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books
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Title:
Koh-i-noor
Koh-i-noor
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It’s 2011 on Nova Scotia’s South Shore, and Sean Lohan is at a crossroads. The son of Colorado Buddhists, Sean wonders if he should accept his parents’ offer to join their natural cosmetics company or venture out on his own. When an art history professor opens Sean’s eyes to the contradictions of capitalism, he realizes he can’t avoid or transcend his own personal(...)
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It’s 2011 on Nova Scotia’s South Shore, and Sean Lohan is at a crossroads. The son of Colorado Buddhists, Sean wonders if he should accept his parents’ offer to join their natural cosmetics company or venture out on his own. When an art history professor opens Sean’s eyes to the contradictions of capitalism, he realizes he can’t avoid or transcend his own personal(...)
Title:
Koh-i-noor
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It’s 2011 on Nova Scotia’s South Shore, and Sean Lohan is at a crossroads. The son of Colorado Buddhists, Sean wonders if he should accept his parents’ offer to join their natural cosmetics company or venture out on his own. When an art history professor opens Sean’s eyes to the contradictions of capitalism, he realizes he can’t avoid or transcend his own personal dilemmas and instead chooses to face them head-on. Sean’s ultimate decision to found a social enterprise leads him to China. At the same time, his close friend Jerry becomes entangled in a Google-like tech enterprise in California, and his girlfriend Samantha pursues her own high-minded interventions in Cuba—each path leading to increasingly risky and complex outcomes. In the roving literary style of Thomas Pynchon and Mathias Énard, this enthralling debut offers readers a fast-paced adventure through the diverging nuances of economics, spirituality, and extraction. In a period of increasing uncertainty, Koh-i-Noor is a timely doomscroll through four decades of globalization, generational change, and the search for one’s own values.
Koh-i-noor
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It’s 2011 on Nova Scotia’s South Shore, and Sean Lohan is at a crossroads. The son of Colorado Buddhists, Sean wonders if he should accept his parents’ offer to join their natural cosmetics company or venture out on his own. When an art history professor opens Sean’s eyes to the contradictions of capitalism, he realizes he can’t avoid or transcend his own personal dilemmas and instead chooses to face them head-on. Sean’s ultimate decision to found a social enterprise leads him to China. At the same time, his close friend Jerry becomes entangled in a Google-like tech enterprise in California, and his girlfriend Samantha pursues her own high-minded interventions in Cuba—each path leading to increasingly risky and complex outcomes. In the roving literary style of Thomas Pynchon and Mathias Énard, this enthralling debut offers readers a fast-paced adventure through the diverging nuances of economics, spirituality, and extraction. In a period of increasing uncertainty, Koh-i-Noor is a timely doomscroll through four decades of globalization, generational change, and the search for one’s own values.
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books
books
Publication:
May 2026
May 2026
Subject:
Literature and poetry
Literature and poetry
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books
books
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$61.95
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Armed by Design reflects on the intersection of graphic design and political solidarity work in revolutionary Cuba through the lens of the production of OSPAAAL, the Organization of Solidarity of the Peoples of Africa, Asia, and Latin America. OSPAAAL developed out of the 1966 Tricontinental Conference in Havana, a meeting of delegates representing national liberation(...)
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Armed by Design reflects on the intersection of graphic design and political solidarity work in revolutionary Cuba through the lens of the production of OSPAAAL, the Organization of Solidarity of the Peoples of Africa, Asia, and Latin America. OSPAAAL developed out of the 1966 Tricontinental Conference in Havana, a meeting of delegates representing national liberation(...)
Title:
Armed by design: osters and Publications of Cuba's OSPAAAL
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Armed by Design reflects on the intersection of graphic design and political solidarity work in revolutionary Cuba through the lens of the production of OSPAAAL, the Organization of Solidarity of the Peoples of Africa, Asia, and Latin America. OSPAAAL developed out of the 1966 Tricontinental Conference in Havana, a meeting of delegates representing national liberation movements and leftist political parties almost exclusively from the Global South. Based in Havana, OSPAAAL produced nearly five hundred posters, magazines, and books beginning in the late 1960s, with most of their work ceasing by the late 1980s. Until 2019, OSPAAAL was a political organization focused on fighting US imperialism and supporting liberation movements aroundthe world through poster production, regularly produced publications, and a series of books featuring the writings of the intellectual leadership of these movements. ''Armed By Design'' brings together artists and thinkers from around the world whose work has been impacted by the legacy of OSPAAAL. These contributions reflect on impacts of OSPAAAL's work on regional movements, including in the Arab world and Korea, design iconography, the evolution of tricontinentalism, our present-day.
Armed by design: osters and Publications of Cuba's OSPAAAL
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Armed by Design reflects on the intersection of graphic design and political solidarity work in revolutionary Cuba through the lens of the production of OSPAAAL, the Organization of Solidarity of the Peoples of Africa, Asia, and Latin America. OSPAAAL developed out of the 1966 Tricontinental Conference in Havana, a meeting of delegates representing national liberation movements and leftist political parties almost exclusively from the Global South. Based in Havana, OSPAAAL produced nearly five hundred posters, magazines, and books beginning in the late 1960s, with most of their work ceasing by the late 1980s. Until 2019, OSPAAAL was a political organization focused on fighting US imperialism and supporting liberation movements aroundthe world through poster production, regularly produced publications, and a series of books featuring the writings of the intellectual leadership of these movements. ''Armed By Design'' brings together artists and thinkers from around the world whose work has been impacted by the legacy of OSPAAAL. These contributions reflect on impacts of OSPAAAL's work on regional movements, including in the Arab world and Korea, design iconography, the evolution of tricontinentalism, our present-day.
Form:
books
books
Publication:
February 2025
February 2025
Subject:
Art Theory
Art Theory
Form:
books
books
Title:
Communist posters
Communist posters
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$79.95
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One of the common features of communist regimes is the use of art for revolutionary means. Posters in particular have served as beacons of propaganda – vehicles of coercion, instruction, censure and debate – in every communist nation. They have promoted the authority of state and revolution, but have also been used as an effective means of protest. By their nature posters(...)
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One of the common features of communist regimes is the use of art for revolutionary means. Posters in particular have served as beacons of propaganda – vehicles of coercion, instruction, censure and debate – in every communist nation. They have promoted the authority of state and revolution, but have also been used as an effective means of protest. By their nature posters(...)
Title:
Communist posters
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$79.95
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One of the common features of communist regimes is the use of art for revolutionary means. Posters in particular have served as beacons of propaganda – vehicles of coercion, instruction, censure and debate – in every communist nation. They have promoted the authority of state and revolution, but have also been used as an effective means of protest. By their nature posters are ephemeral, tied to time and place, but many have had far-reaching, long-lasting impact. They are imbued with both artistic integrity and personal conviction – Bolshevik posters, for example, are among the most vibrant, passionate graphics in art history. This is the first truly global survey of the history and variety of communist poster art. Each chapter is written by an expert in the field, and examines a different region of the world: Russia, China, Mongolia, Eastern Europe, North Korea, Vietnam and Cuba. This beautifully illustrated, comprehensive survey examines the broad range of political and visual cultures of communist posters, and will appeal to a wide audience interested in art, history and politics.
Communist posters
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$79.95
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Summary:
One of the common features of communist regimes is the use of art for revolutionary means. Posters in particular have served as beacons of propaganda – vehicles of coercion, instruction, censure and debate – in every communist nation. They have promoted the authority of state and revolution, but have also been used as an effective means of protest. By their nature posters are ephemeral, tied to time and place, but many have had far-reaching, long-lasting impact. They are imbued with both artistic integrity and personal conviction – Bolshevik posters, for example, are among the most vibrant, passionate graphics in art history. This is the first truly global survey of the history and variety of communist poster art. Each chapter is written by an expert in the field, and examines a different region of the world: Russia, China, Mongolia, Eastern Europe, North Korea, Vietnam and Cuba. This beautifully illustrated, comprehensive survey examines the broad range of political and visual cultures of communist posters, and will appeal to a wide audience interested in art, history and politics.
Form:
books
books
Publication:
May 2017
May 2017
Subject:
Printed Matter
Printed Matter
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books
books
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$35.95
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The Escuelas Nacionales de Arte (National Art Schools), constructed from 1961 to 1965, were the result of an educational program initiated by Fidel Castro and Che Guevara soon after the Revolution of 1959. The architects they commissioned created an (...)
