5894 Results
Form:
drawings, textual records, born digital
drawings, textual records, born digital
Title:
OCEAN North Portfolio 1999
OCEAN North Portfolio 1999
Actions:
Reference number:
AP198.S2.001
Description:
Content from a CD titled "OCEAN north - Architecture Design Urbanism - ON_PORTFOLIO'99". Most common file formats: Tagged Image File Format, Adobe Illustrator, Microsoft Word Document, Pagemaker Document (Generic)
AP198.S2.001
Description:
Content from a CD titled "OCEAN north - Architecture Design Urbanism - ON_PORTFOLIO'99". Most common file formats: Tagged Image File Format, Adobe Illustrator, Microsoft Word Document, Pagemaker Document (Generic)
People:
Date:
1997-1998
1997-1998
Title:
OCEAN North Portfolio 1999
Actions:
AP198.S2.001
Description:
Content from a CD titled "OCEAN north - Architecture Design Urbanism - ON_PORTFOLIO'99". Most common file formats: Tagged Image File Format, Adobe Illustrator, Microsoft Word Document, Pagemaker Document (Generic)
OCEAN North Portfolio 1999
Actions:
AP198.S2.001
Description:
Content from a CD titled "OCEAN north - Architecture Design Urbanism - ON_PORTFOLIO'99". Most common file formats: Tagged Image File Format, Adobe Illustrator, Microsoft Word Document, Pagemaker Document (Generic)
Form:
drawings, textual records, born digital
drawings, textual records, born digital
Date:
1997-1998
1997-1998
People:
Form:
research
research
Title:
Visiting Scholars 2001–2002
Visiting Scholars 2001–2002
Actions:
Description:
Theme: The Phenomenon of Paradigm Shifts in Architecture since Antiquity: Brigitte Desrochers, National Gallery of Canada, Ottawa, Canada Topic: Au-delà du style. Naissance du classicisme structurel dans les ruines de Pompei Joseph Disponzio, Graduate School of Design, Harvard University, Cambridge, United States Topic: Jean-Marie Morel and the Invention of Landscape(...)
Theme: The Phenomenon of Paradigm Shifts in Architecture since Antiquity: Brigitte Desrochers, National Gallery of Canada, Ottawa, Canada Topic: Au-delà du style. Naissance du classicisme structurel dans les ruines de Pompei Joseph Disponzio, Graduate School of Design, Harvard University, Cambridge, United States Topic: Jean-Marie Morel and the Invention of Landscape(...)
Date:
September 2001 to August 2002
September 2001 to August 2002
Title:
Visiting Scholars 2001–2002
Actions:
Description:
Theme: The Phenomenon of Paradigm Shifts in Architecture since Antiquity: Brigitte Desrochers, National Gallery of Canada, Ottawa, Canada Topic: Au-delà du style. Naissance du classicisme structurel dans les ruines de Pompei Joseph Disponzio, Graduate School of Design, Harvard University, Cambridge, United States Topic: Jean-Marie Morel and the Invention of Landscape(...)
Visiting Scholars 2001–2002
Actions:
Description:
Theme: The Phenomenon of Paradigm Shifts in Architecture since Antiquity: Brigitte Desrochers, National Gallery of Canada, Ottawa, Canada Topic: Au-delà du style. Naissance du classicisme structurel dans les ruines de Pompei Joseph Disponzio, Graduate School of Design, Harvard University, Cambridge, United States Topic: Jean-Marie Morel and the Invention of Landscape(...)
