze that is both gentle and vibrant over twenty years of Japan. 1960-1980 is the first book by Fusako Kodama published in the West, where she is still relatively unknown. This work aligns with the ongoing efforts of Chose Commune, which aims to shed light on contemporary Japanese photographers beyond their country of origin.
Form:
books
books
Publication:
July 2025
July 2025
Subject:
Photography monographs
Photography monographs
