5738 Results
Form:
photographs
photographs
Actions:
Reference number:
PH1986:1153
Description:
- Photographs PH1986:1064 - PH1986:1163 comprise 50 photographs by Colonel Alexander John Greenlaw, printed by John Gollings, and 50 photographs by John Gollings. On 22 May 1983, Edgar Gibbons commissioned Gollings to print three sets of photographs from a group of waxed-paper negatives taken in 1856 by Greenlaw of Vijayanagara. Eventually, only two sets of prints were made between the dates 23 May and 31 May 1983, of which photographs PH1986:1064 - PH1986:1113 were a part (Unpublished Document, 22 May 1983; Gibbons, 18 February 1990). From 1981 until 1984, John Gollings visited Vijayanagara and produced matching photographs of the Greenlaw series (Mitchell, 11 May 1984), with efforts taken to fix his camera, tripod and other equipment at almost the same spots as Greenlaw (Rao, p. 4). Photographs PH1986:1114 - PH1986:1163 represent his matching photographs. - John Gollings is shown in the upper left window of the Octagonal Pavilion.
PH1986:1153
Description:
- Photographs PH1986:1064 - PH1986:1163 comprise 50 photographs by Colonel Alexander John Greenlaw, printed by John Gollings, and 50 photographs by John Gollings. On 22 May 1983, Edgar Gibbons commissioned Gollings to print three sets of photographs from a group of waxed-paper negatives taken in 1856 by Greenlaw of Vijayanagara. Eventually, only two sets of prints were made between the dates 23 May and 31 May 1983, of which photographs PH1986:1064 - PH1986:1113 were a part (Unpublished Document, 22 May 1983; Gibbons, 18 February 1990). From 1981 until 1984, John Gollings visited Vijayanagara and produced matching photographs of the Greenlaw series (Mitchell, 11 May 1984), with efforts taken to fix his camera, tripod and other equipment at almost the same spots as Greenlaw (Rao, p. 4). Photographs PH1986:1114 - PH1986:1163 represent his matching photographs. - John Gollings is shown in the upper left window of the Octagonal Pavilion.
People:
Subject:
architecture
architecture
Date:
1984
1984
Title:
View of the Octagonal Pavilion, with John Gollings in its upper left window, and a presence chamber in the background, Vijayanagara, Hampi, India
Actions:
PH1986:1153
Description:
- Photographs PH1986:1064 - PH1986:1163 comprise 50 photographs by Colonel Alexander John Greenlaw, printed by John Gollings, and 50 photographs by John Gollings. On 22 May 1983, Edgar Gibbons commissioned Gollings to print three sets of photographs from a group of waxed-paper negatives taken in 1856 by Greenlaw of Vijayanagara. Eventually, only two sets of prints were made between the dates 23 May and 31 May 1983, of which photographs PH1986:1064 - PH1986:1113 were a part (Unpublished Document, 22 May 1983; Gibbons, 18 February 1990). From 1981 until 1984, John Gollings visited Vijayanagara and produced matching photographs of the Greenlaw series (Mitchell, 11 May 1984), with efforts taken to fix his camera, tripod and other equipment at almost the same spots as Greenlaw (Rao, p. 4). Photographs PH1986:1114 - PH1986:1163 represent his matching photographs. - John Gollings is shown in the upper left window of the Octagonal Pavilion.
View of the Octagonal Pavilion, with John Gollings in its upper left window, and a presence chamber in the background, Vijayanagara, Hampi, India
Actions:
PH1986:1153
Description:
- Photographs PH1986:1064 - PH1986:1163 comprise 50 photographs by Colonel Alexander John Greenlaw, printed by John Gollings, and 50 photographs by John Gollings. On 22 May 1983, Edgar Gibbons commissioned Gollings to print three sets of photographs from a group of waxed-paper negatives taken in 1856 by Greenlaw of Vijayanagara. Eventually, only two sets of prints were made between the dates 23 May and 31 May 1983, of which photographs PH1986:1064 - PH1986:1113 were a part (Unpublished Document, 22 May 1983; Gibbons, 18 February 1990). From 1981 until 1984, John Gollings visited Vijayanagara and produced matching photographs of the Greenlaw series (Mitchell, 11 May 1984), with efforts taken to fix his camera, tripod and other equipment at almost the same spots as Greenlaw (Rao, p. 4). Photographs PH1986:1114 - PH1986:1163 represent his matching photographs. - John Gollings is shown in the upper left window of the Octagonal Pavilion.
Form:
photographs
photographs
Date:
1984
1984
People:
Subject:
architecture
architecture
Level of archival description:
Series
Series
Reference number:
AP185.S2
Description:
This project, 1994-2001, contains material related to the Ost/Kuttner Apartment, a built residential project in New York City. Described by its clients as “Cleopatra’s submarine,” the O/K Apartment converts two adjacent units in a pre-World War II building in New York into a single but divisible space. The Apartment is organized into areas defined less by their programmatic identity—bathroom, bedroom, living room—than by a series of undulating landscapes made up of custom, function-bridging forms, which KOL/MAC developed by digitally compositing cross-sections of everyday domestic objects. To produce the pieces, the architects worked intensively with contractors in a process directly informed by computer-aided fabrication in a variety of fields including ship-building, bobsled design, and stage design. The digital project records are largely in word processing formats, namely Microsoft Word for Mac and ClarisWorks, as well as images in TIF, JPEG, and Mac Pict image formats. There are also a large number of Microstation CAD drawings. There are two major groupings within the digital material: First, there is a body of video and still images. These consist of screen captures of renderings and other digital models. There are also images and HTML for a related website, a photograph viewer showing pictures of a built, physical model of the apartment. Of note, there are two videos which document the early construction of the Apartment, as well as the construction of the shower/bed. The second grouping consists of construction and design documentation. This consists of correspondence, invoices, and other word processing documents which show KOL/MAC’s work with the client, contractor, engineer, and other stakeholders. They also contain a large number of design files and images which document the evolving design of the Apartment. KOL/MAC versioned their working files at certain intervals, and each version represents a snapshot of the working files at a particular time. There is a substantial amount of duplication across these files. There is also a physical component to the records, including three material samples from the apartment, as well as 28 floorplans for the bid set, 6 floorplans, and 2 blueprints. There is also .3 linear meters of textual records which document KOL/MAC’s work with the client, contractor, and sub-contractor during construction.
AP185.S2
Description:
This project, 1994-2001, contains material related to the Ost/Kuttner Apartment, a built residential project in New York City. Described by its clients as “Cleopatra’s submarine,” the O/K Apartment converts two adjacent units in a pre-World War II building in New York into a single but divisible space. The Apartment is organized into areas defined less by their programmatic identity—bathroom, bedroom, living room—than by a series of undulating landscapes made up of custom, function-bridging forms, which KOL/MAC developed by digitally compositing cross-sections of everyday domestic objects. To produce the pieces, the architects worked intensively with contractors in a process directly informed by computer-aided fabrication in a variety of fields including ship-building, bobsled design, and stage design. The digital project records are largely in word processing formats, namely Microsoft Word for Mac and ClarisWorks, as well as images in TIF, JPEG, and Mac Pict image formats. There are also a large number of Microstation CAD drawings. There are two major groupings within the digital material: First, there is a body of video and still images. These consist of screen captures of renderings and other digital models. There are also images and HTML for a related website, a photograph viewer showing pictures of a built, physical model of the apartment. Of note, there are two videos which document the early construction of the Apartment, as well as the construction of the shower/bed. The second grouping consists of construction and design documentation. This consists of correspondence, invoices, and other word processing documents which show KOL/MAC’s work with the client, contractor, engineer, and other stakeholders. They also contain a large number of design files and images which document the evolving design of the Apartment. KOL/MAC versioned their working files at certain intervals, and each version represents a snapshot of the working files at a particular time. There is a substantial amount of duplication across these files. There is also a physical component to the records, including three material samples from the apartment, as well as 28 floorplans for the bid set, 6 floorplans, and 2 blueprints. There is also .3 linear meters of textual records which document KOL/MAC’s work with the client, contractor, and sub-contractor during construction.
People:
Date:
1994-2001
1994-2001
Title:
O/K Apartment (New York, N.Y.)
Actions:
AP185.S2
Description:
This project, 1994-2001, contains material related to the Ost/Kuttner Apartment, a built residential project in New York City. Described by its clients as “Cleopatra’s submarine,” the O/K Apartment converts two adjacent units in a pre-World War II building in New York into a single but divisible space. The Apartment is organized into areas defined less by their programmatic identity—bathroom, bedroom, living room—than by a series of undulating landscapes made up of custom, function-bridging forms, which KOL/MAC developed by digitally compositing cross-sections of everyday domestic objects. To produce the pieces, the architects worked intensively with contractors in a process directly informed by computer-aided fabrication in a variety of fields including ship-building, bobsled design, and stage design. The digital project records are largely in word processing formats, namely Microsoft Word for Mac and ClarisWorks, as well as images in TIF, JPEG, and Mac Pict image formats. There are also a large number of Microstation CAD drawings. There are two major groupings within the digital material: First, there is a body of video and still images. These consist of screen captures of renderings and other digital models. There are also images and HTML for a related website, a photograph viewer showing pictures of a built, physical model of the apartment. Of note, there are two videos which document the early construction of the Apartment, as well as the construction of the shower/bed. The second grouping consists of construction and design documentation. This consists of correspondence, invoices, and other word processing documents which show KOL/MAC’s work with the client, contractor, engineer, and other stakeholders. They also contain a large number of design files and images which document the evolving design of the Apartment. KOL/MAC versioned their working files at certain intervals, and each version represents a snapshot of the working files at a particular time. There is a substantial amount of duplication across these files. There is also a physical component to the records, including three material samples from the apartment, as well as 28 floorplans for the bid set, 6 floorplans, and 2 blueprints. There is also .3 linear meters of textual records which document KOL/MAC’s work with the client, contractor, and sub-contractor during construction.
O/K Apartment (New York, N.Y.)
Actions:
AP185.S2
Description:
This project, 1994-2001, contains material related to the Ost/Kuttner Apartment, a built residential project in New York City. Described by its clients as “Cleopatra’s submarine,” the O/K Apartment converts two adjacent units in a pre-World War II building in New York into a single but divisible space. The Apartment is organized into areas defined less by their programmatic identity—bathroom, bedroom, living room—than by a series of undulating landscapes made up of custom, function-bridging forms, which KOL/MAC developed by digitally compositing cross-sections of everyday domestic objects. To produce the pieces, the architects worked intensively with contractors in a process directly informed by computer-aided fabrication in a variety of fields including ship-building, bobsled design, and stage design. The digital project records are largely in word processing formats, namely Microsoft Word for Mac and ClarisWorks, as well as images in TIF, JPEG, and Mac Pict image formats. There are also a large number of Microstation CAD drawings. There are two major groupings within the digital material: First, there is a body of video and still images. These consist of screen captures of renderings and other digital models. There are also images and HTML for a related website, a photograph viewer showing pictures of a built, physical model of the apartment. Of note, there are two videos which document the early construction of the Apartment, as well as the construction of the shower/bed. The second grouping consists of construction and design documentation. This consists of correspondence, invoices, and other word processing documents which show KOL/MAC’s work with the client, contractor, engineer, and other stakeholders. They also contain a large number of design files and images which document the evolving design of the Apartment. KOL/MAC versioned their working files at certain intervals, and each version represents a snapshot of the working files at a particular time. There is a substantial amount of duplication across these files. There is also a physical component to the records, including three material samples from the apartment, as well as 28 floorplans for the bid set, 6 floorplans, and 2 blueprints. There is also .3 linear meters of textual records which document KOL/MAC’s work with the client, contractor, and sub-contractor during construction.
Level of archival description:
Series
Series
Date:
1994-2001
1994-2001
People:
Form:
photographs
Quantity:
82 photograph(s)
photographs
Quantity:
82 photograph(s)
Actions:
Reference number:
PH1996:0069:001-109
Description:
Group of 109 Polaroid photographs made by Aldo Rossi with some presented in the exhibition 'Luigi Ghirri - Aldo Rossi. Things Which Are Only Themselves' held at the CCA in 1996. The photographs represent several scenes from Rossi's travels in different countries: building façades, sacred images, billboards, houses from a Shaker village, baroque façades of churches (in Lecce, Italy), shops, street scenes, lakes, ports, showcases and furniture. Rossi's photography shows the interest he shares with photographer Luigi Ghirri in the belief in the autonomous eye of the photographer and in the potential of that eye to reveal something new to the architect. Ghirri sees in Rossi's Polaroids a "concealed passion, the 'secret' images of the architect, [...] puzzles that are solved with the heart". And according to his definition of photography, "a tangle of monuments, lights, thoughts, objects, moments and metaphors forming the landscape we are searching for in our minds... as would the points of an imaginary compass, which indicates a possible direction".
