37620 Results
Form:
photographs
photographs
Reference number:
ARCH285395
Description:
Images of the motor control for the expanding sphere at Liberty Science Center, Jersey City, New Jersey.
ARCH285395
Description:
Images of the motor control for the expanding sphere at Liberty Science Center, Jersey City, New Jersey.
People:
Date:
1992
1992
Title:
Motor control for expanding globe
Actions:
ARCH285395
Description:
Images of the motor control for the expanding sphere at Liberty Science Center, Jersey City, New Jersey.
Motor control for expanding globe
Actions:
ARCH285395
Description:
Images of the motor control for the expanding sphere at Liberty Science Center, Jersey City, New Jersey.
Form:
photographs
photographs
Date:
1992
1992
People:
Form:
photographs
photographs
Actions:
Reference number:
ARCH265767
Description:
Images of the motor control for the expanding sphere at Liberty Science Center, Jersey City, New Jersey.
ARCH265767
Description:
Images of the motor control for the expanding sphere at Liberty Science Center, Jersey City, New Jersey.
People:
Date:
1992
1992
Title:
Motor control for expanding globe
Actions:
ARCH265767
Description:
Images of the motor control for the expanding sphere at Liberty Science Center, Jersey City, New Jersey.
Motor control for expanding globe
Actions:
ARCH265767
Description:
Images of the motor control for the expanding sphere at Liberty Science Center, Jersey City, New Jersey.
Form:
photographs
photographs
Date:
1992
1992
People:
Level of archival description:
Project
Project
Title:
155 Spring Street
155 Spring Street
Actions:
Reference number:
AP143.S4.D185
Description:
File documents an unexecuted project for an office building at 155 Spring Street, probably in New York City, New York. Material in this file was produced in 1981. File contains working drawings.
AP143.S4.D185
Description:
File documents an unexecuted project for an office building at 155 Spring Street, probably in New York City, New York. Material in this file was produced in 1981. File contains working drawings.
People:
Date:
1981
1981
Title:
155 Spring Street
Actions:
AP143.S4.D185
Description:
File documents an unexecuted project for an office building at 155 Spring Street, probably in New York City, New York. Material in this file was produced in 1981. File contains working drawings.
155 Spring Street
Actions:
AP143.S4.D185
Description:
File documents an unexecuted project for an office building at 155 Spring Street, probably in New York City, New York. Material in this file was produced in 1981. File contains working drawings.
Level of archival description:
File 185
File 185
Date:
1981
1981
People:
Form:
textual records
textual records
Actions:
Reference number:
ARCH267850
Description:
This group consists of minutes of meetings for the Grand Théâtre de Québec in Québec City, Québec.
ARCH267850
Description:
This group consists of minutes of meetings for the Grand Théâtre de Québec in Québec City, Québec.
People:
Date:
1970-1971
1970-1971
Title:
6409 / Procès-verbaux 6.4 / Conservatoire 1970-1971
Actions:
ARCH267850
Description:
This group consists of minutes of meetings for the Grand Théâtre de Québec in Québec City, Québec.
6409 / Procès-verbaux 6.4 / Conservatoire 1970-1971
Actions:
ARCH267850
Description:
This group consists of minutes of meetings for the Grand Théâtre de Québec in Québec City, Québec.
Form:
textual records
textual records
Date:
1970-1971
1970-1971
People:
Form:
textual records
textual records
Reference number:
PHCON2002:0016:003:020
PHCON2002:0016:003:020
People:
Date:
25 January 1975
25 January 1975
Form:
textual records
textual records
Date:
25 January 1975
25 January 1975
People:
Level of archival description:
Project
Project
Title:
Red Line (1972)
Red Line (1972)
Reference number:
AP207.S1.1972.PR04
Description:
The project series documents "Red Line", a performance that consisted in tracing a red line in the middle of the road with paint sprayer and compressor loaded on the back of a truck. The red line stretched across forty-five kilometres of road and traced the limits of the municipality of Salt Lake City. "The red line rendered visible the boundaries that structure our mental fields of perception and modify our understanding of space." [1] The performance was carried out in February and March 1972 with a group of students from the University of Utah, in Salt Lake City. The project series contains photographs of Pettena and his team at work tracing the red line, a drawing, and a map of the Salt Lake City municipality showing the trajectory of the line. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 168.
AP207.S1.1972.PR04
Description:
The project series documents "Red Line", a performance that consisted in tracing a red line in the middle of the road with paint sprayer and compressor loaded on the back of a truck. The red line stretched across forty-five kilometres of road and traced the limits of the municipality of Salt Lake City. "The red line rendered visible the boundaries that structure our mental fields of perception and modify our understanding of space." [1] The performance was carried out in February and March 1972 with a group of students from the University of Utah, in Salt Lake City. The project series contains photographs of Pettena and his team at work tracing the red line, a drawing, and a map of the Salt Lake City municipality showing the trajectory of the line. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 168.
People:
Date:
circa 1972-2015
circa 1972-2015
Title:
Red Line (1972)
Actions:
AP207.S1.1972.PR04
Description:
The project series documents "Red Line", a performance that consisted in tracing a red line in the middle of the road with paint sprayer and compressor loaded on the back of a truck. The red line stretched across forty-five kilometres of road and traced the limits of the municipality of Salt Lake City. "The red line rendered visible the boundaries that structure our mental fields of perception and modify our understanding of space." [1] The performance was carried out in February and March 1972 with a group of students from the University of Utah, in Salt Lake City. The project series contains photographs of Pettena and his team at work tracing the red line, a drawing, and a map of the Salt Lake City municipality showing the trajectory of the line. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 168.
Red Line (1972)
Actions:
AP207.S1.1972.PR04
Description:
The project series documents "Red Line", a performance that consisted in tracing a red line in the middle of the road with paint sprayer and compressor loaded on the back of a truck. The red line stretched across forty-five kilometres of road and traced the limits of the municipality of Salt Lake City. "The red line rendered visible the boundaries that structure our mental fields of perception and modify our understanding of space." [1] The performance was carried out in February and March 1972 with a group of students from the University of Utah, in Salt Lake City. The project series contains photographs of Pettena and his team at work tracing the red line, a drawing, and a map of the Salt Lake City municipality showing the trajectory of the line. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 168.
Level of archival description:
Project
Project
Date:
circa 1972-2015
circa 1972-2015
People:
Form:
articles
articles
Actions:
Huda Tayob presents film as an embodied archive and critique of the modernizing city
Keyword(s):
Huda Tayob, Centring Africa, La Noire de…, Ousmane Sembène, Frantz Fanon, Dakar, Antibes
Huda Tayob, Centring Africa, La Noire de…, Ousmane Sembène, Frantz Fanon, Dakar, Antibes
Published:
22 March 2021
22 March 2021
Title:
Reading Architecture through La Noire de...
Huda Tayob presents film as an embodied archive and critique of the modernizing city
Actions:
Reading Architecture through La Noire de...
Huda Tayob presents film as an embodied archive and critique of the modernizing city
Actions:
Form:
textual records
textual records
Actions:
Reference number:
AP142.S1.D112.P3
Description:
correspondence, architect's report, reference source, sketches, drawings, 100 slides and 32 colour photographs of the city
AP142.S1.D112.P3
Description:
correspondence, architect's report, reference source, sketches, drawings, 100 slides and 32 colour photographs of the city
People:
Title:
Correspondence, architect's report, reference source
Actions:
AP142.S1.D112.P3
Description:
correspondence, architect's report, reference source, sketches, drawings, 100 slides and 32 colour photographs of the city
Correspondence, architect's report, reference source
Actions:
AP142.S1.D112.P3
Description:
correspondence, architect's report, reference source, sketches, drawings, 100 slides and 32 colour photographs of the city
Form:
textual records
textual records
People:
Form:
textual records
textual records
Actions:
Reference number:
ARCH276932
Description:
Group contains information kits and projects from other architects and architectural firms, articles of interest, The Core of the Central Waterfront proposal by the City of Toronto Planning Board (October 1962), City of Vancouver Beach Neighbourhood guidelines and 500 Pacific Street By-law.
ARCH276932
Description:
Group contains information kits and projects from other architects and architectural firms, articles of interest, The Core of the Central Waterfront proposal by the City of Toronto Planning Board (October 1962), City of Vancouver Beach Neighbourhood guidelines and 500 Pacific Street By-law.
People:
Date:
1962-2001
1962-2001
Title:
Information kits and projects from other architects and architectural firms
Actions:
ARCH276932
Description:
Group contains information kits and projects from other architects and architectural firms, articles of interest, The Core of the Central Waterfront proposal by the City of Toronto Planning Board (October 1962), City of Vancouver Beach Neighbourhood guidelines and 500 Pacific Street By-law.
Information kits and projects from other architects and architectural firms
Actions:
ARCH276932
Description:
Group contains information kits and projects from other architects and architectural firms, articles of interest, The Core of the Central Waterfront proposal by the City of Toronto Planning Board (October 1962), City of Vancouver Beach Neighbourhood guidelines and 500 Pacific Street By-law.
Form:
textual records
textual records
Date:
1962-2001
1962-2001
People:
Level of archival description:
Sub-series
Sub-series
Title:
Projects
Projects
Actions:
Reference number:
AP165.S5.SS2
Description:
The Projects sub-series, circa 1990 – 2000, consists of 61 video recordings relating to specific works in transformable design completed by Hoberman in the early years of his career. Material consists of MiniDV cassettes, Betacam SP cassettes, DVCAM cassettes, and Hi-8 cassettes. The majority of the records date from the mid to late 90’s to early 2000’s. Video recordings in this sub-series document projects such as: 6-meter expanding sphere as a permanent central exhibit at the Liberty Science Center, Jersey City, USA, 1991; Working scale model and section of a 60-foot diameter Iris Dome at The Museum of Modern Art, New York City, USA 1994; expanding sphere as a permanent atrium sculpture at Otaru Bay City Center, Sapporo, Japan 1998; six 2-meter diameter expanding spheres at Museo Interactivo Mirador, Santiago, Chile 1999; retractable dome for World’s Fair installed in front of the German Pavilion Expo 2000 World’s Fair, Hannover, Germany, 2000; 72-foot diameter retractable arch for Olympics Medal Plaza at 2002 Olympic Winter Games Salt Lake City, USA, 2002. It also contains footage of Hoberman and his team assembling works at his studio in New York.
AP165.S5.SS2
Description:
The Projects sub-series, circa 1990 – 2000, consists of 61 video recordings relating to specific works in transformable design completed by Hoberman in the early years of his career. Material consists of MiniDV cassettes, Betacam SP cassettes, DVCAM cassettes, and Hi-8 cassettes. The majority of the records date from the mid to late 90’s to early 2000’s. Video recordings in this sub-series document projects such as: 6-meter expanding sphere as a permanent central exhibit at the Liberty Science Center, Jersey City, USA, 1991; Working scale model and section of a 60-foot diameter Iris Dome at The Museum of Modern Art, New York City, USA 1994; expanding sphere as a permanent atrium sculpture at Otaru Bay City Center, Sapporo, Japan 1998; six 2-meter diameter expanding spheres at Museo Interactivo Mirador, Santiago, Chile 1999; retractable dome for World’s Fair installed in front of the German Pavilion Expo 2000 World’s Fair, Hannover, Germany, 2000; 72-foot diameter retractable arch for Olympics Medal Plaza at 2002 Olympic Winter Games Salt Lake City, USA, 2002. It also contains footage of Hoberman and his team assembling works at his studio in New York.
People:
Date:
circa 1990-2002
circa 1990-2002
Title:
Projects
Actions:
AP165.S5.SS2
Description:
The Projects sub-series, circa 1990 – 2000, consists of 61 video recordings relating to specific works in transformable design completed by Hoberman in the early years of his career. Material consists of MiniDV cassettes, Betacam SP cassettes, DVCAM cassettes, and Hi-8 cassettes. The majority of the records date from the mid to late 90’s to early 2000’s. Video recordings in this sub-series document projects such as: 6-meter expanding sphere as a permanent central exhibit at the Liberty Science Center, Jersey City, USA, 1991; Working scale model and section of a 60-foot diameter Iris Dome at The Museum of Modern Art, New York City, USA 1994; expanding sphere as a permanent atrium sculpture at Otaru Bay City Center, Sapporo, Japan 1998; six 2-meter diameter expanding spheres at Museo Interactivo Mirador, Santiago, Chile 1999; retractable dome for World’s Fair installed in front of the German Pavilion Expo 2000 World’s Fair, Hannover, Germany, 2000; 72-foot diameter retractable arch for Olympics Medal Plaza at 2002 Olympic Winter Games Salt Lake City, USA, 2002. It also contains footage of Hoberman and his team assembling works at his studio in New York.
Projects
Actions:
AP165.S5.SS2
Description:
The Projects sub-series, circa 1990 – 2000, consists of 61 video recordings relating to specific works in transformable design completed by Hoberman in the early years of his career. Material consists of MiniDV cassettes, Betacam SP cassettes, DVCAM cassettes, and Hi-8 cassettes. The majority of the records date from the mid to late 90’s to early 2000’s. Video recordings in this sub-series document projects such as: 6-meter expanding sphere as a permanent central exhibit at the Liberty Science Center, Jersey City, USA, 1991; Working scale model and section of a 60-foot diameter Iris Dome at The Museum of Modern Art, New York City, USA 1994; expanding sphere as a permanent atrium sculpture at Otaru Bay City Center, Sapporo, Japan 1998; six 2-meter diameter expanding spheres at Museo Interactivo Mirador, Santiago, Chile 1999; retractable dome for World’s Fair installed in front of the German Pavilion Expo 2000 World’s Fair, Hannover, Germany, 2000; 72-foot diameter retractable arch for Olympics Medal Plaza at 2002 Olympic Winter Games Salt Lake City, USA, 2002. It also contains footage of Hoberman and his team assembling works at his studio in New York.
Level of archival description:
Sub-series 2
Sub-series 2
Date:
circa 1990-2002
circa 1990-2002
People:
