9672 Results
Form:
textual records
textual records
Actions:
Reference number:
ARCH278044
Description:
File's title: Comunicación: IBAVI, A. Villegas.
ARCH278044
Description:
File's title: Comunicación: IBAVI, A. Villegas.
People:
Date:
2003
2003
Title:
Correspondence, Es Pil·lari, Palma de Mallorca, Spain
Actions:
ARCH278044
Description:
File's title: Comunicación: IBAVI, A. Villegas.
Correspondence, Es Pil·lari, Palma de Mallorca, Spain
Actions:
ARCH278044
Description:
File's title: Comunicación: IBAVI, A. Villegas.
Form:
textual records
textual records
Date:
2003
2003
People:
Form:
textual records
textual records
Actions:
Reference number:
ARCH278070
ARCH278070
People:
Date:
27 September 2002
27 September 2002
Form:
textual records
textual records
Date:
27 September 2002
27 September 2002
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP164.S1.2003.D10
Description:
The project series documents the commission and built project for an urban development and a public park on the banks of the rivers Torio and Bernesca in the area of La Lastra, León, Spain. The firm identified the project as number 173. “The park of La Lastra is composed by the superpositioning [sic] of four different states of natural space: a fluvial park, an urban park, an agricultural park and a park with common installations. Being next to the urbanization of La Lastra, both public spaces, both adopt a minimum strategy of landscape bubbles and urbanized bubbles respectively in the way that the whole complex becomes a continuum and achieves a scale able to diffuse the traditional limits of either urban fabric or park, confirming a singular complex which responds to the way in which new generations can understand the relation between nature and artificial.” (ARCH270975) Two other projects are related to this one: Alcorque para León (AP164.S1.2004.D5) and Puentes de León (AP164.S1.2004.D6). Documenting the project are presentation documents, notes, a dummy and a proposal.
AP164.S1.2003.D10
Description:
The project series documents the commission and built project for an urban development and a public park on the banks of the rivers Torio and Bernesca in the area of La Lastra, León, Spain. The firm identified the project as number 173. “The park of La Lastra is composed by the superpositioning [sic] of four different states of natural space: a fluvial park, an urban park, an agricultural park and a park with common installations. Being next to the urbanization of La Lastra, both public spaces, both adopt a minimum strategy of landscape bubbles and urbanized bubbles respectively in the way that the whole complex becomes a continuum and achieves a scale able to diffuse the traditional limits of either urban fabric or park, confirming a singular complex which responds to the way in which new generations can understand the relation between nature and artificial.” (ARCH270975) Two other projects are related to this one: Alcorque para León (AP164.S1.2004.D5) and Puentes de León (AP164.S1.2004.D6). Documenting the project are presentation documents, notes, a dummy and a proposal.
People:
Date:
circa 2003-2004
circa 2003-2004
Title:
Urbanización del sector La Lastra, León, Spain (2003)
Actions:
AP164.S1.2003.D10
Description:
The project series documents the commission and built project for an urban development and a public park on the banks of the rivers Torio and Bernesca in the area of La Lastra, León, Spain. The firm identified the project as number 173. “The park of La Lastra is composed by the superpositioning [sic] of four different states of natural space: a fluvial park, an urban park, an agricultural park and a park with common installations. Being next to the urbanization of La Lastra, both public spaces, both adopt a minimum strategy of landscape bubbles and urbanized bubbles respectively in the way that the whole complex becomes a continuum and achieves a scale able to diffuse the traditional limits of either urban fabric or park, confirming a singular complex which responds to the way in which new generations can understand the relation between nature and artificial.” (ARCH270975) Two other projects are related to this one: Alcorque para León (AP164.S1.2004.D5) and Puentes de León (AP164.S1.2004.D6). Documenting the project are presentation documents, notes, a dummy and a proposal.
