$65.00
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NeoGeo documents the new flirtation with geometrical forms and solid colours in today's design. The examples in the book make it clear that this current trend to abstract work is not a nostalgic phenomenon; rather, it borrows from illustration, collage, typography and computer art to create a whole new visual language.
Graphic Design and Typography
October 2007, Berlin
Neogeo a new edge to abstraction
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NeoGeo documents the new flirtation with geometrical forms and solid colours in today's design. The examples in the book make it clear that this current trend to abstract work is not a nostalgic phenomenon; rather, it borrows from illustration, collage, typography and computer art to create a whole new visual language.
Graphic Design and Typography
books
Description:
266 pages : illustrations, portraits ; 31 cm
New York, NY : Pace Gallery, [2021]
David Adjaye Adam Pendleton / interview by Adam Pendleton, David Adjaye.
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266 pages : illustrations, portraits ; 31 cm
books
New York, NY : Pace Gallery, [2021]
books
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256 pages : illustrations (some color) ; 29 cm
New York : Rizzoli, 1994.
Textiles of the Wiener Werkstätte, 1910-1932 / Angela Völker with the collaboration of Ruperta Pichler.
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256 pages : illustrations (some color) ; 29 cm
books
New York : Rizzoli, 1994.
books
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xv, 316 pages : illustrations ; 26 cm
New York, N.Y. : Cambridge University Press, 2000.
Mario Sironi and Italian modernism : art and politics under fascism / Emily Braun.
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xv, 316 pages : illustrations ; 26 cm
books
New York, N.Y. : Cambridge University Press, 2000.
books
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xix, 246 pages : illustrations ; 27 cm
Minneapolis : University of Minnesota Press, ©2006.
Bauhaus culture : from Weimar to the Cold War / Kathleen James-Chakraborty, editor.
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xix, 246 pages : illustrations ; 27 cm
books
Minneapolis : University of Minnesota Press, ©2006.
books
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271 pages : illustrations (chiefly color), facsimiles, portraits ; 32 x 24 cm
Köln : Verlag der Buchhandlung Walther und Franz König, [2021], ©2021
Die Gesellschaft der Zeichen : Piktogramme, Lebenszeichen, Emojis = The society of signs : pictograms, signs of life, emojis / Herausgeber, Leopold-Hoesch-Museum, Düren, Museum für Neue Kunst, Städitsche Museen, Freiburg ; Autor*innen, Anja Dorn [and six others].
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271 pages : illustrations (chiefly color), facsimiles, portraits ; 32 x 24 cm
books
Köln : Verlag der Buchhandlung Walther und Franz König, [2021], ©2021
$55.00
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Summary:
Première monographie d'ampleur consacrée à l'œuvre textile d'Anni Albers : une vaste étude de la pratique et de la pensée d'une figure charnière entre deux continents et deux modernités, qui s'inscrit dans le cadre général d'une histoire de l'art, du design et des productions textiles des avant-gardes féminines, européennes et américaines.
Les abstractions concrètes d'Anni Albers (1899-1994) : Une histoire textile de la modernité
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Première monographie d'ampleur consacrée à l'œuvre textile d'Anni Albers : une vaste étude de la pratique et de la pensée d'une figure charnière entre deux continents et deux modernités, qui s'inscrit dans le cadre général d'une histoire de l'art, du design et des productions textiles des avant-gardes féminines, européennes et américaines.
Design Monographs
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Otto Baumberger (1889–1961) was one of the first Swiss “poster designers”. His original graphic creations led to a reduction bordering on abstraction, in which graphic and textual elements underwent an increasingly potent synthesis. Thus, in its variety, Baumberger’s work embodies and exemplifies the history of Swiss poster art in the first half of the twentieth century,(...)
Graphic Design and Typography
October 2008, Zürich
Poster collection 18: Otto Baumberger
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Otto Baumberger (1889–1961) was one of the first Swiss “poster designers”. His original graphic creations led to a reduction bordering on abstraction, in which graphic and textual elements underwent an increasingly potent synthesis. Thus, in its variety, Baumberger’s work embodies and exemplifies the history of Swiss poster art in the first half of the twentieth century, as the painterly artist poster gradually evolved toward graphically oriented corporate design.
Graphic Design and Typography
$37.95
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Sculpteur, designer. scénographe, architecte, paysagiste ... Isamu Noguchi (1904 - 1988) a été un artiste complet liant intimement son art à sa vie. Entre États-Unis et Japon -- ses deux patries -- entre abstraction et figuration, entre tradition et modernité il a inlassablement créé sans jamais se soucier des frontières. Artiste phare de la scène internationale de(...)
La bibliothèque de l'Amateur : Isamu Noguchi
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Sculpteur, designer. scénographe, architecte, paysagiste ... Isamu Noguchi (1904 - 1988) a été un artiste complet liant intimement son art à sa vie. Entre États-Unis et Japon -- ses deux patries -- entre abstraction et figuration, entre tradition et modernité il a inlassablement créé sans jamais se soucier des frontières. Artiste phare de la scène internationale de l'après-guerre, il est aussi connu pour ses lampes Akari, une lumineuse réinvention de la lanterne japonaise. Et si ses oeuvres sculptées appartiennent aujourd'hui aux collections des plus grands musées. elles occupent aussi l'espace public des villes où elles se font terrain de jeux de méditation ou de contemplation - de vie en tout cas pour le plus grand nombre.
Design Monographs
$29.95
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Summary:
Colour is rarely the sole focus of a poster, especially since colour photography is a given component of most advertising. Thus it is often assumed that the graphic design world will always be brightly coloured. But as this latest volume on the Poster Collection of the Zurich Museum für Gestaltung sets out to prove, there are advantages to working in black and white. In a(...)
Poster collection 08 : black and white
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Colour is rarely the sole focus of a poster, especially since colour photography is a given component of most advertising. Thus it is often assumed that the graphic design world will always be brightly coloured. But as this latest volume on the Poster Collection of the Zurich Museum für Gestaltung sets out to prove, there are advantages to working in black and white. In a compilation of international posters created over the last 40 years, "Poster Collection 08" brings to light a surprising variety of approaches where the colour of the paper and the black of the ink are the only materials at hand. Those materials alone provide the creative will with the tools it needs to create a succinct statement. Examples come via designers like A.G. Fronzoni, Werner Jeker, James Victore and Büro Destruct, and range from the political manifesto to the poetic abstraction, from modernist cool to postmodern eclectic.
Graphic Design and Typography