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The Escuelas Nacionales de Arte (National Art Schools), constructed from 1961 to 1965, were the result of an educational program initiated by Fidel Castro and Che Guevara soon after the Revolution of 1959. The architects they commissioned created an (...)
Title:
Revolution of forms : Cuba's forgotten art schools
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The Escuelas Nacionales de Arte (National Art Schools), constructed from 1961 to 1965, were the result of an educational program initiated by Fidel Castro and Che Guevara soon after the Revolution of 1959. The architects they commissioned created an organic complex of brick and terra-cotta Catalan vaulted structures that reflected the optimism and exuberance of the period. The schools attempted to reinvent architecture, just as the Revolution hoped to reinvent society. However, even before construction was completed, the schools fell out of official favor and were subjected to an attack that resulted in their subsequent "disappearance." An ideological campaign branded them politically incorrect, a bourgeois luxury that was not in keeping with the Revolution. The buildings fell into disuse and, abandoned to the jungle, were literally overgrown. Now, almost 40 years later, Cuba is beginning to recognize and reclaim these significant works of architecture. Revolution of Forms investigates the history and politics surrounding the creation of these structures as well as their subsequent abandonment. The text is accompanied by archival photographs, plans, and images of the present condition of these structures.
Revolution of forms : Cuba's forgotten art schools
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Summary:
The Escuelas Nacionales de Arte (National Art Schools), constructed from 1961 to 1965, were the result of an educational program initiated by Fidel Castro and Che Guevara soon after the Revolution of 1959. The architects they commissioned created an organic complex of brick and terra-cotta Catalan vaulted structures that reflected the optimism and exuberance of the period. The schools attempted to reinvent architecture, just as the Revolution hoped to reinvent society. However, even before construction was completed, the schools fell out of official favor and were subjected to an attack that resulted in their subsequent "disappearance." An ideological campaign branded them politically incorrect, a bourgeois luxury that was not in keeping with the Revolution. The buildings fell into disuse and, abandoned to the jungle, were literally overgrown. Now, almost 40 years later, Cuba is beginning to recognize and reclaim these significant works of architecture. Revolution of Forms investigates the history and politics surrounding the creation of these structures as well as their subsequent abandonment. The text is accompanied by archival photographs, plans, and images of the present condition of these structures.
Form:
books
books
Publication:
January 1999, New York
January 1999, New York
Subject:
Architecture since 1900, Europe
Architecture since 1900, Europe
Form:
books
books
Price:
$79.00
(available to order)
Summary:
Of the architects who made Palm Springs a crucible of midcentury American modernism, William F. Cody (1916-1978) was one of the most prolific, diverse, and iconic. Directing a practice ranging from residences to commercial centers and industrial complexes to master plans, Cody's designs are so recognizable that they provide visual shorthand for what is widely hailed as(...)
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Summary:
Of the architects who made Palm Springs a crucible of midcentury American modernism, William F. Cody (1916-1978) was one of the most prolific, diverse, and iconic. Directing a practice ranging from residences to commercial centers and industrial complexes to master plans, Cody's designs are so recognizable that they provide visual shorthand for what is widely hailed as(...)
Subject:
Architecture Monographs
Architecture Monographs
Publication:
September 2021
September 2021
Title:
Master of the midcentury: the architecture of Williiam F. Cody
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Of the architects who made Palm Springs a crucible of midcentury American modernism, William F. Cody (1916-1978) was one of the most prolific, diverse, and iconic. Directing a practice ranging from residences to commercial centers and industrial complexes to master plans, Cody's designs are so recognizable that they provide visual shorthand for what is widely hailed as "Desert Modern." While his architecture was disciplined and technically innovative, Cody did not practice an austere modernism; he imbued in his projects a love for social spaces, rich with patterns, texture, color, and art. Though the majority of Cody's built work was concentrated in California and Arizona, he had commissions in other western states, Hawaii, Mexico, Honduras, and Cuba. From icons like the Del Marcos Hotel (1946), to inventive country clubs like the Eldorado (1957), to houses for celebrities (Frank Sinatra, Bing Crosby, Walt Disney), Cody's projects defined the emerging West Coast lifestyle that combined luxury, leisure, and experimental design. Cody also pushed the boundaries of engineering, with beams and roof slabs so thin that his buildings seemed to defy gravity.
Master of the midcentury: the architecture of Williiam F. Cody
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Summary:
Of the architects who made Palm Springs a crucible of midcentury American modernism, William F. Cody (1916-1978) was one of the most prolific, diverse, and iconic. Directing a practice ranging from residences to commercial centers and industrial complexes to master plans, Cody's designs are so recognizable that they provide visual shorthand for what is widely hailed as "Desert Modern." While his architecture was disciplined and technically innovative, Cody did not practice an austere modernism; he imbued in his projects a love for social spaces, rich with patterns, texture, color, and art. Though the majority of Cody's built work was concentrated in California and Arizona, he had commissions in other western states, Hawaii, Mexico, Honduras, and Cuba. From icons like the Del Marcos Hotel (1946), to inventive country clubs like the Eldorado (1957), to houses for celebrities (Frank Sinatra, Bing Crosby, Walt Disney), Cody's projects defined the emerging West Coast lifestyle that combined luxury, leisure, and experimental design. Cody also pushed the boundaries of engineering, with beams and roof slabs so thin that his buildings seemed to defy gravity.
Form:
books
books
Publication:
September 2021
September 2021
Subject:
Architecture Monographs
Architecture Monographs
Form:
books
books
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$50.50
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Summary:
In the decades after World War II, from just prior to the revolution and into the mid-1980s, modernist architecture blossomed in Cuba, attracting both native talent and leading international architects from Europe. Havana Modern examines Cuban modernism’s highlights with a wealth of archival materials, photos and new scholarship. Edited by Rubén Gallo—author of Mexican(...)
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Summary:
In the decades after World War II, from just prior to the revolution and into the mid-1980s, modernist architecture blossomed in Cuba, attracting both native talent and leading international architects from Europe. Havana Modern examines Cuban modernism’s highlights with a wealth of archival materials, photos and new scholarship. Edited by Rubén Gallo—author of Mexican(...)
Title:
Havana modern: Critical readings in Cuban architecture
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In the decades after World War II, from just prior to the revolution and into the mid-1980s, modernist architecture blossomed in Cuba, attracting both native talent and leading international architects from Europe. Havana Modern examines Cuban modernism’s highlights with a wealth of archival materials, photos and new scholarship. Edited by Rubén Gallo—author of Mexican Modernity (2005), Freud’s Mexico (2010) and Proust’s Latin Americans (2014)—the volume is arranged in 10 chapters authored by current and former Princeton faculty members and graduate students. These essays, which arose from seminars organized by Gallo and historian Beatriz Colomina, examine Max Abramovitz’s American Embassy; Richard Neutra’s De Schultess House; Martín Domínguez Esteban, Miguel Gastón and Emilio del Junco’s Radiocentro; Mies van Der Rohe’s office building for Ron Barcardí S.A.; Vittorio Garatti, Roberto Gottardi and Ricardo Porro’s National Art Schools for Havana; Mario Girona’s Coppelia Ice-cream parlor and park; Vittorio Garatti, Hugo D’Acosta and Sergio Baroni’s Cuban Pavilion at Expo 67; Antonio Quintana and Alberto Rodriguez’s "Edificio Experimental"; and Aleksandr Grigorievich Rochegov’s USRR Embassy. Havana Modern draws on history, politics, culture, literature and film to elucidate this outstandingly rich era in architectural history.
Havana modern: Critical readings in Cuban architecture
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In the decades after World War II, from just prior to the revolution and into the mid-1980s, modernist architecture blossomed in Cuba, attracting both native talent and leading international architects from Europe. Havana Modern examines Cuban modernism’s highlights with a wealth of archival materials, photos and new scholarship. Edited by Rubén Gallo—author of Mexican Modernity (2005), Freud’s Mexico (2010) and Proust’s Latin Americans (2014)—the volume is arranged in 10 chapters authored by current and former Princeton faculty members and graduate students. These essays, which arose from seminars organized by Gallo and historian Beatriz Colomina, examine Max Abramovitz’s American Embassy; Richard Neutra’s De Schultess House; Martín Domínguez Esteban, Miguel Gastón and Emilio del Junco’s Radiocentro; Mies van Der Rohe’s office building for Ron Barcardí S.A.; Vittorio Garatti, Roberto Gottardi and Ricardo Porro’s National Art Schools for Havana; Mario Girona’s Coppelia Ice-cream parlor and park; Vittorio Garatti, Hugo D’Acosta and Sergio Baroni’s Cuban Pavilion at Expo 67; Antonio Quintana and Alberto Rodriguez’s "Edificio Experimental"; and Aleksandr Grigorievich Rochegov’s USRR Embassy. Havana Modern draws on history, politics, culture, literature and film to elucidate this outstandingly rich era in architectural history.
