13067 Results
Form:
exhibitions
exhibitions
Title:
Starting from... People
Starting from... People
Actions:
Description:
One of the markers of modernity from the eighteenth century onwards is the emergence of “the people” as a respected political entity. In response, architects have advocated for the transformation of cities, explored new technologies, pioneered design discourses, and engaged in heated cultural conflicts—all in the name of the people. During this time, fictional, abstracted(...)
One of the markers of modernity from the eighteenth century onwards is the emergence of “the people” as a respected political entity. In response, architects have advocated for the transformation of cities, explored new technologies, pioneered design discourses, and engaged in heated cultural conflicts—all in the name of the people. During this time, fictional, abstracted(...)
Location:
Hall cases
Hall cases
Date:
5 October 2011 to 22 January 2012
5 October 2011 to 22 January 2012
Title:
Starting from... People
Actions:
Description:
One of the markers of modernity from the eighteenth century onwards is the emergence of “the people” as a respected political entity. In response, architects have advocated for the transformation of cities, explored new technologies, pioneered design discourses, and engaged in heated cultural conflicts—all in the name of the people. During this time, fictional, abstracted(...)
Starting from... People
Actions:
Description:
One of the markers of modernity from the eighteenth century onwards is the emergence of “the people” as a respected political entity. In response, architects have advocated for the transformation of cities, explored new technologies, pioneered design discourses, and engaged in heated cultural conflicts—all in the name of the people. During this time, fictional, abstracted(...)
Form:
exhibitions
exhibitions
Date:
5 October 2011 to
22 January 2012
5 October 2011 to
22 January 2012
Location:
Hall cases
Hall cases
Form:
events
events
Title:
Devices of Design
Devices of Design
Actions:
Description:
A collaboration between the CCA and the Daniel Langlois Foundation for Art, Science, and Technology, Devices of Design was initiated in response to the increasingly widespread use of digital media and software technologies in architectural design and construction. A colloquium and a subsequent roundtable discussion address both the consequences that this shift implies for(...)
A collaboration between the CCA and the Daniel Langlois Foundation for Art, Science, and Technology, Devices of Design was initiated in response to the increasingly widespread use of digital media and software technologies in architectural design and construction. A colloquium and a subsequent roundtable discussion address both the consequences that this shift implies for(...)
Location:
Paul-Desmarais Theatre
Paul-Desmarais Theatre
Date:
18 November 2004 to 19 November 2004
18 November 2004 to 19 November 2004
Title:
Devices of Design
Actions:
Description:
A collaboration between the CCA and the Daniel Langlois Foundation for Art, Science, and Technology, Devices of Design was initiated in response to the increasingly widespread use of digital media and software technologies in architectural design and construction. A colloquium and a subsequent roundtable discussion address both the consequences that this shift implies for(...)
Devices of Design
Actions:
Description:
A collaboration between the CCA and the Daniel Langlois Foundation for Art, Science, and Technology, Devices of Design was initiated in response to the increasingly widespread use of digital media and software technologies in architectural design and construction. A colloquium and a subsequent roundtable discussion address both the consequences that this shift implies for(...)
Form:
events
events
Date:
18 November 2004 to
19 November 2004
18 November 2004 to
19 November 2004
Location:
Paul-Desmarais Theatre
Paul-Desmarais Theatre
Level of archival description:
Series
Series
Reference number:
AP168.S1
Description:
The Project records from Neil Denari series, 1994 – 2004, consists of records produced by Denari for his show “Interrupted Projections” at Gallery MA in Tokyo, Japan. It documents the development and final design for the principal architectural installation built on the third level of the gallery, as well as related materials displayed on the gallery’s fourth floor. The series also contains photographic and video documentation of the exhibit, the show catalogue, and promotional materials. The series includes 4003 digital files (1 GB), 53 slides, 21 transparencies, seven drawings and/or reprographic copies, two VHS video cassettes, one exhibition catalogue, and a small amount of promotional material comprising one large and two small posters, one postcard, and one t-shirt. The majority of records date from 1994-1996. Denari used a combination of physical drawings and digital modelling to draft the design for Interrupted Projections. The series contains one ink drawing and one transfer print with plans and sections of the third floor gallery space, two reprographic copies of drawings with elevations and plans of existing conditions of the third and fourth floors at Gallery MA, and three graphite hand drawings of the installation. Digital files in the series include two original Softimage databases containing full and partial 3D models of the installation, as well as one forward-migrated database containing models compiled from the two original databases. The original models were created in Softimage ’95 on Windows NT and will not open in contemporary versions of Autodesk Softimage. The forward-migrated model database was created by members of Autodesk’s Montreal office for the Archaeology of the Digital exhibition Complexity and Convention and will open in Softimage 2014. Each Softimage model database is made up of several directories that contain information necessary to render all models and their animation into a “scene” (such as textures, lighting, camera movements, etc.). When the Interrupted Projections models were migrated, the information from all directories in both original databases was compiled into the Scenes directory of a single database. These updated scene files (SCN) contain all the elements needed to render the models without the need for additional directories. Each scene file has a corresponding scene TOC file (scene table of content), which can be used to further modify the information in the scene. Scene files in the migrated database contain full and partial models for Interrupted Projections, including one animated scene that follows a camera path through the interior and exterior of the final model. These files document the various stages of design work for the project, as well as Denari’s use of animation features in Softimage to visualize and study the spatial character of