Form:
research
research
Date:
September 2001 to
August 2002
September 2001 to
August 2002
Level of archival description:
Series
Series
Title:
Une architecture des humeurs
Une architecture des humeurs
Actions:
Reference number:
AP193.S4
Description:
Series 4, Une architecture des humeurs, 2008-2011, documents the conception and the presentation of exhibition and project Une architecture des humeurs. Presented at Le laboratoire art gallery in Paris between January and May 2010, Une architecture des humeurs is a conceptual, unbuilt, residential urban structure based on a potential future in which contemporary science reads human physiology and chemical balance. The idea is to acquire a chemistry of the “humors”, or the moods and temperament, of future purchasers. Taken as input, the information generates a diversity of habitable morphologies and relationships between them. With this process, the project attempts to make palpable and graspable, through technologies, the emotions of the participants captured via the chemistry of their body. The goal is to gather information on their capacity of adaptation, their level of sympathy and empathy while confronted to a situation or an environment. This information is then analyzed by computational, mathematical, and machinist procedures. This leads to the design and production of an urban structure submitted to the improbable and uncertain protocols produced by emotions, also creating aggregations and layouts that rearticulate the links between the individual and the collective. These structures are calculated following simultaneously incremental and recursive structural optimization protocols resulting in the physicality and morphology of architecture. The layout of the residential units and the structural trajectories are conceived and developed as posterior to the constructs supporting social life and not as an a priori. The structure of each components of the urban structure is generated by a secretion and weaving machine called Viab02. The machine is the second prototype of VIAB which was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. With a process similar to contour crafting, the machine produces bio-cement, a mix between cement and bio-resin, giving form to the adapted residential structures. The records consist largely of images detailing the creative process of the firm, photographs of the exhibition, and 3D models. It also contains animated renderings representing the machine in action and sequences of the construction of the building or the structure. The records include a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S2 contains updated previous version of the VIAB machine
AP193.S4
Description:
Series 4, Une architecture des humeurs, 2008-2011, documents the conception and the presentation of exhibition and project Une architecture des humeurs. Presented at Le laboratoire art gallery in Paris between January and May 2010, Une architecture des humeurs is a conceptual, unbuilt, residential urban structure based on a potential future in which contemporary science reads human physiology and chemical balance. The idea is to acquire a chemistry of the “humors”, or the moods and temperament, of future purchasers. Taken as input, the information generates a diversity of habitable morphologies and relationships between them. With this process, the project attempts to make palpable and graspable, through technologies, the emotions of the participants captured via the chemistry of their body. The goal is to gather information on their capacity of adaptation, their level of sympathy and empathy while confronted to a situation or an environment. This information is then analyzed by computational, mathematical, and machinist procedures. This leads to the design and production of an urban structure submitted to the improbable and uncertain protocols produced by emotions, also creating aggregations and layouts that rearticulate the links between the individual and the collective. These structures are calculated following simultaneously incremental and recursive structural optimization protocols resulting in the physicality and morphology of architecture. The layout of the residential units and the structural trajectories are conceived and developed as posterior to the constructs supporting social life and not as an a priori. The structure of each components of the urban structure is generated by a secretion and weaving machine called Viab02. The machine is the second prototype of VIAB which was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. With a process similar to contour crafting, the machine produces bio-cement, a mix between cement and bio-resin, giving form to the adapted residential structures. The records consist largely of images detailing the creative process of the firm, photographs of the exhibition, and 3D models. It also contains animated renderings representing the machine in action and sequences of the construction of the building or the structure. The records include a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S2 contains updated previous version of the VIAB machine
People:
Date:
2008-2011
2008-2011
Title:
Une architecture des humeurs
Actions:
AP193.S4
Description:
Series 4, Une architecture des humeurs, 2008-2011, documents the conception and the presentation of exhibition and project Une architecture des humeurs. Presented at Le laboratoire art gallery in Paris between January and May 2010, Une architecture des humeurs is a conceptual, unbuilt, residential urban structure based on a potential future in which contemporary science reads human physiology and chemical balance. The idea is to acquire a chemistry of the “humors”, or the moods and temperament, of future purchasers. Taken as input, the information generates a diversity of habitable morphologies and relationships between them. With this process, the project attempts to make palpable and graspable, through technologies, the emotions of the participants captured via the chemistry of their body. The goal is to gather information on their capacity of adaptation, their level of sympathy and empathy while confronted to a situation or an environment. This information is then analyzed by computational, mathematical, and machinist procedures. This leads to the design and production of an urban structure submitted to the improbable and uncertain protocols produced by emotions, also creating aggregations and layouts that rearticulate the links between the individual and the collective. These structures are calculated following simultaneously incremental and recursive structural optimization protocols resulting in the physicality and morphology of architecture. The layout of the residential units and the structural trajectories are conceived and developed as posterior to the constructs supporting social life and not as an a priori. The structure of each components of the urban structure is generated by a secretion and weaving machine called Viab02. The machine is the second prototype of VIAB which was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. With a process similar to contour crafting, the machine produces bio-cement, a mix between cement and bio-resin, giving form to the adapted residential structures. The records consist largely of images detailing the creative process of the firm, photographs of the exhibition, and 3D models. It also contains animated renderings representing the machine in action and sequences of the construction of the building or the structure. The records include a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S2 contains updated previous version of the VIAB machine
Une architecture des humeurs
Actions:
AP193.S4
Description:
Series 4, Une architecture des humeurs, 2008-2011, documents the conception and the presentation of exhibition and project Une architecture des humeurs. Presented at Le laboratoire art gallery in Paris between January and May 2010, Une architecture des humeurs is a conceptual, unbuilt, residential urban structure based on a potential future in which contemporary science reads human physiology and chemical balance. The idea is to acquire a chemistry of the “humors”, or the moods and temperament, of future purchasers. Taken as input, the information generates a diversity of habitable morphologies and relationships between them. With this process, the project attempts to make palpable and graspable, through technologies, the emotions of the participants captured via the chemistry of their body. The goal is to gather information on their capacity of adaptation, their level of sympathy and empathy while confronted to a situation or an environment. This information is then analyzed by computational, mathematical, and machinist procedures. This leads to the design and production of an urban structure submitted to the improbable and uncertain protocols produced by emotions, also creating aggregations and layouts that rearticulate the links between the individual and the collective. These structures are calculated following simultaneously incremental and recursive structural optimization protocols resulting in the physicality and morphology of architecture. The layout of the residential units and the structural trajectories are conceived and developed as posterior to the constructs supporting social life and not as an a priori. The structure of each components of the urban structure is generated by a secretion and weaving machine called Viab02. The machine is the second prototype of VIAB which was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. With a process similar to contour crafting, the machine produces bio-cement, a mix between cement and bio-resin, giving form to the adapted residential structures. The records consist largely of images detailing the creative process of the firm, photographs of the exhibition, and 3D models. It also contains animated renderings representing the machine in action and sequences of the construction of the building or the structure. The records include a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S2 contains updated previous version of the VIAB machine
Level of archival description:
Series
Series
Date:
2008-2011
2008-2011
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP164.S1.2003.D5
Description:
The project series documents the competition entry a plan of the Sagüés promenade, located at gates of Ulía park in San Sebastián, Spain. Abalos & Herreros and Renata Sentkiewicz drafted a study and proposal for the plan of the Sagüés promenade, located at gates of Ulía park in San Sebastián, Spain. The firm identified the project as number 165. The architects described their project as “[…] a place where […] [the urban and the natural] landscapes […] meet. Under a green roof a winter beach, thermal installations and the groundfloor [sic] of a hotel are combined. Five towers rise through this roof with different uses: hotel, social housing, and the ‘Gallery of Wonders’ […]. A passageway curls up around them, connecting the towers by an impactant [sic] skywalk […]” (ARCH270975). Documenting the project are conceptual, presentation and design development drawings, correspondence, project descriptions, notes, reports, resumes, and reference, photographic and digital materials.
AP164.S1.2003.D5
Description:
The project series documents the competition entry a plan of the Sagüés promenade, located at gates of Ulía park in San Sebastián, Spain. Abalos & Herreros and Renata Sentkiewicz drafted a study and proposal for the plan of the Sagüés promenade, located at gates of Ulía park in San Sebastián, Spain. The firm identified the project as number 165. The architects described their project as “[…] a place where […] [the urban and the natural] landscapes […] meet. Under a green roof a winter beach, thermal installations and the groundfloor [sic] of a hotel are combined. Five towers rise through this roof with different uses: hotel, social housing, and the ‘Gallery of Wonders’ […]. A passageway curls up around them, connecting the towers by an impactant [sic] skywalk […]” (ARCH270975). Documenting the project are conceptual, presentation and design development drawings, correspondence, project descriptions, notes, reports, resumes, and reference, photographic and digital materials.
People:
Date:
circa 2001-2005
circa 2001-2005
Title:
Sagüés, San Sebastián, Spain (2003)
Actions:
AP164.S1.2003.D5
Description:
The project series documents the competition entry a plan of the Sagüés promenade, located at gates of Ulía park in San Sebastián, Spain. Abalos & Herreros and Renata Sentkiewicz drafted a study and proposal for the plan of the Sagüés promenade, located at gates of Ulía park in San Sebastián, Spain. The firm identified the project as number 165. The architects described their project as “[…] a place where […] [the urban and the natural] landscapes […] meet. Under a green roof a winter beach, thermal installations and the groundfloor [sic] of a hotel are combined. Five towers rise through this roof with different uses: hotel, social housing, and the ‘Gallery of Wonders’ […]. A passageway curls up around them, connecting the towers by an impactant [sic] skywalk […]” (ARCH270975). Documenting the project are conceptual, presentation and design development drawings, correspondence, project descriptions, notes, reports, resumes, and reference, photographic and digital materials.
Sagüés, San Sebastián, Spain (2003)
Actions:
AP164.S1.2003.D5
Description:
The project series documents the competition entry a plan of the Sagüés promenade, located at gates of Ulía park in San Sebastián, Spain. Abalos & Herreros and Renata Sentkiewicz drafted a study and proposal for the plan of the Sagüés promenade, located at gates of Ulía park in San Sebastián, Spain. The firm identified the project as number 165. The architects described their project as “[…] a place where […] [the urban and the natural] landscapes […] meet. Under a green roof a winter beach, thermal installations and the groundfloor [sic] of a hotel are combined. Five towers rise through this roof with different uses: hotel, social housing, and the ‘Gallery of Wonders’ […]. A passageway curls up around them, connecting the towers by an impactant [sic] skywalk […]” (ARCH270975). Documenting the project are conceptual, presentation and design development drawings, correspondence, project descriptions, notes, reports, resumes, and reference, photographic and digital materials.
