13214 Results
Form:
events
events
Title:
I for Interface
(Part I)
I for Interface
(Part I)
Actions:
Description:
In the first of this two-part workshop, participants examine how public interfaces shape the experience of contemporary Montréal and how the design of public interfaces can improve the experience of daily life in Montréal for its citizens and visitors.
In the first of this two-part workshop, participants examine how public interfaces shape the experience of contemporary Montréal and how the design of public interfaces can improve the experience of daily life in Montréal for its citizens and visitors.
Date:
1 December 2012, 2pm - 5pm
1 December 2012, 2pm - 5pm
Title:
I for Interface
(Part I)
Actions:
Description:
In the first of this two-part workshop, participants examine how public interfaces shape the experience of contemporary Montréal and how the design of public interfaces can improve the experience of daily life in Montréal for its citizens and visitors.
I for Interface
(Part I)
Actions:
Description:
In the first of this two-part workshop, participants examine how public interfaces shape the experience of contemporary Montréal and how the design of public interfaces can improve the experience of daily life in Montréal for its citizens and visitors.
Form:
events
events
Date:
1 December 2012
2pm - 5pm
1 December 2012
2pm - 5pm
Form:
events
events
Actions:
Description:
The Toolkit for Today seminar is a constitutive part of the CCA Doctoral Students Program. We invite scholars to open up their toolboxes, share methodological challenges and approaches, and discuss the key concepts they work with on contemporary issues in architecture and related disciplines.
The Toolkit for Today seminar is a constitutive part of the CCA Doctoral Students Program. We invite scholars to open up their toolboxes, share methodological challenges and approaches, and discuss the key concepts they work with on contemporary issues in architecture and related disciplines.
Date:
8 July 2013 to 18 July 2013
8 July 2013 to 18 July 2013
Title:
Toolkit for Today: Archaeology of the Digital
Actions:
Description:
The Toolkit for Today seminar is a constitutive part of the CCA Doctoral Students Program. We invite scholars to open up their toolboxes, share methodological challenges and approaches, and discuss the key concepts they work with on contemporary issues in architecture and related disciplines.
Toolkit for Today: Archaeology of the Digital
Actions:
Description:
The Toolkit for Today seminar is a constitutive part of the CCA Doctoral Students Program. We invite scholars to open up their toolboxes, share methodological challenges and approaches, and discuss the key concepts they work with on contemporary issues in architecture and related disciplines.
Form:
events
events
Date:
8 July 2013 to
18 July 2013
8 July 2013 to
18 July 2013
Form:
articles
articles
Actions:
Public Works Studio presents the social and environmental repercussions of the city’s public management
Keyword(s):
To remain in the no longer, Tripoli, Lebanon, housing crisis, urban planning, urban management, city government, Public Works Studio
To remain in the no longer, Tripoli, Lebanon, housing crisis, urban planning, urban management, city government, Public Works Studio
Published:
28 August 2023
28 August 2023
Title:
Tripoli: Who Took Away Our Land? (Part 1)
Public Works Studio presents the social and environmental repercussions of the city’s public management
Actions:
Tripoli: Who Took Away Our Land? (Part 1)
Public Works Studio presents the social and environmental repercussions of the city’s public management
Actions:
Form:
events
events
Actions:
Description:
The CCA presents Toolkit for Today 2014, a summer seminar held as part of the TD Bank Group-CCA Collection Research Grants program. This year the seminar aims to address questions related to contemporary architecture, showing how projects enrich and diverge from each other and how their differences are born of unusual perspectives and new ways of articulating(...)
The CCA presents Toolkit for Today 2014, a summer seminar held as part of the TD Bank Group-CCA Collection Research Grants program. This year the seminar aims to address questions related to contemporary architecture, showing how projects enrich and diverge from each other and how their differences are born of unusual perspectives and new ways of articulating(...)
Date:
23 June 2014 to 28 June 2014
23 June 2014 to 28 June 2014
Title:
Toolkit for Today: Materials and Atmospheres
Actions:
Description:
The CCA presents Toolkit for Today 2014, a summer seminar held as part of the TD Bank Group-CCA Collection Research Grants program. This year the seminar aims to address questions related to contemporary architecture, showing how projects enrich and diverge from each other and how their differences are born of unusual perspectives and new ways of articulating(...)
Toolkit for Today: Materials and Atmospheres
Actions:
Description:
The CCA presents Toolkit for Today 2014, a summer seminar held as part of the TD Bank Group-CCA Collection Research Grants program. This year the seminar aims to address questions related to contemporary architecture, showing how projects enrich and diverge from each other and how their differences are born of unusual perspectives and new ways of articulating(...)
Form:
events
events
Date:
23 June 2014 to
28 June 2014
23 June 2014 to
28 June 2014
Form:
events
events
Description:
Mark Lee discusses the influence of John Hejduk’s project Victims (1984) on the work of his firm, Johnston Marklee. 1:1 (1 architect, 1 building) is a series that presents an in-depth look at a building through a contemporary architects perspective. Rescheduled from 22 April 2016.
Mark Lee discusses the influence of John Hejduk’s project Victims (1984) on the work of his firm, Johnston Marklee. 1:1 (1 architect, 1 building) is a series that presents an in-depth look at a building through a contemporary architects perspective. Rescheduled from 22 April 2016.
Location:
Paul Desmarais Theatre
Paul Desmarais Theatre
Date:
8 September 2016, 6pm
8 September 2016, 6pm
Title:
1:1: Mark Lee on John Hejduk
Actions:
Description:
Mark Lee discusses the influence of John Hejduk’s project Victims (1984) on the work of his firm, Johnston Marklee. 1:1 (1 architect, 1 building) is a series that presents an in-depth look at a building through a contemporary architects perspective. Rescheduled from 22 April 2016.
1:1: Mark Lee on John Hejduk
Actions:
Description:
Mark Lee discusses the influence of John Hejduk’s project Victims (1984) on the work of his firm, Johnston Marklee. 1:1 (1 architect, 1 building) is a series that presents an in-depth look at a building through a contemporary architects perspective. Rescheduled from 22 April 2016.
Form:
events
events
Date:
8 September 2016
6pm
8 September 2016
6pm
Location:
Paul Desmarais Theatre
Paul Desmarais Theatre
Form:
exhibitions
exhibitions
Title:
Mirrors / Miroirs
Mirrors / Miroirs
Actions:
Description:
Mirrors/ Miroirs is conceived through an indirect dialogue with the exhibition Besides, History: Go Hasegawa, Kersten Geers, David Van Severen, a project rooted in the shared references and resonances between the work of two contemporary practices in the presence of history. If Besides, History is premised on impressions of one office’s work registered through(...)
Mirrors/ Miroirs is conceived through an indirect dialogue with the exhibition Besides, History: Go Hasegawa, Kersten Geers, David Van Severen, a project rooted in the shared references and resonances between the work of two contemporary practices in the presence of history. If Besides, History is premised on impressions of one office’s work registered through(...)
Location:
Hall cases
Hall cases
Date:
22 June 2017 to 14 January 2018
22 June 2017 to 14 January 2018
Title:
Mirrors / Miroirs
Actions:
Description:
Mirrors/ Miroirs is conceived through an indirect dialogue with the exhibition Besides, History: Go Hasegawa, Kersten Geers, David Van Severen, a project rooted in the shared references and resonances between the work of two contemporary practices in the presence of history. If Besides, History is premised on impressions of one office’s work registered through(...)
Mirrors / Miroirs
Actions:
Description:
Mirrors/ Miroirs is conceived through an indirect dialogue with the exhibition Besides, History: Go Hasegawa, Kersten Geers, David Van Severen, a project rooted in the shared references and resonances between the work of two contemporary practices in the presence of history. If Besides, History is premised on impressions of one office’s work registered through(...)
Form:
exhibitions
exhibitions
Date:
22 June 2017 to
14 January 2018
22 June 2017 to
14 January 2018
Location:
Hall cases
Hall cases
Form:
exhibitions
exhibitions
Title:
The Mound of Vendôme
The Mound of Vendôme
Actions:
Description:
The mound of Vendôme is a seemingly simple yet provocative artifact: an earthwork that became a central part of a radical attempt to transform urban iconography during the two-month rule of the Paris Commune in 1871. This exhibition and research project recalls this lost structure and calls for its contemporary reconstruction and historicization. Curated by David Gissen,(...)
The mound of Vendôme is a seemingly simple yet provocative artifact: an earthwork that became a central part of a radical attempt to transform urban iconography during the two-month rule of the Paris Commune in 1871. This exhibition and research project recalls this lost structure and calls for its contemporary reconstruction and historicization. Curated by David Gissen,(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
19 June 2014 to 28 September 2014
19 June 2014 to 28 September 2014
Title:
The Mound of Vendôme
Actions:
Description:
The mound of Vendôme is a seemingly simple yet provocative artifact: an earthwork that became a central part of a radical attempt to transform urban iconography during the two-month rule of the Paris Commune in 1871. This exhibition and research project recalls this lost structure and calls for its contemporary reconstruction and historicization. Curated by David Gissen,(...)
The Mound of Vendôme
Actions:
Description:
The mound of Vendôme is a seemingly simple yet provocative artifact: an earthwork that became a central part of a radical attempt to transform urban iconography during the two-month rule of the Paris Commune in 1871. This exhibition and research project recalls this lost structure and calls for its contemporary reconstruction and historicization. Curated by David Gissen,(...)
Form:
exhibitions
exhibitions
Date:
19 June 2014 to
28 September 2014
19 June 2014 to
28 September 2014
Location:
Octagonal gallery
Octagonal gallery
Actions:
Reference number:
DR2007:0020
Description:
This consists of a boxed set of related pieces from L.W. Richards participation in "The Architecture Series" at the Power Plant contemporary art gallery in 1988-89. L.W. Richards renovated and drove a Pontiac Firebird, named "Power Plant". The project was the subject of Vikky Alexander's essay "Back to the Future" in the Power Plant Gallery's "The Architecture Series", 1989, pp.25-31. The project was reviewed by Adele Freedman (Globe and Mail, March 5, 1988, p.C12), Christopher Hume (Architect designs gallery on wheels, Toronto Star, Feb. 27, 1988, p. G15), and pictured and discussed in The Canadian Architect, Vol. 33, no. 4, April 1988, p.6. The set pf pieces includes: a) B&W photograph of the Power Plant car in an auto-body workshop, b) The Architecture Series, booklet with Alexander's essay, c)newspaper and magazine clippings/reviews, d)orangesteel brochure rack, that L.W. Richards designed, from the Power Plant car (~ 18" x 18" x 3"), e) nine B&W brochures titled "Cars by Architects" that fit into the red-orange rack, and f) ~ 20 colour slides of the Power Plant car in various locations in Toronto.
DR2007:0020
Description:
This consists of a boxed set of related pieces from L.W. Richards participation in "The Architecture Series" at the Power Plant contemporary art gallery in 1988-89. L.W. Richards renovated and drove a Pontiac Firebird, named "Power Plant". The project was the subject of Vikky Alexander's essay "Back to the Future" in the Power Plant Gallery's "The Architecture Series", 1989, pp.25-31. The project was reviewed by Adele Freedman (Globe and Mail, March 5, 1988, p.C12), Christopher Hume (Architect designs gallery on wheels, Toronto Star, Feb. 27, 1988, p. G15), and pictured and discussed in The Canadian Architect, Vol. 33, no. 4, April 1988, p.6. The set pf pieces includes: a) B&W photograph of the Power Plant car in an auto-body workshop, b) The Architecture Series, booklet with Alexander's essay, c)newspaper and magazine clippings/reviews, d)orangesteel brochure rack, that L.W. Richards designed, from the Power Plant car (~ 18" x 18" x 3"), e) nine B&W brochures titled "Cars by Architects" that fit into the red-orange rack, and f) ~ 20 colour slides of the Power Plant car in various locations in Toronto.
People:
Date:
1988-1989
1988-1989
Title:
Power Plant (Cars by Architects), 1988-1989
Actions:
DR2007:0020
Description:
This consists of a boxed set of related pieces from L.W. Richards participation in "The Architecture Series" at the Power Plant contemporary art gallery in 1988-89. L.W. Richards renovated and drove a Pontiac Firebird, named "Power Plant". The project was the subject of Vikky Alexander's essay "Back to the Future" in the Power Plant Gallery's "The Architecture Series", 1989, pp.25-31. The project was reviewed by Adele Freedman (Globe and Mail, March 5, 1988, p.C12), Christopher Hume (Architect designs gallery on wheels, Toronto Star, Feb. 27, 1988, p. G15), and pictured and discussed in The Canadian Architect, Vol. 33, no. 4, April 1988, p.6. The set pf pieces includes: a) B&W photograph of the Power Plant car in an auto-body workshop, b) The Architecture Series, booklet with Alexander's essay, c)newspaper and magazine clippings/reviews, d)orangesteel brochure rack, that L.W. Richards designed, from the Power Plant car (~ 18" x 18" x 3"), e) nine B&W brochures titled "Cars by Architects" that fit into the red-orange rack, and f) ~ 20 colour slides of the Power Plant car in various locations in Toronto.
Power Plant (Cars by Architects), 1988-1989
Actions:
DR2007:0020
Description:
This consists of a boxed set of related pieces from L.W. Richards participation in "The Architecture Series" at the Power Plant contemporary art gallery in 1988-89. L.W. Richards renovated and drove a Pontiac Firebird, named "Power Plant". The project was the subject of Vikky Alexander's essay "Back to the Future" in the Power Plant Gallery's "The Architecture Series", 1989, pp.25-31. The project was reviewed by Adele Freedman (Globe and Mail, March 5, 1988, p.C12), Christopher Hume (Architect designs gallery on wheels, Toronto Star, Feb. 27, 1988, p. G15), and pictured and discussed in The Canadian Architect, Vol. 33, no. 4, April 1988, p.6. The set pf pieces includes: a) B&W photograph of the Power Plant car in an auto-body workshop, b) The Architecture Series, booklet with Alexander's essay, c)newspaper and magazine clippings/reviews, d)orangesteel brochure rack, that L.W. Richards designed, from the Power Plant car (~ 18" x 18" x 3"), e) nine B&W brochures titled "Cars by Architects" that fit into the red-orange rack, and f) ~ 20 colour slides of the Power Plant car in various locations in Toronto.
Date:
1988-1989
1988-1989
People:
Form:
events
events
Title:
On Experimental Writing: Albert Ferré, Pedro Gadanho, David Howes, Naomi Stead and Kazys Varnelis
On Experimental Writing: Albert Ferré, Pedro Gadanho, David Howes, Naomi Stead and Kazys Varnelis
Actions:
Description:
Join us for an open discussion about different approaches to contemporary writing about architecture, urbanism and criticism, featuring architectural writers and editors from publications such as Actar, Quaderns, Beyond, and the Architectural Theory Review. Presented in English, with invited guests David Howes, Albert Ferré, Pedro Gadanho, Naomi Stead and Kazys Varnelis.
Join us for an open discussion about different approaches to contemporary writing about architecture, urbanism and criticism, featuring architectural writers and editors from publications such as Actar, Quaderns, Beyond, and the Architectural Theory Review. Presented in English, with invited guests David Howes, Albert Ferré, Pedro Gadanho, Naomi Stead and Kazys Varnelis.
Location:
Paul-Desmarais Theatre
Paul-Desmarais Theatre
Date:
10 February 2011 , 6pm
10 February 2011 , 6pm
Title:
On Experimental Writing: Albert Ferré, Pedro Gadanho, David Howes, Naomi Stead and Kazys Varnelis
Actions:
Description:
Join us for an open discussion about different approaches to contemporary writing about architecture, urbanism and criticism, featuring architectural writers and editors from publications such as Actar, Quaderns, Beyond, and the Architectural Theory Review. Presented in English, with invited guests David Howes, Albert Ferré, Pedro Gadanho, Naomi Stead and Kazys Varnelis.
On Experimental Writing: Albert Ferré, Pedro Gadanho, David Howes, Naomi Stead and Kazys Varnelis
Actions:
Description:
Join us for an open discussion about different approaches to contemporary writing about architecture, urbanism and criticism, featuring architectural writers and editors from publications such as Actar, Quaderns, Beyond, and the Architectural Theory Review. Presented in English, with invited guests David Howes, Albert Ferré, Pedro Gadanho, Naomi Stead and Kazys Varnelis.
Form:
events
events
Date:
10 February 2011
6pm
10 February 2011
6pm
Location:
Paul-Desmarais Theatre
Paul-Desmarais Theatre
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Lionel March fonds
Lionel March fonds
Reference number:
AP208
Synopsis:
The Lionel March fonds, circa 1957-2017, documents the work and activities of architect and professor Lionel March. The records within this fonds illustrate March’s architectural career, representing five professional and personal building projects, including the 1964 Whitehall plan; as well as his academic career in research and teaching, spanning England and North America, most notably March’s work with the Centre for Land Use and Built Form Studies (now the Martin Centre) and his research at UCLA. The fonds is largely composed of books from March’s library, textual records, slides and photographs, and drawings.
AP208
Synopsis:
The Lionel March fonds, circa 1957-2017, documents the work and activities of architect and professor Lionel March. The records within this fonds illustrate March’s architectural career, representing five professional and personal building projects, including the 1964 Whitehall plan; as well as his academic career in research and teaching, spanning England and North America, most notably March’s work with the Centre for Land Use and Built Form Studies (now the Martin Centre) and his research at UCLA. The fonds is largely composed of books from March’s library, textual records, slides and photographs, and drawings.
People:
Date:
circa 1957-2017
circa 1957-2017
Title:
Lionel March fonds
Actions:
AP208
Synopsis:
The Lionel March fonds, circa 1957-2017, documents the work and activities of architect and professor Lionel March. The records within this fonds illustrate March’s architectural career, representing five professional and personal building projects, including the 1964 Whitehall plan; as well as his academic career in research and teaching, spanning England and North America, most notably March’s work with the Centre for Land Use and Built Form Studies (now the Martin Centre) and his research at UCLA. The fonds is largely composed of books from March’s library, textual records, slides and photographs, and drawings.
Lionel March fonds
Actions:
AP208
Synopsis:
The Lionel March fonds, circa 1957-2017, documents the work and activities of architect and professor Lionel March. The records within this fonds illustrate March’s architectural career, representing five professional and personal building projects, including the 1964 Whitehall plan; as well as his academic career in research and teaching, spanning England and North America, most notably March’s work with the Centre for Land Use and Built Form Studies (now the Martin Centre) and his research at UCLA. The fonds is largely composed of books from March’s library, textual records, slides and photographs, and drawings.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
circa 1957-2017
circa 1957-2017
People:
