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books
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Perhaps most well known for the iconic sculpture "Cadillac Ranch" and performances like "Media Burn", the radical architecture and media art group Ant Farm created an abundance of works across disciplines — including video, publications, built environments, and performance. Less known are the group’s “time capsule” works made throughout their career, which rejected the(...)
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Perhaps most well known for the iconic sculpture "Cadillac Ranch" and performances like "Media Burn", the radical architecture and media art group Ant Farm created an abundance of works across disciplines — including video, publications, built environments, and performance. Less known are the group’s “time capsule” works made throughout their career, which rejected the(...)
Publication:
March 2017
March 2017
Title:
The present is the form of all life: the time capsules of Ant Farm and LST
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Perhaps most well known for the iconic sculpture "Cadillac Ranch" and performances like "Media Burn", the radical architecture and media art group Ant Farm created an abundance of works across disciplines — including video, publications, built environments, and performance. Less known are the group’s “time capsule” works made throughout their career, which rejected the idea of the time capsule as a reliable means of cultural preservation. Published as a supplement to the exhibition "The Present Is the Form of All Life: The Time Capsules of Ant Farm and LST", this book features essays, an interview with LST, and many never before published or reproduced images of archival material, tracing the time capsule works of Ant Farm and successor group LST from analog archive to digital database.
The present is the form of all life: the time capsules of Ant Farm and LST
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$60.00
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Summary:
Perhaps most well known for the iconic sculpture "Cadillac Ranch" and performances like "Media Burn", the radical architecture and media art group Ant Farm created an abundance of works across disciplines — including video, publications, built environments, and performance. Less known are the group’s “time capsule” works made throughout their career, which rejected the idea of the time capsule as a reliable means of cultural preservation. Published as a supplement to the exhibition "The Present Is the Form of All Life: The Time Capsules of Ant Farm and LST", this book features essays, an interview with LST, and many never before published or reproduced images of archival material, tracing the time capsule works of Ant Farm and successor group LST from analog archive to digital database.
Form:
books
books
Publication:
March 2017
March 2017
Form:
books
books
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$13.99
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In this publication, Caterina Albano examines the cultural significance of breath and air to a wide array of forces in our midst, including economy, politics, infection, and ecological violence. Through a consideration of recent art practices and projects, including the dance project Breath Catalogue, which makes visible the breathing patterns of dancers, and Forensic(...)
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In this publication, Caterina Albano examines the cultural significance of breath and air to a wide array of forces in our midst, including economy, politics, infection, and ecological violence. Through a consideration of recent art practices and projects, including the dance project Breath Catalogue, which makes visible the breathing patterns of dancers, and Forensic(...)
Title:
Out of breath: Vulnerability of air in contemporary art
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In this publication, Caterina Albano examines the cultural significance of breath and air to a wide array of forces in our midst, including economy, politics, infection, and ecological violence. Through a consideration of recent art practices and projects, including the dance project Breath Catalogue, which makes visible the breathing patterns of dancers, and Forensic Architecture’s Cloud Studies video, which investigates eight different kinds of clouds from airstrikes to herbicides to tear gas, Albano focuses on breath as both an intuitive process and a conveyer of meanings. Conceived in response to the Covid-19 pandemic and systemic inequalities that it has laid bare, the book shows the potential of artistic practices to mobilize affect as a form of cultural and political critique.
Out of breath: Vulnerability of air in contemporary art
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$13.99
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Summary:
In this publication, Caterina Albano examines the cultural significance of breath and air to a wide array of forces in our midst, including economy, politics, infection, and ecological violence. Through a consideration of recent art practices and projects, including the dance project Breath Catalogue, which makes visible the breathing patterns of dancers, and Forensic Architecture’s Cloud Studies video, which investigates eight different kinds of clouds from airstrikes to herbicides to tear gas, Albano focuses on breath as both an intuitive process and a conveyer of meanings. Conceived in response to the Covid-19 pandemic and systemic inequalities that it has laid bare, the book shows the potential of artistic practices to mobilize affect as a form of cultural and political critique.
Form:
books
books
Publication:
June 2022
June 2022
Subject:
Art Theory
Art Theory
Form:
books
books
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$43.95
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Summary:
In the 1970s David Toop became preoccupied with the possibility that music was no longer bounded by formalities of audience: the clapping, the booing, the short attention span, the demand for instant gratification. Considering sound and listening as foundational practices in themselves leads music into a thrilling new territory: stretched time, wilderness, video monitors,(...)
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In the 1970s David Toop became preoccupied with the possibility that music was no longer bounded by formalities of audience: the clapping, the booing, the short attention span, the demand for instant gratification. Considering sound and listening as foundational practices in themselves leads music into a thrilling new territory: stretched time, wilderness, video monitors,(...)
Title:
Inflamed invisible: collected writings on art and sound, 1976-2018
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In the 1970s David Toop became preoccupied with the possibility that music was no longer bounded by formalities of audience: the clapping, the booing, the short attention span, the demand for instant gratification. Considering sound and listening as foundational practices in themselves leads music into a thrilling new territory: stretched time, wilderness, video monitors, singing sculptures, weather, meditations, vibration and the interior resonance of objects, interspecies communications, instructional texts, silent actions, and performance art. This publications collects more than four decades of David Toop's essays, reviews, interviews, and experimental texts, drawing us into the company of artists and their concerns, not forgetting the quieter, unsung voices. The volume is an exploration of strata of sound that are the crossing points of sensory, intellectual, and philosophical preoccupations.
Inflamed invisible: collected writings on art and sound, 1976-2018
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$43.95
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Summary:
In the 1970s David Toop became preoccupied with the possibility that music was no longer bounded by formalities of audience: the clapping, the booing, the short attention span, the demand for instant gratification. Considering sound and listening as foundational practices in themselves leads music into a thrilling new territory: stretched time, wilderness, video monitors, singing sculptures, weather, meditations, vibration and the interior resonance of objects, interspecies communications, instructional texts, silent actions, and performance art. This publications collects more than four decades of David Toop's essays, reviews, interviews, and experimental texts, drawing us into the company of artists and their concerns, not forgetting the quieter, unsung voices. The volume is an exploration of strata of sound that are the crossing points of sensory, intellectual, and philosophical preoccupations.
Form:
books
books
Publication:
November 2019
November 2019
Subject:
Acoustics
Acoustics
Form:
books
books
Title:
Social practices
Social practices
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$26.95
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Mixing biography, autobiography, fiction, criticism, and conversations among friends, with ''Social Practices'' Chris Kraus continues the anthropological exploration of artistic lives and the art world begun in 2004 with Video Green: Los Angeles Art and the Triumph of Nothingness. Social Practices includes writings from and around the legendary ''Chance Event—Three Days(...)
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Mixing biography, autobiography, fiction, criticism, and conversations among friends, with ''Social Practices'' Chris Kraus continues the anthropological exploration of artistic lives and the art world begun in 2004 with Video Green: Los Angeles Art and the Triumph of Nothingness. Social Practices includes writings from and around the legendary ''Chance Event—Three Days(...)
Title:
Social practices
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$26.95
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Mixing biography, autobiography, fiction, criticism, and conversations among friends, with ''Social Practices'' Chris Kraus continues the anthropological exploration of artistic lives and the art world begun in 2004 with Video Green: Los Angeles Art and the Triumph of Nothingness. Social Practices includes writings from and around the legendary ''Chance Event—Three Days in the Desert with Jean Baudrillard'' (1996), and ''Radical Localism,'' an exhibition of art and media from Puerto Nuevo's Mexicali Rose that Kraus co-organized with Marco Vera and Richard Birkett in 2012. Attuned to the odd and the anomalous, Kraus profiles Elias Fontes, an Imperial Valley hay merchant who has become an important collector of contemporary Mexican art, and chronicles the demise of a rural convenience store in northern Minnesota.