Level of archival description:
Project
Project
Date:
circa 2001-2005
circa 2001-2005
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP164.S1.2004.D3
Description:
The project series documents the masterplan of territorial organization of the Costa del Sol, in Spain, for the account of the Secretaría General de Ordenación del Territorio y Urbanismo and the Consejeria de obras publicas y transportes of the governement of Andalucia. The firm identified this project as number 181. "Our purpose is to convert the Costa del Sol in an authentic contemporary metacity, to put it on the map of Europe's principal cities and to organize an individual and [the] unstoppable development of each municipality into a wider framework that allows the integration of infrastructures through ecological-technical corridors demanded for a metropolitan scale. It also states the authentic urban value in addition to the local natural one." (ARCH270975) Abalos & Herreros worked with Jose Seguí, Jose Maria Ezquiaga (?) and Salvador Rueda Documenting the project are conceptual, design development and presentation drawings, cartographic, photographic and reference materials, correspondence, notes and presentation documents.
AP164.S1.2004.D3
Description:
The project series documents the masterplan of territorial organization of the Costa del Sol, in Spain, for the account of the Secretaría General de Ordenación del Territorio y Urbanismo and the Consejeria de obras publicas y transportes of the governement of Andalucia. The firm identified this project as number 181. "Our purpose is to convert the Costa del Sol in an authentic contemporary metacity, to put it on the map of Europe's principal cities and to organize an individual and [the] unstoppable development of each municipality into a wider framework that allows the integration of infrastructures through ecological-technical corridors demanded for a metropolitan scale. It also states the authentic urban value in addition to the local natural one." (ARCH270975) Abalos & Herreros worked with Jose Seguí, Jose Maria Ezquiaga (?) and Salvador Rueda Documenting the project are conceptual, design development and presentation drawings, cartographic, photographic and reference materials, correspondence, notes and presentation documents.
People:
Date:
2003-2005
2003-2005
Title:
Plan de ordenación territorial, Costa del Sol, Spain (2004)
Actions:
AP164.S1.2004.D3
Description:
The project series documents the masterplan of territorial organization of the Costa del Sol, in Spain, for the account of the Secretaría General de Ordenación del Territorio y Urbanismo and the Consejeria de obras publicas y transportes of the governement of Andalucia. The firm identified this project as number 181. "Our purpose is to convert the Costa del Sol in an authentic contemporary metacity, to put it on the map of Europe's principal cities and to organize an individual and [the] unstoppable development of each municipality into a wider framework that allows the integration of infrastructures through ecological-technical corridors demanded for a metropolitan scale. It also states the authentic urban value in addition to the local natural one." (ARCH270975) Abalos & Herreros worked with Jose Seguí, Jose Maria Ezquiaga (?) and Salvador Rueda Documenting the project are conceptual, design development and presentation drawings, cartographic, photographic and reference materials, correspondence, notes and presentation documents.
Plan de ordenación territorial, Costa del Sol, Spain (2004)
Actions:
AP164.S1.2004.D3
Description:
The project series documents the masterplan of territorial organization of the Costa del Sol, in Spain, for the account of the Secretaría General de Ordenación del Territorio y Urbanismo and the Consejeria de obras publicas y transportes of the governement of Andalucia. The firm identified this project as number 181. "Our purpose is to convert the Costa del Sol in an authentic contemporary metacity, to put it on the map of Europe's principal cities and to organize an individual and [the] unstoppable development of each municipality into a wider framework that allows the integration of infrastructures through ecological-technical corridors demanded for a metropolitan scale. It also states the authentic urban value in addition to the local natural one." (ARCH270975) Abalos & Herreros worked with Jose Seguí, Jose Maria Ezquiaga (?) and Salvador Rueda Documenting the project are conceptual, design development and presentation drawings, cartographic, photographic and reference materials, correspondence, notes and presentation documents.
Level of archival description:
Project
Project
Date:
2003-2005
2003-2005
People:
Level of archival description:
Project
Project
Reference number:
AP075.S1.1952.PR02
Description:
This project series documents Cornelia Hahn Oberlander's landscape design for the Mill Creek Public Housing Complex between 40th Street, Aspen Street, and Fairmount Avenue in Philadelphia, Pennsylvania. Oberlander worked on this project in the early 1950s as Dan Kiley's associate. They both were consulting for Louis Kahn's office, Kahn, McAllister, Braik, & Day. The first phase of the project consisted of a complex of three seventeen-storey apartment towers accomodating 218 units on a four-acre site. The landscape design consisted of a system of pedestrian areas to connect the site with the city, including a central alley linking Fairmount Avenue to a common green space. Trees to provide shade were planted around the parking spaces and the housing towers. The project was completed in 1954, but most of the landscaping by Kiley and Oberlander was never realized. The Mill Creek complex was demolished in 2002 to make space for the new low-rise public housing development. The project series contains only two reprographic copies of landscape plans. Source: Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages.
AP075.S1.1952.PR02
Description:
This project series documents Cornelia Hahn Oberlander's landscape design for the Mill Creek Public Housing Complex between 40th Street, Aspen Street, and Fairmount Avenue in Philadelphia, Pennsylvania. Oberlander worked on this project in the early 1950s as Dan Kiley's associate. They both were consulting for Louis Kahn's office, Kahn, McAllister, Braik, & Day. The first phase of the project consisted of a complex of three seventeen-storey apartment towers accomodating 218 units on a four-acre site. The landscape design consisted of a system of pedestrian areas to connect the site with the city, including a central alley linking Fairmount Avenue to a common green space. Trees to provide shade were planted around the parking spaces and the housing towers. The project was completed in 1954, but most of the landscaping by Kiley and Oberlander was never realized. The Mill Creek complex was demolished in 2002 to make space for the new low-rise public housing development. The project series contains only two reprographic copies of landscape plans. Source: Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages.
People:
Date:
1952-1953
1952-1953
Title:
Mills Creek Public Housing, Philadelphia, Pennsylvania (1952-1953)
Actions:
AP075.S1.1952.PR02
Description:
This project series documents Cornelia Hahn Oberlander's landscape design for the Mill Creek Public Housing Complex between 40th Street, Aspen Street, and Fairmount Avenue in Philadelphia, Pennsylvania. Oberlander worked on this project in the early 1950s as Dan Kiley's associate. They both were consulting for Louis Kahn's office, Kahn, McAllister, Braik, & Day. The first phase of the project consisted of a complex of three seventeen-storey apartment towers accomodating 218 units on a four-acre site. The landscape design consisted of a system of pedestrian areas to connect the site with the city, including a central alley linking Fairmount Avenue to a common green space. Trees to provide shade were planted around the parking spaces and the housing towers. The project was completed in 1954, but most of the landscaping by Kiley and Oberlander was never realized. The Mill Creek complex was demolished in 2002 to make space for the new low-rise public housing development. The project series contains only two reprographic copies of landscape plans. Source: Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages.
Mills Creek Public Housing, Philadelphia, Pennsylvania (1952-1953)
Actions:
AP075.S1.1952.PR02
Description:
This project series documents Cornelia Hahn Oberlander's landscape design for the Mill Creek Public Housing Complex between 40th Street, Aspen Street, and Fairmount Avenue in Philadelphia, Pennsylvania. Oberlander worked on this project in the early 1950s as Dan Kiley's associate. They both were consulting for Louis Kahn's office, Kahn, McAllister, Braik, & Day. The first phase of the project consisted of a complex of three seventeen-storey apartment towers accomodating 218 units on a four-acre site. The landscape design consisted of a system of pedestrian areas to connect the site with the city, including a central alley linking Fairmount Avenue to a common green space. Trees to provide shade were planted around the parking spaces and the housing towers. The project was completed in 1954, but most of the landscaping by Kiley and Oberlander was never realized. The Mill Creek complex was demolished in 2002 to make space for the new low-rise public housing development. The project series contains only two reprographic copies of landscape plans. Source: Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages.
Level of archival description:
Project
Project
Date:
1952-1953
1952-1953
People:
Level of archival description:
Project
Project
Reference number:
AP075.S1.1952.PR01
Description:
This project series documents Cornelia Hahn Oberlander's landscape design for Schuylkill Falls, a public housing development on Ridge Avenue, in the East Falls neighbourhood of Philadelphia. Oberlander worked on this project from 1952-1955, after she was recruited by architect Oskar Stonorov. Oberlander worked on the landscaping with Dan Kiley. The project was initally divided in six phases and was planned to spread across five city blocks. One of the phases included the construction of two sixteen-storey housing towers, but only one was built. The building was demolished in 1996. The project series contains five landscape plans for all five city blocks project and a set of landscape specifications, the first written by Oberlander.
AP075.S1.1952.PR01
Description:
This project series documents Cornelia Hahn Oberlander's landscape design for Schuylkill Falls, a public housing development on Ridge Avenue, in the East Falls neighbourhood of Philadelphia. Oberlander worked on this project from 1952-1955, after she was recruited by architect Oskar Stonorov. Oberlander worked on the landscaping with Dan Kiley. The project was initally divided in six phases and was planned to spread across five city blocks. One of the phases included the construction of two sixteen-storey housing towers, but only one was built. The building was demolished in 1996. The project series contains five landscape plans for all five city blocks project and a set of landscape specifications, the first written by Oberlander.
People:
Date:
1952-1954
1952-1954
Title:
Schuylkill Falls, Philadelphia, Pennsylvania (1952)
Actions:
AP075.S1.1952.PR01
Description:
This project series documents Cornelia Hahn Oberlander's landscape design for Schuylkill Falls, a public housing development on Ridge Avenue, in the East Falls neighbourhood of Philadelphia. Oberlander worked on this project from 1952-1955, after she was recruited by architect Oskar Stonorov. Oberlander worked on the landscaping with Dan Kiley. The project was initally divided in six phases and was planned to spread across five city blocks. One of the phases included the construction of two sixteen-storey housing towers, but only one was built. The building was demolished in 1996. The project series contains five landscape plans for all five city blocks project and a set of landscape specifications, the first written by Oberlander.
Schuylkill Falls, Philadelphia, Pennsylvania (1952)
Actions:
AP075.S1.1952.PR01
Description:
This project series documents Cornelia Hahn Oberlander's landscape design for Schuylkill Falls, a public housing development on Ridge Avenue, in the East Falls neighbourhood of Philadelphia. Oberlander worked on this project from 1952-1955, after she was recruited by architect Oskar Stonorov. Oberlander worked on the landscaping with Dan Kiley. The project was initally divided in six phases and was planned to spread across five city blocks. One of the phases included the construction of two sixteen-storey housing towers, but only one was built. The building was demolished in 1996. The project series contains five landscape plans for all five city blocks project and a set of landscape specifications, the first written by Oberlander.
Level of archival description:
Project
Project
Date:
1952-1954
1952-1954
People:
Level of archival description:
Project
Project
Reference number:
AP178.S1.1983.PR02
Description:
The project series documents the 1983 design entry for the competition of the Prinz-Albrecht-Palais Monument to Gestapo victims. While the records were held in the office’s archives this project was assigned the number 18/80. The office assigned the date 1983 for this project. This project was submitted to the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987), an urban renewal strategy for West Berlin, Germany. Siza had previously submitted four other projects to this competition: the Görtlitzer Bad swimming pool, Block 70 and 89 (Fränkelufer residential complex), Bonjour Tristesse (Block 121), and Block 11-12. He would also submit a design proposal to the IBA competition for the Kulturforum. According to the documentation from the IBA competition, entries for the memorial were to include a pedestrian walkway that cut through the memorial parallel to Schöneberger strasse leading to Kochstrasse. Entries were also to include a playground and along Stresemann strasse there was to be the addition of a two storey building and a corner building. Other requested components included a parking lot and a partial reconstruction of the Fine Arts School. Documenting the design proposal are conceptual and design development drawings, including studies, a site axonometric drawing, ground plan, site plan and north, south, and east elevations. Also included is textual documentation on the competition as well as correspondence from IBA officials such as Marion Wilbert. Photographic materials consist of slides of plans, sections and elevations.
AP178.S1.1983.PR02
Description:
The project series documents the 1983 design entry for the competition of the Prinz-Albrecht-Palais Monument to Gestapo victims. While the records were held in the office’s archives this project was assigned the number 18/80. The office assigned the date 1983 for this project. This project was submitted to the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987), an urban renewal strategy for West Berlin, Germany. Siza had previously submitted four other projects to this competition: the Görtlitzer Bad swimming pool, Block 70 and 89 (Fränkelufer residential complex), Bonjour Tristesse (Block 121), and Block 11-12. He would also submit a design proposal to the IBA competition for the Kulturforum. According to the documentation from the IBA competition, entries for the memorial were to include a pedestrian walkway that cut through the memorial parallel to Schöneberger strasse leading to Kochstrasse. Entries were also to include a playground and along Stresemann strasse there was to be the addition of a two storey building and a corner building. Other requested components included a parking lot and a partial reconstruction of the Fine Arts School. Documenting the design proposal are conceptual and design development drawings, including studies, a site axonometric drawing, ground plan, site plan and north, south, and east elevations. Also included is textual documentation on the competition as well as correspondence from IBA officials such as Marion Wilbert. Photographic materials consist of slides of plans, sections and elevations.
People:
Date:
1983-1984
1983-1984
Title:
Monumento às vítimas da Gestapo [Monument to Gestapo victims], Prinz-Albrecht-Palais, Berlin, Germany (1983)
Actions:
AP178.S1.1983.PR02
Description:
The project series documents the 1983 design entry for the competition of the Prinz-Albrecht-Palais Monument to Gestapo victims. While the records were held in the office’s archives this project was assigned the number 18/80. The office assigned the date 1983 for this project. This project was submitted to the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987), an urban renewal strategy for West Berlin, Germany. Siza had previously submitted four other projects to this competition: the Görtlitzer Bad swimming pool, Block 70 and 89 (Fränkelufer residential complex), Bonjour Tristesse (Block 121), and Block 11-12. He would also submit a design proposal to the IBA competition for the Kulturforum. According to the documentation from the IBA competition, entries for the memorial were to include a pedestrian walkway that cut through the memorial parallel to Schöneberger strasse leading to Kochstrasse. Entries were also to include a playground and along Stresemann strasse there was to be the addition of a two storey building and a corner building. Other requested components included a parking lot and a partial reconstruction of the Fine Arts School. Documenting the design proposal are conceptual and design development drawings, including studies, a site axonometric drawing, ground plan, site plan and north, south, and east elevations. Also included is textual documentation on the competition as well as correspondence from IBA officials such as Marion Wilbert. Photographic materials consist of slides of plans, sections and elevations.
Monumento às vítimas da Gestapo [Monument to Gestapo victims], Prinz-Albrecht-Palais, Berlin, Germany (1983)
Actions:
AP178.S1.1983.PR02
Description:
The project series documents the 1983 design entry for the competition of the Prinz-Albrecht-Palais Monument to Gestapo victims. While the records were held in the office’s archives this project was assigned the number 18/80. The office assigned the date 1983 for this project. This project was submitted to the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987), an urban renewal strategy for West Berlin, Germany. Siza had previously submitted four other projects to this competition: the Görtlitzer Bad swimming pool, Block 70 and 89 (Fränkelufer residential complex), Bonjour Tristesse (Block 121), and Block 11-12. He would also submit a design proposal to the IBA competition for the Kulturforum. According to the documentation from the IBA competition, entries for the memorial were to include a pedestrian walkway that cut through the memorial parallel to Schöneberger strasse leading to Kochstrasse. Entries were also to include a playground and along Stresemann strasse there was to be the addition of a two storey building and a corner building. Other requested components included a parking lot and a partial reconstruction of the Fine Arts School. Documenting the design proposal are conceptual and design development drawings, including studies, a site axonometric drawing, ground plan, site plan and north, south, and east elevations. Also included is textual documentation on the competition as well as correspondence from IBA officials such as Marion Wilbert. Photographic materials consist of slides of plans, sections and elevations.
Level of archival description:
Project
Project
Date:
1983-1984
1983-1984
People:
Form:
exhibitions
exhibitions
Title:
Toys and Transport
Toys and Transport
Actions:
Description:
Every new transportation link and every change in systems of urban mobility introduces new infrastructure to the urban landscape: massive cuts enabling railway tracks to converge at a terminal or junction; wide railyards that service suburban and metropolitan transit systems; the proliferation of bridges, ramps, elevated highways, freeway cuts, parking lots, and even(...)
Every new transportation link and every change in systems of urban mobility introduces new infrastructure to the urban landscape: massive cuts enabling railway tracks to converge at a terminal or junction; wide railyards that service suburban and metropolitan transit systems; the proliferation of bridges, ramps, elevated highways, freeway cuts, parking lots, and even(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
15 November 2000 to 1 April 2001
15 November 2000 to 1 April 2001
Title:
Toys and Transport
Actions:
Description:
Every new transportation link and every change in systems of urban mobility introduces new infrastructure to the urban landscape: massive cuts enabling railway tracks to converge at a terminal or junction; wide railyards that service suburban and metropolitan transit systems; the proliferation of bridges, ramps, elevated highways, freeway cuts, parking lots, and even(...)
Toys and Transport
Actions:
Description:
Every new transportation link and every change in systems of urban mobility introduces new infrastructure to the urban landscape: massive cuts enabling railway tracks to converge at a terminal or junction; wide railyards that service suburban and metropolitan transit systems; the proliferation of bridges, ramps, elevated highways, freeway cuts, parking lots, and even(...)
Form:
exhibitions
exhibitions
Date:
15 November 2000 to
1 April 2001
15 November 2000 to
1 April 2001
Location:
Octagonal gallery
Octagonal gallery
Level of archival description:
Project
Project
Actions:
Reference number:
AP178.S1.2003.PR03
Description:
This project series documents a competition for the Ciudad del Flamenco de Jerez de la Frontera in Jerez de la Frontera, Spain. While the records were held in the office’s archives this project was assigned the number 56/00. The office assigned the date 2002 to this project. The competition for the Ciudad del Flamenco was part of an urban revitalization project for the historic center of Jerez. The competition was organized by the Ayuntamiento de Jerez. Six proposals were presented to the jury, including a design by Àlvaro Siza and Juan Miguel Hernández León. The project included the design of an auditorium, a museum, a documentation and research center, a school, and communal spaces. The buildings were to host The National Auditorium of Flamenco Art, the Museum and the Center for Investigation, and Documentation of the Art of Flamenco (CIDAF). The proposal was "a complex of prisms and courtyards wisely articulated between one another, rounded off by a sculptural trapezoidal and cantilevering piece'' (http://ciudaddelflamenco.jerez.es/flash/concurso.pdf p. 6). Jacques Herzog and Pierre de Meuron's proposal won the competition. Documenting this project are studies, competition drawings, and plans. Textual documentation includes correspondence with the client and competition documentation.
AP178.S1.2003.PR03
Description:
This project series documents a competition for the Ciudad del Flamenco de Jerez de la Frontera in Jerez de la Frontera, Spain. While the records were held in the office’s archives this project was assigned the number 56/00. The office assigned the date 2002 to this project. The competition for the Ciudad del Flamenco was part of an urban revitalization project for the historic center of Jerez. The competition was organized by the Ayuntamiento de Jerez. Six proposals were presented to the jury, including a design by Àlvaro Siza and Juan Miguel Hernández León. The project included the design of an auditorium, a museum, a documentation and research center, a school, and communal spaces. The buildings were to host The National Auditorium of Flamenco Art, the Museum and the Center for Investigation, and Documentation of the Art of Flamenco (CIDAF). The proposal was "a complex of prisms and courtyards wisely articulated between one another, rounded off by a sculptural trapezoidal and cantilevering piece'' (http://ciudaddelflamenco.jerez.es/flash/concurso.pdf p. 6). Jacques Herzog and Pierre de Meuron's proposal won the competition. Documenting this project are studies, competition drawings, and plans. Textual documentation includes correspondence with the client and competition documentation.
People:
Date:
circa 2003-2004
circa 2003-2004
Title:
Ciudad del Flamenco de Jerez de la Frontera, Jerez de la Frontera, Spain (2003)
Actions:
AP178.S1.2003.PR03
Description:
This project series documents a competition for the Ciudad del Flamenco de Jerez de la Frontera in Jerez de la Frontera, Spain. While the records were held in the office’s archives this project was assigned the number 56/00. The office assigned the date 2002 to this project. The competition for the Ciudad del Flamenco was part of an urban revitalization project for the historic center of Jerez. The competition was organized by the Ayuntamiento de Jerez. Six proposals were presented to the jury, including a design by Àlvaro Siza and Juan Miguel Hernández León. The project included the design of an auditorium, a museum, a documentation and research center, a school, and communal spaces. The buildings were to host The National Auditorium of Flamenco Art, the Museum and the Center for Investigation, and Documentation of the Art of Flamenco (CIDAF). The proposal was "a complex of prisms and courtyards wisely articulated between one another, rounded off by a sculptural trapezoidal and cantilevering piece'' (http://ciudaddelflamenco.jerez.es/flash/concurso.pdf p. 6). Jacques Herzog and Pierre de Meuron's proposal won the competition. Documenting this project are studies, competition drawings, and plans. Textual documentation includes correspondence with the client and competition documentation.
Ciudad del Flamenco de Jerez de la Frontera, Jerez de la Frontera, Spain (2003)
Actions:
AP178.S1.2003.PR03
Description:
This project series documents a competition for the Ciudad del Flamenco de Jerez de la Frontera in Jerez de la Frontera, Spain. While the records were held in the office’s archives this project was assigned the number 56/00. The office assigned the date 2002 to this project. The competition for the Ciudad del Flamenco was part of an urban revitalization project for the historic center of Jerez. The competition was organized by the Ayuntamiento de Jerez. Six proposals were presented to the jury, including a design by Àlvaro Siza and Juan Miguel Hernández León. The project included the design of an auditorium, a museum, a documentation and research center, a school, and communal spaces. The buildings were to host The National Auditorium of Flamenco Art, the Museum and the Center for Investigation, and Documentation of the Art of Flamenco (CIDAF). The proposal was "a complex of prisms and courtyards wisely articulated between one another, rounded off by a sculptural trapezoidal and cantilevering piece'' (http://ciudaddelflamenco.jerez.es/flash/concurso.pdf p. 6). Jacques Herzog and Pierre de Meuron's proposal won the competition. Documenting this project are studies, competition drawings, and plans. Textual documentation includes correspondence with the client and competition documentation.
Level of archival description:
Project
Project
Date:
circa 2003-2004
circa 2003-2004
People:
