5501 Results
Form:
exhibitions
exhibitions
Form:
exhibitions
exhibitions
Date:
January 2018 to
September 2018
January 2018 to
September 2018
Level of archival description:
Project
Project
Reference number:
AP066.S5.D2
Description:
Le dossier documente une exposition qui s'est tenue au R.C. Harris Water Filtration Plant, Toronto, en Ontario, en 1988, du 22 juin au 30 septembre 1988. L'exposition collective comptait 18 artistes et des architectes et était organisé par le "Visual Arts Ontario". Le dossier contient des dessins, des documents textuels, des documents photographiques et des maquettes. Description de l'exposition: "… individuals were invited to participate in what was billed as 'a prestigious showcase of art, architecture and design which will transform the roof-tops, grounds, and magnificent interiors of the R.C. Harris Water Filtration Plant into a unique museum of contemporary art.' Eighteen artists were invited to participate including John Baldessari, Jonathan Borogsky, Ludger Gerdes, Rebecca Horn, Komar and Melamid, Nancy Sperio, François Girard, Bruce Kuwabara, John Scott, Joanne Tod, Andreas Gehr, Morphosis, Aldo Rossi, Jacques Rousseau, Stacey Spiegel, Team Zoo and Krzyztof Wodiczko." Jennifer Fisher and Beth Seaton,"Waterworks: Visual Arts Ontario", Parachute, nº 52, novembre 1988, p. 59-60. Description du projet: "Parts of the site, …, have provided forms for casting concrete lawn chairs-like shapes - petrified recordings of the topography - fabricated of lake water, beach sand and pebbles, rods and wires." Ibidem
AP066.S5.D2
Description:
Le dossier documente une exposition qui s'est tenue au R.C. Harris Water Filtration Plant, Toronto, en Ontario, en 1988, du 22 juin au 30 septembre 1988. L'exposition collective comptait 18 artistes et des architectes et était organisé par le "Visual Arts Ontario". Le dossier contient des dessins, des documents textuels, des documents photographiques et des maquettes. Description de l'exposition: "… individuals were invited to participate in what was billed as 'a prestigious showcase of art, architecture and design which will transform the roof-tops, grounds, and magnificent interiors of the R.C. Harris Water Filtration Plant into a unique museum of contemporary art.' Eighteen artists were invited to participate including John Baldessari, Jonathan Borogsky, Ludger Gerdes, Rebecca Horn, Komar and Melamid, Nancy Sperio, François Girard, Bruce Kuwabara, John Scott, Joanne Tod, Andreas Gehr, Morphosis, Aldo Rossi, Jacques Rousseau, Stacey Spiegel, Team Zoo and Krzyztof Wodiczko." Jennifer Fisher and Beth Seaton,"Waterworks: Visual Arts Ontario", Parachute, nº 52, novembre 1988, p. 59-60. Description du projet: "Parts of the site, …, have provided forms for casting concrete lawn chairs-like shapes - petrified recordings of the topography - fabricated of lake water, beach sand and pebbles, rods and wires." Ibidem
People:
Date:
22 juin-30 septembre 1988
22 juin-30 septembre 1988
Title:
Installation "Waterworks", Toronto - "Horizons"
Actions:
AP066.S5.D2
Description:
Le dossier documente une exposition qui s'est tenue au R.C. Harris Water Filtration Plant, Toronto, en Ontario, en 1988, du 22 juin au 30 septembre 1988. L'exposition collective comptait 18 artistes et des architectes et était organisé par le "Visual Arts Ontario". Le dossier contient des dessins, des documents textuels, des documents photographiques et des maquettes. Description de l'exposition: "… individuals were invited to participate in what was billed as 'a prestigious showcase of art, architecture and design which will transform the roof-tops, grounds, and magnificent interiors of the R.C. Harris Water Filtration Plant into a unique museum of contemporary art.' Eighteen artists were invited to participate including John Baldessari, Jonathan Borogsky, Ludger Gerdes, Rebecca Horn, Komar and Melamid, Nancy Sperio, François Girard, Bruce Kuwabara, John Scott, Joanne Tod, Andreas Gehr, Morphosis, Aldo Rossi, Jacques Rousseau, Stacey Spiegel, Team Zoo and Krzyztof Wodiczko." Jennifer Fisher and Beth Seaton,"Waterworks: Visual Arts Ontario", Parachute, nº 52, novembre 1988, p. 59-60. Description du projet: "Parts of the site, …, have provided forms for casting concrete lawn chairs-like shapes - petrified recordings of the topography - fabricated of lake water, beach sand and pebbles, rods and wires." Ibidem