PH1996:0069:001-109
Description:
Group of 109 Polaroid photographs made by Aldo Rossi with some presented in the exhibition 'Luigi Ghirri - Aldo Rossi. Things Which Are Only Themselves' held at the CCA in 1996. The photographs represent several scenes from Rossi's travels in different countries: building façades, sacred images, billboards, houses from a Shaker village, baroque façades of churches (in Lecce, Italy), shops, street scenes, lakes, ports, showcases and furniture. Rossi's photography shows the interest he shares with photographer Luigi Ghirri in the belief in the autonomous eye of the photographer and in the potential of that eye to reveal something new to the architect. Ghirri sees in Rossi's Polaroids a "concealed passion, the 'secret' images of the architect, [...] puzzles that are solved with the heart". And according to his definition of photography, "a tangle of monuments, lights, thoughts, objects, moments and metaphors forming the landscape we are searching for in our minds... as would the points of an imaginary compass, which indicates a possible direction".
People:
Subject:
architecture, engineering, sculpture
architecture, engineering, sculpture
Date:
1980s-1990s
1980s-1990s
Title:
Group of views of architecture from Aldo Rossi's trips to Italy, France, Corsica, Greece, United States and unspecified countries
Actions:
PH1996:0069:001-109
Description:
Group of 109 Polaroid photographs made by Aldo Rossi with some presented in the exhibition 'Luigi Ghirri - Aldo Rossi. Things Which Are Only Themselves' held at the CCA in 1996. The photographs represent several scenes from Rossi's travels in different countries: building façades, sacred images, billboards, houses from a Shaker village, baroque façades of churches (in Lecce, Italy), shops, street scenes, lakes, ports, showcases and furniture. Rossi's photography shows the interest he shares with photographer Luigi Ghirri in the belief in the autonomous eye of the photographer and in the potential of that eye to reveal something new to the architect. Ghirri sees in Rossi's Polaroids a "concealed passion, the 'secret' images of the architect, [...] puzzles that are solved with the heart". And according to his definition of photography, "a tangle of monuments, lights, thoughts, objects, moments and metaphors forming the landscape we are searching for in our minds... as would the points of an imaginary compass, which indicates a possible direction".
Group of views of architecture from Aldo Rossi's trips to Italy, France, Corsica, Greece, United States and unspecified countries
Actions:
PH1996:0069:001-109
Description:
Group of 109 Polaroid photographs made by Aldo Rossi with some presented in the exhibition 'Luigi Ghirri - Aldo Rossi. Things Which Are Only Themselves' held at the CCA in 1996. The photographs represent several scenes from Rossi's travels in different countries: building façades, sacred images, billboards, houses from a Shaker village, baroque façades of churches (in Lecce, Italy), shops, street scenes, lakes, ports, showcases and furniture. Rossi's photography shows the interest he shares with photographer Luigi Ghirri in the belief in the autonomous eye of the photographer and in the potential of that eye to reveal something new to the architect. Ghirri sees in Rossi's Polaroids a "concealed passion, the 'secret' images of the architect, [...] puzzles that are solved with the heart". And according to his definition of photography, "a tangle of monuments, lights, thoughts, objects, moments and metaphors forming the landscape we are searching for in our minds... as would the points of an imaginary compass, which indicates a possible direction".
Form:
photographs
Quantity:
82 photograph(s)
photographs
Quantity:
82 photograph(s)
Date:
1980s-1990s
1980s-1990s
People:
Subject:
architecture, engineering, sculpture
architecture, engineering, sculpture
Form:
drawings
drawings
Actions:
Reference number:
DR1986:0704
Description:
- DR1986:0704X represents a bird's-eye view of an imagined zoological garden. In the foreground, immediately behind an iron and stone fence, appear a series of small, whimsical structures in a Chinese or mixed Chinese-Indian style. These structures, together with their adjoining enclosures, house a variety of animals and are scattered among a number of fountains, ponds and clustered shrubs. - In the middle ground, on the central axis of the garden, rises a long, two-storey structure with a large, projecting pavilion in the centre and a tower at either end. Both levels of this structure are encased in verandas and the end towers and central pavilion are capped with pointed domes in an Indian style. The oval area before this structure is enclosed by two curved colonnades open on both sides and supporting a peaked, tile roof. This construction is obviously an orientalized version of St. Peter's Colonnade in Rome. - Further back and behind the long structure occur additional pavilions in a Chinese style, most notably a three-storey pagoda. On axis, and still further back, rises a second long, palace-like structure, sketched in a vaguely Mogul style. The entire ensemble is set in a nondescript, generalized landscape.
DR1986:0704
Description:
- DR1986:0704X represents a bird's-eye view of an imagined zoological garden. In the foreground, immediately behind an iron and stone fence, appear a series of small, whimsical structures in a Chinese or mixed Chinese-Indian style. These structures, together with their adjoining enclosures, house a variety of animals and are scattered among a number of fountains, ponds and clustered shrubs. - In the middle ground, on the central axis of the garden, rises a long, two-storey structure with a large, projecting pavilion in the centre and a tower at either end. Both levels of this structure are encased in verandas and the end towers and central pavilion are capped with pointed domes in an Indian style. The oval area before this structure is enclosed by two curved colonnades open on both sides and supporting a peaked, tile roof. This construction is obviously an orientalized version of St. Peter's Colonnade in Rome. - Further back and behind the long structure occur additional pavilions in a Chinese style, most notably a three-storey pagoda. On axis, and still further back, rises a second long, palace-like structure, sketched in a vaguely Mogul style. The entire ensemble is set in a nondescript, generalized landscape.
People:
Subject:
architecture, landscape architecture
architecture, landscape architecture
Date:
ca. 1830-1840
ca. 1830-1840
Title:
Design for a zoological garden in an oriental style
Actions:
DR1986:0704
Description:
- DR1986:0704X represents a bird's-eye view of an imagined zoological garden. In the foreground, immediately behind an iron and stone fence, appear a series of small, whimsical structures in a Chinese or mixed Chinese-Indian style. These structures, together with their adjoining enclosures, house a variety of animals and are scattered among a number of fountains, ponds and clustered shrubs. - In the middle ground, on the central axis of the garden, rises a long, two-storey structure with a large, projecting pavilion in the centre and a tower at either end. Both levels of this structure are encased in verandas and the end towers and central pavilion are capped with pointed domes in an Indian style. The oval area before this structure is enclosed by two curved colonnades open on both sides and supporting a peaked, tile roof. This construction is obviously an orientalized version of St. Peter's Colonnade in Rome. - Further back and behind the long structure occur additional pavilions in a Chinese style, most notably a three-storey pagoda. On axis, and still further back, rises a second long, palace-like structure, sketched in a vaguely Mogul style. The entire ensemble is set in a nondescript, generalized landscape.
Design for a zoological garden in an oriental style
Actions:
DR1986:0704
Description:
- DR1986:0704X represents a bird's-eye view of an imagined zoological garden. In the foreground, immediately behind an iron and stone fence, appear a series of small, whimsical structures in a Chinese or mixed Chinese-Indian style. These structures, together with their adjoining enclosures, house a variety of animals and are scattered among a number of fountains, ponds and clustered shrubs. - In the middle ground, on the central axis of the garden, rises a long, two-storey structure with a large, projecting pavilion in the centre and a tower at either end. Both levels of this structure are encased in verandas and the end towers and central pavilion are capped with pointed domes in an Indian style. The oval area before this structure is enclosed by two curved colonnades open on both sides and supporting a peaked, tile roof. This construction is obviously an orientalized version of St. Peter's Colonnade in Rome. - Further back and behind the long structure occur additional pavilions in a Chinese style, most notably a three-storey pagoda. On axis, and still further back, rises a second long, palace-like structure, sketched in a vaguely Mogul style. The entire ensemble is set in a nondescript, generalized landscape.
Form:
drawings
drawings
Date:
ca. 1830-1840
ca. 1830-1840
People:
Subject:
architecture, landscape architecture
architecture, landscape architecture
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Cedric Price fonds
Cedric Price fonds
Reference number:
AP144
Synopsis:
The Cedric Price fonds documents the personal activities and professional practice of architect Cedric Price, and includes his student work and architectural and urban planning projects. The fonds also contains records that document Cedric Price's teaching, publication, and exhibition activities. The archive comprises over 200 projects, from Price's student work in the 1950s at the University of Cambridge and the Architectural Association to projects he undertook as late as 2000. Key projects that are represented include New Aviary (1960-1966), Fun Palace (1961-1974), Potteries Thinkbelt (1963-1967), Inter-Action Centre (1971-1979), Generator (1976-1980), and Magnet (1995-1996).
AP144
Synopsis:
The Cedric Price fonds documents the personal activities and professional practice of architect Cedric Price, and includes his student work and architectural and urban planning projects. The fonds also contains records that document Cedric Price's teaching, publication, and exhibition activities. The archive comprises over 200 projects, from Price's student work in the 1950s at the University of Cambridge and the Architectural Association to projects he undertook as late as 2000. Key projects that are represented include New Aviary (1960-1966), Fun Palace (1961-1974), Potteries Thinkbelt (1963-1967), Inter-Action Centre (1971-1979), Generator (1976-1980), and Magnet (1995-1996).
People:
Date:
1903-2006, predominant 1953-2000
1903-2006, predominant 1953-2000
Title:
Cedric Price fonds
Actions:
AP144
Synopsis:
The Cedric Price fonds documents the personal activities and professional practice of architect Cedric Price, and includes his student work and architectural and urban planning projects. The fonds also contains records that document Cedric Price's teaching, publication, and exhibition activities. The archive comprises over 200 projects, from Price's student work in the 1950s at the University of Cambridge and the Architectural Association to projects he undertook as late as 2000. Key projects that are represented include New Aviary (1960-1966), Fun Palace (1961-1974), Potteries Thinkbelt (1963-1967), Inter-Action Centre (1971-1979), Generator (1976-1980), and Magnet (1995-1996).
Cedric Price fonds
Actions:
AP144
Synopsis:
The Cedric Price fonds documents the personal activities and professional practice of architect Cedric Price, and includes his student work and architectural and urban planning projects. The fonds also contains records that document Cedric Price's teaching, publication, and exhibition activities. The archive comprises over 200 projects, from Price's student work in the 1950s at the University of Cambridge and the Architectural Association to projects he undertook as late as 2000. Key projects that are represented include New Aviary (1960-1966), Fun Palace (1961-1974), Potteries Thinkbelt (1963-1967), Inter-Action Centre (1971-1979), Generator (1976-1980), and Magnet (1995-1996).
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1903-2006, predominant 1953-2000
1903-2006, predominant 1953-2000
People:
Form:
drawings
drawings
Actions:
Reference number:
DR1988:0433:043
Description:
- This drawing shows elevations of the south facade, towards the east end of the building, and a section through the wall at the drawing room balcony. The subject was identified by comparison with DR1988:0433:011, an elevation of the south facade. - This drawing was not completed; it lacks the titles present on other drawings in the group DR1988:0433:001 - DR1988:0433:045. Several elements, such as the chimneys, were drawn in graphite and not completed with pen and ink. - One of a group of working drawings for William Burn's October 1849 project for Fonthill House, Wiltshire, a country house designed in the Jacobethan style. This group represents only one of the projects that Burn proposed for Fonthill House; the final project, executed in 1856, was much smaller (Walker, 31, illustrated in Hitchcock, vol. 2, fig. VIII 31). Drawings include plans, elevations, and sections, as well as full-scale drawings of masonry details. Approximately half of the drawings are part of a numbered series from one to twenty-two, while the other drawings, mostly masonry details, were not numbered. These latter drawings are not as carefully finished, and a few are incomplete.
DR1988:0433:043
Description:
- This drawing shows elevations of the south facade, towards the east end of the building, and a section through the wall at the drawing room balcony. The subject was identified by comparison with DR1988:0433:011, an elevation of the south facade. - This drawing was not completed; it lacks the titles present on other drawings in the group DR1988:0433:001 - DR1988:0433:045. Several elements, such as the chimneys, were drawn in graphite and not completed with pen and ink. - One of a group of working drawings for William Burn's October 1849 project for Fonthill House, Wiltshire, a country house designed in the Jacobethan style. This group represents only one of the projects that Burn proposed for Fonthill House; the final project, executed in 1856, was much smaller (Walker, 31, illustrated in Hitchcock, vol. 2, fig. VIII 31). Drawings include plans, elevations, and sections, as well as full-scale drawings of masonry details. Approximately half of the drawings are part of a numbered series from one to twenty-two, while the other drawings, mostly masonry details, were not numbered. These latter drawings are not as carefully finished, and a few are incomplete.
People:
Subject:
architecture
architecture
Date:
October 1849
October 1849
Title:
Elevations and a section for the east side of the south elevation, and a section for the south wall through the drawing room balcony, Fonthill House
Actions:
DR1988:0433:043
Description:
- This drawing shows elevations of the south facade, towards the east end of the building, and a section through the wall at the drawing room balcony. The subject was identified by comparison with DR1988:0433:011, an elevation of the south facade. - This drawing was not completed; it lacks the titles present on other drawings in the group DR1988:0433:001 - DR1988:0433:045. Several elements, such as the chimneys, were drawn in graphite and not completed with pen and ink. - One of a group of working drawings for William Burn's October 1849 project for Fonthill House, Wiltshire, a country house designed in the Jacobethan style. This group represents only one of the projects that Burn proposed for Fonthill House; the final project, executed in 1856, was much smaller (Walker, 31, illustrated in Hitchcock, vol. 2, fig. VIII 31). Drawings include plans, elevations, and sections, as well as full-scale drawings of masonry details. Approximately half of the drawings are part of a numbered series from one to twenty-two, while the other drawings, mostly masonry details, were not numbered. These latter drawings are not as carefully finished, and a few are incomplete.
Elevations and a section for the east side of the south elevation, and a section for the south wall through the drawing room balcony, Fonthill House
Actions:
DR1988:0433:043
Description:
- This drawing shows elevations of the south facade, towards the east end of the building, and a section through the wall at the drawing room balcony. The subject was identified by comparison with DR1988:0433:011, an elevation of the south facade. - This drawing was not completed; it lacks the titles present on other drawings in the group DR1988:0433:001 - DR1988:0433:045. Several elements, such as the chimneys, were drawn in graphite and not completed with pen and ink. - One of a group of working drawings for William Burn's October 1849 project for Fonthill House, Wiltshire, a country house designed in the Jacobethan style. This group represents only one of the projects that Burn proposed for Fonthill House; the final project, executed in 1856, was much smaller (Walker, 31, illustrated in Hitchcock, vol. 2, fig. VIII 31). Drawings include plans, elevations, and sections, as well as full-scale drawings of masonry details. Approximately half of the drawings are part of a numbered series from one to twenty-two, while the other drawings, mostly masonry details, were not numbered. These latter drawings are not as carefully finished, and a few are incomplete.
Form:
drawings
drawings
Date:
October 1849
October 1849
People:
Subject:
architecture
architecture
Form:
drawings
drawings
Actions:
Reference number:
DR1988:0433:044
Description:
- This drawing shows elevations of the west facade, including the round tower next to the library, and a section of the wall. The subject was identified by comparison with DR1988:0433:012, an elevation of the west facade. - This drawing was not completed, it lacks the titles present on other drawings in the group DR1988:0433:001 - DR1988:0433:045. Several elements, such as the roofline, were drawn in graphite and not completed with pen and ink. - One of a group of working drawings for William Burn's October 1849 project for Fonthill House, Wiltshire, a country house designed in the Jacobethan style. This group represents only one of the projects that Burn proposed for Fonthill House; the final project, executed in 1856, was much smaller (Walker, 31, illustrated in Hitchcock, vol. 2, fig. VIII 31). Drawings include plans, elevations, and sections, as well as full-scale drawings of masonry details. Approximately half of the drawings are part of a numbered series from one to twenty-two, while the other drawings, mostly masonry details, were not numbered. These latter drawings are not as carefully finished, and a few are incomplete.
DR1988:0433:044
Description:
- This drawing shows elevations of the west facade, including the round tower next to the library, and a section of the wall. The subject was identified by comparison with DR1988:0433:012, an elevation of the west facade. - This drawing was not completed, it lacks the titles present on other drawings in the group DR1988:0433:001 - DR1988:0433:045. Several elements, such as the roofline, were drawn in graphite and not completed with pen and ink. - One of a group of working drawings for William Burn's October 1849 project for Fonthill House, Wiltshire, a country house designed in the Jacobethan style. This group represents only one of the projects that Burn proposed for Fonthill House; the final project, executed in 1856, was much smaller (Walker, 31, illustrated in Hitchcock, vol. 2, fig. VIII 31). Drawings include plans, elevations, and sections, as well as full-scale drawings of masonry details. Approximately half of the drawings are part of a numbered series from one to twenty-two, while the other drawings, mostly masonry details, were not numbered. These latter drawings are not as carefully finished, and a few are incomplete.
People:
Subject:
architecture
architecture
Date:
October 1849 ?
October 1849 ?
Title:
Elevations and a section for details of the west elevation for Fonthill House
Actions:
DR1988:0433:044
Description:
- This drawing shows elevations of the west facade, including the round tower next to the library, and a section of the wall. The subject was identified by comparison with DR1988:0433:012, an elevation of the west facade. - This drawing was not completed, it lacks the titles present on other drawings in the group DR1988:0433:001 - DR1988:0433:045. Several elements, such as the roofline, were drawn in graphite and not completed with pen and ink. - One of a group of working drawings for William Burn's October 1849 project for Fonthill House, Wiltshire, a country house designed in the Jacobethan style. This group represents only one of the projects that Burn proposed for Fonthill House; the final project, executed in 1856, was much smaller (Walker, 31, illustrated in Hitchcock, vol. 2, fig. VIII 31). Drawings include plans, elevations, and sections, as well as full-scale drawings of masonry details. Approximately half of the drawings are part of a numbered series from one to twenty-two, while the other drawings, mostly masonry details, were not numbered. These latter drawings are not as carefully finished, and a few are incomplete.
Elevations and a section for details of the west elevation for Fonthill House
Actions:
DR1988:0433:044
Description:
- This drawing shows elevations of the west facade, including the round tower next to the library, and a section of the wall. The subject was identified by comparison with DR1988:0433:012, an elevation of the west facade. - This drawing was not completed, it lacks the titles present on other drawings in the group DR1988:0433:001 - DR1988:0433:045. Several elements, such as the roofline, were drawn in graphite and not completed with pen and ink. - One of a group of working drawings for William Burn's October 1849 project for Fonthill House, Wiltshire, a country house designed in the Jacobethan style. This group represents only one of the projects that Burn proposed for Fonthill House; the final project, executed in 1856, was much smaller (Walker, 31, illustrated in Hitchcock, vol. 2, fig. VIII 31). Drawings include plans, elevations, and sections, as well as full-scale drawings of masonry details. Approximately half of the drawings are part of a numbered series from one to twenty-two, while the other drawings, mostly masonry details, were not numbered. These latter drawings are not as carefully finished, and a few are incomplete.
Form:
drawings
drawings
Date:
October 1849 ?
October 1849 ?
People:
Subject:
architecture
architecture
Form:
drawings, born digital
drawings, born digital
Actions:
Reference number:
AP185.S2.001
Description:
This directory contains a large number of subdirectories containing the working files for O/K Apartment. The files appear to have been copied over at intervals during the project. They show the evolution of the projects and changes that occurred over time; however, this means that there are also a large number of duplicates. Each directory represents the work over a particular time period. Within these directories, the files have three major groupings: First, there are a large number of word processing files which document KOL/MACs interactions with the engineers, contractors, and clients. There is also documentation for construction specifications, meeting minutes, and other various notes. Second, there are a number of CAD files, including wireframe drawings, floorplans, and blueprints, which document the evolving design of the O/K Apartment. These are particularly rich in terms of furniture design. Third, there are a large number of still images showing renderings of the apartment; other various architectural drawings are also present, particularly including wireframe drawings and floorplans exported to raster image formats. Most common file formats: Microsoft Word for Macintosh Document, ClarisWorks Word Processor, Microstation CAD Drawing, Tagged Image File Format.
AP185.S2.001
Description:
This directory contains a large number of subdirectories containing the working files for O/K Apartment. The files appear to have been copied over at intervals during the project. They show the evolution of the projects and changes that occurred over time; however, this means that there are also a large number of duplicates. Each directory represents the work over a particular time period. Within these directories, the files have three major groupings: First, there are a large number of word processing files which document KOL/MACs interactions with the engineers, contractors, and clients. There is also documentation for construction specifications, meeting minutes, and other various notes. Second, there are a number of CAD files, including wireframe drawings, floorplans, and blueprints, which document the evolving design of the O/K Apartment. These are particularly rich in terms of furniture design. Third, there are a large number of still images showing renderings of the apartment; other various architectural drawings are also present, particularly including wireframe drawings and floorplans exported to raster image formats. Most common file formats: Microsoft Word for Macintosh Document, ClarisWorks Word Processor, Microstation CAD Drawing, Tagged Image File Format.
People:
Date:
20 September 1994-6 March 1997
20 September 1994-6 March 1997
Title:
Drawings and construction specifications for O/K Apartment
Actions:
AP185.S2.001
Description:
This directory contains a large number of subdirectories containing the working files for O/K Apartment. The files appear to have been copied over at intervals during the project. They show the evolution of the projects and changes that occurred over time; however, this means that there are also a large number of duplicates. Each directory represents the work over a particular time period. Within these directories, the files have three major groupings: First, there are a large number of word processing files which document KOL/MACs interactions with the engineers, contractors, and clients. There is also documentation for construction specifications, meeting minutes, and other various notes. Second, there are a number of CAD files, including wireframe drawings, floorplans, and blueprints, which document the evolving design of the O/K Apartment. These are particularly rich in terms of furniture design. Third, there are a large number of still images showing renderings of the apartment; other various architectural drawings are also present, particularly including wireframe drawings and floorplans exported to raster image formats. Most common file formats: Microsoft Word for Macintosh Document, ClarisWorks Word Processor, Microstation CAD Drawing, Tagged Image File Format.
Drawings and construction specifications for O/K Apartment
Actions:
AP185.S2.001
Description:
This directory contains a large number of subdirectories containing the working files for O/K Apartment. The files appear to have been copied over at intervals during the project. They show the evolution of the projects and changes that occurred over time; however, this means that there are also a large number of duplicates. Each directory represents the work over a particular time period. Within these directories, the files have three major groupings: First, there are a large number of word processing files which document KOL/MACs interactions with the engineers, contractors, and clients. There is also documentation for construction specifications, meeting minutes, and other various notes. Second, there are a number of CAD files, including wireframe drawings, floorplans, and blueprints, which document the evolving design of the O/K Apartment. These are particularly rich in terms of furniture design. Third, there are a large number of still images showing renderings of the apartment; other various architectural drawings are also present, particularly including wireframe drawings and floorplans exported to raster image formats. Most common file formats: Microsoft Word for Macintosh Document, ClarisWorks Word Processor, Microstation CAD Drawing, Tagged Image File Format.
Form:
drawings, born digital
drawings, born digital
Date:
20 September 1994-6 March 1997
20 September 1994-6 March 1997
People:
Form:
drawings, textual records, photographs
drawings, textual records, photographs
Reference number:
DR1988:0015:001-029
Description:
Part of a miscellaneous group of visual and textual documents collected by Oswald Mathias Ungers, apparently to represent the work of artists/architects in Die gläserne Kette. Primarily formal studies and other material relating to projects for buildings but also includes biographical material. Includes 17 drawings, 12 photographs, 9 prints, and 4 sheets of text. Most of the drawings are studies of architectonic massing of forms, a few are identified by project name, such as "Das Maler Haus" (the Painter's house) and the Christian Science Cathedral. Design of the subject of the photograph, drawing, or reproduction is attributed to Carl Krayl, following Ungers's attributions, unless otherwise stated. Many of the works in this group are inscribed with the name "Krayl" in blue ball-point pen; this might be the hand-writing of Frau L. Krayl who wrote the note on DR1988:0015:026 R/V. The photographs DR1988:0015:001 to DR1988:0015:006 are of the same model. Tim Benson has suggested that the model is a competition entry for changes to Alexanderplatz, Berlin (Shubert). DR1988:0015:007 to DR1988:0015:009 illustrate different views of the same plaster model. DR1988:0015:010 appears to be a photograph of a model for "Das Maler Haus", which is represented by the prints DR1988:0015:024 and DR1988:0015:025.
DR1988:0015:001-029
Description:
Part of a miscellaneous group of visual and textual documents collected by Oswald Mathias Ungers, apparently to represent the work of artists/architects in Die gläserne Kette. Primarily formal studies and other material relating to projects for buildings but also includes biographical material. Includes 17 drawings, 12 photographs, 9 prints, and 4 sheets of text. Most of the drawings are studies of architectonic massing of forms, a few are identified by project name, such as "Das Maler Haus" (the Painter's house) and the Christian Science Cathedral. Design of the subject of the photograph, drawing, or reproduction is attributed to Carl Krayl, following Ungers's attributions, unless otherwise stated. Many of the works in this group are inscribed with the name "Krayl" in blue ball-point pen; this might be the hand-writing of Frau L. Krayl who wrote the note on DR1988:0015:026 R/V. The photographs DR1988:0015:001 to DR1988:0015:006 are of the same model. Tim Benson has suggested that the model is a competition entry for changes to Alexanderplatz, Berlin (Shubert). DR1988:0015:007 to DR1988:0015:009 illustrate different views of the same plaster model. DR1988:0015:010 appears to be a photograph of a model for "Das Maler Haus", which is represented by the prints DR1988:0015:024 and DR1988:0015:025.
People:
Date:
circa 1918-1945
circa 1918-1945
Title:
Material from Carl Krayl mostly for Die gläserne Kette
Actions:
DR1988:0015:001-029
Description:
Part of a miscellaneous group of visual and textual documents collected by Oswald Mathias Ungers, apparently to represent the work of artists/architects in Die gläserne Kette. Primarily formal studies and other material relating to projects for buildings but also includes biographical material. Includes 17 drawings, 12 photographs, 9 prints, and 4 sheets of text. Most of the drawings are studies of architectonic massing of forms, a few are identified by project name, such as "Das Maler Haus" (the Painter's house) and the Christian Science Cathedral. Design of the subject of the photograph, drawing, or reproduction is attributed to Carl Krayl, following Ungers's attributions, unless otherwise stated. Many of the works in this group are inscribed with the name "Krayl" in blue ball-point pen; this might be the hand-writing of Frau L. Krayl who wrote the note on DR1988:0015:026 R/V. The photographs DR1988:0015:001 to DR1988:0015:006 are of the same model. Tim Benson has suggested that the model is a competition entry for changes to Alexanderplatz, Berlin (Shubert). DR1988:0015:007 to DR1988:0015:009 illustrate different views of the same plaster model. DR1988:0015:010 appears to be a photograph of a model for "Das Maler Haus", which is represented by the prints DR1988:0015:024 and DR1988:0015:025.
Material from Carl Krayl mostly for Die gläserne Kette
Actions:
DR1988:0015:001-029
Description:
Part of a miscellaneous group of visual and textual documents collected by Oswald Mathias Ungers, apparently to represent the work of artists/architects in Die gläserne Kette. Primarily formal studies and other material relating to projects for buildings but also includes biographical material. Includes 17 drawings, 12 photographs, 9 prints, and 4 sheets of text. Most of the drawings are studies of architectonic massing of forms, a few are identified by project name, such as "Das Maler Haus" (the Painter's house) and the Christian Science Cathedral. Design of the subject of the photograph, drawing, or reproduction is attributed to Carl Krayl, following Ungers's attributions, unless otherwise stated. Many of the works in this group are inscribed with the name "Krayl" in blue ball-point pen; this might be the hand-writing of Frau L. Krayl who wrote the note on DR1988:0015:026 R/V. The photographs DR1988:0015:001 to DR1988:0015:006 are of the same model. Tim Benson has suggested that the model is a competition entry for changes to Alexanderplatz, Berlin (Shubert). DR1988:0015:007 to DR1988:0015:009 illustrate different views of the same plaster model. DR1988:0015:010 appears to be a photograph of a model for "Das Maler Haus", which is represented by the prints DR1988:0015:024 and DR1988:0015:025.
Form:
drawings, textual records, photographs
drawings, textual records, photographs
Date:
circa 1918-1945
circa 1918-1945
People:
Form:
drawings
Quantity:
3 portfolio(s)
drawings
Quantity:
3 portfolio(s)
Actions:
Reference number:
DR1974:0002:031:001-055
Description:
- The three portfolios of this group are entitled: Figures et Statues (DR1974:0002:031:001 - DR1974:0002:031:024), Architecture Antique Mélanges (DR1974:0002:031:025 - DR1974:0002:031:043), and Architecture Moderne Mélanges (DR1974:0002:031:044 - DR1974:0002:031:055). -- Portfolio Figures et Statues comprises primarily drawings of classical figures and architectural sculpture from both antique and 19th century sources. Few of the sources of these drawings are clearly identified, with the exception of Genie de la Liberté from the Colonne de Juillet (DR1974:0002:031:016:003). There are a number of drawings of sculpture from the 16th century tomb monument of Maximillian I in Innsbruck (DR1974:0002:031:017 - DR1974:0002:031:023:001-003). -- Portfolio Architecture Antique Mélanges comprises mostly architectural drawings from buildings or monuments in Pisa, Rome, Tivoli, Naples, Florence, Viterbo, and Nice. Also included are a reconstruction of Pliny the Younger's Villa Laurentine (DR1974:0002:031:043), an orthographic drawing of the L'arc des orfèvres (DR1974:0002:031:032:001-002), and an interior perspective of an imaginary church, perhaps inspired by Pugin (DR1974:0002:031:027). -- Portfolio Architecture Moderne Mélanges comprises drawings which represent the classical tradition of 19th century French and English architecture (Bergdoll, p. 2). The French subjects include the Palais de justice, Amiens (DR1974:0002:031:044:002), the Louvois fountain by Visconti, (DR1974:0002:031:049:002), the Arc du Carrousel (DR1974:0002:031:053:001), and the Vendome column (DR1974:0002:031:053:002). English architecture is represented by Charles Robert Cockerell's Hanover Chapel, Regent Street, London (DR1974:0002:031:054:001), and late Georgian\early Regency houses (DR1974:0002:031:045:001-002 and DR1974:0002:031:046:001-002). The drawings related to Amiens Cathedral (DR1974:0002:031:044:001-002) and the Cloaca Maxima (DR1974:0002:031:052:002) are notable exceptions to the contemporary contents of the folder.
DR1974:0002:031:001-055
Description:
- The three portfolios of this group are entitled: Figures et Statues (DR1974:0002:031:001 - DR1974:0002:031:024), Architecture Antique Mélanges (DR1974:0002:031:025 - DR1974:0002:031:043), and Architecture Moderne Mélanges (DR1974:0002:031:044 - DR1974:0002:031:055). -- Portfolio Figures et Statues comprises primarily drawings of classical figures and architectural sculpture from both antique and 19th century sources. Few of the sources of these drawings are clearly identified, with the exception of Genie de la Liberté from the Colonne de Juillet (DR1974:0002:031:016:003). There are a number of drawings of sculpture from the 16th century tomb monument of Maximillian I in Innsbruck (DR1974:0002:031:017 - DR1974:0002:031:023:001-003). -- Portfolio Architecture Antique Mélanges comprises mostly architectural drawings from buildings or monuments in Pisa, Rome, Tivoli, Naples, Florence, Viterbo, and Nice. Also included are a reconstruction of Pliny the Younger's Villa Laurentine (DR1974:0002:031:043), an orthographic drawing of the L'arc des orfèvres (DR1974:0002:031:032:001-002), and an interior perspective of an imaginary church, perhaps inspired by Pugin (DR1974:0002:031:027). -- Portfolio Architecture Moderne Mélanges comprises drawings which represent the classical tradition of 19th century French and English architecture (Bergdoll, p. 2). The French subjects include the Palais de justice, Amiens (DR1974:0002:031:044:002), the Louvois fountain by Visconti, (DR1974:0002:031:049:002), the Arc du Carrousel (DR1974:0002:031:053:001), and the Vendome column (DR1974:0002:031:053:002). English architecture is represented by Charles Robert Cockerell's Hanover Chapel, Regent Street, London (DR1974:0002:031:054:001), and late Georgian\early Regency houses (DR1974:0002:031:045:001-002 and DR1974:0002:031:046:001-002). The drawings related to Amiens Cathedral (DR1974:0002:031:044:001-002) and the Cloaca Maxima (DR1974:0002:031:052:002) are notable exceptions to the contemporary contents of the folder.
People:
Subject:
architecture, interior design, painting, sculpture
architecture, interior design, painting, sculpture
Date:
between 1800 and 1868
between 1800 and 1868
Title:
Three portfolios of drawings of classical figures, statues from the sepulchral monument of Maximilian I, Innsbruck, and ancient and modern buildings
Actions:
DR1974:0002:031:001-055
Description:
- The three portfolios of this group are entitled: Figures et Statues (DR1974:0002:031:001 - DR1974:0002:031:024), Architecture Antique Mélanges (DR1974:0002:031:025 - DR1974:0002:031:043), and Architecture Moderne Mélanges (DR1974:0002:031:044 - DR1974:0002:031:055). -- Portfolio Figures et Statues comprises primarily drawings of classical figures and architectural sculpture from both antique and 19th century sources. Few of the sources of these drawings are clearly identified, with the exception of Genie de la Liberté from the Colonne de Juillet (DR1974:0002:031:016:003). There are a number of drawings of sculpture from the 16th century tomb monument of Maximillian I in Innsbruck (DR1974:0002:031:017 - DR1974:0002:031:023:001-003). -- Portfolio Architecture Antique Mélanges comprises mostly architectural drawings from buildings or monuments in Pisa, Rome, Tivoli, Naples, Florence, Viterbo, and Nice. Also included are a reconstruction of Pliny the Younger's Villa Laurentine (DR1974:0002:031:043), an orthographic drawing of the L'arc des orfèvres (DR1974:0002:031:032:001-002), and an interior perspective of an imaginary church, perhaps inspired by Pugin (DR1974:0002:031:027). -- Portfolio Architecture Moderne Mélanges comprises drawings which represent the classical tradition of 19th century French and English architecture (Bergdoll, p. 2). The French subjects include the Palais de justice, Amiens (DR1974:0002:031:044:002), the Louvois fountain by Visconti, (DR1974:0002:031:049:002), the Arc du Carrousel (DR1974:0002:031:053:001), and the Vendome column (DR1974:0002:031:053:002). English architecture is represented by Charles Robert Cockerell's Hanover Chapel, Regent Street, London (DR1974:0002:031:054:001), and late Georgian\early Regency houses (DR1974:0002:031:045:001-002 and DR1974:0002:031:046:001-002). The drawings related to Amiens Cathedral (DR1974:0002:031:044:001-002) and the Cloaca Maxima (DR1974:0002:031:052:002) are notable exceptions to the contemporary contents of the folder.
Three portfolios of drawings of classical figures, statues from the sepulchral monument of Maximilian I, Innsbruck, and ancient and modern buildings
Actions:
DR1974:0002:031:001-055
Description:
- The three portfolios of this group are entitled: Figures et Statues (DR1974:0002:031:001 - DR1974:0002:031:024), Architecture Antique Mélanges (DR1974:0002:031:025 - DR1974:0002:031:043), and Architecture Moderne Mélanges (DR1974:0002:031:044 - DR1974:0002:031:055). -- Portfolio Figures et Statues comprises primarily drawings of classical figures and architectural sculpture from both antique and 19th century sources. Few of the sources of these drawings are clearly identified, with the exception of Genie de la Liberté from the Colonne de Juillet (DR1974:0002:031:016:003). There are a number of drawings of sculpture from the 16th century tomb monument of Maximillian I in Innsbruck (DR1974:0002:031:017 - DR1974:0002:031:023:001-003). -- Portfolio Architecture Antique Mélanges comprises mostly architectural drawings from buildings or monuments in Pisa, Rome, Tivoli, Naples, Florence, Viterbo, and Nice. Also included are a reconstruction of Pliny the Younger's Villa Laurentine (DR1974:0002:031:043), an orthographic drawing of the L'arc des orfèvres (DR1974:0002:031:032:001-002), and an interior perspective of an imaginary church, perhaps inspired by Pugin (DR1974:0002:031:027). -- Portfolio Architecture Moderne Mélanges comprises drawings which represent the classical tradition of 19th century French and English architecture (Bergdoll, p. 2). The French subjects include the Palais de justice, Amiens (DR1974:0002:031:044:002), the Louvois fountain by Visconti, (DR1974:0002:031:049:002), the Arc du Carrousel (DR1974:0002:031:053:001), and the Vendome column (DR1974:0002:031:053:002). English architecture is represented by Charles Robert Cockerell's Hanover Chapel, Regent Street, London (DR1974:0002:031:054:001), and late Georgian\early Regency houses (DR1974:0002:031:045:001-002 and DR1974:0002:031:046:001-002). The drawings related to Amiens Cathedral (DR1974:0002:031:044:001-002) and the Cloaca Maxima (DR1974:0002:031:052:002) are notable exceptions to the contemporary contents of the folder.
Form:
drawings
Quantity:
3 portfolio(s)
drawings
Quantity:
3 portfolio(s)
Date:
between 1800 and 1868
between 1800 and 1868
People:
Subject:
architecture, interior design, painting, sculpture
architecture, interior design, painting, sculpture
