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The publication takes the form of a series of statements on architecture, construction, rationality and photography as well as it proceeds as a photographic essay that gathers side by side constructive forms.
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The publication takes the form of a series of statements on architecture, construction, rationality and photography as well as it proceeds as a photographic essay that gathers side by side constructive forms.
Title:
Natural beauty. The Poetics of Reason, Lisbon Architecture Triennale
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The publication takes the form of a series of statements on architecture, construction, rationality and photography as well as it proceeds as a photographic essay that gathers side by side constructive forms.
Natural beauty. The Poetics of Reason, Lisbon Architecture Triennale
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The publication takes the form of a series of statements on architecture, construction, rationality and photography as well as it proceeds as a photographic essay that gathers side by side constructive forms.
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books
books
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November 2019
November 2019
Subject:
Architectural Theory
Architectural Theory
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books
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$39.95
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As we spend more and more of our time staring at the screens of movies, televisions, computers, and handheld devices--"windows" full of moving images, texts, and icons--how the world is framed has become as important as what is in the frame. In The Virtual Window, Anne Friedberg examines the window as metaphor, as architectural component, and as an opening to the(...)
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As we spend more and more of our time staring at the screens of movies, televisions, computers, and handheld devices--"windows" full of moving images, texts, and icons--how the world is framed has become as important as what is in the frame. In The Virtual Window, Anne Friedberg examines the window as metaphor, as architectural component, and as an opening to the(...)
Title:
The virtual window : from Alberti to Microsoft
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As we spend more and more of our time staring at the screens of movies, televisions, computers, and handheld devices--"windows" full of moving images, texts, and icons--how the world is framed has become as important as what is in the frame. In The Virtual Window, Anne Friedberg examines the window as metaphor, as architectural component, and as an opening to the dematerialized reality we see on the screen. In De pictura (1435), Leon Battista Alberti famously instructed painters to consider the frame of the painting as an open window. Taking Alberti's metaphor as her starting point, Friedberg tracks shifts in the perspectival paradigm as she gives us histories of the architectural window, developments in glass and transparency, and the emerging apparatuses of photography, cinema, television, and digital imaging. Single-point perspective--Alberti's metaphorical window--has long been challenged by modern painting, modern architecture, and moving-image technologies. And yet, notes Friedberg, for most of the twentieth century the dominant form of the moving image was a single image in a single frame. The fractured modernism exemplified by cubist painting, for example, remained largely confined to experimental, avant-garde work. On the computer screen, however, where multiple "windows" coexist and overlap, perspective may have met its end. In this wide-ranging book, Friedberg considers such topics as the framed view of the camera obscura, Le Corbusier's mandates for the architectural window, Eisenstein's opinions on the shape of the movie screen, and the multiple images and nested windows commonly displayed on screens today. The Virtual Window proposes a new logic of visuality, framed and virtual: an architecture not only of space but of time.
The virtual window : from Alberti to Microsoft
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As we spend more and more of our time staring at the screens of movies, televisions, computers, and handheld devices--"windows" full of moving images, texts, and icons--how the world is framed has become as important as what is in the frame. In The Virtual Window, Anne Friedberg examines the window as metaphor, as architectural component, and as an opening to the dematerialized reality we see on the screen. In De pictura (1435), Leon Battista Alberti famously instructed painters to consider the frame of the painting as an open window. Taking Alberti's metaphor as her starting point, Friedberg tracks shifts in the perspectival paradigm as she gives us histories of the architectural window, developments in glass and transparency, and the emerging apparatuses of photography, cinema, television, and digital imaging. Single-point perspective--Alberti's metaphorical window--has long been challenged by modern painting, modern architecture, and moving-image technologies. And yet, notes Friedberg, for most of the twentieth century the dominant form of the moving image was a single image in a single frame. The fractured modernism exemplified by cubist painting, for example, remained largely confined to experimental, avant-garde work. On the computer screen, however, where multiple "windows" coexist and overlap, perspective may have met its end. In this wide-ranging book, Friedberg considers such topics as the framed view of the camera obscura, Le Corbusier's mandates for the architectural window, Eisenstein's opinions on the shape of the movie screen, and the multiple images and nested windows commonly displayed on screens today. The Virtual Window proposes a new logic of visuality, framed and virtual: an architecture not only of space but of time.
Form:
books
books
Publication:
January 2006, Cambridge
January 2006, Cambridge
Subject:
Architectural Theory
Architectural Theory
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125 pages : illustrations (some color) ; 25 cm
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125 pages : illustrations (some color) ; 25 cm
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Paris : Institut français d'architecture : NORMA, ©1995.
Paris : Institut français d'architecture : NORMA, ©1995.
Title:
Trouville : maisons et cités-jardins (1919-1995) / photographies de Dominique Delaunay ; [réalisé par le Département Archives et histoire de l'Institut français d'architecture en coproduction avec le Plan Construction et architecture].
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125 pages : illustrations (some color) ; 25 cm
Trouville : maisons et cités-jardins (1919-1995) / photographies de Dominique Delaunay ; [réalisé par le Département Archives et histoire de l'Institut français d'architecture en coproduction avec le Plan Construction et architecture].
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125 pages : illustrations (some color) ; 25 cm
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books
books
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Paris : Institut français d'architecture : NORMA, ©1995.
Paris : Institut français d'architecture : NORMA, ©1995.
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books
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Title:
The modern house today
The modern house today
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$59.95
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"The Modern House Today" follows on from F.R.S. Yorke's book of 1934, The Modern House, and considers the impact of modern architects such as Kubetkin, Gropius, Mendelsohn, Chermayeff, Breuer, Hill and Goldfinger. The book provides a comprehensive overview of the modern house through both newly commissioned photography and documentary records, both of which are written(...)
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"The Modern House Today" follows on from F.R.S. Yorke's book of 1934, The Modern House, and considers the impact of modern architects such as Kubetkin, Gropius, Mendelsohn, Chermayeff, Breuer, Hill and Goldfinger. The book provides a comprehensive overview of the modern house through both newly commissioned photography and documentary records, both of which are written(...)
Title:
The modern house today
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"The Modern House Today" follows on from F.R.S. Yorke's book of 1934, The Modern House, and considers the impact of modern architects such as Kubetkin, Gropius, Mendelsohn, Chermayeff, Breuer, Hill and Goldfinger. The book provides a comprehensive overview of the modern house through both newly commissioned photography and documentary records, both of which are written and commented upon by the architectural historian Kenneth Powell. Photography by Nick Dawe.
The modern house today
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"The Modern House Today" follows on from F.R.S. Yorke's book of 1934, The Modern House, and considers the impact of modern architects such as Kubetkin, Gropius, Mendelsohn, Chermayeff, Breuer, Hill and Goldfinger. The book provides a comprehensive overview of the modern house through both newly commissioned photography and documentary records, both of which are written and commented upon by the architectural historian Kenneth Powell. Photography by Nick Dawe.
Form:
books
books
Publication:
October 2001, London
October 2001, London
Subject:
Residential Architecture
Residential Architecture
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books
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Description:
348 pages : color illustrations ; 31 cm
Description:
348 pages : color illustrations ; 31 cm
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Paris : Norma éditions, [2015]
Paris : Norma éditions, [2015]
Title:
Maurice Sauzet, poétique de l'architecture / sous la direction de Chris Younès ; textes de Augustin Berque, Maurice Sauzet, Chris Younès ; photographies de Christian Larrit.
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348 pages : color illustrations ; 31 cm
Maurice Sauzet, poétique de l'architecture / sous la direction de Chris Younès ; textes de Augustin Berque, Maurice Sauzet, Chris Younès ; photographies de Christian Larrit.
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348 pages : color illustrations ; 31 cm
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books
books
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Paris : Norma éditions, [2015]
Paris : Norma éditions, [2015]
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books
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$65.00
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From its beginnings in the 1840s, one of the earliest uses of photography was to use the camera to record and distribute images of exotic countries or locales. These photographs provided a glimpse of the world to a curious public, few of whom could ever hope to visit those places in person. In addition to such obvious photographic destinations as the temples and monuments(...)
$65.00
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Summary:
From its beginnings in the 1840s, one of the earliest uses of photography was to use the camera to record and distribute images of exotic countries or locales. These photographs provided a glimpse of the world to a curious public, few of whom could ever hope to visit those places in person. In addition to such obvious photographic destinations as the temples and monuments(...)
Publication:
February 2004, San Francisco
February 2004, San Francisco
Title:
Reverie and reality : nineteenth-century photographs of India from the Ehrenfeld Collection
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$65.00
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From its beginnings in the 1840s, one of the earliest uses of photography was to use the camera to record and distribute images of exotic countries or locales. These photographs provided a glimpse of the world to a curious public, few of whom could ever hope to visit those places in person. In addition to such obvious photographic destinations as the temples and monuments of Egypt, Greece, and Italy were added the mysterious and exotic attractions of India. In "Reverie and Reality", a visual history of India in the 19th century unfolds. Images by some of the earliest and most significant practitioners of the medium will be on view in this exhibition, including Linnaeus Tripe, Samuel Bourne, John Murray, and the Indian Lala Din Dayal. The subject matter ranges from famous architectural monuments to images of the natural landscape. The variety of humanity that inhabited this country during the time period is recorded in a series of photographs that range from scenes of daily life in villages to sumptuous and formal visits of foreign royalty. Essays accompany the lavish illustrations in this catalogue to the exhibition drawing on images from the Ehrenfeld Collection.
Reverie and reality : nineteenth-century photographs of India from the Ehrenfeld Collection
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$65.00
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Summary:
From its beginnings in the 1840s, one of the earliest uses of photography was to use the camera to record and distribute images of exotic countries or locales. These photographs provided a glimpse of the world to a curious public, few of whom could ever hope to visit those places in person. In addition to such obvious photographic destinations as the temples and monuments of Egypt, Greece, and Italy were added the mysterious and exotic attractions of India. In "Reverie and Reality", a visual history of India in the 19th century unfolds. Images by some of the earliest and most significant practitioners of the medium will be on view in this exhibition, including Linnaeus Tripe, Samuel Bourne, John Murray, and the Indian Lala Din Dayal. The subject matter ranges from famous architectural monuments to images of the natural landscape. The variety of humanity that inhabited this country during the time period is recorded in a series of photographs that range from scenes of daily life in villages to sumptuous and formal visits of foreign royalty. Essays accompany the lavish illustrations in this catalogue to the exhibition drawing on images from the Ehrenfeld Collection.
Form:
books
books
Publication:
February 2004, San Francisco
February 2004, San Francisco
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books
books
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Description:
187 pages : chiefly illustrations, maps ; 25 x 29 cm.
Description:
187 pages : chiefly illustrations, maps ; 25 x 29 cm.
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Milan : 5 Continents Editions, [2003], ©2003
Milan : 5 Continents Editions, [2003], ©2003
Title:
Banco : adobe mosques of the Inner Niger Delta / Sebastian Schutyser ; introduction by Jean Dethier, Ruth Eaton, Dorothee Gruner.
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187 pages : chiefly illustrations, maps ; 25 x 29 cm.
Banco : adobe mosques of the Inner Niger Delta / Sebastian Schutyser ; introduction by Jean Dethier, Ruth Eaton, Dorothee Gruner.
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187 pages : chiefly illustrations, maps ; 25 x 29 cm.
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books
books
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Milan : 5 Continents Editions, [2003], ©2003
Milan : 5 Continents Editions, [2003], ©2003
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$74.95
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Born in 1934 in Naples--where he still lives and works--Mimmo Jodice has been at the top of his profession, one of the great Italian masters of photography, for more than 45 years. This volume celebrates Jodice's architectural work, uniting his portraits of eight world capitals into a kind of self-portrait. Four of the cities have been the subjects of previous titles:(...)
$74.95
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Born in 1934 in Naples--where he still lives and works--Mimmo Jodice has been at the top of his profession, one of the great Italian masters of photography, for more than 45 years. This volume celebrates Jodice's architectural work, uniting his portraits of eight world capitals into a kind of self-portrait. Four of the cities have been the subjects of previous titles:(...)
Subject:
Photography monographs
Photography monographs
Publication:
April 2007, Milan
April 2007, Milan
Title:
Mimmo Jodice : visible cities
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$74.95
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Born in 1934 in Naples--where he still lives and works--Mimmo Jodice has been at the top of his profession, one of the great Italian masters of photography, for more than 45 years. This volume celebrates Jodice's architectural work, uniting his portraits of eight world capitals into a kind of self-portrait. Four of the cities have been the subjects of previous titles: Paris: City of Light; Inlands: A Vision of Boston; São Paulo and La città invisibile: Nuove vedute di Napoli; and four are new to print, including Rome, Moscow, Tokyo and New York. When Jodice's Medeterranean appeared, which includes some Rome images, the architecture critic Herbert Muschamp observed of it in the New York Times that "Mr. Jodice depicts a mythical place, a romantic intertwining of wholeness and solitude: the oceanic sensation of merger between a self and its surroundings." That impression of unity is as strong--if not as relaxing--in his contemporary urban landscapes as in his ancient ones. With text from Stefano Boeri of Domus magazine and an interview with Hans Ulrich Obrist. Jodice's previous books, in addition to those above, include Light, Eden and Tempo Interiore.
Mimmo Jodice : visible cities
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$74.95
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Summary:
Born in 1934 in Naples--where he still lives and works--Mimmo Jodice has been at the top of his profession, one of the great Italian masters of photography, for more than 45 years. This volume celebrates Jodice's architectural work, uniting his portraits of eight world capitals into a kind of self-portrait. Four of the cities have been the subjects of previous titles: Paris: City of Light; Inlands: A Vision of Boston; São Paulo and La città invisibile: Nuove vedute di Napoli; and four are new to print, including Rome, Moscow, Tokyo and New York. When Jodice's Medeterranean appeared, which includes some Rome images, the architecture critic Herbert Muschamp observed of it in the New York Times that "Mr. Jodice depicts a mythical place, a romantic intertwining of wholeness and solitude: the oceanic sensation of merger between a self and its surroundings." That impression of unity is as strong--if not as relaxing--in his contemporary urban landscapes as in his ancient ones. With text from Stefano Boeri of Domus magazine and an interview with Hans Ulrich Obrist. Jodice's previous books, in addition to those above, include Light, Eden and Tempo Interiore.
Form:
books
books
Publication:
April 2007, Milan
April 2007, Milan
Subject:
Photography monographs
Photography monographs
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books
books
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$42.00
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Summary:
Michael Wolf is best known for his large-size architectural shots from Hong Kong and Chicago. Actually the series “Architecture of Density” and “The Transplant City” are part of a constantly growing oeuvre which deals with the conditions of the modern urban life under the title “Life in Cities”. With his recently published book “Tokyo Compression”, which shows depressing(...)
$42.00
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Summary:
Michael Wolf is best known for his large-size architectural shots from Hong Kong and Chicago. Actually the series “Architecture of Density” and “The Transplant City” are part of a constantly growing oeuvre which deals with the conditions of the modern urban life under the title “Life in Cities”. With his recently published book “Tokyo Compression”, which shows depressing(...)
Title:
Michael Wolf: a series of unfortunate events
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Michael Wolf is best known for his large-size architectural shots from Hong Kong and Chicago. Actually the series “Architecture of Density” and “The Transplant City” are part of a constantly growing oeuvre which deals with the conditions of the modern urban life under the title “Life in Cities”. With his recently published book “Tokyo Compression”, which shows depressing impressions from the subway system in Tokyo, the photographer raises the question: In how far may, should or must photographers deal with the public today? Michael Wolf takes up this topic in his work “Street View”, which has been started at the same time as “Tokyo Compression”, and reinterprets the genre of the street photography in a highly unconventional way by using the almost inexhaustible picture pool of the Google Tool as basic material for his own images. With the camera in front of the screen he gets “his” images out of the automatically generated, authorless Google screens. Extreme details and geographical fade-ins of the software, which usually should serve the orientation, induce photographs which have an irritating as well as alarming effect like the underground portraits from Tokyo.
Michael Wolf: a series of unfortunate events
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$42.00
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Michael Wolf is best known for his large-size architectural shots from Hong Kong and Chicago. Actually the series “Architecture of Density” and “The Transplant City” are part of a constantly growing oeuvre which deals with the conditions of the modern urban life under the title “Life in Cities”. With his recently published book “Tokyo Compression”, which shows depressing impressions from the subway system in Tokyo, the photographer raises the question: In how far may, should or must photographers deal with the public today? Michael Wolf takes up this topic in his work “Street View”, which has been started at the same time as “Tokyo Compression”, and reinterprets the genre of the street photography in a highly unconventional way by using the almost inexhaustible picture pool of the Google Tool as basic material for his own images. With the camera in front of the screen he gets “his” images out of the automatically generated, authorless Google screens. Extreme details and geographical fade-ins of the software, which usually should serve the orientation, induce photographs which have an irritating as well as alarming effect like the underground portraits from Tokyo.
Form:
books
books
Publication:
October 2011
October 2011
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
Walker Evans
Walker Evans
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$37.50
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Walker Evans (1903-1975) is best known for documenting the people and living conditions of the American South during the Great Depression. But his photographic accomplishments were much broader than these famous images: modernist views of New York City, such as his Flatiron Building, New York (1928-29) and Brooklyn Bridge (1929); architectural studies of Victorian homes(...)
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Walker Evans (1903-1975) is best known for documenting the people and living conditions of the American South during the Great Depression. But his photographic accomplishments were much broader than these famous images: modernist views of New York City, such as his Flatiron Building, New York (1928-29) and Brooklyn Bridge (1929); architectural studies of Victorian homes(...)
Title:
Walker Evans
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Walker Evans (1903-1975) is best known for documenting the people and living conditions of the American South during the Great Depression. But his photographic accomplishments were much broader than these famous images: modernist views of New York City, such as his Flatiron Building, New York (1928-29) and Brooklyn Bridge (1929); architectural studies of Victorian homes and other buildings in Boston, Cape Cod, Saratoga Springs, and small towns in upstate New York; a series of spontaneous and surreptitious portraits taken on the Manhattan subway; scenes from Cuba in the 1930s; and his commercial assignments as a staff photographer and writer for Fortune magazine. The familiar work from his Farm Security Administration project is also here-views of the rural South immortalized in his collaborative book with James Agee, Let Us Now Praise Famous Men, along with urban images from New Orleans and Savannah. Essays by Christian A. Peterson, associate curator of photography at The Minneapolis Institute of Arts, describe Evans's photographic vision and include information about the acquisition history of many of the photographs in this book. Illustrated with almost one hundred high-quality black-and-white photographs, Walker Evans presents the full breadth of Evans's expansive and varied photographic art.
Walker Evans
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$37.50
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Walker Evans (1903-1975) is best known for documenting the people and living conditions of the American South during the Great Depression. But his photographic accomplishments were much broader than these famous images: modernist views of New York City, such as his Flatiron Building, New York (1928-29) and Brooklyn Bridge (1929); architectural studies of Victorian homes and other buildings in Boston, Cape Cod, Saratoga Springs, and small towns in upstate New York; a series of spontaneous and surreptitious portraits taken on the Manhattan subway; scenes from Cuba in the 1930s; and his commercial assignments as a staff photographer and writer for Fortune magazine. The familiar work from his Farm Security Administration project is also here-views of the rural South immortalized in his collaborative book with James Agee, Let Us Now Praise Famous Men, along with urban images from New Orleans and Savannah. Essays by Christian A. Peterson, associate curator of photography at The Minneapolis Institute of Arts, describe Evans's photographic vision and include information about the acquisition history of many of the photographs in this book. Illustrated with almost one hundred high-quality black-and-white photographs, Walker Evans presents the full breadth of Evans's expansive and varied photographic art.
Form:
books
books
Publication:
July 2003, Minneapolis
July 2003, Minneapolis
Subject:
Photography monographs
Photography monographs