his drawings. Project collaborator Duks Koschitz created additional animations of the model that were edited and shown on the fourth floor of the exhibition. A compilation of his work is included on a VHS tape in the archive. The video, which spans one minute 16 seconds, contains four animations that move around the 3D gallery space. Koschitz attempted to reflect the concerns of the project in the movements of the camera, focusing on details such as the fictional company logos or curvatures in the surface of the model. The majority of photographic materials in the series are digital renderings of the model, comprising 38 slides, 14 diapositives, and seven digital images. Photographic materials also include images of the completed show, including seven diapositives that document the built work from various views on the third floor of Gallery MA, as well as the exhibition of materials on the fourth floor. A small number of slides document the exhibit open to the public, and include images of visitors interacting with the Sony Navicam. Most of the diapositive photographs and a small number of slides were taken by Fujitsuka Mitsumasa, a photographer of architecture based in Tokyo. A second VHS tape in the archive provides in-depth documentation of the Interrupted Projections exhibition, containing 45 minutes of raw video footage that explores Gallery MA and surrounding areas of Tokyo. The Interrupted Projections book contains in print the text and images from the installation and website. It was written by Denari and designed by Michiharu Shimoda, a graphic designer and underground trip-hop artist who was also responsible for the design of the fictional logos used in the exhibit. The book acts as an extension of the content of the show, as well as exhibition catalogue, and covers Denari’s other projects represented in the show. The series also contains a small amount of promotional media for Interrupted Projections, including one large and two small posters, a postcard, and a t-shirt.
AP168.S1
Description:
The Project records from Neil Denari series, 1994 – 2004, consists of records produced by Denari for his show “Interrupted Projections” at Gallery MA in Tokyo, Japan. It documents the development and final design for the principal architectural installation built on the third level of the gallery, as well as related materials displayed on the gallery’s fourth floor. The series also contains photographic and video documentation of the exhibit, the show catalogue, and promotional materials. The series includes 4003 digital files (1 GB), 53 slides, 21 transparencies, seven drawings and/or reprographic copies, two VHS video cassettes, one exhibition catalogue, and a small amount of promotional material comprising one large and two small posters, one postcard, and one t-shirt. The majority of records date from 1994-1996. Denari used a combination of physical drawings and digital modelling to draft the design for Interrupted Projections. The series contains one ink drawing and one transfer print with plans and sections of the third floor gallery space, two reprographic copies of drawings with elevations and plans of existing conditions of the third and fourth floors at Gallery MA, and three graphite hand drawings of the installation. Digital files in the series include two original Softimage databases containing full and partial 3D models of the installation, as well as one forward-migrated database containing models compiled from the two original databases. The original models were created in Softimage ’95 on Windows NT and will not open in contemporary versions of Autodesk Softimage. The forward-migrated model database was created by members of Autodesk’s Montreal office for the Archaeology of the Digital exhibition Complexity and Convention and will open in Softimage 2014. Each Softimage model database is made up of several directories that contain information necessary to render all models and their animation into a “scene” (such as textures, lighting, camera movements, etc.). When the Interrupted Projections models were migrated, the information from all directories in both original databases was compiled into the Scenes directory of a single database. These updated scene files (SCN) contain all the elements needed to render the models without the need for additional directories. Each scene file has a corresponding scene TOC file (scene table of content), which can be used to further modify the information in the scene. Scene files in the migrated database contain full and partial models for Interrupted Projections, including one animated scene that follows a camera path through the interior and exterior of the final model. These files document the various stages of design work for the project, as well as Denari’s use of animation features in Softimage to visualize and study the spatial character of his drawings. Project collaborator Duks Koschitz created additional animations of the model that were edited and shown on the fourth floor of the exhibition. A compilation of his work is included on a VHS tape in the archive. The video, which spans one minute 16 seconds, contains four animations that move around the 3D gallery space. Koschitz attempted to reflect the concerns of the project in the movements of the camera, focusing on details such as the fictional company logos or curvatures in the surface of the model. The majority of photographic materials in the series are digital renderings of the model, comprising 38 slides, 14 diapositives, and seven digital images. Photographic materials also include images of the completed show, including seven diapositives that document the built work from various views on the third floor of Gallery MA, as well as the exhibition of materials on the fourth floor. A small number of slides document the exhibit open to the public, and include images of visitors interacting with the Sony Navicam. Most of the diapositive photographs and a small number of slides were taken by Fujitsuka Mitsumasa, a photographer of architecture based in Tokyo. A second VHS tape in the archive provides in-depth documentation of the Interrupted Projections exhibition, containing 45 minutes of raw video footage that explores Gallery MA and surrounding areas of Tokyo. The Interrupted Projections book contains in print the text and images from the installation and website. It was written by Denari and designed by Michiharu Shimoda, a graphic designer and underground trip-hop artist who was also responsible for the design of the fictional logos used in the exhibit. The book acts as an extension of the content of the show, as well as exhibition catalogue, and covers Denari’s other projects represented in the show. The series also contains a small amount of promotional media for Interrupted Projections, including one large and two small posters, a postcard, and a t-shirt.
People:
Date:
1994 - 2004
1994 - 2004
Title:
Project records from Neil Denari
Actions:
AP168.S1
Description:
The Project records from Neil Denari series, 1994 – 2004, consists of records produced by Denari for his show “Interrupted Projections” at Gallery MA in Tokyo, Japan. It documents the development and final design for the principal architectural installation built on the third level of the gallery, as well as related materials displayed on the gallery’s fourth floor. The series also contains photographic and video documentation of the exhibit, the show catalogue, and promotional materials. The series includes 4003 digital files (1 GB), 53 slides, 21 transparencies, seven drawings and/or reprographic copies, two VHS video cassettes, one exhibition catalogue, and a small amount of promotional material comprising one large and two small posters, one postcard, and one t-shirt. The majority of records date from 1994-1996. Denari used a combination of physical drawings and digital modelling to draft the design for Interrupted Projections. The series contains one ink drawing and one transfer print with plans and sections of the third floor gallery space, two reprographic copies of drawings with elevations and plans of existing conditions of the third and fourth floors at Gallery MA, and three graphite hand drawings of the installation. Digital files in the series include two original Softimage databases containing full and partial 3D models of the installation, as well as one forward-migrated database containing models compiled from the two original databases. The original models were created in Softimage ’95 on Windows NT and will not open in contemporary versions of Autodesk Softimage. The forward-migrated model database was created by members of Autodesk’s Montreal office for the Archaeology of the Digital exhibition Complexity and Convention and will open in Softimage 2014. Each Softimage model database is made up of several directories that contain information necessary to render all models and their animation into a “scene” (such as textures, lighting, camera movements, etc.). When the Interrupted Projections models were migrated, the information from all directories in both original databases was compiled into the Scenes directory of a single database. These updated scene files (SCN) contain all the elements needed to render the models without the need for additional directories. Each scene file has a corresponding scene TOC file (scene table of content), which can be used to further modify the information in the scene. Scene files in the migrated database contain full and partial models for Interrupted Projections, including one animated scene that follows a camera path through the interior and exterior of the final model. These files document the various stages of design work for the project, as well as Denari’s use of animation features in Softimage to visualize and study the spatial character of his drawings. Project collaborator Duks Koschitz created additional animations of the model that were edited and shown on the fourth floor of the exhibition. A compilation of his work is included on a VHS tape in the archive. The video, which spans one minute 16 seconds, contains four animations that move around the 3D gallery space. Koschitz attempted to reflect the concerns of the project in the movements of the camera, focusing on details such as the fictional company logos or curvatures in the surface of the model. The majority of photographic materials in the series are digital renderings of the model, comprising 38 slides, 14 diapositives, and seven digital images. Photographic materials also include images of the completed show, including seven diapositives that document the built work from various views on the third floor of Gallery MA, as well as the exhibition of materials on the fourth floor. A small number of slides document the exhibit open to the public, and include images of visitors interacting with the Sony Navicam. Most of the diapositive photographs and a small number of slides were taken by Fujitsuka Mitsumasa, a photographer of architecture based in Tokyo. A second VHS tape in the archive provides in-depth documentation of the Interrupted Projections exhibition, containing 45 minutes of raw video footage that explores Gallery MA and surrounding areas of Tokyo. The Interrupted Projections book contains in print the text and images from the installation and website. It was written by Denari and designed by Michiharu Shimoda, a graphic designer and underground trip-hop artist who was also responsible for the design of the fictional logos used in the exhibit. The book acts as an extension of the content of the show, as well as exhibition catalogue, and covers Denari’s other projects represented in the show. The series also contains a small amount of promotional media for Interrupted Projections, including one large and two small posters, a postcard, and a t-shirt.
Project records from Neil Denari
Actions:
AP168.S1
Description:
The Project records from Neil Denari series, 1994 – 2004, consists of records produced by Denari for his show “Interrupted Projections” at Gallery MA in Tokyo, Japan. It documents the development and final design for the principal architectural installation built on the third level of the gallery, as well as related materials displayed on the gallery’s fourth floor. The series also contains photographic and video documentation of the exhibit, the show catalogue, and promotional materials. The series includes 4003 digital files (1 GB), 53 slides, 21 transparencies, seven drawings and/or reprographic copies, two VHS video cassettes, one exhibition catalogue, and a small amount of promotional material comprising one large and two small posters, one postcard, and one t-shirt. The majority of records date from 1994-1996. Denari used a combination of physical drawings and digital modelling to draft the design for Interrupted Projections. The series contains one ink drawing and one transfer print with plans and sections of the third floor gallery space, two reprographic copies of drawings with elevations and plans of existing conditions of the third and fourth floors at Gallery MA, and three graphite hand drawings of the installation. Digital files in the series include two original Softimage databases containing full and partial 3D models of the installation, as well as one forward-migrated database containing models compiled from the two original databases. The original models were created in Softimage ’95 on Windows NT and will not open in contemporary versions of Autodesk Softimage. The forward-migrated model database was created by members of Autodesk’s Montreal office for the Archaeology of the Digital exhibition Complexity and Convention and will open in Softimage 2014. Each Softimage model database is made up of several directories that contain information necessary to render all models and their animation into a “scene” (such as textures, lighting, camera movements, etc.). When the Interrupted Projections models were migrated, the information from all directories in both original databases was compiled into the Scenes directory of a single database. These updated scene files (SCN) contain all the elements needed to render the models without the need for additional directories. Each scene file has a corresponding scene TOC file (scene table of content), which can be used to further modify the information in the scene. Scene files in the migrated database contain full and partial models for Interrupted Projections, including one animated scene that follows a camera path through the interior and exterior of the final model. These files document the various stages of design work for the project, as well as Denari’s use of animation features in Softimage to visualize and study the spatial character of his drawings. Project collaborator Duks Koschitz created additional animations of the model that were edited and shown on the fourth floor of the exhibition. A compilation of his work is included on a VHS tape in the archive. The video, which spans one minute 16 seconds, contains four animations that move around the 3D gallery space. Koschitz attempted to reflect the concerns of the project in the movements of the camera, focusing on details such as the fictional company logos or curvatures in the surface of the model. The majority of photographic materials in the series are digital renderings of the model, comprising 38 slides, 14 diapositives, and seven digital images. Photographic materials also include images of the completed show, including seven diapositives that document the built work from various views on the third floor of Gallery MA, as well as the exhibition of materials on the fourth floor. A small number of slides document the exhibit open to the public, and include images of visitors interacting with the Sony Navicam. Most of the diapositive photographs and a small number of slides were taken by Fujitsuka Mitsumasa, a photographer of architecture based in Tokyo. A second VHS tape in the archive provides in-depth documentation of the Interrupted Projections exhibition, containing 45 minutes of raw video footage that explores Gallery MA and surrounding areas of Tokyo. The Interrupted Projections book contains in print the text and images from the installation and website. It was written by Denari and designed by Michiharu Shimoda, a graphic designer and underground trip-hop artist who was also responsible for the design of the fictional logos used in the exhibit. The book acts as an extension of the content of the show, as well as exhibition catalogue, and covers Denari’s other projects represented in the show. The series also contains a small amount of promotional media for Interrupted Projections, including one large and two small posters, a postcard, and a t-shirt.
Level of archival description:
Series
Series
Date:
1994 - 2004
1994 - 2004
People:
Form:
exhibitions
exhibitions
Actions:
Description:
Between 1836 and 1848, the German-Dutch explorer Franz Wilhelm Junghuhn made several expeditions in Java in the service of the Dutch colonial authorities. He was among the first colonists to climb the island’s many volcanoes. His scientific works, books, maps, and lithographs made him the “Humboldt of Java.” This exhibition follows Junghuhn’s footsteps and explores(...)
Between 1836 and 1848, the German-Dutch explorer Franz Wilhelm Junghuhn made several expeditions in Java in the service of the Dutch colonial authorities. He was among the first colonists to climb the island’s many volcanoes. His scientific works, books, maps, and lithographs made him the “Humboldt of Java.” This exhibition follows Junghuhn’s footsteps and explores(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
29 September 2016 to 22 January 2017
29 September 2016 to 22 January 2017
Title:
17 Volcanoes: Works by Franz Wilhelm Junghuhn, Armin Linke, and Bas Princen
Actions:
Description:
Between 1836 and 1848, the German-Dutch explorer Franz Wilhelm Junghuhn made several expeditions in Java in the service of the Dutch colonial authorities. He was among the first colonists to climb the island’s many volcanoes. His scientific works, books, maps, and lithographs made him the “Humboldt of Java.” This exhibition follows Junghuhn’s footsteps and explores(...)
17 Volcanoes: Works by Franz Wilhelm Junghuhn, Armin Linke, and Bas Princen
Actions:
Description:
Between 1836 and 1848, the German-Dutch explorer Franz Wilhelm Junghuhn made several expeditions in Java in the service of the Dutch colonial authorities. He was among the first colonists to climb the island’s many volcanoes. His scientific works, books, maps, and lithographs made him the “Humboldt of Java.” This exhibition follows Junghuhn’s footsteps and explores(...)
Form:
exhibitions
exhibitions
Date:
29 September 2016 to
22 January 2017
29 September 2016 to
22 January 2017
Location:
Octagonal gallery
Octagonal gallery
Form:
textual records
textual records
Actions:
Reference number:
DR2001:0030
Description:
documents include lectures, 1989-1992; travel files, 1991-1992; letters of recommendation, 1991-1992. Lecture file schedule: Ching (Chinese community lectures) 11/29 - 11/30, lecture requests rejected.File folder "lectures 1989 - finished": miscellaneous papers concerning planning, contacts, travel, etc. File folder "lectures 1991":Wiesbaden 1991, Seton Hill / Philip Johnson, 09/14/91 lecture, santander (University) Barcelona 8/19 lecture honorarium, Western Mountain Region (AIA) Salt Lake (City) 09/21/91, Mississippi State Lecture Honorarium 09/16/91, Central States Regional AIA Convention, Des Moines, 10/10-11, University of Michigan Lecture Honorarium 11/22/91, San Francisco Museum of Modern Art, Lecture Honoraria, University of Minnesota Lecture Honoraria, College of Architecture, Clemson, S.C. (1990), Museum of Contemporary Art (Chicago, 1990), The Savannah College (of Art and Design, 1990), The University of Michigan, Clemson University, Atlanta ADAC (Decorative Arts Center) July 22-23/91. PDE - Keynote Speaker. Contact Susan Fite, Ando - Century Club, Oct. 1/91. RSVP and Invitations: Georgia Tech. 01/14/92. File Folder - "Travel", 1991-1992:Naples, Germany Trip 12/15-12/18, Atlanta > Frankfurt > Berlin, Frankfurt Trip, Spain 1992, Japan Trip, Frankfurt Trip with Schwan & kreis(berg), Berlin Frank(furt) Trip. PDE, CCD, SCE, 05/20/92 Germany France Trip, Germany 6/29-30, Germany 3/24, memorabilia. File Folder - "letters of recommendation / reference," 1991-1992: Robert Montray Thesis, Georgia Institute of Technology, Raphael Mone, David Niland, Office for Metro. Arch., Sarah Whiting, Recommendation - Milanini, letter of Reference - J. Ben Gianni, letters of Reference, reference letters and Friedrich K.M. Bohm.
DR2001:0030
Description:
documents include lectures, 1989-1992; travel files, 1991-1992; letters of recommendation, 1991-1992. Lecture file schedule: Ching (Chinese community lectures) 11/29 - 11/30, lecture requests rejected.File folder "lectures 1989 - finished": miscellaneous papers concerning planning, contacts, travel, etc. File folder "lectures 1991":Wiesbaden 1991, Seton Hill / Philip Johnson, 09/14/91 lecture, santander (University) Barcelona 8/19 lecture honorarium, Western Mountain Region (AIA) Salt Lake (City) 09/21/91, Mississippi State Lecture Honorarium 09/16/91, Central States Regional AIA Convention, Des Moines, 10/10-11, University of Michigan Lecture Honorarium 11/22/91, San Francisco Museum of Modern Art, Lecture Honoraria, University of Minnesota Lecture Honoraria, College of Architecture, Clemson, S.C. (1990), Museum of Contemporary Art (Chicago, 1990), The Savannah College (of Art and Design, 1990), The University of Michigan, Clemson University, Atlanta ADAC (Decorative Arts Center) July 22-23/91. PDE - Keynote Speaker. Contact Susan Fite, Ando - Century Club, Oct. 1/91. RSVP and Invitations: Georgia Tech. 01/14/92. File Folder - "Travel", 1991-1992:Naples, Germany Trip 12/15-12/18, Atlanta > Frankfurt > Berlin, Frankfurt Trip, Spain 1992, Japan Trip, Frankfurt Trip with Schwan & kreis(berg), Berlin Frank(furt) Trip. PDE, CCD, SCE, 05/20/92 Germany France Trip, Germany 6/29-30, Germany 3/24, memorabilia. File Folder - "letters of recommendation / reference," 1991-1992: Robert Montray Thesis, Georgia Institute of Technology, Raphael Mone, David Niland, Office for Metro. Arch., Sarah Whiting, Recommendation - Milanini, letter of Reference - J. Ben Gianni, letters of Reference, reference letters and Friedrich K.M. Bohm.
People:
Title:
Documents include lectures, 1989-1992
Actions:
DR2001:0030
Description:
documents include lectures, 1989-1992; travel files, 1991-1992; letters of recommendation, 1991-1992. Lecture file schedule: Ching (Chinese community lectures) 11/29 - 11/30, lecture requests rejected.File folder "lectures 1989 - finished": miscellaneous papers concerning planning, contacts, travel, etc. File folder "lectures 1991":Wiesbaden 1991, Seton Hill / Philip Johnson, 09/14/91 lecture, santander (University) Barcelona 8/19 lecture honorarium, Western Mountain Region (AIA) Salt Lake (City) 09/21/91, Mississippi State Lecture Honorarium 09/16/91, Central States Regional AIA Convention, Des Moines, 10/10-11, University of Michigan Lecture Honorarium 11/22/91, San Francisco Museum of Modern Art, Lecture Honoraria, University of Minnesota Lecture Honoraria, College of Architecture, Clemson, S.C. (1990), Museum of Contemporary Art (Chicago, 1990), The Savannah College (of Art and Design, 1990), The University of Michigan, Clemson University, Atlanta ADAC (Decorative Arts Center) July 22-23/91. PDE - Keynote Speaker. Contact Susan Fite, Ando - Century Club, Oct. 1/91. RSVP and Invitations: Georgia Tech. 01/14/92. File Folder - "Travel", 1991-1992:Naples, Germany Trip 12/15-12/18, Atlanta > Frankfurt > Berlin, Frankfurt Trip, Spain 1992, Japan Trip, Frankfurt Trip with Schwan & kreis(berg), Berlin Frank(furt) Trip. PDE, CCD, SCE, 05/20/92 Germany France Trip, Germany 6/29-30, Germany 3/24, memorabilia. File Folder - "letters of recommendation / reference," 1991-1992: Robert Montray Thesis, Georgia Institute of Technology, Raphael Mone, David Niland, Office for Metro. Arch., Sarah Whiting, Recommendation - Milanini, letter of Reference - J. Ben Gianni, letters of Reference, reference letters and Friedrich K.M. Bohm.
Documents include lectures, 1989-1992
Actions:
DR2001:0030
Description:
documents include lectures, 1989-1992; travel files, 1991-1992; letters of recommendation, 1991-1992. Lecture file schedule: Ching (Chinese community lectures) 11/29 - 11/30, lecture requests rejected.File folder "lectures 1989 - finished": miscellaneous papers concerning planning, contacts, travel, etc. File folder "lectures 1991":Wiesbaden 1991, Seton Hill / Philip Johnson, 09/14/91 lecture, santander (University) Barcelona 8/19 lecture honorarium, Western Mountain Region (AIA) Salt Lake (City) 09/21/91, Mississippi State Lecture Honorarium 09/16/91, Central States Regional AIA Convention, Des Moines, 10/10-11, University of Michigan Lecture Honorarium 11/22/91, San Francisco Museum of Modern Art, Lecture Honoraria, University of Minnesota Lecture Honoraria, College of Architecture, Clemson, S.C. (1990), Museum of Contemporary Art (Chicago, 1990), The Savannah College (of Art and Design, 1990), The University of Michigan, Clemson University, Atlanta ADAC (Decorative Arts Center) July 22-23/91. PDE - Keynote Speaker. Contact Susan Fite, Ando - Century Club, Oct. 1/91. RSVP and Invitations: Georgia Tech. 01/14/92. File Folder - "Travel", 1991-1992:Naples, Germany Trip 12/15-12/18, Atlanta > Frankfurt > Berlin, Frankfurt Trip, Spain 1992, Japan Trip, Frankfurt Trip with Schwan & kreis(berg), Berlin Frank(furt) Trip. PDE, CCD, SCE, 05/20/92 Germany France Trip, Germany 6/29-30, Germany 3/24, memorabilia. File Folder - "letters of recommendation / reference," 1991-1992: Robert Montray Thesis, Georgia Institute of Technology, Raphael Mone, David Niland, Office for Metro. Arch., Sarah Whiting, Recommendation - Milanini, letter of Reference - J. Ben Gianni, letters of Reference, reference letters and Friedrich K.M. Bohm.
Form:
textual records
textual records
People:
Form:
events
events
Title:
Second Nature
Second Nature
Actions:
Description:
As part of the exhibition It’s All Happening So Fast, an interactive workshop is offered to cegep and university groups in order to explore the complex and contradictory relationships that Canada maintains with the environment. By taking a stand and speaking on behalf of entities motivated by a multiplicity of interests—ecosystems, architecture, ethics, economic systems,(...)
As part of the exhibition It’s All Happening So Fast, an interactive workshop is offered to cegep and university groups in order to explore the complex and contradictory relationships that Canada maintains with the environment. By taking a stand and speaking on behalf of entities motivated by a multiplicity of interests—ecosystems, architecture, ethics, economic systems,(...)
Date:
26 January 2017 to 7 April 2017
26 January 2017 to 7 April 2017
Title:
Second Nature
Actions:
Description:
As part of the exhibition It’s All Happening So Fast, an interactive workshop is offered to cegep and university groups in order to explore the complex and contradictory relationships that Canada maintains with the environment. By taking a stand and speaking on behalf of entities motivated by a multiplicity of interests—ecosystems, architecture, ethics, economic systems,(...)
Second Nature
Actions:
Description:
As part of the exhibition It’s All Happening So Fast, an interactive workshop is offered to cegep and university groups in order to explore the complex and contradictory relationships that Canada maintains with the environment. By taking a stand and speaking on behalf of entities motivated by a multiplicity of interests—ecosystems, architecture, ethics, economic systems,(...)
Form:
events
events
Date:
26 January 2017 to
7 April 2017
26 January 2017 to
7 April 2017
Form:
events
events
Title:
Do Not Come Any Closer
Do Not Come Any Closer
Actions:
Description:
Since 1997 Czech artist Barbora Šlapetová has made several expeditions to remote settlements in the jungles of Papua New Guinea with her colleague Lukáš Rittstein. The documentation of such visits and the dialogues they have prompted, including one with Czech premier Vaclav Havel, yielded books such as Why the Night is Black and Do Not Come Any Closer and several(...)
Since 1997 Czech artist Barbora Šlapetová has made several expeditions to remote settlements in the jungles of Papua New Guinea with her colleague Lukáš Rittstein. The documentation of such visits and the dialogues they have prompted, including one with Czech premier Vaclav Havel, yielded books such as Why the Night is Black and Do Not Come Any Closer and several(...)
Location:
Paul-Desmarais Theatre
Paul-Desmarais Theatre
Date:
29 November 2012 , 7pm
29 November 2012 , 7pm
Title:
Do Not Come Any Closer
Actions:
Description:
Since 1997 Czech artist Barbora Šlapetová has made several expeditions to remote settlements in the jungles of Papua New Guinea with her colleague Lukáš Rittstein. The documentation of such visits and the dialogues they have prompted, including one with Czech premier Vaclav Havel, yielded books such as Why the Night is Black and Do Not Come Any Closer and several(...)
Do Not Come Any Closer
Actions:
Description:
Since 1997 Czech artist Barbora Šlapetová has made several expeditions to remote settlements in the jungles of Papua New Guinea with her colleague Lukáš Rittstein. The documentation of such visits and the dialogues they have prompted, including one with Czech premier Vaclav Havel, yielded books such as Why the Night is Black and Do Not Come Any Closer and several(...)
Form:
events
events
Date:
29 November 2012
7pm
29 November 2012
7pm
Location:
Paul-Desmarais Theatre
Paul-Desmarais Theatre
Form:
exhibitions
exhibitions
Description:
Learning from… Ruscha and Venturi Scott Brown, 1962–1977 examines the relationship between the seminal illustrated books by artist Edward Ruscha and architects Robert Venturi and Denise Scott Brown that deal with the architecture and urbanism of the everyday in Los Angeles and Las Vegas during the 1960s and 1970s. Ruscha’s Every Building on the Sunset Strip and Venturi(...)
Learning from… Ruscha and Venturi Scott Brown, 1962–1977 examines the relationship between the seminal illustrated books by artist Edward Ruscha and architects Robert Venturi and Denise Scott Brown that deal with the architecture and urbanism of the everyday in Los Angeles and Las Vegas during the 1960s and 1970s. Ruscha’s Every Building on the Sunset Strip and Venturi(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
31 March 2004 to 30 May 2004
31 March 2004 to 30 May 2004
Title:
Learning from… Ruscha and Venturi Scott Brown, 1962–1977
Actions:
Description:
Learning from… Ruscha and Venturi Scott Brown, 1962–1977 examines the relationship between the seminal illustrated books by artist Edward Ruscha and architects Robert Venturi and Denise Scott Brown that deal with the architecture and urbanism of the everyday in Los Angeles and Las Vegas during the 1960s and 1970s. Ruscha’s Every Building on the Sunset Strip and Venturi(...)
Learning from… Ruscha and Venturi Scott Brown, 1962–1977
Actions:
Description:
Learning from… Ruscha and Venturi Scott Brown, 1962–1977 examines the relationship between the seminal illustrated books by artist Edward Ruscha and architects Robert Venturi and Denise Scott Brown that deal with the architecture and urbanism of the everyday in Los Angeles and Las Vegas during the 1960s and 1970s. Ruscha’s Every Building on the Sunset Strip and Venturi(...)
Form:
exhibitions
exhibitions
Date:
31 March 2004 to
30 May 2004
31 March 2004 to
30 May 2004
Location:
Octagonal gallery
Octagonal gallery
Form:
exhibitions
exhibitions
Description:
Thirty-two Italian photographers honour Phyllis Lambert, Founding Director and Chair of the CCA, on the occasion of her seventieth birthday. The exhibition reflects the concerns of Italian photographers since the 1970s and provides an overview of contemporary Italian photographic culture. Included are photographers Andrea Abati, Cesare Ballardini, Marina Ballo Charmet,(...)
Thirty-two Italian photographers honour Phyllis Lambert, Founding Director and Chair of the CCA, on the occasion of her seventieth birthday. The exhibition reflects the concerns of Italian photographers since the 1970s and provides an overview of contemporary Italian photographic culture. Included are photographers Andrea Abati, Cesare Ballardini, Marina Ballo Charmet,(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
21 April 1999 to 26 September 1999
21 April 1999 to 26 September 1999
Title:
32 Italian Photographers: A Tribute to Phyllis Lambert
Actions:
Description:
Thirty-two Italian photographers honour Phyllis Lambert, Founding Director and Chair of the CCA, on the occasion of her seventieth birthday. The exhibition reflects the concerns of Italian photographers since the 1970s and provides an overview of contemporary Italian photographic culture. Included are photographers Andrea Abati, Cesare Ballardini, Marina Ballo Charmet,(...)
32 Italian Photographers: A Tribute to Phyllis Lambert
Actions:
Description:
Thirty-two Italian photographers honour Phyllis Lambert, Founding Director and Chair of the CCA, on the occasion of her seventieth birthday. The exhibition reflects the concerns of Italian photographers since the 1970s and provides an overview of contemporary Italian photographic culture. Included are photographers Andrea Abati, Cesare Ballardini, Marina Ballo Charmet,(...)
Form:
exhibitions
exhibitions
Date:
21 April 1999 to
26 September 1999
21 April 1999 to
26 September 1999
Location:
Octagonal gallery
Octagonal gallery
Form:
events
events
Title:
Learning from... Montréal
Learning from... Montréal
Actions:
Description:
Lance Blomgren uses his 2009 book Walkups—a novella set entirely within Montréal’s row house apartment buildings—as a springboard for an analysis of the discursive plane of fictional architecture. Looking at works by John Hejduk, Ilya Kabakov, Alice Aycock and others, Blomgren argues that contemporary modes of speculative architecture offer a vital, if ethically fraught,(...)
Lance Blomgren uses his 2009 book Walkups—a novella set entirely within Montréal’s row house apartment buildings—as a springboard for an analysis of the discursive plane of fictional architecture. Looking at works by John Hejduk, Ilya Kabakov, Alice Aycock and others, Blomgren argues that contemporary modes of speculative architecture offer a vital, if ethically fraught,(...)
Location:
Paul-Desmarais Theatre
Paul-Desmarais Theatre
Date:
2 May 2013 , 7pm
2 May 2013 , 7pm
Title:
Learning from... Montréal
Actions:
Description:
Lance Blomgren uses his 2009 book Walkups—a novella set entirely within Montréal’s row house apartment buildings—as a springboard for an analysis of the discursive plane of fictional architecture. Looking at works by John Hejduk, Ilya Kabakov, Alice Aycock and others, Blomgren argues that contemporary modes of speculative architecture offer a vital, if ethically fraught,(...)
Learning from... Montréal
Actions:
Description:
Lance Blomgren uses his 2009 book Walkups—a novella set entirely within Montréal’s row house apartment buildings—as a springboard for an analysis of the discursive plane of fictional architecture. Looking at works by John Hejduk, Ilya Kabakov, Alice Aycock and others, Blomgren argues that contemporary modes of speculative architecture offer a vital, if ethically fraught,(...)
Form:
events
events
Date:
2 May 2013
7pm
2 May 2013
7pm
Location:
Paul-Desmarais Theatre
Paul-Desmarais Theatre
