5584 Results
Form:
exhibitions
exhibitions
Title:
Toy Town
Toy Town
Actions:
Description:
Toy Town explores how villages, towns, and cities have been represented in toys from Europe and North America. Drawn from CCA’s collection of architectural toys and games, the twenty-nine toys reflect shifting social values and different approaches to the design, organisation, and planning of communities in the nineteenth and twentieth centuries. Toy Town is the sixth in(...)
Toy Town explores how villages, towns, and cities have been represented in toys from Europe and North America. Drawn from CCA’s collection of architectural toys and games, the twenty-nine toys reflect shifting social values and different approaches to the design, organisation, and planning of communities in the nineteenth and twentieth centuries. Toy Town is the sixth in(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
22 October 1997 to 31 May 1998
22 October 1997 to 31 May 1998
Title:
Toy Town
Actions:
Description:
Toy Town explores how villages, towns, and cities have been represented in toys from Europe and North America. Drawn from CCA’s collection of architectural toys and games, the twenty-nine toys reflect shifting social values and different approaches to the design, organisation, and planning of communities in the nineteenth and twentieth centuries. Toy Town is the sixth in(...)
Toy Town
Actions:
Description:
Toy Town explores how villages, towns, and cities have been represented in toys from Europe and North America. Drawn from CCA’s collection of architectural toys and games, the twenty-nine toys reflect shifting social values and different approaches to the design, organisation, and planning of communities in the nineteenth and twentieth centuries. Toy Town is the sixth in(...)
Form:
exhibitions
exhibitions
Date:
22 October 1997 to
31 May 1998
22 October 1997 to
31 May 1998
Location:
Octagonal gallery
Octagonal gallery
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Reference number:
AP075
Synopsis:
The Cornelia Hahn Oberlander fonds documents Oberlander's professional activities as a landscape architect. It contains over 203 projects that span from 1950 to 2018 predominantly in Canada and in the United States, but also in Germany. The fonds is a complete record of Oberlander's work, and comprises her playground projects, roof gardens, and public space landscapes, as well as landscape designs for private residences, as well as administrative records from her practice, her professional engagements, and her research materials. The material in this fonds is dated from 1936 to 2021.
AP075
Synopsis:
The Cornelia Hahn Oberlander fonds documents Oberlander's professional activities as a landscape architect. It contains over 203 projects that span from 1950 to 2018 predominantly in Canada and in the United States, but also in Germany. The fonds is a complete record of Oberlander's work, and comprises her playground projects, roof gardens, and public space landscapes, as well as landscape designs for private residences, as well as administrative records from her practice, her professional engagements, and her research materials. The material in this fonds is dated from 1936 to 2021.
People:
Date:
1936-2021
1936-2021
Title:
Cornelia Hahn Oberlander fonds
Actions:
AP075
Synopsis:
The Cornelia Hahn Oberlander fonds documents Oberlander's professional activities as a landscape architect. It contains over 203 projects that span from 1950 to 2018 predominantly in Canada and in the United States, but also in Germany. The fonds is a complete record of Oberlander's work, and comprises her playground projects, roof gardens, and public space landscapes, as well as landscape designs for private residences, as well as administrative records from her practice, her professional engagements, and her research materials. The material in this fonds is dated from 1936 to 2021.
Cornelia Hahn Oberlander fonds
Actions:
AP075
Synopsis:
The Cornelia Hahn Oberlander fonds documents Oberlander's professional activities as a landscape architect. It contains over 203 projects that span from 1950 to 2018 predominantly in Canada and in the United States, but also in Germany. The fonds is a complete record of Oberlander's work, and comprises her playground projects, roof gardens, and public space landscapes, as well as landscape designs for private residences, as well as administrative records from her practice, her professional engagements, and her research materials. The material in this fonds is dated from 1936 to 2021.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1936-2021
1936-2021
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Shoei Yoh fonds
Shoei Yoh fonds
Reference number:
AP166
Synopsis:
The Shoei Yoh fonds (1976-2014, predominant 1990-1996) documents a selection of works by the Japanese architect and designer Shoei Yoh and the firm Shoei Yoh + Architects. The selection is comprised of two projects that were featured in the CCA exhibition Archaeology of the Digital (May 7-October 27, 2013)—the Galaxy Toyama Gymnasium and the unbuilt Odawara Municipal Sports Complex --and five other projects.The fonds also includes some published material by and about Shoei Yoh.