Installation "Waterworks", Toronto - "Horizons"
Actions:
AP066.S5.D2
Description:
Le dossier documente une exposition qui s'est tenue au R.C. Harris Water Filtration Plant, Toronto, en Ontario, en 1988, du 22 juin au 30 septembre 1988. L'exposition collective comptait 18 artistes et des architectes et était organisé par le "Visual Arts Ontario". Le dossier contient des dessins, des documents textuels, des documents photographiques et des maquettes. Description de l'exposition: "… individuals were invited to participate in what was billed as 'a prestigious showcase of art, architecture and design which will transform the roof-tops, grounds, and magnificent interiors of the R.C. Harris Water Filtration Plant into a unique museum of contemporary art.' Eighteen artists were invited to participate including John Baldessari, Jonathan Borogsky, Ludger Gerdes, Rebecca Horn, Komar and Melamid, Nancy Sperio, François Girard, Bruce Kuwabara, John Scott, Joanne Tod, Andreas Gehr, Morphosis, Aldo Rossi, Jacques Rousseau, Stacey Spiegel, Team Zoo and Krzyztof Wodiczko." Jennifer Fisher and Beth Seaton,"Waterworks: Visual Arts Ontario", Parachute, nº 52, novembre 1988, p. 59-60. Description du projet: "Parts of the site, …, have provided forms for casting concrete lawn chairs-like shapes - petrified recordings of the topography - fabricated of lake water, beach sand and pebbles, rods and wires." Ibidem
Level of archival description:
Dossier 2
Dossier 2
Date:
22 juin-30 septembre 1988
22 juin-30 septembre 1988
People:
Form:
photographs
photographs
Actions:
Reference number:
PH1993:0211
Description:
- This photograph shows Vladimir Tatlin (1885-1953) with three assistants from the "creative collective" which was organized so that he could continue work on the Monument to the Third International design while the model was being constructed (the model was completed for the third anniversary of the October Revolution, 7 November 1920). The assistants are (left to right): Iosif Aizikovich Meerzon (1900-1941), Tevel' Markovich Shapiro (1898-1984 or later), and Sofia Isaakovna Dymshits-Tolstaia (1888-1963).
PH1993:0211
Description:
- This photograph shows Vladimir Tatlin (1885-1953) with three assistants from the "creative collective" which was organized so that he could continue work on the Monument to the Third International design while the model was being constructed (the model was completed for the third anniversary of the October Revolution, 7 November 1920). The assistants are (left to right): Iosif Aizikovich Meerzon (1900-1941), Tevel' Markovich Shapiro (1898-1984 or later), and Sofia Isaakovna Dymshits-Tolstaia (1888-1963).
People:
Subject:
architecture, portrait
architecture, portrait
Date:
between March and 7 November 1920
between March and 7 November 1920
Title:
Group portrait of Vladimir Tatlin and his assistants I.A. Meerzon, T.M. Shapiro and S. Dymshits-Tolstaia at the time of the construction of the model for the Monument to the Third International, Petrograd (now Saint Petersburg)
Actions:
PH1993:0211
Description:
- This photograph shows Vladimir Tatlin (1885-1953) with three assistants from the "creative collective" which was organized so that he could continue work on the Monument to the Third International design while the model was being constructed (the model was completed for the third anniversary of the October Revolution, 7 November 1920). The assistants are (left to right): Iosif Aizikovich Meerzon (1900-1941), Tevel' Markovich Shapiro (1898-1984 or later), and Sofia Isaakovna Dymshits-Tolstaia (1888-1963).
Group portrait of Vladimir Tatlin and his assistants I.A. Meerzon, T.M. Shapiro and S. Dymshits-Tolstaia at the time of the construction of the model for the Monument to the Third International, Petrograd (now Saint Petersburg)
Actions:
PH1993:0211
Description:
- This photograph shows Vladimir Tatlin (1885-1953) with three assistants from the "creative collective" which was organized so that he could continue work on the Monument to the Third International design while the model was being constructed (the model was completed for the third anniversary of the October Revolution, 7 November 1920). The assistants are (left to right): Iosif Aizikovich Meerzon (1900-1941), Tevel' Markovich Shapiro (1898-1984 or later), and Sofia Isaakovna Dymshits-Tolstaia (1888-1963).
Form:
photographs
photographs
Date:
between March and 7 November 1920
between March and 7 November 1920
People:
Subject:
architecture, portrait
architecture, portrait
Form:
photographs
photographs
Actions:
Reference number:
PH1993:0213
Description:
- This photograph shows Vladimir Tatlin (1885-1953) with three assistants from the "creative collective" which was organized so that he could continue work on the Monument to the Third International design while the model was being constructed (the model was completed for the third anniversary of the October Revolution, 7 November 1920). The assistants are (left to right): Sofia Isaakovna Dymshits-Tolstaia (1888-1963), [Tatlin], Tevel' Markovich Shapiro (1898-1984 or later), and Iosif Aizikovich Meerzon (1900-1941).
PH1993:0213
Description:
- This photograph shows Vladimir Tatlin (1885-1953) with three assistants from the "creative collective" which was organized so that he could continue work on the Monument to the Third International design while the model was being constructed (the model was completed for the third anniversary of the October Revolution, 7 November 1920). The assistants are (left to right): Sofia Isaakovna Dymshits-Tolstaia (1888-1963), [Tatlin], Tevel' Markovich Shapiro (1898-1984 or later), and Iosif Aizikovich Meerzon (1900-1941).
People:
Subject:
architecture, portrait
architecture, portrait
Date:
between March and 7 November 1920
between March and 7 November 1920
Title:
Vladimir Tatlin and his assistants S. Dymshits-Tolstaia, T.M. Shapiro and I.A. Meerzon constructing the first model for the monument to the Third International, Petrograd (now Saint Petersburg)
Actions:
PH1993:0213
Description:
- This photograph shows Vladimir Tatlin (1885-1953) with three assistants from the "creative collective" which was organized so that he could continue work on the Monument to the Third International design while the model was being constructed (the model was completed for the third anniversary of the October Revolution, 7 November 1920). The assistants are (left to right): Sofia Isaakovna Dymshits-Tolstaia (1888-1963), [Tatlin], Tevel' Markovich Shapiro (1898-1984 or later), and Iosif Aizikovich Meerzon (1900-1941).
Vladimir Tatlin and his assistants S. Dymshits-Tolstaia, T.M. Shapiro and I.A. Meerzon constructing the first model for the monument to the Third International, Petrograd (now Saint Petersburg)
Actions:
PH1993:0213
Description:
- This photograph shows Vladimir Tatlin (1885-1953) with three assistants from the "creative collective" which was organized so that he could continue work on the Monument to the Third International design while the model was being constructed (the model was completed for the third anniversary of the October Revolution, 7 November 1920). The assistants are (left to right): Sofia Isaakovna Dymshits-Tolstaia (1888-1963), [Tatlin], Tevel' Markovich Shapiro (1898-1984 or later), and Iosif Aizikovich Meerzon (1900-1941).
Form:
photographs
photographs
Date:
between March and 7 November 1920
between March and 7 November 1920
People:
Subject:
architecture, portrait
architecture, portrait
Form:
events
events
Actions:
Description:
Individuals act as their own historians, suppressing some stories and emphasizing others. But at the scale of nations and cultures, and especially in this age of ubiquitous digital memory, it has become more difficult to forget. Building on questions about history and its uses, raised by exhibitions like Educating Architects: Four Courses by Kenneth Frampton and Besides,(...)
Individuals act as their own historians, suppressing some stories and emphasizing others. But at the scale of nations and cultures, and especially in this age of ubiquitous digital memory, it has become more difficult to forget. Building on questions about history and its uses, raised by exhibitions like Educating Architects: Four Courses by Kenneth Frampton and Besides,(...)
Date:
7 December 2017
7 December 2017
Title:
Come and Forget the Internet, with Evgeny Morozov
Actions:
Description:
Individuals act as their own historians, suppressing some stories and emphasizing others. But at the scale of nations and cultures, and especially in this age of ubiquitous digital memory, it has become more difficult to forget. Building on questions about history and its uses, raised by exhibitions like Educating Architects: Four Courses by Kenneth Frampton and Besides,(...)
Come and Forget the Internet, with Evgeny Morozov
Actions:
Description:
Individuals act as their own historians, suppressing some stories and emphasizing others. But at the scale of nations and cultures, and especially in this age of ubiquitous digital memory, it has become more difficult to forget. Building on questions about history and its uses, raised by exhibitions like Educating Architects: Four Courses by Kenneth Frampton and Besides,(...)
Form:
events
events
Date:
7 December 2017
7 December 2017
Form:
events
events
Actions:
Description:
Individuals act as their own historians, suppressing some stories and emphasizing others. But at the scale of nations and cultures, and especially in this age of ubiquitous digital memory, it has become more difficult to forget. Building on questions about history and its uses, raised by exhibitions like Educating Architects: Four Courses by Kenneth Frampton and Besides,(...)
Individuals act as their own historians, suppressing some stories and emphasizing others. But at the scale of nations and cultures, and especially in this age of ubiquitous digital memory, it has become more difficult to forget. Building on questions about history and its uses, raised by exhibitions like Educating Architects: Four Courses by Kenneth Frampton and Besides,(...)
Keyword(s):
Craig Hodgetts
Craig Hodgetts
Date:
29 March 2018
29 March 2018
Title:
Come and Forget the Grid, with Craig Hodgetts
Actions:
Description:
Individuals act as their own historians, suppressing some stories and emphasizing others. But at the scale of nations and cultures, and especially in this age of ubiquitous digital memory, it has become more difficult to forget. Building on questions about history and its uses, raised by exhibitions like Educating Architects: Four Courses by Kenneth Frampton and Besides,(...)
Come and Forget the Grid, with Craig Hodgetts
Actions:
Description:
Individuals act as their own historians, suppressing some stories and emphasizing others. But at the scale of nations and cultures, and especially in this age of ubiquitous digital memory, it has become more difficult to forget. Building on questions about history and its uses, raised by exhibitions like Educating Architects: Four Courses by Kenneth Frampton and Besides,(...)
Form:
events
events
Date:
29 March 2018
29 March 2018
Keyword(s):
Craig Hodgetts
Craig Hodgetts
Form:
events
events
Description:
Individuals act as their own historians, suppressing some stories and emphasizing others. But at the scale of nations and cultures, and especially in this age of ubiquitous digital memory, it has become more difficult to forget. Building on questions about history and its uses, raised by exhibitions like Educating Architects: Four Courses by Kenneth Frampton and Besides,(...)
Individuals act as their own historians, suppressing some stories and emphasizing others. But at the scale of nations and cultures, and especially in this age of ubiquitous digital memory, it has become more difficult to forget. Building on questions about history and its uses, raised by exhibitions like Educating Architects: Four Courses by Kenneth Frampton and Besides,(...)
