books
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421 pages : illustrations ; 34 cm
New York, NY : Vendome Press : Distributed in the USA and Canada by Rizzoli International Publications through St. Martin's Press, 2002.
Great altarpieces : Gothic and Renaissance / Caterina Virdis Limentani, Mari Pietrogiovanna.
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421 pages : illustrations ; 34 cm
books
New York, NY : Vendome Press : Distributed in the USA and Canada by Rizzoli International Publications through St. Martin's Press, 2002.
books
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viii, 243 pages : illustrations, maps ; 24 cm
University Park, Pa. : Pennsylvania State University Press,, ©1993.
Nicholas Biddle in Greece : the journals and letters of 1806 / edited by R.A. McNeal.
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viii, 243 pages : illustrations, maps ; 24 cm
books
University Park, Pa. : Pennsylvania State University Press,, ©1993.
$55.95
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In southern France, high above the villas and the pleasure palaces of the Côte d’Azur, there is the Alpine Extension of the Maginot Line. These little-known fortifications were built before the Second World War to protect France from Mussolini. But nobody has successfully invaded over the Alps since Napoleon, and things didn’t quite turn out as the French(...)
Bunker research: the hidden history of modernism in the mountains
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In southern France, high above the villas and the pleasure palaces of the Côte d’Azur, there is the Alpine Extension of the Maginot Line. These little-known fortifications were built before the Second World War to protect France from Mussolini. But nobody has successfully invaded over the Alps since Napoleon, and things didn’t quite turn out as the French expected. Now, the bunkers are marooned, forlorn and crumbling, in some of the most beautiful and remote parts of France. They are disappearing into the landscapes they once commanded, stray facts from a future passed, still waiting for an onslaught that never came.
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Carlo Mollino : fiabe per i grandi : 1936- 1943 / [a cura di] Fulvio Ferrari, Napoleone Ferrari.
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119 pages : chiefly illustrations ; 35 cm
Milano : F. Motta, ©2003.
Carlo Mollino : fiabe per i grandi : 1936- 1943 / [a cura di] Fulvio Ferrari, Napoleone Ferrari.
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119 pages : chiefly illustrations ; 35 cm
books
Milano : F. Motta, ©2003.
Terror from the air
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According to Peter Sloterdijk, the twentieth century started on a specific day and place: April 22, 1915, at Ypres in Northern France. That day, the German army used a chlorine gas meant to exterminate indiscriminately. Until then, war, as described by Clausewitz and practiced by Napoleon, involved attacking the adversary's vital function first. Using poison gas signaled(...)
Terror from the air
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According to Peter Sloterdijk, the twentieth century started on a specific day and place: April 22, 1915, at Ypres in Northern France. That day, the German army used a chlorine gas meant to exterminate indiscriminately. Until then, war, as described by Clausewitz and practiced by Napoleon, involved attacking the adversary's vital function first. Using poison gas signaled the passage from classical war to terrorism. This terror from the air inaugurated an era in which the main idea was no longer to target the enemy's body, but their environment. From then on, what would be attacked in wartime as well as in peacetime would be the very conditions necessary for life.
Critical Theory
Slab serif
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The slab serif typeface—in their classic form, wood types made for large-scale posters, ads, and newspapers—may not be as all-purpose as the gothic or sans serif, but it is equal, if not more powerful, in graphic appeal. Since being introduced in the nineteenth century, slabs have become ubiquitous and are today as popular as ever. Slabs come from a genre of Egyptian(...)
Slab serif
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The slab serif typeface—in their classic form, wood types made for large-scale posters, ads, and newspapers—may not be as all-purpose as the gothic or sans serif, but it is equal, if not more powerful, in graphic appeal. Since being introduced in the nineteenth century, slabs have become ubiquitous and are today as popular as ever. Slabs come from a genre of Egyptian typefaces (some of the leading slabs are called Cairo and Sphinx) brought back to France by Napoleon and marketed in specimen sheets and books as representing a glorious heritage brought to the present. Following the cult typography volumes Scripts, Shadow Type, and Stencil Type, this new volume comprises an artfully curated selection of hundreds of international and classic examples.
Graphic Design and Typography
books
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207 pages : illustrations ; 31 cm
New York : Hans P. Kraus, Jr. ; London : Robert Hershkowitz ; Carmel : Weston Gallery, 1992.
Félix Teynard, calotypes of Egypt : a catalogue raisonné / essay by Kathleen Stewart Howe.
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207 pages : illustrations ; 31 cm
books
New York : Hans P. Kraus, Jr. ; London : Robert Hershkowitz ; Carmel : Weston Gallery, 1992.
books
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[8], 132 pages, 80 leaves of plates : illustrations (lithographs, acquatints, engravings), 2 plans ; 71 cm (folio)
Paris : Imprimerie Royale, 1819.
Voyage dans le Levant / par M. le Cte. de Forbin.
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[8], 132 pages, 80 leaves of plates : illustrations (lithographs, acquatints, engravings), 2 plans ; 71 cm (folio)
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Paris : Imprimerie Royale, 1819.
Drawings on text
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As we spend our days increasingly glued to our computers and handheld devices, rapidly tapping keywords into Google, cutting and pasting Word docs and texting urgently truncated messages, it is becoming increasingly rare to pen anything by hand. No wonder hand-written fonts are all the rage in the world of graphic design. Writing, like drawing, has become an endangered(...)
Drawings on text
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As we spend our days increasingly glued to our computers and handheld devices, rapidly tapping keywords into Google, cutting and pasting Word docs and texting urgently truncated messages, it is becoming increasingly rare to pen anything by hand. No wonder hand-written fonts are all the rage in the world of graphic design. Writing, like drawing, has become an endangered act. Drawings on Text--which explores the idea that when a hand-written note is illegible, it becomes a drawing--is the third book in this series, edited by Dutch artist Serge Onnen. The handwritten can take many forms, from an illegibly scrawled letter to initials carved into a tree with a knife. A catholic selection of the hand-written-as-drawing is included in this innovative volume, which was first published in Zing magazine. Included are pieces by John Cage, Napoleon Bonaparte, Olav Westphalen, Roland Barthes, Gustave Flaubert and Victor Hugo, among others.
Group Exhibitions
$42.00
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In ''The Terrible Children of Modernity'', Sloterdijk offers a magisterial and profound investigation into the vicissitudes of historical change and the nature of modernity. For Sloterdijk, modernity is defined by its need to break with the past. Moderns are perpetual rebels who seek to sever the ties of tradition and forms of inheritance that bind generations and eras(...)
The terrible children of modernity
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$42.00
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In ''The Terrible Children of Modernity'', Sloterdijk offers a magisterial and profound investigation into the vicissitudes of historical change and the nature of modernity. For Sloterdijk, modernity is defined by its need to break with the past. Moderns are perpetual rebels who seek to sever the ties of tradition and forms of inheritance that bind generations and eras together. With deep philosophical, historical, and literary range, he traces this antigenealogical experiment from the French Revolution onward, from Madame de Pompadour and Napoleon through Nietzsche, Marx, Wagner, the Dadaists, and Deleuze. Acutely aware of the destructive potential of cultural discontinuities, Sloterdijk is no less critical of the “fathers” who condemn change than the “terrible children” who seek a drastic rupture with their predecessors. Equally concerned with the grand sweep of history and our current predicaments, he instead calls for new ways to live together in the intersubjectivity of the human condition. Incisive and daring, breathtaking in its scope, this account of youthful rebellion against tradition asks us to reimagine the ethics of genealogy.
Critical Theory