AP166
Synopsis:
The Shoei Yoh fonds (1976-2014, predominant 1990-1996) documents a selection of works by the Japanese architect and designer Shoei Yoh and the firm Shoei Yoh + Architects. The selection is comprised of two projects that were featured in the CCA exhibition Archaeology of the Digital (May 7-October 27, 2013)—the Galaxy Toyama Gymnasium and the unbuilt Odawara Municipal Sports Complex --and five other projects.The fonds also includes some published material by and about Shoei Yoh.
People:
Date:
1976-2014, predominant 1990-1996
1976-2014, predominant 1990-1996
Title:
Shoei Yoh fonds
Actions:
AP166
Synopsis:
The Shoei Yoh fonds (1976-2014, predominant 1990-1996) documents a selection of works by the Japanese architect and designer Shoei Yoh and the firm Shoei Yoh + Architects. The selection is comprised of two projects that were featured in the CCA exhibition Archaeology of the Digital (May 7-October 27, 2013)—the Galaxy Toyama Gymnasium and the unbuilt Odawara Municipal Sports Complex --and five other projects.The fonds also includes some published material by and about Shoei Yoh.
Shoei Yoh fonds
Actions:
AP166
Synopsis:
The Shoei Yoh fonds (1976-2014, predominant 1990-1996) documents a selection of works by the Japanese architect and designer Shoei Yoh and the firm Shoei Yoh + Architects. The selection is comprised of two projects that were featured in the CCA exhibition Archaeology of the Digital (May 7-October 27, 2013)—the Galaxy Toyama Gymnasium and the unbuilt Odawara Municipal Sports Complex --and five other projects.The fonds also includes some published material by and about Shoei Yoh.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1976-2014, predominant 1990-1996
1976-2014, predominant 1990-1996
People:
Form:
webpages
webpages
Actions:
Summary:
Making Mamak is a toolkit for all cultural workers, social organizers, and community members. The toolkit is devised to help commit to local, community-based forms of creating and gathering. Learning from arts collectives in the urban centres of Malaysia, one can develop kinships with one’s own community, formulate mutual aid, appropriate collective spaces, and start grounded social movements.
Title:
Making Mamak: Collective Ecologies of Urban Space
Actions:
Summary:
Making Mamak: Collective Ecologies of Urban Space
Actions:
Summary:
Making Mamak is a toolkit for all cultural workers, social organizers, and community members. The toolkit is devised to help commit to local, community-based forms of creating and gathering. Learning from arts collectives in the urban centres of Malaysia, one can develop kinships with one’s own community, formulate mutual aid, appropriate collective spaces, and start grounded social movements.
Form:
webpages
webpages
Level of archival description:
Project
Project
Actions:
Reference number:
CI005.S1.1922.PR1
Description:
The city of Rotterdam in May 1922 commissioned a project to re-house homeless slum-dwellers and to alleviate Rotterdam's crisis in housing shortage: the housing unit was known as The Witte Dorp housing community, in the polder of Oud-Mathenesse. Oud designed the site plan and dwellings for this municipal housing project of 343 dwellings, eight shop units and a fire-engine shed. Oud created a geometric street plan with short axes that joined at the playground and townscape with identical facades of row houses facing one another. The houses were white with contrasting red roofs, blue front doors and yellow door frames and window casings (Taverne et al. 2001, 250). Project series includes drawings of plans and eighteen photographs, including exterior views and photographs of a plan.