Social practices
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$26.95
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Summary:
Mixing biography, autobiography, fiction, criticism, and conversations among friends, with ''Social Practices'' Chris Kraus continues the anthropological exploration of artistic lives and the art world begun in 2004 with Video Green: Los Angeles Art and the Triumph of Nothingness. Social Practices includes writings from and around the legendary ''Chance Event—Three Days in the Desert with Jean Baudrillard'' (1996), and ''Radical Localism,'' an exhibition of art and media from Puerto Nuevo's Mexicali Rose that Kraus co-organized with Marco Vera and Richard Birkett in 2012. Attuned to the odd and the anomalous, Kraus profiles Elias Fontes, an Imperial Valley hay merchant who has become an important collector of contemporary Mexican art, and chronicles the demise of a rural convenience store in northern Minnesota.
Form:
books
books
Publication:
October 2018
October 2018
Subject:
Art Theory
Art Theory
Form:
books
books
Title:
Exhibiting the moving image
Exhibiting the moving image
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$39.95
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Since the 1990s, a "cinematographic turn" has taken place in contemporary art, paralleled by the emergence of a "cinema of exhibition." This collection of new essays investigates the relationships between the "white cube" and the "black box," focusing mainly on the 1970s, a decade in which film practices and moving images were integrated into museums and art spaces. The(...)
$39.95
(available to order)
Summary:
Since the 1990s, a "cinematographic turn" has taken place in contemporary art, paralleled by the emergence of a "cinema of exhibition." This collection of new essays investigates the relationships between the "white cube" and the "black box," focusing mainly on the 1970s, a decade in which film practices and moving images were integrated into museums and art spaces. The(...)
Publication:
March 2016
March 2016
Title:
Exhibiting the moving image
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$39.95
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Summary:
Since the 1990s, a "cinematographic turn" has taken place in contemporary art, paralleled by the emergence of a "cinema of exhibition." This collection of new essays investigates the relationships between the "white cube" and the "black box," focusing mainly on the 1970s, a decade in which film practices and moving images were integrated into museums and art spaces. The authors analyze multiple modalities of presenting the moving image through historical case studies: the anatomy of video art, expanded cinema, artists’ films and installations, and the moving image in the public sphere. Exploring examples from the 1930s to the present, these contributions address commercial, spectacular or advertising forms of moving images, artists’ performative practices, installations in large museums, exhibitions devoted to projections and festivals of experimental films.
Exhibiting the moving image
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$39.95
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Summary:
Since the 1990s, a "cinematographic turn" has taken place in contemporary art, paralleled by the emergence of a "cinema of exhibition." This collection of new essays investigates the relationships between the "white cube" and the "black box," focusing mainly on the 1970s, a decade in which film practices and moving images were integrated into museums and art spaces. The authors analyze multiple modalities of presenting the moving image through historical case studies: the anatomy of video art, expanded cinema, artists’ films and installations, and the moving image in the public sphere. Exploring examples from the 1930s to the present, these contributions address commercial, spectacular or advertising forms of moving images, artists’ performative practices, installations in large museums, exhibitions devoted to projections and festivals of experimental films.
Form:
books
books
Publication:
March 2016
March 2016
Form:
books
books
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$66.00
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Kiosk, Christoph Keller's famous art publications archive, has been exhibited at 27 institutions and biennials internationally since 2001, including the ICA (London), the Witte de With (Rotterdam), Artists' Space (NY), the Emily Carr Institute (Vancouver), MUDAM (Luxembourg) and biennials such as Manifesta 4, the 25th Graphic Biennial of Ljubljana and the Istanbul(...)
$66.00
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Kiosk, Christoph Keller's famous art publications archive, has been exhibited at 27 institutions and biennials internationally since 2001, including the ICA (London), the Witte de With (Rotterdam), Artists' Space (NY), the Emily Carr Institute (Vancouver), MUDAM (Luxembourg) and biennials such as Manifesta 4, the 25th Graphic Biennial of Ljubljana and the Istanbul(...)
Publication:
February 2010
February 2010
Title:
Kiosk: Modes of multiplication
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Kiosk, Christoph Keller's famous art publications archive, has been exhibited at 27 institutions and biennials internationally since 2001, including the ICA (London), the Witte de With (Rotterdam), Artists' Space (NY), the Emily Carr Institute (Vancouver), MUDAM (Luxembourg) and biennials such as Manifesta 4, the 25th Graphic Biennial of Ljubljana and the Istanbul Biennial. To date, it contains more than 7,000 publications by approximately 500 independent art publishing projects, from magazines, fanzines, newspapers, journals, audio and video labels to institutional publishing, covering the entire bandwidth of publishing possibilities. On the occasion of the archive's final public presentation at the Kunstbibliothek, Berlin, this overview on independent art publishing activities today surveys the Kiosk project. This catalogue contains documentary illustrations and provides information on the contributing publishing projects.
Kiosk: Modes of multiplication
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$66.00
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Summary:
Kiosk, Christoph Keller's famous art publications archive, has been exhibited at 27 institutions and biennials internationally since 2001, including the ICA (London), the Witte de With (Rotterdam), Artists' Space (NY), the Emily Carr Institute (Vancouver), MUDAM (Luxembourg) and biennials such as Manifesta 4, the 25th Graphic Biennial of Ljubljana and the Istanbul Biennial. To date, it contains more than 7,000 publications by approximately 500 independent art publishing projects, from magazines, fanzines, newspapers, journals, audio and video labels to institutional publishing, covering the entire bandwidth of publishing possibilities. On the occasion of the archive's final public presentation at the Kunstbibliothek, Berlin, this overview on independent art publishing activities today surveys the Kiosk project. This catalogue contains documentary illustrations and provides information on the contributing publishing projects.
Form:
books
books
Publication:
February 2010
February 2010
Form:
books
books
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$86.95
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Summary:
Edward Dimendberg offers the first comprehensive treatment of one of the most imaginative contemporary design studios. Since founding their practice in 1979, Elizabeth Diller and Ricardo Scofidio have integrated architecture, urban design, media art, and the performing arts through performances, art installations, and books, in addition to buildings and public spaces. (...)
$86.95
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Edward Dimendberg offers the first comprehensive treatment of one of the most imaginative contemporary design studios. Since founding their practice in 1979, Elizabeth Diller and Ricardo Scofidio have integrated architecture, urban design, media art, and the performing arts through performances, art installations, and books, in addition to buildings and public spaces. (...)
Title:
Diller Scofidio + Renfro: architecture after images
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$86.95
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Edward Dimendberg offers the first comprehensive treatment of one of the most imaginative contemporary design studios. Since founding their practice in 1979, Elizabeth Diller and Ricardo Scofidio have integrated architecture, urban design, media art, and the performing arts through performances, art installations, and books, in addition to buildings and public spaces. At the center of this work is a fascination with vision and a commitment to questioning the certainty and security long associated with architecture. Dimendberg provides an extensive overview of these concerns, how the partners question the nature of space and vision in contemporary culture, and produce work that is endlessly surprising and rewarding, from New York’s High Line to Blur, an artificial cloud, and Facsimile, a video screen that moves around a building facade.
Diller Scofidio + Renfro: architecture after images
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$86.95
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Summary:
Edward Dimendberg offers the first comprehensive treatment of one of the most imaginative contemporary design studios. Since founding their practice in 1979, Elizabeth Diller and Ricardo Scofidio have integrated architecture, urban design, media art, and the performing arts through performances, art installations, and books, in addition to buildings and public spaces. At the center of this work is a fascination with vision and a commitment to questioning the certainty and security long associated with architecture. Dimendberg provides an extensive overview of these concerns, how the partners question the nature of space and vision in contemporary culture, and produce work that is endlessly surprising and rewarding, from New York’s High Line to Blur, an artificial cloud, and Facsimile, a video screen that moves around a building facade.
Form:
books
books
Publication:
April 2013
April 2013
Subject:
Architecture Monographs
Architecture Monographs
Form:
books
books
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$65.00
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In the summer of 2018, Ursula Biemann was commissioned to undertake an extended field trip across the South of Colombia. Many surprising developments ensued from this initial journey in the Amazonian rainforest where the histories of colonial conquest and natural science intertwine. Forest Mind is the result of a series of territorial engagements through video-making,(...)
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In the summer of 2018, Ursula Biemann was commissioned to undertake an extended field trip across the South of Colombia. Many surprising developments ensued from this initial journey in the Amazonian rainforest where the histories of colonial conquest and natural science intertwine. Forest Mind is the result of a series of territorial engagements through video-making,(...)
Title:
Forest mind: On the interconnection of all life
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In the summer of 2018, Ursula Biemann was commissioned to undertake an extended field trip across the South of Colombia. Many surprising developments ensued from this initial journey in the Amazonian rainforest where the histories of colonial conquest and natural science intertwine. Forest Mind is the result of a series of territorial engagements through video-making, photography, academic research, personal narrative, and the co-creation of an Indigenous University with the Inga people of Colombia. The explorations focus on the intelligence in nature from both shamanic and scientific perspectives. In these tropical forests, human and nonhuman territorial projects become entangled, calling for new ways of generating knowledge that spur the imagination. The Indigenous science of Ayahuasca as it is practiced by the traditional medics in Amazonia, is largely based in visions evoked by the psychoactive plant. Here, knowing does not only occur from a distance by describing, naming, and exploiting, but as an encounter between minds and worlds. The artist’s research brings to light contemporary Western science that has already been practiced by ancestral medics for millennia, allowing them to interact at the molecular level of DNA. Experimenting with new genetic technologies in collaboration with the ETH lab in Zurich, the visual universe of this project partially derives from biological materials and video-images of the rainforest which were encoded in one and the same DNA strand. In this personal quest, Swiss artist and author Ursula Biemann pursues her long-term inquiry at the intersection of art, ecology and indigenous cosmologies. The artist book presents a biosemiotics project that takes a deep dive into the mechanics of the interconnectedness of all life, and reflects on the active, performative role images play in merging mind and forest.
Forest mind: On the interconnection of all life
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$65.00
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Summary:
In the summer of 2018, Ursula Biemann was commissioned to undertake an extended field trip across the South of Colombia. Many surprising developments ensued from this initial journey in the Amazonian rainforest where the histories of colonial conquest and natural science intertwine. Forest Mind is the result of a series of territorial engagements through video-making, photography, academic research, personal narrative, and the co-creation of an Indigenous University with the Inga people of Colombia. The explorations focus on the intelligence in nature from both shamanic and scientific perspectives. In these tropical forests, human and nonhuman territorial projects become entangled, calling for new ways of generating knowledge that spur the imagination. The Indigenous science of Ayahuasca as it is practiced by the traditional medics in Amazonia, is largely based in visions evoked by the psychoactive plant. Here, knowing does not only occur from a distance by describing, naming, and exploiting, but as an encounter between minds and worlds. The artist’s research brings to light contemporary Western science that has already been practiced by ancestral medics for millennia, allowing them to interact at the molecular level of DNA. Experimenting with new genetic technologies in collaboration with the ETH lab in Zurich, the visual universe of this project partially derives from biological materials and video-images of the rainforest which were encoded in one and the same DNA strand. In this personal quest, Swiss artist and author Ursula Biemann pursues her long-term inquiry at the intersection of art, ecology and indigenous cosmologies. The artist book presents a biosemiotics project that takes a deep dive into the mechanics of the interconnectedness of all life, and reflects on the active, performative role images play in merging mind and forest.
Form:
books
books
Publication:
October 2022
October 2022
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
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$100.00
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Summary:
''Dialect'' covers three years of state violence for nine young Moroccan migrants exiled in Kafka-esque limbo in Seville, southern Spain. When underage migrants enter the country illegally and cannot be verified as adults, their custody remains in the hands of the state – subjecting them to a lengthy process of up to three years to gain legal status. In this state of(...)
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''Dialect'' covers three years of state violence for nine young Moroccan migrants exiled in Kafka-esque limbo in Seville, southern Spain. When underage migrants enter the country illegally and cannot be verified as adults, their custody remains in the hands of the state – subjecting them to a lengthy process of up to three years to gain legal status. In this state of(...)
Title:
Felipe Romero Beltrán: Dialect
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''Dialect'' covers three years of state violence for nine young Moroccan migrants exiled in Kafka-esque limbo in Seville, southern Spain. When underage migrants enter the country illegally and cannot be verified as adults, their custody remains in the hands of the state – subjecting them to a lengthy process of up to three years to gain legal status. In this state of suspension and liminality, Beltrán engages with the body as a metaphor: using a carefully articulated language between photography, performance and collaboration, the weight of dead time is registered upon the shoulders of these young men, entering into dialogue with their memories, journeys, and the humiliating mundanity of waiting and migration. Alongside video works and choreographed dance, ''Dialect'' breaks new documentary ground to shine a critical light on practices of bureaucratic oppression.
Felipe Romero Beltrán: Dialect
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''Dialect'' covers three years of state violence for nine young Moroccan migrants exiled in Kafka-esque limbo in Seville, southern Spain. When underage migrants enter the country illegally and cannot be verified as adults, their custody remains in the hands of the state – subjecting them to a lengthy process of up to three years to gain legal status. In this state of suspension and liminality, Beltrán engages with the body as a metaphor: using a carefully articulated language between photography, performance and collaboration, the weight of dead time is registered upon the shoulders of these young men, entering into dialogue with their memories, journeys, and the humiliating mundanity of waiting and migration. Alongside video works and choreographed dance, ''Dialect'' breaks new documentary ground to shine a critical light on practices of bureaucratic oppression.
Form:
books
books
Publication:
June 2023
June 2023
Subject:
Photography monographs
Photography monographs
Form:
journals and magazines
journals and magazines
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$30.00
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In the spheres of culture, journalism, and politics, urgent desires for better understanding are often met with offers of dialogue. But as Western societies have become increasingly polarized, such reciprocal engagement has lost some of its constructive potential. This is why ''TEXTE ZUR KUNST'' has dedicated its new issue, “Lecture,” to an investigation of the(...)
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Summary:
In the spheres of culture, journalism, and politics, urgent desires for better understanding are often met with offers of dialogue. But as Western societies have become increasingly polarized, such reciprocal engagement has lost some of its constructive potential. This is why ''TEXTE ZUR KUNST'' has dedicated its new issue, “Lecture,” to an investigation of the(...)
Title:
Texte zur kunst #136: Lecture
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In the spheres of culture, journalism, and politics, urgent desires for better understanding are often met with offers of dialogue. But as Western societies have become increasingly polarized, such reciprocal engagement has lost some of its constructive potential. This is why ''TEXTE ZUR KUNST'' has dedicated its new issue, “Lecture,” to an investigation of the possibilities that the monological format opens up. The contributions to the issue demonstrate how the lecture’s inherently authoritarian interpellation can be repurposed for a critique of power and for subversive ends, highlighting, in particular, the lecture performance as a potent intervention into established hierarchies and regimes of knowledge. In a practical extension of these discussions, six artists and scholars reflect on the approaches, structures, rhetorics, and methodologies of their presentations in video lectures produced for the issue.
Texte zur kunst #136: Lecture
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In the spheres of culture, journalism, and politics, urgent desires for better understanding are often met with offers of dialogue. But as Western societies have become increasingly polarized, such reciprocal engagement has lost some of its constructive potential. This is why ''TEXTE ZUR KUNST'' has dedicated its new issue, “Lecture,” to an investigation of the possibilities that the monological format opens up. The contributions to the issue demonstrate how the lecture’s inherently authoritarian interpellation can be repurposed for a critique of power and for subversive ends, highlighting, in particular, the lecture performance as a potent intervention into established hierarchies and regimes of knowledge. In a practical extension of these discussions, six artists and scholars reflect on the approaches, structures, rhetorics, and methodologies of their presentations in video lectures produced for the issue.
Form:
journals and magazines
journals and magazines
Publication:
January 2025
January 2025
Subject:
Magazines
Magazines
