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Published to record the 1996 John Dinkeldoo Memorial Lecture at the College of Architecture and Urban Planning, University of Michigan.
Richard Horden : light architecture
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Published to record the 1996 John Dinkeldoo Memorial Lecture at the College of Architecture and Urban Planning, University of Michigan.
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January 1996, Ann Arbor
small format
$19.99
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A documentation of the 2010 annual Martell Lecture given by Sheila O'Donnell and John Tuomey, March 22, 2010 at SUNY Buffalo.
O'Donnell & Tuomey: Ways of working
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A documentation of the 2010 annual Martell Lecture given by Sheila O'Donnell and John Tuomey, March 22, 2010 at SUNY Buffalo.
Architecture Monographs
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81 pages ; 21 cm
Minneapolis : University of Minnesota Press, 2013.
Speech begins after death / Michel Foucault in conversation with Claude Bonnefoy ; edited by Philippe Artières ; translated by Robert Bononno.
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81 pages ; 21 cm
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Minneapolis : University of Minnesota Press, 2013.
$50.00
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Sven-Olov Wallenstein teaches philosophy and aesthetics at S�dert�rn University College in Stockholm, and is the editor-in-chief of Site.
Sven-Olov Wallenstein: essays, lectures
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Sven-Olov Wallenstein teaches philosophy and aesthetics at S�dert�rn University College in Stockholm, and is the editor-in-chief of Site.
Critical Theory
Hitoshi Abe on-the-spot
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Published to celebrate the annual John Dinkeloo Memorial Lecture by Hitoshi Abe on March 28, 2005 at the Taubman College of Architecture + Urban Planning.
Hitoshi Abe on-the-spot
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Published to celebrate the annual John Dinkeloo Memorial Lecture by Hitoshi Abe on March 28, 2005 at the Taubman College of Architecture + Urban Planning.
small format
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The making of public space
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Published to record the John Dinkeloo Memorial Lecture held at the College of Architecture and Urban Planning, University of Michigan, on March 31, 1997.
The making of public space
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Published to record the John Dinkeloo Memorial Lecture held at the College of Architecture and Urban Planning, University of Michigan, on March 31, 1997.
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September 1997, Ann Arbor, Michigan
small format
books
Description:
vii, 541 pages : illustrations (some color), plans ; 22 cm
Kyoto : Kyoto University Press ; Paris : École française d'Extrême-Orient (EFEO), 2012., Paris : EFEO-Diffusion ; Kyoto : Kyoto University Press ; Chiang Mai, Thailand : Silkworm Books, ©2012
From the things themselves : architecture and phenomenology / edited by Benoît Jacquet and Vincent Giraud.
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vii, 541 pages : illustrations (some color), plans ; 22 cm
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Kyoto : Kyoto University Press ; Paris : École française d'Extrême-Orient (EFEO), 2012., Paris : EFEO-Diffusion ; Kyoto : Kyoto University Press ; Chiang Mai, Thailand : Silkworm Books, ©2012
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The last art college : Nova Scotia College of Art and Design, 1968-1978 / Garry Neill Kennedy.
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xxiii, 455 pages : illustrations (some color) ; 31 cm
Cambridge, Mass. : MIT Press, ©2012.
The last art college : Nova Scotia College of Art and Design, 1968-1978 / Garry Neill Kennedy.
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xxiii, 455 pages : illustrations (some color) ; 31 cm
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Cambridge, Mass. : MIT Press, ©2012.
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224 pages : illustrations (some color) ; 32 x 42 cm
Englewood, Colo. : Westcliffe Publishers, 1999.
Colorado, 1870-2000 / historical landscape photography by William Henry Jackson, contemporary rephotography by John Fielder ; text by Ed Marston ; foreword by Eric Paddock ; afterword by Rodrick Frazier Nash.
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224 pages : illustrations (some color) ; 32 x 42 cm
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Englewood, Colo. : Westcliffe Publishers, 1999.
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This publication focuses on a lecture given by Harun Farocki in March 1994 at the "Cine City: Film and Perceptions of Urban Space, 1895–1995" conference at the Getty Center for the History of Art and the Humanities in Los Angeles. Here, Farocki wove an associative web of thoughts on the relationship between film, architecture, material worlds, political economy, dwelling,(...)
Harun Farocki : Building and filming
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This publication focuses on a lecture given by Harun Farocki in March 1994 at the "Cine City: Film and Perceptions of Urban Space, 1895–1995" conference at the Getty Center for the History of Art and the Humanities in Los Angeles. Here, Farocki wove an associative web of thoughts on the relationship between film, architecture, material worlds, political economy, dwelling, sexuality, space, and time. Although an interest in buildings, spatial relationships, and power relations, as well as the interpenetration of technical media and urban space, was central to Farocki's practice, this is one of the few explicit explorations of the relationship between architecture and cinema. The (German and English) manuscripts of Farocki's lecture are supplemented by press material from the Getty Center's extensive film and lecture series. In their postface, the editors provide elements of interpretation and contextualization with regard to Farocki's previous and subsequent projects on spatiality and architecture.
Architecture and Film, Set Design