CI005.S1.1922.PR1
Description:
The city of Rotterdam in May 1922 commissioned a project to re-house homeless slum-dwellers and to alleviate Rotterdam's crisis in housing shortage: the housing unit was known as The Witte Dorp housing community, in the polder of Oud-Mathenesse. Oud designed the site plan and dwellings for this municipal housing project of 343 dwellings, eight shop units and a fire-engine shed. Oud created a geometric street plan with short axes that joined at the playground and townscape with identical facades of row houses facing one another. The houses were white with contrasting red roofs, blue front doors and yellow door frames and window casings (Taverne et al. 2001, 250). Project series includes drawings of plans and eighteen photographs, including exterior views and photographs of a plan.
People:
Date:
1922-1924
1922-1924
Title:
Oud-Mathenesse Municipal Housing Scheme, Rotterdam, Netherlands (1922-1924)
Actions:
CI005.S1.1922.PR1
Description:
The city of Rotterdam in May 1922 commissioned a project to re-house homeless slum-dwellers and to alleviate Rotterdam's crisis in housing shortage: the housing unit was known as The Witte Dorp housing community, in the polder of Oud-Mathenesse. Oud designed the site plan and dwellings for this municipal housing project of 343 dwellings, eight shop units and a fire-engine shed. Oud created a geometric street plan with short axes that joined at the playground and townscape with identical facades of row houses facing one another. The houses were white with contrasting red roofs, blue front doors and yellow door frames and window casings (Taverne et al. 2001, 250). Project series includes drawings of plans and eighteen photographs, including exterior views and photographs of a plan.
Oud-Mathenesse Municipal Housing Scheme, Rotterdam, Netherlands (1922-1924)
Actions:
CI005.S1.1922.PR1
Description:
The city of Rotterdam in May 1922 commissioned a project to re-house homeless slum-dwellers and to alleviate Rotterdam's crisis in housing shortage: the housing unit was known as The Witte Dorp housing community, in the polder of Oud-Mathenesse. Oud designed the site plan and dwellings for this municipal housing project of 343 dwellings, eight shop units and a fire-engine shed. Oud created a geometric street plan with short axes that joined at the playground and townscape with identical facades of row houses facing one another. The houses were white with contrasting red roofs, blue front doors and yellow door frames and window casings (Taverne et al. 2001, 250). Project series includes drawings of plans and eighteen photographs, including exterior views and photographs of a plan.
Level of archival description:
project
project
Date:
1922-1924
1922-1924
People:
Form:
exhibitions
exhibitions
Actions:
Description:
Although immigration is a dominant topic in contemporary culture, its discussion is often limited to the human experience, such as the crossing of borders and issues about national identity. Journeys takes a different perspective: how movements impact the environment. Examples range from the coconut that can drift freely on the ocean current and re-seed wherever it finds(...)
Although immigration is a dominant topic in contemporary culture, its discussion is often limited to the human experience, such as the crossing of borders and issues about national identity. Journeys takes a different perspective: how movements impact the environment. Examples range from the coconut that can drift freely on the ocean current and re-seed wherever it finds(...)
Location:
Main galleries
Main galleries
Date:
20 October 2010 to 13 March 2011
20 October 2010 to 13 March 2011
Title:
Journeys: How travelling fruit, ideas and buildings rearrange our environment
Actions:
Description:
Although immigration is a dominant topic in contemporary culture, its discussion is often limited to the human experience, such as the crossing of borders and issues about national identity. Journeys takes a different perspective: how movements impact the environment. Examples range from the coconut that can drift freely on the ocean current and re-seed wherever it finds(...)
Journeys: How travelling fruit, ideas and buildings rearrange our environment
Actions:
Description:
Although immigration is a dominant topic in contemporary culture, its discussion is often limited to the human experience, such as the crossing of borders and issues about national identity. Journeys takes a different perspective: how movements impact the environment. Examples range from the coconut that can drift freely on the ocean current and re-seed wherever it finds(...)
Form:
exhibitions
exhibitions
Date:
20 October 2010 to
13 March 2011
20 October 2010 to
13 March 2011
Location:
Main galleries
Main galleries
Form:
articles
articles
Title:
Fictions of Fictions
Fictions of Fictions
Actions:
Piper Bernbaum on the material facts and urban fictions of the Eruv wars in Jerusalem
Title:
Fictions of Fictions
Piper Bernbaum on the material facts and urban fictions of the Eruv wars in Jerusalem
Actions:
Fictions of Fictions
Piper Bernbaum on the material facts and urban fictions of the Eruv wars in Jerusalem
Actions:
Issue:
Figuring Territory
Figuring Territory
Level of archival description:
Project
Project
Reference number:
AP178.S1.1990.PR03
Description:
This project series documents the Urban design for Boulevard Brune, Cité de Jeunesse in Paris, France. While the records were held in the office’s archives this project was assigned the number 5/90. The office assigned the date 1990 to this project. This project consisted of a competition entry for the fourth and last phase of a social housing program for the young postmen of Paris. The competition was organized by the Ministère des Postes et des Télécommunications. The proposal for the Boulevard Brune building included four units; a school for mailmen (Edificio A), two housing buildings (Edificio B and C), and a community center (Edificio D). The program also mentioned a parking lot. Alvaro Siza was one of the three finalists selected but was not chosen for the project. Documenting this project are sketches, studies and site plans. Textual material includes project documentation, competition documentation, and correspondence. Photographs, photomontages and negatives document the project site.
AP178.S1.1990.PR03
Description:
This project series documents the Urban design for Boulevard Brune, Cité de Jeunesse in Paris, France. While the records were held in the office’s archives this project was assigned the number 5/90. The office assigned the date 1990 to this project. This project consisted of a competition entry for the fourth and last phase of a social housing program for the young postmen of Paris. The competition was organized by the Ministère des Postes et des Télécommunications. The proposal for the Boulevard Brune building included four units; a school for mailmen (Edificio A), two housing buildings (Edificio B and C), and a community center (Edificio D). The program also mentioned a parking lot. Alvaro Siza was one of the three finalists selected but was not chosen for the project. Documenting this project are sketches, studies and site plans. Textual material includes project documentation, competition documentation, and correspondence. Photographs, photomontages and negatives document the project site.
People:
Date:
1983-1991
1983-1991
Title:
Plano Urbanístico Boulevard Brune [Urban design for Boulevard Brune, Cité de Jeunesse], Paris, France (1990)
Actions:
AP178.S1.1990.PR03
Description:
This project series documents the Urban design for Boulevard Brune, Cité de Jeunesse in Paris, France. While the records were held in the office’s archives this project was assigned the number 5/90. The office assigned the date 1990 to this project. This project consisted of a competition entry for the fourth and last phase of a social housing program for the young postmen of Paris. The competition was organized by the Ministère des Postes et des Télécommunications. The proposal for the Boulevard Brune building included four units; a school for mailmen (Edificio A), two housing buildings (Edificio B and C), and a community center (Edificio D). The program also mentioned a parking lot. Alvaro Siza was one of the three finalists selected but was not chosen for the project. Documenting this project are sketches, studies and site plans. Textual material includes project documentation, competition documentation, and correspondence. Photographs, photomontages and negatives document the project site.
Plano Urbanístico Boulevard Brune [Urban design for Boulevard Brune, Cité de Jeunesse], Paris, France (1990)
Actions:
AP178.S1.1990.PR03
Description:
This project series documents the Urban design for Boulevard Brune, Cité de Jeunesse in Paris, France. While the records were held in the office’s archives this project was assigned the number 5/90. The office assigned the date 1990 to this project. This project consisted of a competition entry for the fourth and last phase of a social housing program for the young postmen of Paris. The competition was organized by the Ministère des Postes et des Télécommunications. The proposal for the Boulevard Brune building included four units; a school for mailmen (Edificio A), two housing buildings (Edificio B and C), and a community center (Edificio D). The program also mentioned a parking lot. Alvaro Siza was one of the three finalists selected but was not chosen for the project. Documenting this project are sketches, studies and site plans. Textual material includes project documentation, competition documentation, and correspondence. Photographs, photomontages and negatives document the project site.
Level of archival description:
Project
Project
Date:
1983-1991
1983-1991
People:
Form:
events
events
Title:
Learning from... Nairobi
Learning from... Nairobi
Actions:
Description:
Italian documentary and architecture photographer Filippo Romano presents his ongoing study of Nairobi’s exploding slums. The city is represented through the many portraits of residents, workers and communities he captured, giving evidence of the built environment that shapes local urban cultures. The Learning From… series takes its title from Learning From Las Vegas(...)
Italian documentary and architecture photographer Filippo Romano presents his ongoing study of Nairobi’s exploding slums. The city is represented through the many portraits of residents, workers and communities he captured, giving evidence of the built environment that shapes local urban cultures. The Learning From… series takes its title from Learning From Las Vegas(...)
Location:
Paul-Desmarais Theatre
Paul-Desmarais Theatre
Date:
9 October 2014 , 6pm
9 October 2014 , 6pm
Title:
Learning from... Nairobi
Actions:
Description:
Italian documentary and architecture photographer Filippo Romano presents his ongoing study of Nairobi’s exploding slums. The city is represented through the many portraits of residents, workers and communities he captured, giving evidence of the built environment that shapes local urban cultures. The Learning From… series takes its title from Learning From Las Vegas(...)
Learning from... Nairobi
Actions:
Description:
Italian documentary and architecture photographer Filippo Romano presents his ongoing study of Nairobi’s exploding slums. The city is represented through the many portraits of residents, workers and communities he captured, giving evidence of the built environment that shapes local urban cultures. The Learning From… series takes its title from Learning From Las Vegas(...)
Form:
events
events
Date:
9 October 2014
6pm
9 October 2014
6pm
Location:
Paul-Desmarais Theatre
Paul-Desmarais Theatre
Level of archival description:
Series
Series
Title:
Professional papers
Professional papers
Reference number:
AP206.S3
Description:
The Professional papers series, circa 1950-2008, records the professional activities of Aditya Prakash throughout his career up until his death in 2008. His work in architecture, art, photography, academia and theatre are documented through textual records, drawings, photographic materials, ephemera, books, serials and sound recordings. The earliest materials in this series show Prakash’s interest in architectural photography early in his career through photographs, slides, and negatives taken by him. These materials, dating from before 1970, show most prominently his projects, people, villages and cityscapes. Materials dating from after 1968 show Prakash’s move into academia and his solo architectural career. During this time, the records document Prakash’s research interests on subjects such as urbanization, Chandigarh, the Modular and the environment, through drawings, newspaper articles, government and committee reports, correspondence and presentation materials. Likewise, his teaching is recorded through overhead transparencies, drawings and notes. The series also shows Prakash’s involvement in the professional community, including event photographs, correspondence and records documenting conferences, events and his discussion group Our Get Togethers. Correspondence with architect Charles Correa and frequent letters between Prakash and writer Mulk Raj Anand are of note here. Apart from his architectural career, Prakash’s work as a modern artist is well recorded through drawings, sketchbooks, and photographic reproductions of his art, mostly dating from after 1980. His interest in art as well as his community involvement are documented through exhibition ephemera, correspondence, and exhibition reviews and writings on his artwork. His role as the president of the Lalit Kala Akademi is also documented through publications, event photographs and correspondence. Finally, Prakash’s involvement in theatre, specifically with his amateur theatre troop Abhinet, is captured through scripts, photographs of performances and play reviews.
AP206.S3
Description:
The Professional papers series, circa 1950-2008, records the professional activities of Aditya Prakash throughout his career up until his death in 2008. His work in architecture, art, photography, academia and theatre are documented through textual records, drawings, photographic materials, ephemera, books, serials and sound recordings. The earliest materials in this series show Prakash’s interest in architectural photography early in his career through photographs, slides, and negatives taken by him. These materials, dating from before 1970, show most prominently his projects, people, villages and cityscapes. Materials dating from after 1968 show Prakash’s move into academia and his solo architectural career. During this time, the records document Prakash’s research interests on subjects such as urbanization, Chandigarh, the Modular and the environment, through drawings, newspaper articles, government and committee reports, correspondence and presentation materials. Likewise, his teaching is recorded through overhead transparencies, drawings and notes. The series also shows Prakash’s involvement in the professional community, including event photographs, correspondence and records documenting conferences, events and his discussion group Our Get Togethers. Correspondence with architect Charles Correa and frequent letters between Prakash and writer Mulk Raj Anand are of note here. Apart from his architectural career, Prakash’s work as a modern artist is well recorded through drawings, sketchbooks, and photographic reproductions of his art, mostly dating from after 1980. His interest in art as well as his community involvement are documented through exhibition ephemera, correspondence, and exhibition reviews and writings on his artwork. His role as the president of the Lalit Kala Akademi is also documented through publications, event photographs and correspondence. Finally, Prakash’s involvement in theatre, specifically with his amateur theatre troop Abhinet, is captured through scripts, photographs of performances and play reviews.
