Anna Tsitsishvili: Tbilisi
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Anna Tsitsishvili’s Tbilisi delivers us a contemporary outlook on Georgia’s vibrant capital at the crossroads between East and West. Her photobook attests that photography can play a role in putting the city back on the map by creating a new visual narrative that transcends the past to embrace authentic moments. Notably, the Soviet era has provided us with a glossy(...)
Anna Tsitsishvili: Tbilisi
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Anna Tsitsishvili’s Tbilisi delivers us a contemporary outlook on Georgia’s vibrant capital at the crossroads between East and West. Her photobook attests that photography can play a role in putting the city back on the map by creating a new visual narrative that transcends the past to embrace authentic moments. Notably, the Soviet era has provided us with a glossy portrayal of the city under the empire, with the aim to convey some specific values through photography that is typical of regimes. However, after the collapse of the Soviet Union, a subtle melancholy has seeped into those photographs. This sentiment reflected the post-imperial events and the Russian occupation, which have left an indelible mark on the entire country, the city, and its inhabitants. A new generation of photographers though has emerged in the past years, with a vision that tries to respond to that sentiment by going beyond the façade and breaking ties with the past. In their images the city looks past the streets, the buildings and the cityscapes. They venture into courtyards, homes, into the private life of people and their sincere details. Anna Tsitsishvili does so too – with her photobook she captivates us primarily with her genuineness. From sumptuous old apartments to lived contemporary rooms, from daily commutes to encounters in the busy streets, a sense of everyday poetry permeates her all-color selection.
Photography monographs
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A collection of essays in which revered poet Mary Oliver reflects on her willingness, as a young child and as an adult, to lose herself within the beauty and mysteries of both the natural world and the world of literature. Emphasizing the significance of her childhood “friend” Walt Whitman, through whose work she first understood that a poem is a temple, “a place to(...)
Upstream
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A collection of essays in which revered poet Mary Oliver reflects on her willingness, as a young child and as an adult, to lose herself within the beauty and mysteries of both the natural world and the world of literature. Emphasizing the significance of her childhood “friend” Walt Whitman, through whose work she first understood that a poem is a temple, “a place to enter, and in which to feel,” and who encouraged her to vanish into the world of her writing, Oliver meditates on the forces that allowed her to create a life for herself out of work and love. As she writes, “I could not be a poet without the natural world. Someone else could. But not me. For me the door to the woods is the door to the temple.” "Upstream" follows Oliver as she contemplates the pleasure of artistic labor, her boundless curiosity for the flora and fauna that surround her, and the responsibility she has inherited from Shelley, Wordsworth, Emerson, Poe, and Frost, the great thinkers and writers of the past, to live thoughtfully, intelligently, and to observe with passion. Throughout this collection, Oliver positions not just herself upstream but us as well as she encourages us all to keep moving, to lose ourselves in the awe of the unknown, and to give power and time to the creative and whimsical urges that live within us.
Landscape Theory
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We shape ourselves, and are shaped in return, by the walls that contain us. Buildings affect how we sleep, work, socialise and even breathe. They can isolate and endanger us but they can also heal us. We project our hopes and fears onto buildings, while they absorb our histories. In Living With Buildings, Iain Sinclair embarks on a series of expeditions - through(...)
Living with buildings and walking with ghosts: on health and architecture
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We shape ourselves, and are shaped in return, by the walls that contain us. Buildings affect how we sleep, work, socialise and even breathe. They can isolate and endanger us but they can also heal us. We project our hopes and fears onto buildings, while they absorb our histories. In Living With Buildings, Iain Sinclair embarks on a series of expeditions - through London, Marseille, Mexico and the Outer Hebrides. He explores the relationship between sickness and structure, and between art, architecture, social planning and health, taking plenty of detours along the way. Walking is Sinclair's defensive magic against illness and, as he moves, he observes his surroundings: stacked tower blocks and behemoth estates; halogen-lit glasshouse offices and humming hospitals; the blackened hull of a Spitalfields church and the floating mass of Le Corbusier's radiant city. Sinclair also peels back layers of life. A father and his daughter (who has a rare syndrome) visit the estate where they once lived. Developers clink champagne glasses as residents are 'decanted' from their homes. A box sculpted from whalebone, thought to contain healing properties, is returned to its origins with unexpected consequences. Part investigation, part travelogue, ‘Living with Buildings’ brings the spaces we inhabit to life as never before. Published in association with the Wellcome Collection exhibition Living with Buildings, 4 October 2018- 3 March 2019.
Current Exhibitions
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te magazine’s second issue takes inspiration from recent events and debates reverberating all around us, and the 10 pieces in this issue investigate the transformative points of contact where sound, language and action intersect. Together, the contributors discuss this abstract and ubiquitous medium, creating an album of diverse and dialogical tracks.
te magazine n.2: Song of the Nightingale
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te magazine’s second issue takes inspiration from recent events and debates reverberating all around us, and the 10 pieces in this issue investigate the transformative points of contact where sound, language and action intersect. Together, the contributors discuss this abstract and ubiquitous medium, creating an album of diverse and dialogical tracks.
Magazines
Hug this book!
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Expertly whimsical illustrations accompany this rhyming celebration of the printed book, and the attachment many of us all feel to our very favourites. The imaginative humour is balanced by earnest devotion, traits to which the young audience will relate. This book will draw giggles and snuggles ... with the book itself!
Hug this book!
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Expertly whimsical illustrations accompany this rhyming celebration of the printed book, and the attachment many of us all feel to our very favourites. The imaginative humour is balanced by earnest devotion, traits to which the young audience will relate. This book will draw giggles and snuggles ... with the book itself!
Children's Books
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'Spots in Shots' explores a selection of little-known but fascinating short films made in Europe and the US between 1990 and 2017 that tell stories about architecture and urban development. Based on interviews with the filmmakers, the book asks how cinema can stir public interest in the oeuvres of architects.
Spots in shots: narrating the built environment in short film
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'Spots in Shots' explores a selection of little-known but fascinating short films made in Europe and the US between 1990 and 2017 that tell stories about architecture and urban development. Based on interviews with the filmmakers, the book asks how cinema can stir public interest in the oeuvres of architects.
Architecture and Film, Set Design
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Inês Moreira takes us to Estonia, in a journey through its post-industrial condition. The aim of this collection is to construct a map of emotions from unique journeys undertaken by recognised personalities from the architectural culture. A tour around the various continents, but also the universe of its authors.
Estonia, 2016-2018. Viagens / Journeys
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Inês Moreira takes us to Estonia, in a journey through its post-industrial condition. The aim of this collection is to construct a map of emotions from unique journeys undertaken by recognised personalities from the architectural culture. A tour around the various continents, but also the universe of its authors.
Journeys
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The book explains the aesthetics of house forms ranging from elaborately decorated Arts & Crafts architecture to the purity of modernist homes. How to Read Houses is the perfect companion for anyone interested in the buildings we live in and who desires a detailed field guide to the houses around us.
How to read houses: a crash course in domestic architecture
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The book explains the aesthetics of house forms ranging from elaborately decorated Arts & Crafts architecture to the purity of modernist homes. How to Read Houses is the perfect companion for anyone interested in the buildings we live in and who desires a detailed field guide to the houses around us.
Dictionaries
Blind mice and other numbers
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In Blind Mice and Other Numbers, first published in 1961, the great American graphic designer and illustrator Ivan Chermayeff comes face to face with the world of children. With lightness and a taste for nonsense, Chermayeff counts along with us from 0 to 10 with amusing puns and linguistic somersaults.
Blind mice and other numbers
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In Blind Mice and Other Numbers, first published in 1961, the great American graphic designer and illustrator Ivan Chermayeff comes face to face with the world of children. With lightness and a taste for nonsense, Chermayeff counts along with us from 0 to 10 with amusing puns and linguistic somersaults.
Children's Books
The philosophy of beards
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Reminding us that since ancient times the beard has been an essential symbol of manly distinction, Thomas S. Gowing presents a moral case for eschewing the bitter bite of the razor. He contrasts the vigor and daring of the bearded—say, lumberjacks and Lincoln—with the undeniable effeminacy of the shaven.
The philosophy of beards
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$13.50
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Reminding us that since ancient times the beard has been an essential symbol of manly distinction, Thomas S. Gowing presents a moral case for eschewing the bitter bite of the razor. He contrasts the vigor and daring of the bearded—say, lumberjacks and Lincoln—with the undeniable effeminacy of the shaven.
Critical Theory