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The violence wrought by climate change, toxic drift, deforestation, oil spills, and the environmental aftermath of war takes place gradually and often invisibly. Using the innovative concept of “slow violence” to describe these threats, Rob Nixon focuses on the inattention we have paid to the attritional lethality of many environmental crises, in contrast with the(...)
Slow violence and the environmentalism of the poor
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The violence wrought by climate change, toxic drift, deforestation, oil spills, and the environmental aftermath of war takes place gradually and often invisibly. Using the innovative concept of “slow violence” to describe these threats, Rob Nixon focuses on the inattention we have paid to the attritional lethality of many environmental crises, in contrast with the sensational, spectacle-driven messaging that impels public activism today. Slow violence, because it is so readily ignored by a hard-charging capitalism, exacerbates the vulnerability of ecosystems and of people who are poor, disempowered, and often involuntarily displaced, while fueling social conflicts that arise from desperation as life-sustaining conditions erode.
books
March 2013
Environment and environmental theory
The anthrobscene
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Smartphones, laptops, tablets, and e-readers all at one time held the promise of a more environmentally healthy world not dependent on paper and deforestation. The result of our ubiquitous digital lives is, as we see in The Anthrobscene, actually quite the opposite: not ecological health but an environmental wasteland, where media never die. Jussi Parikka critiques(...)
The anthrobscene
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Smartphones, laptops, tablets, and e-readers all at one time held the promise of a more environmentally healthy world not dependent on paper and deforestation. The result of our ubiquitous digital lives is, as we see in The Anthrobscene, actually quite the opposite: not ecological health but an environmental wasteland, where media never die. Jussi Parikka critiques corporate and human desires as a geophysical force, analyzing the material side of the earth as essential for the existence of media and introducing the notion of an alternative deep time in which media live on in the layer of toxic waste we will leave behind as our geological legacy.
Archive, library and the digital
books
Description:
x, 349 pages ; 22 cm
Morgantown : West Virginia University Press, 2019., ©2019
Mountains piled upon mountains : Appalachian nature writing in the anthropocene / edited by Jessica Cory.
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x, 349 pages ; 22 cm
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Morgantown : West Virginia University Press, 2019., ©2019
$134.00
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In Edward Burtynsky’s recent photographs, produced across the African continent, the patterns and scars of human-altered landscapes initially appear to form an abstract painterly language; they reference the sublime and often surreal qualities of human mark-making. While chronicling the major themes of terraforming and extraction, urbanization and deforestation, ''African(...)
Edward Burtynsky: Africa studies
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In Edward Burtynsky’s recent photographs, produced across the African continent, the patterns and scars of human-altered landscapes initially appear to form an abstract painterly language; they reference the sublime and often surreal qualities of human mark-making. While chronicling the major themes of terraforming and extraction, urbanization and deforestation, ''African Studies'' conveys the unsettling reality of sweeping resource depletion on both a human and industrial scale. From natural landscapes to artisanal mining and mechanized extraction, several distinct chapters culminate with China in Africa: a series depicting the economic inroads being made by China, including the interiors of gigantic newly built manufacturing plants. This project brings together the work of seven years, the latest installment in Burtynsky’s ongoing oeuvre.
Photography monographs
African cinema and urbanism
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The changing nature of African landscapes, from rural to urbanized spaces, has been a pre-occupation of African media producers since the beginnings of the African film industry in the 1960s. The authors bring together several examples of African documentary and fiction screen media that present, evaluate and criticize urban and rural landscapes, and the rural and urban(...)
African cinema and urbanism
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The changing nature of African landscapes, from rural to urbanized spaces, has been a pre-occupation of African media producers since the beginnings of the African film industry in the 1960s. The authors bring together several examples of African documentary and fiction screen media that present, evaluate and criticize urban and rural landscapes, and the rural and urban dynamic of development, in relation to contemporary issues, from biodiversity, sustainability and deforestation, to inequity, women’s rights, political instability, to climate change-related themes of water and food supply, security and sovereignty. These works, comprising multi-platform cinema, streamed moving images and especially documentaries, depict the situations and open the door to rethinking and eventually to the possibilities of proposals responding to the situations portrayed.
Architecture and Film, Set Design
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The modernist parks and gardens of Brazilian landscape architect and garden designer Roberto Burle Marx (1909–1994) earned him awards, widespread acclaim, and international fame. Over a 60-year career, he designed more than 2,000 gardens worldwide, the most famous of which are those he created in collaboration with the architect Oscar Niemeyer for Brasília. Although he is(...)
Landscape Architecture, Monographs
February 2016
Roberto Burle Marx: Brazilian Modernist
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The modernist parks and gardens of Brazilian landscape architect and garden designer Roberto Burle Marx (1909–1994) earned him awards, widespread acclaim, and international fame. Over a 60-year career, he designed more than 2,000 gardens worldwide, the most famous of which are those he created in collaboration with the architect Oscar Niemeyer for Brasília. Although he is best known for his landscape work, Burle Marx was a prolific artist in a variety of media, and his larger body of work—which includes paintings, drawings, tile mosaics, sculpture, textile design, jewelry, theater costumes, and more—is critical to understanding his importance as a modernist. An avid horticulturalist, he was among the first to denounce deforestation in the Amazon region; he also discovered over thirty species of Brazilian flora, which bear his name.
Landscape Architecture, Monographs
books
Civilizations : culture, ambition, and the transformation of nature / Felipe Fernández-Armesto.
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xii, 545 pages ; 25 cm
New York : Free Press, [2001], ©2001
Civilizations : culture, ambition, and the transformation of nature / Felipe Fernández-Armesto.
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xii, 545 pages ; 25 cm
books
New York : Free Press, [2001], ©2001
$24.00
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"Room for thought" is an illuminating collection of twenty-one essays by Avi Friedman. The essays are about the points where design touches life and the big and small things that make us appreciate, or become disconnected from, our homes and neighborhoods. Drawing on his experiences as an architect, planner, world traveler, and educator, Friedman delves into issues(...)
Room for thought : rethinking home and community design
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"Room for thought" is an illuminating collection of twenty-one essays by Avi Friedman. The essays are about the points where design touches life and the big and small things that make us appreciate, or become disconnected from, our homes and neighborhoods. Drawing on his experiences as an architect, planner, world traveler, and educator, Friedman delves into issues such as the North American obsession with monster homes, the impact of scale on the feeling of comfort in our communities, environmental concerns such as deforestation, innovative recycling methods in building materials, the booming do-it-yourself industry, the decline of craftsmanship, and the role of good design in bringing families together. Written with Friedman's trademark flair, "Room for thought" offers a compelling vision of the influence of design on our everyday lives from one of the world's most innovative thinkers.
Architectural Theory
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Our culture has no concept of stopping. We continue to build motorways and airports for a future in which cars and planes may no longer exist. We’re converting our planet from a natural one to an artificial one in which the quantity of man-made objects – houses, asphalt, cars, plastic, computers and so on – now exceeds the totality of living matter. And while biomass(...)
The culture of stopping: obituary to myself
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Our culture has no concept of stopping. We continue to build motorways and airports for a future in which cars and planes may no longer exist. We’re converting our planet from a natural one to an artificial one in which the quantity of man-made objects – houses, asphalt, cars, plastic, computers and so on – now exceeds the totality of living matter. And while biomass continues to decline due to deforestation and species extinction, the mass of man-made objects is growing faster than ever. We’re on a treadmill to disaster. To get off this treadmill, argues Harald Welzer, we need to learn how to stop: as individuals and as societies, we need to stop doing what we’re doing and say ‘enough’. We find it hard to do this because our culture has trained us to regard endless escalation as desirable, and we’re reluctant to surrender the material benefits of growth. But as long as the expansive cultural model continues to prevail, there will be no change of course in favour of sustainable and climate-friendly practices and lifestyles. We need a cultural model in which the beauty of stopping is given the recognition needed for the project of civilization to continue. Optimizing processes that are heading in the wrong direction only makes matters worse.
Social
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This publication sheds light on the reflections that led to the creation of EXIT, the 360° video installation created for the exhibition spaces of the Fondation Cartier pour l'art contemporain in Paris. Based on an idea by French philosopher and urbanist, Paul Virilio, the 360° video installation EXIT was created in 2008 by the New York-based studio of artists and(...)
Diller Scofidio + Renfro: Exit: Based on an idea by Paul Virilio
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This publication sheds light on the reflections that led to the creation of EXIT, the 360° video installation created for the exhibition spaces of the Fondation Cartier pour l'art contemporain in Paris. Based on an idea by French philosopher and urbanist, Paul Virilio, the 360° video installation EXIT was created in 2008 by the New York-based studio of artists and architects Diller Scofidio + Renfro for the exhibition spaces of the Fondation Cartier pour l'art contemporain in Paris. Composed of a series of animated maps generated by data, this immersive installation investigates human migrations today and their leading causes, including the impact of climate change. Through six scenarios - Population Shifts: Cities; Remittances: Sending Money Home; Political Refugees and Forced Migration; Rising Seas, Sinking Cities; Natural Disasters; and Speechless and Deforestation - it provides the rare opportunity to understand visually the complex relationships between the various economic, political and environmental factors underpinning contemporary human migrations. The work was updated entirely in 2015, reflecting the alarming evolution of the data since it was first presented in 2008. Through various texts, descriptions of the animated maps, and numerous illustrations, this book sheds light on the reflections that led to the creation of EXIT, and proposes to delve deeper into the very notions and questions that it raises and that are more relevant today than ever.
Architecture Monographs