Cities of change Addis Ababa: transformation strategies for urban territories in the 21st century
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Economic strengthening and the developments associated with it, such as population growth, rural flight, and the explosive growth of cities, pose enormous challenges for city planners in urban centers throughout the world. But clumsy "test-tube" urban plans like those developed for China in part by German planners have shown that different standards and rules apply in the(...)
December 2009
Cities of change Addis Ababa: transformation strategies for urban territories in the 21st century
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Economic strengthening and the developments associated with it, such as population growth, rural flight, and the explosive growth of cities, pose enormous challenges for city planners in urban centers throughout the world. But clumsy "test-tube" urban plans like those developed for China in part by German planners have shown that different standards and rules apply in the non-European world than in Europe s organically developed urban structures. This manual analyzes contemporary urban phenomena in economic growth regions using the Ethiopian capital city of Addis Abeba as an example, and presents a catalogue of sustainable strategies for city planning practice in the Second and Third Worlds. In the process, it provides planners with generally applicable methods and tools that are usable at the design stage and equip them to develop and deploy dynamic planning and project management processes. To this end, it illuminates such topical subjects as the changing agrarian and industrial landscape, the activation of urban wastelands, and the increasing density of urban hubs. In addition, it uses real projects as examples to highlight avenues for practical implementation.
A culture of stone
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A major contribution to both art history and Latin American studies, A Culture of Stone offers new insights into Inka culture and the interpretation of non-Western art. Carolyn Dean focuses on rock outcrops masterfully integrated into Inka architecture, exquisitely worked masonry, and freestanding sacred rocks, explaining how certain stones took on lives of their own and(...)
November 2010
A culture of stone
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A major contribution to both art history and Latin American studies, A Culture of Stone offers new insights into Inka culture and the interpretation of non-Western art. Carolyn Dean focuses on rock outcrops masterfully integrated into Inka architecture, exquisitely worked masonry, and freestanding sacred rocks, explaining how certain stones took on lives of their own and played a vital role in the unfolding of Inka history. Examining the multiple uses of stone, she argues that the Inka understood building in stone as a way of ordering the chaos of unordered nature, converting untamed spaces into domesticated places, and laying claim to new territories. Dean contends that understanding what the rocks signified requires seeing them as the Inka saw them: as potentially animate, sentient, and sacred. Through careful analysis of Inka stonework, colonial-period accounts of the Inka, and contemporary ethnographic and folkloric studies of indigenous Andean culture, Dean reconstructs the relationships between stonework and other aspects of Inka life, including imperial expansion, worship, and agriculture. She also scrutinizes meanings imposed on Inka stone by the colonial Spanish and, later, by tourism and the tourist industry.
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Sun City is a luxury entertainment bubble filled with palatial hotels and casinos. This volume reconstructs Sun City as a mythic oasis of late capitalism and a wholly artificial time-space, through oral histories, essays and visual case studies, salvaging its entertainment culture and its aspirations.
August 2010
Sun tropes: Sun City and (post-)apartheid culture in South Africa
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Sun City is a luxury entertainment bubble filled with palatial hotels and casinos. This volume reconstructs Sun City as a mythic oasis of late capitalism and a wholly artificial time-space, through oral histories, essays and visual case studies, salvaging its entertainment culture and its aspirations.
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Free City is storyteller João Almino's third novel to focus on the city of Brasilia, the social swirl of its early years, when contractors, corporate profiteers, idealists, politicians, mystical sects, and even celebrities mingled. Putting past and present into direct conflict, the story takes the form of a blog, even incorporating comments from other bloggers, each with(...)
September 2013
Free city
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Free City is storyteller João Almino's third novel to focus on the city of Brasilia, the social swirl of its early years, when contractors, corporate profiteers, idealists, politicians, mystical sects, and even celebrities mingled. Putting past and present into direct conflict, the story takes the form of a blog, even incorporating comments from other bloggers, each with their vested interests, each with new reasons for spinning fictions of their own.
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This book examines the ways in which a historic, and so-called 'traditional' city quietly mutated into one that was modern in its own terms not only in form but also in its use and meaning. Through a study of Delhi, the author challenges some prevalent dichotomies and myths in architecture and urbanism and identifies an interpretation of modernism that expands upon(...)
April 2005, London
Indigenous modernities : negotiating architecture and urbanism
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This book examines the ways in which a historic, and so-called 'traditional' city quietly mutated into one that was modern in its own terms not only in form but also in its use and meaning. Through a study of Delhi, the author challenges some prevalent dichotomies and myths in architecture and urbanism and identifies an interpretation of modernism that expands upon conventional understandings of it. Conventional discourse in the West defines modern as the antithesis of that which is 'not-modern' or is 'traditional.' Many scholars have debated the significance of the words and most agree that the very word 'tradition' was a modernist creation that variously implied backwardness, threatened by change, resistance to innovation. The first part of this book reflects on the transformations and discontinuities in built form and spatial culture and calls into question accepted notions of the static nature of what is normally referred to as 'traditional' and 'non-Western' architecture. The second part is a critical discussion of Delhi in the nineteenth and early twentieth centuries. It expands upon conventional understandings of modernity in a way that wrenches free the city's architecture and the society from the objectified realm of the exotic while also acknowledging cultural conditions of modernity and modern architecture outside the West. Stepping outside Western canons, this project looks at late nineteenth and early twentieth century architecture to include them in a conversation on architecture that has typically focused on Western Europe and North America. Finally, the author seeks out the 'indigenous modernities': the irregular, the uneven, and the unexpected in what uncritical observers might label a perfectly coherent 'traditional' built environment; or in the influence of local society and institutions on forms that appear modern by conventional standards in the West.
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This publication illuminates the dynamic relationship between the visual media, particularly film and theater, and the planning and development of cities in China and Taiwan, from the emergence of the People’s Republic in 1949 to the staging of the Beijing Olympics in 2008. Yomi Braester argues that the transformation of Chinese cities in recent decades is a result not(...)
April 2010
Painting the city red : Chinese cinema and the urban contract
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This publication illuminates the dynamic relationship between the visual media, particularly film and theater, and the planning and development of cities in China and Taiwan, from the emergence of the People’s Republic in 1949 to the staging of the Beijing Olympics in 2008. Yomi Braester argues that the transformation of Chinese cities in recent decades is a result not only of China’s abandonment of Maoist economic planning in favor of capitalist globalization but also of a shift in visual practices. Rather than simply reflect urban culture, movies and stage dramas have facilitated the development of new perceptions of space and time, representing the future city variously as an ideal socialist city, a metropolis integrated into the global economy, and a site for preserving cultural heritage. Drawing on extensive archival research, interviews with leading filmmakers and urban planners, and close readings of scripts and images, Braester describes how films and stage plays have promoted and opposed official urban plans and policies as they have addressed issues such as demolition-and-relocation plans, the preservation of vernacular architecture, and the global real estate market. He shows how the cinematic rewriting of historical narratives has accompanied the spatial reorganization of specific urban sites, including Nanjing Road in Shanghai; veterans’ villages in Taipei; and Tiananmen Square, centuries-old courtyards, and postmodern architectural landmarks in Beijing.
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The book opens with a history of the country and its many cultural influences. An overview of Thai architecture in its context is followed by a look at its basic elements in their variety and structural detail. All types of structures are featured, from Thai houses and rice barns to elaborate temples and breathtaking palaces. The different materials used to achieve the(...)
May 2006, London
Architecture of Thailand : a guide to traditional and contemporary forms
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The book opens with a history of the country and its many cultural influences. An overview of Thai architecture in its context is followed by a look at its basic elements in their variety and structural detail. All types of structures are featured, from Thai houses and rice barns to elaborate temples and breathtaking palaces. The different materials used to achieve the distinctive Thai style are also discussed. The book also examines the hybrid forms that reflect the confluence of Thai and Western or other Asian styles. It ends with a look at contemporary Thai architecture and how traditional architectural practices have been adapted to suit modern needs.
Orientalism
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The noted critic and a Palestinian now teaching at Columbia University,examines the way in which the West observes the Arabs.
June 2003, New York
Orientalism
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The noted critic and a Palestinian now teaching at Columbia University,examines the way in which the West observes the Arabs.