Form:
books
books
Publication:
September 2023
September 2023
Subject:
Architecture since 1900, Americas
Architecture since 1900, Americas
Form:
books
books
Title:
Walker Evans
Walker Evans
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Walker Evans (1903-1975) is best known for documenting the people and living conditions of the American South during the Great Depression. But his photographic accomplishments were much broader than these famous images: modernist views of New York City, such as his Flatiron Building, New York (1928-29) and Brooklyn Bridge (1929); architectural studies of Victorian homes(...)
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Walker Evans (1903-1975) is best known for documenting the people and living conditions of the American South during the Great Depression. But his photographic accomplishments were much broader than these famous images: modernist views of New York City, such as his Flatiron Building, New York (1928-29) and Brooklyn Bridge (1929); architectural studies of Victorian homes(...)
Title:
Walker Evans
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Walker Evans (1903-1975) is best known for documenting the people and living conditions of the American South during the Great Depression. But his photographic accomplishments were much broader than these famous images: modernist views of New York City, such as his Flatiron Building, New York (1928-29) and Brooklyn Bridge (1929); architectural studies of Victorian homes and other buildings in Boston, Cape Cod, Saratoga Springs, and small towns in upstate New York; a series of spontaneous and surreptitious portraits taken on the Manhattan subway; scenes from Cuba in the 1930s; and his commercial assignments as a staff photographer and writer for Fortune magazine. The familiar work from his Farm Security Administration project is also here-views of the rural South immortalized in his collaborative book with James Agee, Let Us Now Praise Famous Men, along with urban images from New Orleans and Savannah. Essays by Christian A. Peterson, associate curator of photography at The Minneapolis Institute of Arts, describe Evans's photographic vision and include information about the acquisition history of many of the photographs in this book. Illustrated with almost one hundred high-quality black-and-white photographs, Walker Evans presents the full breadth of Evans's expansive and varied photographic art.
Walker Evans
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$37.50
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Walker Evans (1903-1975) is best known for documenting the people and living conditions of the American South during the Great Depression. But his photographic accomplishments were much broader than these famous images: modernist views of New York City, such as his Flatiron Building, New York (1928-29) and Brooklyn Bridge (1929); architectural studies of Victorian homes and other buildings in Boston, Cape Cod, Saratoga Springs, and small towns in upstate New York; a series of spontaneous and surreptitious portraits taken on the Manhattan subway; scenes from Cuba in the 1930s; and his commercial assignments as a staff photographer and writer for Fortune magazine. The familiar work from his Farm Security Administration project is also here-views of the rural South immortalized in his collaborative book with James Agee, Let Us Now Praise Famous Men, along with urban images from New Orleans and Savannah. Essays by Christian A. Peterson, associate curator of photography at The Minneapolis Institute of Arts, describe Evans's photographic vision and include information about the acquisition history of many of the photographs in this book. Illustrated with almost one hundred high-quality black-and-white photographs, Walker Evans presents the full breadth of Evans's expansive and varied photographic art.
Form:
books
books
Publication:
July 2003, Minneapolis
July 2003, Minneapolis
Subject:
Photography monographs
Photography monographs
Form:
books
books
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$16.95
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In the summer of 2025, nine Western States formally recognized the State of Palestine. This State recognition and the resurrection of the moribund so-called “two-State solution” is combined with a criminalization of calls to liberate Palestine “from the river to the sea.” This issue asks: can liberation ever take the form of a state? Borrowing a phrase Sophia Azeb used(...)
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Summary:
In the summer of 2025, nine Western States formally recognized the State of Palestine. This State recognition and the resurrection of the moribund so-called “two-State solution” is combined with a criminalization of calls to liberate Palestine “from the river to the sea.” This issue asks: can liberation ever take the form of a state? Borrowing a phrase Sophia Azeb used(...)
Title:
The Funambulist 64: The no-state solution
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In the summer of 2025, nine Western States formally recognized the State of Palestine. This State recognition and the resurrection of the moribund so-called “two-State solution” is combined with a criminalization of calls to liberate Palestine “from the river to the sea.” This issue asks: can liberation ever take the form of a state? Borrowing a phrase Sophia Azeb used multiple times in the history of The Funambulist (since our first conversation in 2014), The No-State Solution intends to revisit this concept in the context of Palestine in challenging the very idea of “solution” (Sophia Azeb & Rebecca Gross), but also in other liberation struggles such as the Kurdish (Havin Guneser) and Zapatista (Linda Quiquivix) ones. It warns us against state dreams, such as the ones implemented in Sierra Leone and Liberia (what William C. Anderson calls “Black Zionism” in his contribution), and questions the differences between State and community forms of governance, in particular when it comes to healthcare, as made evident in Cuba and Venezuela (Lisbeth Moya González). Finally, it envisions borderless, stateless futures in Aotearoa (Kai-rui Cheng) and Kanaky (Florenda Nirikani). As for the artwork on the cover, it is an original creation by Samir Harb.
The Funambulist 64: The no-state solution
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In the summer of 2025, nine Western States formally recognized the State of Palestine. This State recognition and the resurrection of the moribund so-called “two-State solution” is combined with a criminalization of calls to liberate Palestine “from the river to the sea.” This issue asks: can liberation ever take the form of a state? Borrowing a phrase Sophia Azeb used multiple times in the history of The Funambulist (since our first conversation in 2014), The No-State Solution intends to revisit this concept in the context of Palestine in challenging the very idea of “solution” (Sophia Azeb & Rebecca Gross), but also in other liberation struggles such as the Kurdish (Havin Guneser) and Zapatista (Linda Quiquivix) ones. It warns us against state dreams, such as the ones implemented in Sierra Leone and Liberia (what William C. Anderson calls “Black Zionism” in his contribution), and questions the differences between State and community forms of governance, in particular when it comes to healthcare, as made evident in Cuba and Venezuela (Lisbeth Moya González). Finally, it envisions borderless, stateless futures in Aotearoa (Kai-rui Cheng) and Kanaky (Florenda Nirikani). As for the artwork on the cover, it is an original creation by Samir Harb.
Form:
books
books
Publication:
March 2026
March 2026
Subject:
Magazines
Magazines
Form:
books
books
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$108.00
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Summary:
The teachings of Mies van der Rohe and his respect for the effects of space and material has had a great influence on the American architect and artist Gene Summers. Thanks to the technology of the day and Summers’ own creative talents, he was able to help transform Mies’ visions into built structures. For 16 years Gene Summers was a close colleague of Mies, heading(...)
$108.00
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Summary:
The teachings of Mies van der Rohe and his respect for the effects of space and material has had a great influence on the American architect and artist Gene Summers. Thanks to the technology of the day and Summers’ own creative talents, he was able to help transform Mies’ visions into built structures. For 16 years Gene Summers was a close colleague of Mies, heading(...)
Title:
Gene Summers : art / architecture
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$108.00
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The teachings of Mies van der Rohe and his respect for the effects of space and material has had a great influence on the American architect and artist Gene Summers. Thanks to the technology of the day and Summers’ own creative talents, he was able to help transform Mies’ visions into built structures. For 16 years Gene Summers was a close colleague of Mies, heading his office and working with him on many projects including the Seagram Building in New York, Bacardi’s office buildings in Cuba and Mexico, and Krupps’ offices in Essen. Also working independently, Summers created projects for C.F Murphy Associates, such as the McCormick Convention Centre and the Malcolm X College in Chicago. Later with Ridgway Limited, he was responsible for the the acclaimed restoration of the Biltmore Hotels in Los Angeles. Familiar with bronze as a building material, Summers used his knowledge to design elegant furniture and household objects before devoting himself entirely to producing artworks using this medium. This volume is the first presentation of Gene Summers’ architectural and artistic work, surveying the many areas in which he was active. Phyllis Lambert, founder of the Canadian Centre for Architecture president of the International Confederation of Architectural Museums, provides an enlightening introduction to his work.