People:
Date:
circa 1950-2008
circa 1950-2008
Title:
Professional papers
Actions:
AP206.S3
Description:
The Professional papers series, circa 1950-2008, records the professional activities of Aditya Prakash throughout his career up until his death in 2008. His work in architecture, art, photography, academia and theatre are documented through textual records, drawings, photographic materials, ephemera, books, serials and sound recordings. The earliest materials in this series show Prakash’s interest in architectural photography early in his career through photographs, slides, and negatives taken by him. These materials, dating from before 1970, show most prominently his projects, people, villages and cityscapes. Materials dating from after 1968 show Prakash’s move into academia and his solo architectural career. During this time, the records document Prakash’s research interests on subjects such as urbanization, Chandigarh, the Modular and the environment, through drawings, newspaper articles, government and committee reports, correspondence and presentation materials. Likewise, his teaching is recorded through overhead transparencies, drawings and notes. The series also shows Prakash’s involvement in the professional community, including event photographs, correspondence and records documenting conferences, events and his discussion group Our Get Togethers. Correspondence with architect Charles Correa and frequent letters between Prakash and writer Mulk Raj Anand are of note here. Apart from his architectural career, Prakash’s work as a modern artist is well recorded through drawings, sketchbooks, and photographic reproductions of his art, mostly dating from after 1980. His interest in art as well as his community involvement are documented through exhibition ephemera, correspondence, and exhibition reviews and writings on his artwork. His role as the president of the Lalit Kala Akademi is also documented through publications, event photographs and correspondence. Finally, Prakash’s involvement in theatre, specifically with his amateur theatre troop Abhinet, is captured through scripts, photographs of performances and play reviews.
Professional papers
Actions:
AP206.S3
Description:
The Professional papers series, circa 1950-2008, records the professional activities of Aditya Prakash throughout his career up until his death in 2008. His work in architecture, art, photography, academia and theatre are documented through textual records, drawings, photographic materials, ephemera, books, serials and sound recordings. The earliest materials in this series show Prakash’s interest in architectural photography early in his career through photographs, slides, and negatives taken by him. These materials, dating from before 1970, show most prominently his projects, people, villages and cityscapes. Materials dating from after 1968 show Prakash’s move into academia and his solo architectural career. During this time, the records document Prakash’s research interests on subjects such as urbanization, Chandigarh, the Modular and the environment, through drawings, newspaper articles, government and committee reports, correspondence and presentation materials. Likewise, his teaching is recorded through overhead transparencies, drawings and notes. The series also shows Prakash’s involvement in the professional community, including event photographs, correspondence and records documenting conferences, events and his discussion group Our Get Togethers. Correspondence with architect Charles Correa and frequent letters between Prakash and writer Mulk Raj Anand are of note here. Apart from his architectural career, Prakash’s work as a modern artist is well recorded through drawings, sketchbooks, and photographic reproductions of his art, mostly dating from after 1980. His interest in art as well as his community involvement are documented through exhibition ephemera, correspondence, and exhibition reviews and writings on his artwork. His role as the president of the Lalit Kala Akademi is also documented through publications, event photographs and correspondence. Finally, Prakash’s involvement in theatre, specifically with his amateur theatre troop Abhinet, is captured through scripts, photographs of performances and play reviews.
Level of archival description:
Series
Series
Date:
circa 1950-2008
circa 1950-2008
People:
