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The Emerging Curator Residency Program offers the opportunity to propose and curate a project at the CCA related to contemporary debates in architecture, urban issues, landscape design, and cultural and social dynamics while doing a residency at the CCA.
Emerging Curator Residency Program
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The Emerging Curator Residency Program offers the opportunity to propose and curate a project at the CCA related to contemporary debates in architecture, urban issues, landscape design, and cultural and social dynamics while doing a residency at the CCA.
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I for Interface
(Part I)
In the first of this two-part workshop, participants examine how public interfaces shape the experience of contemporary Montréal and how the design of public interfaces can improve the experience of daily life in Montréal for its citizens and visitors.
1 December 2012, 2pm - 5pm
I for Interface
(Part I)
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In the first of this two-part workshop, participants examine how public interfaces shape the experience of contemporary Montréal and how the design of public interfaces can improve the experience of daily life in Montréal for its citizens and visitors.
Paul-Desmarais Theatre
25 January 2024, 6pm
Paul-Desmarais Theatre
The Toolkit for Today seminar is a constitutive part of the CCA Doctoral Students Program. We invite scholars to open up their toolboxes, share methodological challenges and approaches, and discuss the key concepts they work with on contemporary issues in architecture and related disciplines.
8 July 2013 to 18 July 2013
Toolkit for Today: Archaeology of the Digital
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The Toolkit for Today seminar is a constitutive part of the CCA Doctoral Students Program. We invite scholars to open up their toolboxes, share methodological challenges and approaches, and discuss the key concepts they work with on contemporary issues in architecture and related disciplines.
The CCA presents Toolkit for Today 2014, a summer seminar held as part of the TD Bank Group-CCA Collection Research Grants program. This year the seminar aims to address questions related to contemporary architecture, showing how projects enrich and diverge from each other and how their differences are born of unusual perspectives and new ways of articulating(...)
23 June 2014 to 28 June 2014
Toolkit for Today: Materials and Atmospheres
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The CCA presents Toolkit for Today 2014, a summer seminar held as part of the TD Bank Group-CCA Collection Research Grants program. This year the seminar aims to address questions related to contemporary architecture, showing how projects enrich and diverge from each other and how their differences are born of unusual perspectives and new ways of articulating(...)
articles
To remain in the no longer, Tripoli, Lebanon, housing crisis, urban planning, urban management, city government, Public Works Studio
28 August 2023
Tripoli: Who Took Away Our Land? (Part 1)
Public Works Studio presents the social and environmental repercussions of the city’s public management
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Mark Lee discusses the influence of John Hejduk’s project Victims (1984) on the work of his firm, Johnston Marklee. 1:1 (1 architect, 1 building) is a series that presents an in-depth look at a building through a contemporary architects perspective. Rescheduled from 22 April 2016.
Paul Desmarais Theatre
8 September 2016, 6pm
1:1: Mark Lee on John Hejduk
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Mark Lee discusses the influence of John Hejduk’s project Victims (1984) on the work of his firm, Johnston Marklee. 1:1 (1 architect, 1 building) is a series that presents an in-depth look at a building through a contemporary architects perspective. Rescheduled from 22 April 2016.
Paul Desmarais Theatre
Mirrors / Miroirs
Mirrors/ Miroirs is conceived through an indirect dialogue with the exhibition Besides, History: Go Hasegawa, Kersten Geers, David Van Severen, a project rooted in the shared references and resonances between the work of two contemporary practices in the presence of history. If Besides, History is premised on impressions of one office’s work registered through(...)
Hall cases
22 June 2017 to 14 January 2018
Mirrors / Miroirs
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Mirrors/ Miroirs is conceived through an indirect dialogue with the exhibition Besides, History: Go Hasegawa, Kersten Geers, David Van Severen, a project rooted in the shared references and resonances between the work of two contemporary practices in the presence of history. If Besides, History is premised on impressions of one office’s work registered through(...)
Hall cases
The Mound of Vendôme
The mound of Vendôme is a seemingly simple yet provocative artifact: an earthwork that became a central part of a radical attempt to transform urban iconography during the two-month rule of the Paris Commune in 1871. This exhibition and research project recalls this lost structure and calls for its contemporary reconstruction and historicization. Curated by David Gissen,(...)
Octagonal gallery
19 June 2014 to 28 September 2014
The Mound of Vendôme
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The mound of Vendôme is a seemingly simple yet provocative artifact: an earthwork that became a central part of a radical attempt to transform urban iconography during the two-month rule of the Paris Commune in 1871. This exhibition and research project recalls this lost structure and calls for its contemporary reconstruction and historicization. Curated by David Gissen,(...)
Octagonal gallery
DR2007:0020
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This consists of a boxed set of related pieces from L.W. Richards participation in "The Architecture Series" at the Power Plant contemporary art gallery in 1988-89. L.W. Richards renovated and drove a Pontiac Firebird, named "Power Plant". The project was the subject of Vikky Alexander's essay "Back to the Future" in the Power Plant Gallery's "The Architecture Series", 1989, pp.25-31. The project was reviewed by Adele Freedman (Globe and Mail, March 5, 1988, p.C12), Christopher Hume (Architect designs gallery on wheels, Toronto Star, Feb. 27, 1988, p. G15), and pictured and discussed in The Canadian Architect, Vol. 33, no. 4, April 1988, p.6. The set pf pieces includes: a) B&W photograph of the Power Plant car in an auto-body workshop, b) The Architecture Series, booklet with Alexander's essay, c)newspaper and magazine clippings/reviews, d)orangesteel brochure rack, that L.W. Richards designed, from the Power Plant car (~ 18" x 18" x 3"), e) nine B&W brochures titled "Cars by Architects" that fit into the red-orange rack, and f) ~ 20 colour slides of the Power Plant car in various locations in Toronto.
1988-1989
Power Plant (Cars by Architects), 1988-1989
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DR2007:0020
Description:
This consists of a boxed set of related pieces from L.W. Richards participation in "The Architecture Series" at the Power Plant contemporary art gallery in 1988-89. L.W. Richards renovated and drove a Pontiac Firebird, named "Power Plant". The project was the subject of Vikky Alexander's essay "Back to the Future" in the Power Plant Gallery's "The Architecture Series", 1989, pp.25-31. The project was reviewed by Adele Freedman (Globe and Mail, March 5, 1988, p.C12), Christopher Hume (Architect designs gallery on wheels, Toronto Star, Feb. 27, 1988, p. G15), and pictured and discussed in The Canadian Architect, Vol. 33, no. 4, April 1988, p.6. The set pf pieces includes: a) B&W photograph of the Power Plant car in an auto-body workshop, b) The Architecture Series, booklet with Alexander's essay, c)newspaper and magazine clippings/reviews, d)orangesteel brochure rack, that L.W. Richards designed, from the Power Plant car (~ 18" x 18" x 3"), e) nine B&W brochures titled "Cars by Architects" that fit into the red-orange rack, and f) ~ 20 colour slides of the Power Plant car in various locations in Toronto.