Gene Summers : art / architecture
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The teachings of Mies van der Rohe and his respect for the effects of space and material has had a great influence on the American architect and artist Gene Summers. Thanks to the technology of the day and Summers’ own creative talents, he was able to help transform Mies’ visions into built structures. For 16 years Gene Summers was a close colleague of Mies, heading his office and working with him on many projects including the Seagram Building in New York, Bacardi’s office buildings in Cuba and Mexico, and Krupps’ offices in Essen. Also working independently, Summers created projects for C.F Murphy Associates, such as the McCormick Convention Centre and the Malcolm X College in Chicago. Later with Ridgway Limited, he was responsible for the the acclaimed restoration of the Biltmore Hotels in Los Angeles. Familiar with bronze as a building material, Summers used his knowledge to design elegant furniture and household objects before devoting himself entirely to producing artworks using this medium. This volume is the first presentation of Gene Summers’ architectural and artistic work, surveying the many areas in which he was active. Phyllis Lambert, founder of the Canadian Centre for Architecture president of the International Confederation of Architectural Museums, provides an enlightening introduction to his work.
Form:
books
books
Publication:
November 2003, Basel
November 2003, Basel
Subject:
Architecture Monographs
Architecture Monographs
Form:
books
books
Title:
Chris Marker Staring Back
Chris Marker Staring Back
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This title features photographs by one of French cinema's most influential and enigmatic artists.Any new film and any new book by French filmmaker Chris Marker is an event. Marker gave film lovers one of their most memorable experiences with "La Jetee" (1962) - a time-travel montage set after a nuclear war that inspired Terry Gilliam's "Twelve Monkeys" (1995). His still(...)
$29.95
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Summary:
This title features photographs by one of French cinema's most influential and enigmatic artists.Any new film and any new book by French filmmaker Chris Marker is an event. Marker gave film lovers one of their most memorable experiences with "La Jetee" (1962) - a time-travel montage set after a nuclear war that inspired Terry Gilliam's "Twelve Monkeys" (1995). His still(...)
Title:
Chris Marker Staring Back
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(available to order)
Summary:
This title features photographs by one of French cinema's most influential and enigmatic artists.Any new film and any new book by French filmmaker Chris Marker is an event. Marker gave film lovers one of their most memorable experiences with "La Jetee" (1962) - a time-travel montage set after a nuclear war that inspired Terry Gilliam's "Twelve Monkeys" (1995). His still camerawork is not as well known, but Marker has been taking photographs as long as he has been making films. "Staring Back" presents 200 black-and-white photographs from Marker's personal archives, taken from 1952 to 2006. Some of the photographs are related to his classic films (which include "Le Jetee", "Sans Soleil", "Cuba Si!", and "The Case of the Grinning Cat"), others are portraits of famous faces (Simone Signoret, Akira Kurosawa), but most are pictures of people Marker has encountered as he has traveled the world (an extra who appeared in Kurosawa's "Ran", a woman seen on a street in Siberia).The central section of the book contains a series of photographs documenting political protests Marker has witnessed, including the march on the Pentagon in 1967, the events of May 1968 in Paris, and the tumultuous 2006 demonstrations protesting the French government's proposed employment policies.
Chris Marker Staring Back
Actions:
Price:
$29.95
(available to order)
Summary:
This title features photographs by one of French cinema's most influential and enigmatic artists.Any new film and any new book by French filmmaker Chris Marker is an event. Marker gave film lovers one of their most memorable experiences with "La Jetee" (1962) - a time-travel montage set after a nuclear war that inspired Terry Gilliam's "Twelve Monkeys" (1995). His still camerawork is not as well known, but Marker has been taking photographs as long as he has been making films. "Staring Back" presents 200 black-and-white photographs from Marker's personal archives, taken from 1952 to 2006. Some of the photographs are related to his classic films (which include "Le Jetee", "Sans Soleil", "Cuba Si!", and "The Case of the Grinning Cat"), others are portraits of famous faces (Simone Signoret, Akira Kurosawa), but most are pictures of people Marker has encountered as he has traveled the world (an extra who appeared in Kurosawa's "Ran", a woman seen on a street in Siberia).The central section of the book contains a series of photographs documenting political protests Marker has witnessed, including the march on the Pentagon in 1967, the events of May 1968 in Paris, and the tumultuous 2006 demonstrations protesting the French government's proposed employment policies.
Form:
books
books
Publication:
October 2007, Cambridge
October 2007, Cambridge
Subject:
Photography monographs
Photography monographs