Keyword(s):
Johannes Grenzfurthner
Johannes Grenzfurthner
Date:
12 April 2018
12 April 2018
Title:
Come and Forget the Counterculture, with Johannes Grenzfurthner
Actions:
Description:
Individuals act as their own historians, suppressing some stories and emphasizing others. But at the scale of nations and cultures, and especially in this age of ubiquitous digital memory, it has become more difficult to forget. Building on questions about history and its uses, raised by exhibitions like Educating Architects: Four Courses by Kenneth Frampton and Besides,(...)
Come and Forget the Counterculture, with Johannes Grenzfurthner
Actions:
Description:
Individuals act as their own historians, suppressing some stories and emphasizing others. But at the scale of nations and cultures, and especially in this age of ubiquitous digital memory, it has become more difficult to forget. Building on questions about history and its uses, raised by exhibitions like Educating Architects: Four Courses by Kenneth Frampton and Besides,(...)
Form:
events
events
Date:
12 April 2018
12 April 2018
Keyword(s):
Johannes Grenzfurthner
Johannes Grenzfurthner
Form:
textual records
textual records
Actions:
Reference number:
DR2012:0012:063:007
Description:
Assorted newspaper clippings in English (predominant) and French, notes, and sketches. Includes the following original divisions: - Walking Harlem; Manhattan series; - Québec dictionnaire; Geometric ruins; Series #8; - Lenin’s tomb continued; - Parable series, 1990-1992; - Running/walking stiffs; - Monuments; - People/refugees carrying away cities; - Group photos as cities; - Displaced cities; Situationists updated; - [Untitled]; - Series: group photo in collective form; - Series: Walking stiffs; Factory stiffs; Laid off; Particular pieces of factories; - Dictionnaire series: Rust belt; Abandoned cities; - Dictionnaire, misc. Original folder inscribed in graphite: ARTWORK SERIES RUNNING STIFFS MISC. MONUMENTS.
DR2012:0012:063:007
Description:
Assorted newspaper clippings in English (predominant) and French, notes, and sketches. Includes the following original divisions: - Walking Harlem; Manhattan series; - Québec dictionnaire; Geometric ruins; Series #8; - Lenin’s tomb continued; - Parable series, 1990-1992; - Running/walking stiffs; - Monuments; - People/refugees carrying away cities; - Group photos as cities; - Displaced cities; Situationists updated; - [Untitled]; - Series: group photo in collective form; - Series: Walking stiffs; Factory stiffs; Laid off; Particular pieces of factories; - Dictionnaire series: Rust belt; Abandoned cities; - Dictionnaire, misc. Original folder inscribed in graphite: ARTWORK SERIES RUNNING STIFFS MISC. MONUMENTS.
People:
Date:
1968-1984, 1991-2000
1968-1984, 1991-2000
Title:
Assorted newspaper clippings, notes, and sketches, Walking stiffs
Actions:
DR2012:0012:063:007
Description:
Assorted newspaper clippings in English (predominant) and French, notes, and sketches. Includes the following original divisions: - Walking Harlem; Manhattan series; - Québec dictionnaire; Geometric ruins; Series #8; - Lenin’s tomb continued; - Parable series, 1990-1992; - Running/walking stiffs; - Monuments; - People/refugees carrying away cities; - Group photos as cities; - Displaced cities; Situationists updated; - [Untitled]; - Series: group photo in collective form; - Series: Walking stiffs; Factory stiffs; Laid off; Particular pieces of factories; - Dictionnaire series: Rust belt; Abandoned cities; - Dictionnaire, misc. Original folder inscribed in graphite: ARTWORK SERIES RUNNING STIFFS MISC. MONUMENTS.
Assorted newspaper clippings, notes, and sketches, Walking stiffs
Actions:
DR2012:0012:063:007
Description:
Assorted newspaper clippings in English (predominant) and French, notes, and sketches. Includes the following original divisions: - Walking Harlem; Manhattan series; - Québec dictionnaire; Geometric ruins; Series #8; - Lenin’s tomb continued; - Parable series, 1990-1992; - Running/walking stiffs; - Monuments; - People/refugees carrying away cities; - Group photos as cities; - Displaced cities; Situationists updated; - [Untitled]; - Series: group photo in collective form; - Series: Walking stiffs; Factory stiffs; Laid off; Particular pieces of factories; - Dictionnaire series: Rust belt; Abandoned cities; - Dictionnaire, misc. Original folder inscribed in graphite: ARTWORK SERIES RUNNING STIFFS MISC. MONUMENTS.
Form:
textual records
textual records
Date:
1968-1984, 1991-2000
1968-1984, 1991-2000
People:
Form:
events
events
Actions:
Description:
Members of the Montréal collective SYN-atelier d’exploration urbaine present a workshop investigating urban microclimates in downtown Montréal. Caused by particular conditions in urban construction, microclimates are environments that have surprising temperature variations — a building courtyard that is several degrees warmer than the street or a windy alley many degrees(...)
Members of the Montréal collective SYN-atelier d’exploration urbaine present a workshop investigating urban microclimates in downtown Montréal. Caused by particular conditions in urban construction, microclimates are environments that have surprising temperature variations — a building courtyard that is several degrees warmer than the street or a windy alley many degrees(...)
Date:
7 March 2009
7 March 2009
Title:
Exploring Urban Microclimates
Actions:
Description:
Members of the Montréal collective SYN-atelier d’exploration urbaine present a workshop investigating urban microclimates in downtown Montréal. Caused by particular conditions in urban construction, microclimates are environments that have surprising temperature variations — a building courtyard that is several degrees warmer than the street or a windy alley many degrees(...)
Exploring Urban Microclimates
Actions:
Description:
Members of the Montréal collective SYN-atelier d’exploration urbaine present a workshop investigating urban microclimates in downtown Montréal. Caused by particular conditions in urban construction, microclimates are environments that have surprising temperature variations — a building courtyard that is several degrees warmer than the street or a windy alley many degrees(...)
Form:
events
events
Date:
7 March 2009
7 March 2009
Form:
events
events
Title:
Learning from... Athens
Learning from... Athens
Actions:
Description:
Konstantinos Pantazis, co-founder of Point Supreme, discusses the work of the Athens-based practice. The talk focuses on ways to challenge the current crisis condition, proactive proposals for improving the city, addressing the collective unconscious, and building without money. It presents the processes behind examples from the two opposite ends of Point Supreme’s(...)
Konstantinos Pantazis, co-founder of Point Supreme, discusses the work of the Athens-based practice. The talk focuses on ways to challenge the current crisis condition, proactive proposals for improving the city, addressing the collective unconscious, and building without money. It presents the processes behind examples from the two opposite ends of Point Supreme’s(...)
Location:
Paul-Desmarais Theatre
Paul-Desmarais Theatre
Date:
7 April 2016, 6pm
7 April 2016, 6pm
Title:
Learning from... Athens
Actions:
Description:
Konstantinos Pantazis, co-founder of Point Supreme, discusses the work of the Athens-based practice. The talk focuses on ways to challenge the current crisis condition, proactive proposals for improving the city, addressing the collective unconscious, and building without money. It presents the processes behind examples from the two opposite ends of Point Supreme’s(...)
Learning from... Athens
Actions:
Description:
Konstantinos Pantazis, co-founder of Point Supreme, discusses the work of the Athens-based practice. The talk focuses on ways to challenge the current crisis condition, proactive proposals for improving the city, addressing the collective unconscious, and building without money. It presents the processes behind examples from the two opposite ends of Point Supreme’s(...)
Form:
events
events
Date:
7 April 2016
6pm
7 April 2016
6pm
Location:
Paul-Desmarais Theatre
Paul-Desmarais Theatre
