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Our times of crumbling structures and decaying social bonds are often depicted as apocalyptic. This book takes the apocalypse as a metaphor to help us in the search for meaning in our everyday realities. Yes, the apocalypse is when social structures and institutions fall apart and we are terrified and suffocated by the debris raining down upon us. But 'apocalypse' also(...)
After the apocalypse: finding hope in organizing
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Our times of crumbling structures and decaying social bonds are often depicted as apocalyptic. This book takes the apocalypse as a metaphor to help us in the search for meaning in our everyday realities. Yes, the apocalypse is when social structures and institutions fall apart and we are terrified and suffocated by the debris raining down upon us. But 'apocalypse' also means 'revelation'. The very collapse reveals what dissipating institutions were constructed upon: where there ought to have been foundational common values, most often there is violence and raw power. Yet the values are there, too, and they can be found. This book is a guide to these values, showing how they can be of help to organizers and organizational dreamers.
Critical Theory
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The concept of unheimlich, translated into english with the term uncanny, contains in its semantic complexity the same sense of impotence and disorientation that we feel when, visiting a place for the first time, we find ourselves in front of elements that seem familiar to us. This feeling triggers in us contrasting reactions like calm and fear. Recalling dreamlike(...)
Das unheimliche: Giaime Meloni
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The concept of unheimlich, translated into english with the term uncanny, contains in its semantic complexity the same sense of impotence and disorientation that we feel when, visiting a place for the first time, we find ourselves in front of elements that seem familiar to us. This feeling triggers in us contrasting reactions like calm and fear. Recalling dreamlike situations in which reality and fiction are intertwined, the project is inspired by the aesthetic concept, that Sigmund Freud explored in the 1919 essay 'Das unheimliche'. When the labyrinthine space of the children’s Colony in the former Eni village at Corte di Cadore is investigated through the lens of this concept, we question the restless familiarity of this place: 'Have I been here before?'.
Photography monographs
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Silicon Valley titans, politicians, techno-futurists and social critics have united in arguing that we are living on the cusp of an era of rapid technological automation, heralding the end of work as we know it. But does the much-discussed ''rise of the robots'' really explain the jobs crisis that awaits us on the other side of the coronavirus? In ''Automation and the(...)
Automation and the future of work
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Silicon Valley titans, politicians, techno-futurists and social critics have united in arguing that we are living on the cusp of an era of rapid technological automation, heralding the end of work as we know it. But does the much-discussed ''rise of the robots'' really explain the jobs crisis that awaits us on the other side of the coronavirus? In ''Automation and the future of work,'' Aaron Benanav uncovers the structural economic trends that will shape our working lives far into the future. What social movements, he asks, are required to propel us into post-scarcity, if technological innovation alone can’t deliver it? In response to calls for a universal basic income that would maintain a growing army of redundant workers, he offers a counter-proposal.
Social
Art writing in crisis
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Fires burn around the world. Systemic discrimination persists, precarity is increasing, and the modern democratic project faces challenges from all sides. Art writing helps us to understand art, which in turn helps us to understand such crises. But art writing itself is in crisis. Newspapers and magazines offer fewer channels than ever for independent art criticism,(...)
Art writing in crisis
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Fires burn around the world. Systemic discrimination persists, precarity is increasing, and the modern democratic project faces challenges from all sides. Art writing helps us to understand art, which in turn helps us to understand such crises. But art writing itself is in crisis. Newspapers and magazines offer fewer channels than ever for independent art criticism, persistent institutional biases exclude the positions of many, and a proliferation of platforms presents opportunities and challenges in equal measure. This volume presents writing by established and emerging writers who address the social and political dimensions of art and art writing in the contemporary context and the ways in which new art writing and publishing practices promote critical engagement among readerships as never before.
Art Theory
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As the world around us increases in technological complexity, our understanding of it diminishes. Underlying this trend is a single idea: the belief that our existence is understandable through computation, and more data is enough to help us build a better world. In reality, we are lost in a sea of information, increasingly divided by fundamentalism, simplistic(...)
New dark age : Technology and the end of the future
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As the world around us increases in technological complexity, our understanding of it diminishes. Underlying this trend is a single idea: the belief that our existence is understandable through computation, and more data is enough to help us build a better world. In reality, we are lost in a sea of information, increasingly divided by fundamentalism, simplistic narratives, conspiracy theories, and post-factual politics. Meanwhile, those in power use our lack of understanding to further their own interests. Despite the apparent accessibility of information, we’re living in a new Dark Age. In his new work, artist and writer James Bridle surveys the history of art, technology, and information systems, and reveals the dark clouds that gather over our dreams of the digital sublime.
