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The anthology comprises two distinct narrative sections, temporal structures, and points of view: the River and the Forest. The river is a kind of timeline, a sentence, a thread (of water) winding its way through the book, exploring indigenous thought and histories, issues of memory, erasure, rights and cultural practice, as well as the notion of ancestors and activism.(...)
February 2022
Amazonia: Anthology as cosmology
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The anthology comprises two distinct narrative sections, temporal structures, and points of view: the River and the Forest. The river is a kind of timeline, a sentence, a thread (of water) winding its way through the book, exploring indigenous thought and histories, issues of memory, erasure, rights and cultural practice, as well as the notion of ancestors and activism. The space of the forest, meanwhile, is represented as one of oral testimony and conversation, of voices speaking inside the present, in a kind of circular time in which past and future both impress upon and constitute the current uncertain moment. These voices include recorded conversations with elders, shamans, artists, and thinkers, as well as poetry, oral testimony, and artistic works from Amazonia that use the forest as both ground and cover.
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The Radical Camera explores the fascinating blend of aesthetics and social activism at the heart of the Photo League, tracing the group's left-leaning roots and idealism to the worker-photography movement in Europe. Influenced by mentors Lewis Hine, Berenice Abbott, and Paul Strand, artists in the Photo League worked within a unique complex comprising a school, a(...)
The radical camera: New York's Photo League 1936-1951
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The Radical Camera explores the fascinating blend of aesthetics and social activism at the heart of the Photo League, tracing the group's left-leaning roots and idealism to the worker-photography movement in Europe. Influenced by mentors Lewis Hine, Berenice Abbott, and Paul Strand, artists in the Photo League worked within a unique complex comprising a school, a darkroom, a gallery, and a salon, in which photography was discussed as both a means for social change and an art form. Presenting 150 works of the members of the Photo League alongside complementary essays that offer new interpretations of the League's work, ideas, and pedagogy, this illustrated book features artists including Margaret Bourke-White, Sid Grossman, Morris Engel, Lisette Model, Ruth Orkin, Walter Rosenblum, Aaron Siskind, W. Eugene Smith, and Weegee, among many others.
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December 2011
Photography Collections
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Originally published in 1974, this book is a critical work of Indigenous political activism that has long been out of print. George Manuel, a leader in the North American Indian movement at that time, with coauthor journalist Michael Posluns, presents a rich historical document that traces the struggle for Indigenous survival as a nation, a culture, and a reality. The(...)
The Fourth World: An Indian reality
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Originally published in 1974, this book is a critical work of Indigenous political activism that has long been out of print. George Manuel, a leader in the North American Indian movement at that time, with coauthor journalist Michael Posluns, presents a rich historical document that traces the struggle for Indigenous survival as a nation, a culture, and a reality. The authors shed light on alternatives for coexistence that would take place in the Fourth World—an alternative to the new world, the old world, and the Third World. Manuel was the first to develop this concept of the “fourth world” to describe the place occupied by Indigenous nations within colonial nation-states. Accompanied by a new introduction and afterword, this book is as poignant and provocative today as it was when first published.
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144 pages : illustrations (chiefly color), charts, map ; 24 cm
Berlin : Hatje Cantz Verlag GmbH ; Cambridge, Massachusetts : The MIT Press, [2022], ©2022
Spatializing justice : building blocks / Teddy Cruz and Fonna Forman.
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144 pages : illustrations (chiefly color), charts, map ; 24 cm
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Berlin : Hatje Cantz Verlag GmbH ; Cambridge, Massachusetts : The MIT Press, [2022], ©2022
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A complex bamboo pyramid to block a busy crossing in London. A maze of 'mini Stonehenge' brick structures to hinder government crackdowns in Hong Kong. The takeover of a Dallas highway to create a temporary public square. Architects have often used their skills in struggles for civil rights, gender equality and climate justice. Illuminating the role that design has played(...)
Protest architecture: Structures of civil resistance
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A complex bamboo pyramid to block a busy crossing in London. A maze of 'mini Stonehenge' brick structures to hinder government crackdowns in Hong Kong. The takeover of a Dallas highway to create a temporary public square. Architects have often used their skills in struggles for civil rights, gender equality and climate justice. Illuminating the role that design has played in protest movements, Nick Newman explores the colliding worlds of architecture and activism through the stories of those who have built for change. Using historic and contemporary examples, Protest Architecture analyses the design problems and solutions faced by protestors on the streets through detailed drawings, photography and expert insight. From beacons to barricades, towers to treehouses, this unique design typology demonstrates architectural influence over moments of societal change. This is a retelling of protest history through the eyes of an architect.
Architectural Theory
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As a young boy, Sebastião Salgado loved exploring his parents’ farm in the forests of Brazil, always dreaming of what might lie beyond his view. When he went away to school, he met Lélia, who showed him how to use a camera. As he looked through the lens, Sebastião realized he could use photography to capture how the world fits together. Sebastião used his pictures to tell(...)
Planting hope: A portrait of photographer Sebastião Salgado
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As a young boy, Sebastião Salgado loved exploring his parents’ farm in the forests of Brazil, always dreaming of what might lie beyond his view. When he went away to school, he met Lélia, who showed him how to use a camera. As he looked through the lens, Sebastião realized he could use photography to capture how the world fits together. Sebastião used his pictures to tell the stories of people who might not otherwise be seen. But after witnessing too much destruction, he put away his camera and returned to his childhood home. The land was in ruins. So Sebastião and Lélia decided to rebuild the rainforest and photograph the beauty of the world to save it. Through art and activism, they would show that everyone was responsible for caring for the planet and that hope endures if we take action.
Current Exhibitions
The new model: an inquiry
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For three weeks in October 1968, Stockholm's Moderna Museet was transformed into a sprawling adventure playground that was free to access for all of the city's children. It concatenated art, research, and urban activism into a visionary hybrid framework. Half a century later, through a series of seminars, exhibitions, and new artworks, 'The New Model' revisits this(...)
The new model: an inquiry
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For three weeks in October 1968, Stockholm's Moderna Museet was transformed into a sprawling adventure playground that was free to access for all of the city's children. It concatenated art, research, and urban activism into a visionary hybrid framework. Half a century later, through a series of seminars, exhibitions, and new artworks, 'The New Model' revisits this utopian intervention, reviving discussions of public participation, children's agency, and shifting ideals of collective being. Curated by Lars Bang Larsen and Maria Lind, these inquiries took place from 2011 to 2015 at and around Tensta konsthall, in one of Stockholm's late-modernist suburbs. Through essays, exhibition documentation, and dialogues with the participating artists--among them Palle Nielsen, Magnus Bärtås, Hito Steyerl, Ane Hjort Guttu, and Dave Hullfish Bailey--this volume charts the evolution of two artistic, curatorial, and institutional experiments.
Art Theory
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Far from being a staid survey of an art historical practice, “Freedom of the Presses” intervenes in an ongoing discussion about art and activism in the present day by considering the place of the art book in the 21st century. The publisher, Booklyn, has been involved in this conversation since 1999, when a group of six artists decided to band together to promote(...)
Freedom of the presses: Artists' books in the twenty-first century
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Far from being a staid survey of an art historical practice, “Freedom of the Presses” intervenes in an ongoing discussion about art and activism in the present day by considering the place of the art book in the 21st century. The publisher, Booklyn, has been involved in this conversation since 1999, when a group of six artists decided to band together to promote contemporary artists’ books and publications. This restless energy is present in Freedom of the Presses, which brings together a provocative mix of humorous, intimate and scholarly writing in order to expand how we think about the concept, content, design, production and distribution of artists’ and activists’ publications today. Aimed at a global community of librarians, publishers and readers, it offers models of how to reimagine contemporary artists’ bookmaking as a socially engaged, political practice.
Book Design
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During a time when pop stars become famous thanks to sex tapes that have been leaked online, it is clear that the Internet is not immune to the draw of the media. Yet art, academia and activism continue to promote the Internet as an untouched utopia. Animal Spirits: A Bestiary of the Commons addresses the double standard dominating contemporary media discourse and(...)
Animal spirits: a bestiary of the commons
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During a time when pop stars become famous thanks to sex tapes that have been leaked online, it is clear that the Internet is not immune to the draw of the media. Yet art, academia and activism continue to promote the Internet as an untouched utopia. Animal Spirits: A Bestiary of the Commons addresses the double standard dominating contemporary media discourse and shatters the myths of creative commons, free software and open-source movements, suggesting that "free culture" is an economic parasite siphoning money through peer-to-peer networks. Theorist and digital fetishist Matteo Pasquinelli uses the metaphor of the animal body--which Paul Virilio has characterized as instinctual and reactionary--to counter what he sees as a capitalist exploitation of collective imagery, calling for a radical new understanding of the forces at work behind the digital economy and cultural production.
Critical Theory
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The photographs of Ansel Adams are among America's finest artistic treasures, and form the basis of his tremendous legacy of environmental activism. In the late 1950s, Adams selected eight photographs of Yosemite National Park to offer exclusively to park visitors as affordable souvenirs. He hoped that these images might inspire tourists to become activists by(...)
Ansel Adams' Yosemite: The special edition prints
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The photographs of Ansel Adams are among America's finest artistic treasures, and form the basis of his tremendous legacy of environmental activism. In the late 1950s, Adams selected eight photographs of Yosemite National Park to offer exclusively to park visitors as affordable souvenirs. He hoped that these images might inspire tourists to become activists by transmitting to them the same awe and respect for nature that Yosemite had instilled in him. Over the following decades, Adams added to this collection to create a stunning view of Yosemite in all its majesty. These photographs, the Yosemite Special Edition Prints, form the core of this essential volume. Adams' luminous images of Yosemite's unique rock formations, waterfalls, meadows, trees, and nature details are among the most distinctive of his career. Today, with America's public lands increasingly under threat, his creative vision remains as relevant and convincing as ever.
Photography monographs