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In '''Architecture unbound,'' noted architecture critic Joseph Giovannini proposes that our current architectural landscape ultimately emerged from transgressive and progressive art movements that had roiled Europe before and after World War I. By the 1960s, social unrest and cultural disruption opened the way for investigations into an inventive, antiauthoritarian(...)
Architecture unbound: A century of the disruptive avant-garde
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In '''Architecture unbound,'' noted architecture critic Joseph Giovannini proposes that our current architectural landscape ultimately emerged from transgressive and progressive art movements that had roiled Europe before and after World War I. By the 1960s, social unrest and cultural disruption opened the way for investigations into an inventive, antiauthoritarian architecture. Explorations emerged in the 1970s, and built projects surfaced in the 1980s, taking digital form in the 1990s, with large-scale projects finally landing on the far side of the millennium. '''Architecture unbound'' traces all of these developments and influences, presenting an authoritative and illuminating history not only of the sources of contemporary currents in architecture but also of the twentieth-century avant-garde and the twenty-first-century digital revolution in form-making, and profiling the most influential practitioners and their most notable projects, including Frank Gehry’s Guggenheim Bilbao and Walt Disney Concert Hall, Zaha Hadid’s Guangzhou Opera House, Daniel Libeskind’s master plan for the World Trade Center, Rem Koolhaas’s CCTV Tower, and Herzog and de Meuron’s Bird’s Nest Olympic Stadium in Beijing.
Contemporary Architecture
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Even when an architectural drawing does not show any human figures, we can imagine many different characters just off the page: architects, artists, onlookers, clients, builders, developers, philanthropists—working, observing, admiring, arguing. In ''Stories from architecture,'' Philippa Lewis captures some of these personalities through reminiscences, anecdotes,(...)
Stories from architecture: Behind the lines at Drawing Matter
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Even when an architectural drawing does not show any human figures, we can imagine many different characters just off the page: architects, artists, onlookers, clients, builders, developers, philanthropists—working, observing, admiring, arguing. In ''Stories from architecture,'' Philippa Lewis captures some of these personalities through reminiscences, anecdotes, conversations, letters, and monologues that collectively offer the imagined histories of twenty-five architectural drawings. Some of these untold stories are factual, like Frank Lloyd Wright’s correspondence with a Wisconsin librarian regarding her $5,000 dream home, or letters written by the English architect John Nash to his irascible aristocratic client. Others recount a fictional, if credible, scenario by placing these drawings—and with them their characters—into their immediate social context. For instance, the dilemmas facing a Regency couple who are considering a move to a suburban villa; a request from the office of Richard Neutra for an assistant to measure Josef von Sternberg’s Rolls-Royce so that the director’s beloved vehicle might fit into the garage being designed by his architect; a teenager dreaming of a life away from parental supervision by gazing at a gadget-filled bachelor pad in Playboy magazine; even a policeman recording the ground plans of the house of a murder scene. The drawings, reproduced in color, are all sourced from the Drawing Matter collection in Somerset, UK, and are fascinating objects in themselves; but Lewis shifts our attention beyond the image to other possible histories that linger, invisible, beyond the page, and in the process animates not just a series of archival documents but the writing of architectural history.
Architectural Theory
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A series of conversations with thinkers and practitioners of contemporary architecture today, featuring visiting lecturers Beatriz Colomina, Peter Wilson, and John Lin and Joshua Bolchover of Rural Urban Framework. The talks, which took place in 2018 and 2019 at the Melbourne School of Design, University of Melbourne, dive deeper into the ideas and processes behind their(...)
What we talk about when we talk about architecture
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A series of conversations with thinkers and practitioners of contemporary architecture today, featuring visiting lecturers Beatriz Colomina, Peter Wilson, and John Lin and Joshua Bolchover of Rural Urban Framework. The talks, which took place in 2018 and 2019 at the Melbourne School of Design, University of Melbourne, dive deeper into the ideas and processes behind their buildings – the players, places, forces, cultural imperatives, and ideologies that the glamour of the finished output often obscures. In addition, thought-provoking essays by Diane Yvonne Ghirardo, Justin Clemens, Sven-Olov Wallenstein, and others offer fresh insights on the themes uncovered.
Architectural Theory
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During the 1920s and 1930s, proponents of Soviet architecture looked to various principles within the human sciences in their efforts to formulate a methodological and theoretical basis for their modernist project. ''Architecture of life'' delves into the foundations of this transdisciplinary and transnational endeavor, analyzing many facets of their radical approach and(...)
Architecture of life: Soviet modernism and the human sciences
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During the 1920s and 1930s, proponents of Soviet architecture looked to various principles within the human sciences in their efforts to formulate a methodological and theoretical basis for their modernist project. ''Architecture of life'' delves into the foundations of this transdisciplinary and transnational endeavor, analyzing many facets of their radical approach and situating it within the context of other modernist movements that were developing concurrently across the globe. Examining the theories advanced by El Lissitzky, Moisei Ginzburg, and Nikolay Ladovsky, as well as those of their lesser-known colleagues, this illuminating study demonstrates how Soviet architects of the interwar period sought to mitigate Fordist production methods with other, ostensibly more human-oriented approaches that drew on the biological and psychological sciences. Envisioning the built environment as innately connected to social evolution, their methods incorporated aspects of psychoanalysis, personality theory, and studies in spatial perception, all of which were integrated into an ideology that grounded functional design firmly within the attributes of the individual. A comprehensive overview of the ideals that permeated its expanded project, ''Architecture of life'' explicates the underlying impulses that motivated Soviet modernism, highlighting the deep interconnections among the ways in which it viewed all aspects of life, both natural and manufactured.
Architectural Theory
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A new era is rapidly approaching when computers will not merely be instruments for data creation, manipulation and management, but, empowered by artificial intelligence, they will become agents of design themselves. Architects need a strategy for facing the opportunities and threats of these emergent capabilities or risk being left behind. Architecture’s best-known(...)
Machine learning: Architecture in the age of artificial intelligence
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A new era is rapidly approaching when computers will not merely be instruments for data creation, manipulation and management, but, empowered by artificial intelligence, they will become agents of design themselves. Architects need a strategy for facing the opportunities and threats of these emergent capabilities or risk being left behind. Architecture’s best-known technologist, Phil Bernstein, provides that strategy. Divided into three key sections – Process, Relationships and Results – this book lays out an approach for anticipating, understanding and managing a world in which computers often augment, but may well also supplant, knowledge workers like architects.
Digital Architecture
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Le Walt Disney Concert Hall à Los Angeles de Frank Gehry, le Terminal 4 de l aéroport de Barajas à Madrid par Richard Rogers ou encore le nid , stade national olympique de Pékin par Herzog & de Meuron sont quelques-uns des 38 projets présentés dans cet ouvrage qui offre un panorama clair et concis des uvres architecturales majeures réalisées dans le monde depuis le(...)
Bâtir le nouveau millénaire, l'architecture à l'aube du XXIe siècle
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Le Walt Disney Concert Hall à Los Angeles de Frank Gehry, le Terminal 4 de l aéroport de Barajas à Madrid par Richard Rogers ou encore le nid , stade national olympique de Pékin par Herzog & de Meuron sont quelques-uns des 38 projets présentés dans cet ouvrage qui offre un panorama clair et concis des uvres architecturales majeures réalisées dans le monde depuis le passage au nouveau millénaire. Cette sélection réunit les plus grands et célèbres architectes contemporains tels que Toyo Ito, Renzo Piano, Zaha Hadid, Peter Zumthor, Jean Nouvel, Tadao Ando ou Norman Foster. Il inclut un large éventail de types de bâtiments : stades, salles de concerts, musées, sièges d entreprises, bâtiments gouvernementaux ainsi que des constructions à échelle plus réduite telles que boutiques ou cafés.
History since 1900, Reference Books
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The book looks at the cultural and architectural context in which Behrens worked, his early career, and the relation of his own house in Darmstadt to his ideal of a society where life is formed as art. It also looks at his directorship of the School of Arts and Crafts in Düsseldorf, where he drew on the work of such brilliant historiographers of art and architecture as(...)
Architecture Monographs
October 2002, Cambridge, Massachusetts
Peter Behrens and a new architecture for the twentieth century
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The book looks at the cultural and architectural context in which Behrens worked, his early career, and the relation of his own house in Darmstadt to his ideal of a society where life is formed as art. It also looks at his directorship of the School of Arts and Crafts in Düsseldorf, where he drew on the work of such brilliant historiographers of art and architecture as Alois Riegl and August Schmarsow. In his conclusion, Anderson considers Behrens' melancholy in the face of modern industrial society and his avoidance of a direct address of life, despite, or rather because of, his professed commitment to express life as art.
Architecture Monographs
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The two World Wars had a tremendous impact in transforming Canada into a confident and robust industrial nation. With that came a building boom and an artistic explosion that gave young entrepreneurs, designers, artists and architects opportunities to dream big, bold and modern. MEAN CITY celebrates this great boom in architecture and industrial design (1945-1975),(...)
Architecture in Canada
March 2005, Toronto
Mean city : from architecture to design : how Toronto went boom !
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The two World Wars had a tremendous impact in transforming Canada into a confident and robust industrial nation. With that came a building boom and an artistic explosion that gave young entrepreneurs, designers, artists and architects opportunities to dream big, bold and modern. MEAN CITY celebrates this great boom in architecture and industrial design (1945-1975), with emphasis on the work of John B. Parkin Associates: works that include the Sun Life Building, Yonge Subway and Terminal One at the Toronto International Airport. Also, MEAN CITY takes a closer look at the CNE's distinctive cluster of modern buildings. Beginning in 1947 with the new Grandstand Stadium and culminating in the Better Living Centre in 1962, young architects like Richard Fisher, George Robb and Peter Dickinson were given the opportunity to execute '50s fantastic and futuristic buildings.
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March 2005, Toronto
Architecture in Canada
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The attention Swiss architecture has received in recent years has mainly focused on a small number of architects whose work has appeared on the covers of the specialized press. Extending throughout the Modern Movement, this is an architecture with its roots in a rich building tradition. In Graubünden, under the attentive gaze of maestro Peter Zumthor, a(...)
Green Architecture
June 2000, Barcelona
2G 14 : Building in the mountains, recent architecture in Graubünden
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The attention Swiss architecture has received in recent years has mainly focused on a small number of architects whose work has appeared on the covers of the specialized press. Extending throughout the Modern Movement, this is an architecture with its roots in a rich building tradition. In Graubünden, under the attentive gaze of maestro Peter Zumthor, a group of young architects educated at the ETH in Zurich, many of whom are former assistants in Zumthor's studio, demonstrate the extraordinary quality of the architectonic production of this small German-speaking region of Switzerland. These increasingly well-known names present a wide range of projects ranging from single-family houses to apartment blocks, schools, and public and commercial buildings of different sorts, yet with similarities in the way they handle materials and settings, a body of work that transcends the borders of the region and attracts the attention of the international architecture world. The introduction by Daniel Bosshard, Miguel Kreisler, Myriam Sterling and Txell Vaquer places the building tradition of Graubünden in its historical context. The Nexus section features a 1913 text by Adolf Loos called "Rules for Those Building in the Mountains", plus Bruno Reichlin's "When Moderns Architects Build in the Mountains" and an extract from Christoph Schaub's video "The Vrin Project".
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June 2000, Barcelona
Green Architecture
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Sparked by issues raised by the Israel Pavilion at the 2018 Venice Architecture Biennale, this publication gathers architectural plans, archival documents, artistic contributions and essays considering five major holy sites and the role of architecture in the regulation of competing religious communities.
August 2018
In statu quo: architectures of negotiation
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Sparked by issues raised by the Israel Pavilion at the 2018 Venice Architecture Biennale, this publication gathers architectural plans, archival documents, artistic contributions and essays considering five major holy sites and the role of architecture in the regulation of competing religious communities.