Critical Theory
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Indigenous peoples have faced the end of the world before. Now, humankind is on a collective march towards the abyss. Global pandemics, extreme weather, and massive wildfires define this era many now call the Anthropocene.From Brazil comes Ailton Krenak, renowned Indigenous activist and leader, who demonstrates that our current environmental crisis is rooted in society’s(...)
Ideas to postpone the end of the world
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Indigenous peoples have faced the end of the world before. Now, humankind is on a collective march towards the abyss. Global pandemics, extreme weather, and massive wildfires define this era many now call the Anthropocene.From Brazil comes Ailton Krenak, renowned Indigenous activist and leader, who demonstrates that our current environmental crisis is rooted in society’s flawed concept of “humanity” — that human beings are superior to other forms of nature and are justified in exploiting it as we please. To stop environmental disaster, Krenak argues that we must reject the homogenizing effect of this perspective and embrace a new form of “dreaming” that allows us to regain our place within nature. In Ideas to Postpone the End of the World, he shows us the way
Social
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Le Corbusier is famous for his dictum that "a house is a machine for living in." What he meant by this was that architecture must be at the service of all of us: it must facilitate our daily lives and the relationships between us and it must, above all, provide a comfortable home. To achieve this, each element of the house must be part of a well-oiled machine.This(...)
Le Corbusier, in his own words
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Le Corbusier is famous for his dictum that "a house is a machine for living in." What he meant by this was that architecture must be at the service of all of us: it must facilitate our daily lives and the relationships between us and it must, above all, provide a comfortable home. To achieve this, each element of the house must be part of a well-oiled machine.This introduction to the architecture and ideas of Le Corbusier for children of ten and over – it will fascinate architecture-minded adults too – brings to life the man, the architect, his work and the world in which he lived. The words are his own and with the accompanying photographs and drawings serve to reveal the philosophy behind the architecture.
Architecture without place, 1968/2008 : unbuilt visionary, ephemeral architecture & installations
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The exhibition 'Architectures without Place (1968-2008)' presents a series of works that either were never built or no longer exist : a vast field which ranges from theoretical speculations, visionary prefigurings and ideas competitions to modified projects, ephemeral installations and botched buildings. This variegated realm of the unbuilt (or of the now non-existent)(...)
June 2009
Architecture without place, 1968/2008 : unbuilt visionary, ephemeral architecture & installations
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The exhibition 'Architectures without Place (1968-2008)' presents a series of works that either were never built or no longer exist : a vast field which ranges from theoretical speculations, visionary prefigurings and ideas competitions to modified projects, ephemeral installations and botched buildings. This variegated realm of the unbuilt (or of the now non-existent) allows us to analyse the conceptual heritage of a long period of Catalonian cultural history; in other words, it lets us dissect forty years of architecture produced locally, highlighting the prevailing ideas at each step of the way. This is a heterogeneous field of project design in which converge other disciplines fuelled by a powerful desire to articulate and transform space : comics, theatre, film, ephemeral installations and the visual arts in general.
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Over more than two decades of writing, Aaron Betsky has used his knowledge of architecture and urbanism to argue for the ways in which buildings, cities and landscapes help us understand where we are, where we have come from, and where we are going. He argues for modernist design as a way of making ourselves at home in the ever-changing world of modernity. In At Home(...)
At home in sprawl: selected essays on architecture
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Over more than two decades of writing, Aaron Betsky has used his knowledge of architecture and urbanism to argue for the ways in which buildings, cities and landscapes help us understand where we are, where we have come from, and where we are going. He argues for modernist design as a way of making ourselves at home in the ever-changing world of modernity. In At Home in Sprawl, using such disparate examples as California and the Netherlands, he offers possible building blocks for better sprawl. He also believes that buildings are no longer enough to make us at home in the modern world, and that architects must look beyond such structures to landscapes, interiors, and imaginary structures to find appropriate and critical architecture.
Urban Theory
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Alexandra Horowitz shows us how to see the spectacle of the ordinary—to practice, as Sir Arthur Conan Doyle put it, “the observation of trifles.” Structured around a series of eleven walks the author takes, mostly in her Manhattan neighborhood, On Looking features experts on a diverse range of subjects, including an urban sociologist, the well-known artist Maira Kalman, a(...)
On looking: a walker's guide to the art of observation
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Alexandra Horowitz shows us how to see the spectacle of the ordinary—to practice, as Sir Arthur Conan Doyle put it, “the observation of trifles.” Structured around a series of eleven walks the author takes, mostly in her Manhattan neighborhood, On Looking features experts on a diverse range of subjects, including an urban sociologist, the well-known artist Maira Kalman, a geologist, a physician, and a sound designer. Horowitz also walks with a child and a dog to see the world as they perceive it. What they see, how they see it, and why most of us do not see the same things reveal the startling power of human attention and the cognitive aspects of what it means to be an expert observer.
Journeys