Urbanización del sector La Lastra, León, Spain (2003)
Actions:
AP164.S1.2003.D10
Description:
The project series documents the commission and built project for an urban development and a public park on the banks of the rivers Torio and Bernesca in the area of La Lastra, León, Spain. The firm identified the project as number 173. “The park of La Lastra is composed by the superpositioning [sic] of four different states of natural space: a fluvial park, an urban park, an agricultural park and a park with common installations. Being next to the urbanization of La Lastra, both public spaces, both adopt a minimum strategy of landscape bubbles and urbanized bubbles respectively in the way that the whole complex becomes a continuum and achieves a scale able to diffuse the traditional limits of either urban fabric or park, confirming a singular complex which responds to the way in which new generations can understand the relation between nature and artificial.” (ARCH270975) Two other projects are related to this one: Alcorque para León (AP164.S1.2004.D5) and Puentes de León (AP164.S1.2004.D6). Documenting the project are presentation documents, notes, a dummy and a proposal.
Level of archival description:
Project
Project
Date:
circa 2003-2004
circa 2003-2004
People:
Form:
photographs
photographs
Actions:
Reference number:
PH1985:0013:019
PH1985:0013:019
People:
Date:
1858
1858
Title:
View of the Spanish Square, also known as Plaza de España, Seville, Spain
Actions:
PH1985:0013:019
View of the Spanish Square, also known as Plaza de España, Seville, Spain
Actions:
PH1985:0013:019
Form:
photographs
photographs
Date:
1858
1858
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP164.S1.1999.D6
Description:
The project series documents the commission, design, and construction of the Gordillo studio, neighbouring the client’s house (AP164.S1.1993.D2) on Castilla de Ponferrada Street, in Villanueva de la Cañada, Community of Madrid, Spain. The firm identified this project as number 119. “The Gordillo Studio is a prismatic, serrated volume that occupies the plot’s only available strip of land and minimizes its presence through the use of two materials, translucent polycarbonate and xerophilous plantings, which seek the best adaptation to the site, the program and the client. Using this system, a semi-buried interior is constructed in which the light has been modeled as a solid, expansive material, the aim being to satisfy not only the specific demands of the work space but also the creation of an agreeable atmosphere, as austere as it is sensual.” (ARCH270975) Abalos & Herreros worked with Ángel Jaramillo Sanchez, María Auxiliadora Gálvez, Renata Sentkiewicz, Juan Gómez, Fernando Valero and José Torras. In 2002, the project won the COAM 2000 prize. Documenting this project are conceptual, design development and working drawings, photographic and reference materials, correspondence, notes, budgets, reports, studies, forms, project descriptions, invoices, certifications and trade catalogues.
AP164.S1.1999.D6
Description:
The project series documents the commission, design, and construction of the Gordillo studio, neighbouring the client’s house (AP164.S1.1993.D2) on Castilla de Ponferrada Street, in Villanueva de la Cañada, Community of Madrid, Spain. The firm identified this project as number 119. “The Gordillo Studio is a prismatic, serrated volume that occupies the plot’s only available strip of land and minimizes its presence through the use of two materials, translucent polycarbonate and xerophilous plantings, which seek the best adaptation to the site, the program and the client. Using this system, a semi-buried interior is constructed in which the light has been modeled as a solid, expansive material, the aim being to satisfy not only the specific demands of the work space but also the creation of an agreeable atmosphere, as austere as it is sensual.” (ARCH270975) Abalos & Herreros worked with Ángel Jaramillo Sanchez, María Auxiliadora Gálvez, Renata Sentkiewicz, Juan Gómez, Fernando Valero and José Torras. In 2002, the project won the COAM 2000 prize. Documenting this project are conceptual, design development and working drawings, photographic and reference materials, correspondence, notes, budgets, reports, studies, forms, project descriptions, invoices, certifications and trade catalogues.
People:
Date:
1978, 1992-2002, predominant 1999-2000
1978, 1992-2002, predominant 1999-2000
Title:
Estudio Gordillo, Villanueva de la Cañada, Spain (1999)
Actions:
AP164.S1.1999.D6
Description:
The project series documents the commission, design, and construction of the Gordillo studio, neighbouring the client’s house (AP164.S1.1993.D2) on Castilla de Ponferrada Street, in Villanueva de la Cañada, Community of Madrid, Spain. The firm identified this project as number 119. “The Gordillo Studio is a prismatic, serrated volume that occupies the plot’s only available strip of land and minimizes its presence through the use of two materials, translucent polycarbonate and xerophilous plantings, which seek the best adaptation to the site, the program and the client. Using this system, a semi-buried interior is constructed in which the light has been modeled as a solid, expansive material, the aim being to satisfy not only the specific demands of the work space but also the creation of an agreeable atmosphere, as austere as it is sensual.” (ARCH270975) Abalos & Herreros worked with Ángel Jaramillo Sanchez, María Auxiliadora Gálvez, Renata Sentkiewicz, Juan Gómez, Fernando Valero and José Torras. In 2002, the project won the COAM 2000 prize. Documenting this project are conceptual, design development and working drawings, photographic and reference materials, correspondence, notes, budgets, reports, studies, forms, project descriptions, invoices, certifications and trade catalogues.
Estudio Gordillo, Villanueva de la Cañada, Spain (1999)
Actions:
AP164.S1.1999.D6
Description:
The project series documents the commission, design, and construction of the Gordillo studio, neighbouring the client’s house (AP164.S1.1993.D2) on Castilla de Ponferrada Street, in Villanueva de la Cañada, Community of Madrid, Spain. The firm identified this project as number 119. “The Gordillo Studio is a prismatic, serrated volume that occupies the plot’s only available strip of land and minimizes its presence through the use of two materials, translucent polycarbonate and xerophilous plantings, which seek the best adaptation to the site, the program and the client. Using this system, a semi-buried interior is constructed in which the light has been modeled as a solid, expansive material, the aim being to satisfy not only the specific demands of the work space but also the creation of an agreeable atmosphere, as austere as it is sensual.” (ARCH270975) Abalos & Herreros worked with Ángel Jaramillo Sanchez, María Auxiliadora Gálvez, Renata Sentkiewicz, Juan Gómez, Fernando Valero and José Torras. In 2002, the project won the COAM 2000 prize. Documenting this project are conceptual, design development and working drawings, photographic and reference materials, correspondence, notes, budgets, reports, studies, forms, project descriptions, invoices, certifications and trade catalogues.
Level of archival description:
Project
Project
Date:
1978, 1992-2002, predominant 1999-2000
1978, 1992-2002, predominant 1999-2000
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP164.S1.1997.D1
Description:
The project series documents an entry for a competition organised by the Ajuntament de Palma to transform an old factory into a cultural center. The firm identified this project as number 100. Abalos & Herreros worked with Arturo Vila, Jose Luis Pujol and Angel Jaramillo. Documenting the project are conceptual and design development drawings, and textual documentation.
AP164.S1.1997.D1
Description:
The project series documents an entry for a competition organised by the Ajuntament de Palma to transform an old factory into a cultural center. The firm identified this project as number 100. Abalos & Herreros worked with Arturo Vila, Jose Luis Pujol and Angel Jaramillo. Documenting the project are conceptual and design development drawings, and textual documentation.
People:
Date:
1994-1997
1994-1997
Title:
Centro Flassaders en Palma de Mallorca, Spain (1997)
Actions:
AP164.S1.1997.D1
Description:
The project series documents an entry for a competition organised by the Ajuntament de Palma to transform an old factory into a cultural center. The firm identified this project as number 100. Abalos & Herreros worked with Arturo Vila, Jose Luis Pujol and Angel Jaramillo. Documenting the project are conceptual and design development drawings, and textual documentation.
Centro Flassaders en Palma de Mallorca, Spain (1997)
Actions:
AP164.S1.1997.D1
Description:
The project series documents an entry for a competition organised by the Ajuntament de Palma to transform an old factory into a cultural center. The firm identified this project as number 100. Abalos & Herreros worked with Arturo Vila, Jose Luis Pujol and Angel Jaramillo. Documenting the project are conceptual and design development drawings, and textual documentation.
Level of archival description:
Project
Project
Date:
1994-1997
1994-1997
People:
Level of archival description:
Project
Project
Reference number:
AP164.S1.1997.D4
Description:
The project series documents the design of the “Green House” for Mariano Maqueda and Olga Montón, in Pozuelo de Alarcón, in the Community of Madrid, Spain. The firm identified this project as number 103. “The project is located in a typical bit of middle-class suburbia, in which low-density housing, wasteland, amenities and clumps of pine trees intermingle, giving form to the idea of an urban existence that is in contact with nature. [Abalos & Herreros] decided to be extremely direct and to stress this aspiration by using gardening techniques. In fact, the house as a whole can be understood as an example of a giant ars-topiaria, an idea that is not at odds with the fact that it will be lived in by a landscape architect. The sloping topography is taken advantage of to build a house that has continuity with the natural environment, avoiding differentiation between the house and the terrain: the whole house is garden and the whole garden is house. The project is, then, a topological mechanism for arranging and modeling the land so as to increase and to obtain maximum enjoyment from the landscape’s weaker stimuli: the pine trees, the near-by stream, the setting of the sun over the skyline of Madrid from the house’s highest point… Natural views and artificial views: a green machine.” (ARCH270971) Documenting the project are conceptual, design development and working drawings, forms, invoices and contracts.
AP164.S1.1997.D4
Description:
The project series documents the design of the “Green House” for Mariano Maqueda and Olga Montón, in Pozuelo de Alarcón, in the Community of Madrid, Spain. The firm identified this project as number 103. “The project is located in a typical bit of middle-class suburbia, in which low-density housing, wasteland, amenities and clumps of pine trees intermingle, giving form to the idea of an urban existence that is in contact with nature. [Abalos & Herreros] decided to be extremely direct and to stress this aspiration by using gardening techniques. In fact, the house as a whole can be understood as an example of a giant ars-topiaria, an idea that is not at odds with the fact that it will be lived in by a landscape architect. The sloping topography is taken advantage of to build a house that has continuity with the natural environment, avoiding differentiation between the house and the terrain: the whole house is garden and the whole garden is house. The project is, then, a topological mechanism for arranging and modeling the land so as to increase and to obtain maximum enjoyment from the landscape’s weaker stimuli: the pine trees, the near-by stream, the setting of the sun over the skyline of Madrid from the house’s highest point… Natural views and artificial views: a green machine.” (ARCH270971) Documenting the project are conceptual, design development and working drawings, forms, invoices and contracts.
People:
Date:
1995-1999, predominant 1997-1998
1995-1999, predominant 1997-1998
Title:
Casa Verde, Pozuelo de Alarcón, Madrid, Spain (1997)
Actions:
AP164.S1.1997.D4
Description:
The project series documents the design of the “Green House” for Mariano Maqueda and Olga Montón, in Pozuelo de Alarcón, in the Community of Madrid, Spain. The firm identified this project as number 103. “The project is located in a typical bit of middle-class suburbia, in which low-density housing, wasteland, amenities and clumps of pine trees intermingle, giving form to the idea of an urban existence that is in contact with nature. [Abalos & Herreros] decided to be extremely direct and to stress this aspiration by using gardening techniques. In fact, the house as a whole can be understood as an example of a giant ars-topiaria, an idea that is not at odds with the fact that it will be lived in by a landscape architect. The sloping topography is taken advantage of to build a house that has continuity with the natural environment, avoiding differentiation between the house and the terrain: the whole house is garden and the whole garden is house. The project is, then, a topological mechanism for arranging and modeling the land so as to increase and to obtain maximum enjoyment from the landscape’s weaker stimuli: the pine trees, the near-by stream, the setting of the sun over the skyline of Madrid from the house’s highest point… Natural views and artificial views: a green machine.” (ARCH270971) Documenting the project are conceptual, design development and working drawings, forms, invoices and contracts.
Casa Verde, Pozuelo de Alarcón, Madrid, Spain (1997)
Actions:
AP164.S1.1997.D4
Description:
The project series documents the design of the “Green House” for Mariano Maqueda and Olga Montón, in Pozuelo de Alarcón, in the Community of Madrid, Spain. The firm identified this project as number 103. “The project is located in a typical bit of middle-class suburbia, in which low-density housing, wasteland, amenities and clumps of pine trees intermingle, giving form to the idea of an urban existence that is in contact with nature. [Abalos & Herreros] decided to be extremely direct and to stress this aspiration by using gardening techniques. In fact, the house as a whole can be understood as an example of a giant ars-topiaria, an idea that is not at odds with the fact that it will be lived in by a landscape architect. The sloping topography is taken advantage of to build a house that has continuity with the natural environment, avoiding differentiation between the house and the terrain: the whole house is garden and the whole garden is house. The project is, then, a topological mechanism for arranging and modeling the land so as to increase and to obtain maximum enjoyment from the landscape’s weaker stimuli: the pine trees, the near-by stream, the setting of the sun over the skyline of Madrid from the house’s highest point… Natural views and artificial views: a green machine.” (ARCH270971) Documenting the project are conceptual, design development and working drawings, forms, invoices and contracts.
Level of archival description:
Project
Project
Date:
1995-1999, predominant 1997-1998
1995-1999, predominant 1997-1998
People:
Level of archival description:
Project
Project
Actions:
Reference number:
CI007.S1.1928.PR02
Description:
This project series documents Mies van der Rohe design for the German Pavilion of the Barcelona International Exhibition in Spain in 1929. The material in this series was produced between 1929 and 1969. The series contains predominantly photographs of exterior and interior views of the pavilion.
CI007.S1.1928.PR02
Description:
This project series documents Mies van der Rohe design for the German Pavilion of the Barcelona International Exhibition in Spain in 1929. The material in this series was produced between 1929 and 1969. The series contains predominantly photographs of exterior and interior views of the pavilion.
People:
Date:
1929-1969
1929-1969
Title:
German Pavilion for the Barcelona International Exhibition, Spain (1928-1929)
Actions:
CI007.S1.1928.PR02
Description:
This project series documents Mies van der Rohe design for the German Pavilion of the Barcelona International Exhibition in Spain in 1929. The material in this series was produced between 1929 and 1969. The series contains predominantly photographs of exterior and interior views of the pavilion.
German Pavilion for the Barcelona International Exhibition, Spain (1928-1929)
Actions:
CI007.S1.1928.PR02
Description:
This project series documents Mies van der Rohe design for the German Pavilion of the Barcelona International Exhibition in Spain in 1929. The material in this series was produced between 1929 and 1969. The series contains predominantly photographs of exterior and interior views of the pavilion.
Level of archival description:
project
project
Date:
1929-1969
1929-1969
People:
Form:
textual records
textual records
Actions:
Reference number:
ARCH278035
Description:
File's title: Concurso San Sebastián: explanada Sagüés.
ARCH278035
Description:
File's title: Concurso San Sebastián: explanada Sagüés.
People:
Date:
ca. 2003
ca. 2003
Title:
Abalos & Herreros' resume, Sagüés, San Sebastián, Spain
Actions:
ARCH278035
Description:
File's title: Concurso San Sebastián: explanada Sagüés.
Abalos & Herreros' resume, Sagüés, San Sebastián, Spain
Actions:
ARCH278035
Description:
File's title: Concurso San Sebastián: explanada Sagüés.
Form:
textual records
textual records
Date:
ca. 2003
ca. 2003
People:
Form:
photographs
photographs
Reference number:
PH1979:0324:010
PH1979:0324:010
People:
Date:
ca. 1860
ca. 1860
Form:
photographs
photographs
Date:
ca. 1860
ca. 1860
People:
