9854 Results
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Reference number:
ARCH252149
Description:
Two lectures delivered by Raimund Abraham ("Design WIthout Architects"), moderated by Mario Gandelsonas, and Ivan Chermayeff ("Design vs. Art in Architecture"), moderated by Grace Glueck, at the IAUS in New York, as part of the IAUS lectures series "Architecture 5," under the themes "Questions About Architecture Recent Theories and Projects" and "Design Without Architects"
ARCH252149
Description:
Two lectures delivered by Raimund Abraham ("Design WIthout Architects"), moderated by Mario Gandelsonas, and Ivan Chermayeff ("Design vs. Art in Architecture"), moderated by Grace Glueck, at the IAUS in New York, as part of the IAUS lectures series "Architecture 5," under the themes "Questions About Architecture Recent Theories and Projects" and "Design Without Architects"
People:
Date:
1976-10-11, 1976-01-12
1976-10-11, 1976-01-12
Title:
Audio recording of two lectures, one by Raimund Abraham as part of the series Architecture 5 Questions About Architecture Recent Projects and Theories, entitled: "Design Without Architects" and the second by Ivan Chermayeff as part of the series Architecture 5: Design without Architects, entitled: "Design vs. Art in Architecture"
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ARCH252149
Description:
Two lectures delivered by Raimund Abraham ("Design WIthout Architects"), moderated by Mario Gandelsonas, and Ivan Chermayeff ("Design vs. Art in Architecture"), moderated by Grace Glueck, at the IAUS in New York, as part of the IAUS lectures series "Architecture 5," under the themes "Questions About Architecture Recent Theories and Projects" and "Design Without Architects"
Audio recording of two lectures, one by Raimund Abraham as part of the series Architecture 5 Questions About Architecture Recent Projects and Theories, entitled: "Design Without Architects" and the second by Ivan Chermayeff as part of the series Architecture 5: Design without Architects, entitled: "Design vs. Art in Architecture"
Actions:
ARCH252149
Description:
Two lectures delivered by Raimund Abraham ("Design WIthout Architects"), moderated by Mario Gandelsonas, and Ivan Chermayeff ("Design vs. Art in Architecture"), moderated by Grace Glueck, at the IAUS in New York, as part of the IAUS lectures series "Architecture 5," under the themes "Questions About Architecture Recent Theories and Projects" and "Design Without Architects"
Date:
1976-10-11, 1976-01-12
1976-10-11, 1976-01-12
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Reference number:
ARCH252144
Description:
Two lectures delivered by Stuart Cohen ("The Fall From Grace: Moore, Hardy, Venture"), moderated by Robert A. Stern and James Stirling ("A Vocabulary of Work"), moderated by Mario Gandelsonas; given at the IAUS in New York, as part of the IAUS lectures series "Architecture 5," under the themes "New Modernism/Post Modernism" and "Questions About Architecture Recent Projects and Theories."
ARCH252144
Description:
Two lectures delivered by Stuart Cohen ("The Fall From Grace: Moore, Hardy, Venture"), moderated by Robert A. Stern and James Stirling ("A Vocabulary of Work"), moderated by Mario Gandelsonas; given at the IAUS in New York, as part of the IAUS lectures series "Architecture 5," under the themes "New Modernism/Post Modernism" and "Questions About Architecture Recent Projects and Theories."
People:
Date:
1976-10-12, 1976-10-27
1976-10-12, 1976-10-27
Title:
Audio recordings for two lectures, one by Stuart Cohen for the series Architecture 5 New Modernism/Post Modernism, entitled: "The Fall From Grace: Moore, Hardy, Venture" and the second by James Stirling for the series Architecture 5 Questions About Architecture Recent Projects and Theories, entitled: "A Vocabulary of Work"
Actions:
ARCH252144
Description:
Two lectures delivered by Stuart Cohen ("The Fall From Grace: Moore, Hardy, Venture"), moderated by Robert A. Stern and James Stirling ("A Vocabulary of Work"), moderated by Mario Gandelsonas; given at the IAUS in New York, as part of the IAUS lectures series "Architecture 5," under the themes "New Modernism/Post Modernism" and "Questions About Architecture Recent Projects and Theories."
Audio recordings for two lectures, one by Stuart Cohen for the series Architecture 5 New Modernism/Post Modernism, entitled: "The Fall From Grace: Moore, Hardy, Venture" and the second by James Stirling for the series Architecture 5 Questions About Architecture Recent Projects and Theories, entitled: "A Vocabulary of Work"
Actions:
ARCH252144
Description:
Two lectures delivered by Stuart Cohen ("The Fall From Grace: Moore, Hardy, Venture"), moderated by Robert A. Stern and James Stirling ("A Vocabulary of Work"), moderated by Mario Gandelsonas; given at the IAUS in New York, as part of the IAUS lectures series "Architecture 5," under the themes "New Modernism/Post Modernism" and "Questions About Architecture Recent Projects and Theories."
Date:
1976-10-12, 1976-10-27
1976-10-12, 1976-10-27
People:
Actions:
Reference number:
ARCH252158
Description:
Two lectures, one delivered by Robert A. Stern ("Setting the Scene: The End of Modernism, Yet Again"), moderated by Stern, and the second by James Stirling ("A Vocabulary of Work"), moderated by Mario Gondelsonas, as part of the IAUS lectures series "Architecture 5," under the themes "New Modernism/Post Modernism" and "Questions About Architecture: Recent Projects and Theories."
ARCH252158
Description:
Two lectures, one delivered by Robert A. Stern ("Setting the Scene: The End of Modernism, Yet Again"), moderated by Stern, and the second by James Stirling ("A Vocabulary of Work"), moderated by Mario Gondelsonas, as part of the IAUS lectures series "Architecture 5," under the themes "New Modernism/Post Modernism" and "Questions About Architecture: Recent Projects and Theories."
People:
Date:
1976-10-05, 1976-10-27
1976-10-05, 1976-10-27
Title:
Audio recordings of two lectures, one by Robert A. Stern for the series Architecture 5 New Modernism/Post Modernism, entitled: "Setting the Scene: The End of Modernism, Yet Again" and the second by James Stirling for the series Questions About Architecture: Recent Projects and Theories, entitled: "A Vocabulary of Work."
Actions:
ARCH252158
Description:
Two lectures, one delivered by Robert A. Stern ("Setting the Scene: The End of Modernism, Yet Again"), moderated by Stern, and the second by James Stirling ("A Vocabulary of Work"), moderated by Mario Gondelsonas, as part of the IAUS lectures series "Architecture 5," under the themes "New Modernism/Post Modernism" and "Questions About Architecture: Recent Projects and Theories."
Audio recordings of two lectures, one by Robert A. Stern for the series Architecture 5 New Modernism/Post Modernism, entitled: "Setting the Scene: The End of Modernism, Yet Again" and the second by James Stirling for the series Questions About Architecture: Recent Projects and Theories, entitled: "A Vocabulary of Work."
Actions:
ARCH252158
Description:
Two lectures, one delivered by Robert A. Stern ("Setting the Scene: The End of Modernism, Yet Again"), moderated by Stern, and the second by James Stirling ("A Vocabulary of Work"), moderated by Mario Gondelsonas, as part of the IAUS lectures series "Architecture 5," under the themes "New Modernism/Post Modernism" and "Questions About Architecture: Recent Projects and Theories."
Date:
1976-10-05, 1976-10-27
1976-10-05, 1976-10-27
People:
Form:
exhibitions
exhibitions
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Description:
Parables and Other Allegories: The Work of Melvin Charney 1975–1990 comprises approximately 100 drawings, including many large-scale, sketches, photographs, and three large constructions. By assembling works from various public and private collections, including the CCA, the exhibition permits a comprehensive analysis of Charney’s artistic process to reveal the dialogue(...)
Parables and Other Allegories: The Work of Melvin Charney 1975–1990 comprises approximately 100 drawings, including many large-scale, sketches, photographs, and three large constructions. By assembling works from various public and private collections, including the CCA, the exhibition permits a comprehensive analysis of Charney’s artistic process to reveal the dialogue(...)
Location:
Main galleries
Main galleries
Date:
9 October 1991 to 12 January 1992
9 October 1991 to 12 January 1992
Title:
Parables and Other Allegories: The Work of Melvin Charney, 1975-1990
Actions:
Description:
Parables and Other Allegories: The Work of Melvin Charney 1975–1990 comprises approximately 100 drawings, including many large-scale, sketches, photographs, and three large constructions. By assembling works from various public and private collections, including the CCA, the exhibition permits a comprehensive analysis of Charney’s artistic process to reveal the dialogue(...)
Parables and Other Allegories: The Work of Melvin Charney, 1975-1990
Actions:
Description:
Parables and Other Allegories: The Work of Melvin Charney 1975–1990 comprises approximately 100 drawings, including many large-scale, sketches, photographs, and three large constructions. By assembling works from various public and private collections, including the CCA, the exhibition permits a comprehensive analysis of Charney’s artistic process to reveal the dialogue(...)
Form:
exhibitions
exhibitions
Date:
9 October 1991 to
12 January 1992
9 October 1991 to
12 January 1992
Location:
Main galleries
Main galleries
Form:
films
films
Actions:
Description:
This film, conceived by Francesco Garutti and directed by Shahab Mihandoust, explores the controversial story of the planning and politics of a series of overpasses that span the parkways of Long Island, New York. These bridges were commissioned in the 1920s and 1930s by the public administrator Robert Moses. The story suggests that the bridges were designed to prevent(...)
This film, conceived by Francesco Garutti and directed by Shahab Mihandoust, explores the controversial story of the planning and politics of a series of overpasses that span the parkways of Long Island, New York. These bridges were commissioned in the 1920s and 1930s by the public administrator Robert Moses. The story suggests that the bridges were designed to prevent(...)
Date:
August 2014
August 2014
Title:
Misleading Innocence (tracing what a bridge can do)
Actions:
Description:
This film, conceived by Francesco Garutti and directed by Shahab Mihandoust, explores the controversial story of the planning and politics of a series of overpasses that span the parkways of Long Island, New York. These bridges were commissioned in the 1920s and 1930s by the public administrator Robert Moses. The story suggests that the bridges were designed to prevent(...)
Misleading Innocence (tracing what a bridge can do)
Actions:
Description:
This film, conceived by Francesco Garutti and directed by Shahab Mihandoust, explores the controversial story of the planning and politics of a series of overpasses that span the parkways of Long Island, New York. These bridges were commissioned in the 1920s and 1930s by the public administrator Robert Moses. The story suggests that the bridges were designed to prevent(...)
Form:
films
films
Date:
August 2014 to
August 2014
August 2014 to
August 2014
Form:
events
events
Actions:
Description:
1st December 2022
1st December 2022
Location:
Shaughnessy House Keyword(s):
research fellow 2022, seminar, research, Manu P. Sobti, Chandigarh, Pierre Jeanneret, landscape, photography, 1st december 2022
Shaughnessy House Keyword(s):
research fellow 2022, seminar, research, Manu P. Sobti, Chandigarh, Pierre Jeanneret, landscape, photography, 1st december 2022
Date:
1 December 2022, 6pm
1 December 2022, 6pm
Form:
events
events
Date:
1 December 2022
6pm
1 December 2022
6pm
Location:
Shaughnessy House Keyword(s):
research fellow 2022, seminar, research, Manu P. Sobti, Chandigarh, Pierre Jeanneret, landscape, photography, 1st december 2022
Shaughnessy House Keyword(s):
research fellow 2022, seminar, research, Manu P. Sobti, Chandigarh, Pierre Jeanneret, landscape, photography, 1st december 2022
Level of archival description:
Project
Project
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Reference number:
AP142.S2.D10
Description:
File documents an exhibition titled 'Sotto il cielo della cupola - Il coro di Santa Maria del Fiore dal Rinascimento al 2000' that was held in 1997 at the Sala d'Arme di Palazzo Vecchio, Florence, Italy. The exhibition presented the results of an "international consultation for the rearrangement of the sanctuary" of the Santa Maria del Fiore cathedral, and, alongside works by Filippo Brunelleschi and Baccio Bandinelli, included submissions by Mario Botta, Klaus Theo Brenner, Roberto Gabetti and Aimaro Isola, Michael Graves, Hans Hollein, Arata Isozaki, Jean Nouvel, and Aldo Rossi. The "consultation" was one of several events celebrating the 700 anniversary of the laying of the cathedral's foundation stone. Material in this file was produced in 1996 and 1997. File contains presentation drawings. File also contains textual records, including sketches, drawings, photographs, correspondence, photocopies of views of the cathedral, technical reports and essays, a title page, and a schedule of drawings.
AP142.S2.D10
Description:
File documents an exhibition titled 'Sotto il cielo della cupola - Il coro di Santa Maria del Fiore dal Rinascimento al 2000' that was held in 1997 at the Sala d'Arme di Palazzo Vecchio, Florence, Italy. The exhibition presented the results of an "international consultation for the rearrangement of the sanctuary" of the Santa Maria del Fiore cathedral, and, alongside works by Filippo Brunelleschi and Baccio Bandinelli, included submissions by Mario Botta, Klaus Theo Brenner, Roberto Gabetti and Aimaro Isola, Michael Graves, Hans Hollein, Arata Isozaki, Jean Nouvel, and Aldo Rossi. The "consultation" was one of several events celebrating the 700 anniversary of the laying of the cathedral's foundation stone. Material in this file was produced in 1996 and 1997. File contains presentation drawings. File also contains textual records, including sketches, drawings, photographs, correspondence, photocopies of views of the cathedral, technical reports and essays, a title page, and a schedule of drawings.
People:
Date:
1996-1997
1996-1997
Title:
Riorganizzazione del presbiterio della cattedrale di Santa Maria del Fiore in Firenze
Actions:
AP142.S2.D10
Description:
File documents an exhibition titled 'Sotto il cielo della cupola - Il coro di Santa Maria del Fiore dal Rinascimento al 2000' that was held in 1997 at the Sala d'Arme di Palazzo Vecchio, Florence, Italy. The exhibition presented the results of an "international consultation for the rearrangement of the sanctuary" of the Santa Maria del Fiore cathedral, and, alongside works by Filippo Brunelleschi and Baccio Bandinelli, included submissions by Mario Botta, Klaus Theo Brenner, Roberto Gabetti and Aimaro Isola, Michael Graves, Hans Hollein, Arata Isozaki, Jean Nouvel, and Aldo Rossi. The "consultation" was one of several events celebrating the 700 anniversary of the laying of the cathedral's foundation stone. Material in this file was produced in 1996 and 1997. File contains presentation drawings. File also contains textual records, including sketches, drawings, photographs, correspondence, photocopies of views of the cathedral, technical reports and essays, a title page, and a schedule of drawings.
Riorganizzazione del presbiterio della cattedrale di Santa Maria del Fiore in Firenze
Actions:
AP142.S2.D10
Description:
File documents an exhibition titled 'Sotto il cielo della cupola - Il coro di Santa Maria del Fiore dal Rinascimento al 2000' that was held in 1997 at the Sala d'Arme di Palazzo Vecchio, Florence, Italy. The exhibition presented the results of an "international consultation for the rearrangement of the sanctuary" of the Santa Maria del Fiore cathedral, and, alongside works by Filippo Brunelleschi and Baccio Bandinelli, included submissions by Mario Botta, Klaus Theo Brenner, Roberto Gabetti and Aimaro Isola, Michael Graves, Hans Hollein, Arata Isozaki, Jean Nouvel, and Aldo Rossi. The "consultation" was one of several events celebrating the 700 anniversary of the laying of the cathedral's foundation stone. Material in this file was produced in 1996 and 1997. File contains presentation drawings. File also contains textual records, including sketches, drawings, photographs, correspondence, photocopies of views of the cathedral, technical reports and essays, a title page, and a schedule of drawings.
Level of archival description:
File 10
File 10
Date:
1996-1997
1996-1997
People:
Level of archival description:
Sub-series
Sub-series
Reference number:
AP207.S2.SS09
Description:
The sub-series documents the exhibition "Radicals. Architettura e design 1960-1975", curated by Pettena and presented in the Italian Pavilion at the Venice Biennale in 1996. This documentary exhibition on the Radical architecture movement in the 1960s and the 1970s, for presented the Radical movement not as "essentially conceptual contribution, as “fantastic” theories and utopian visions of the future" [1] but as "precursors of the most innovative production of the contemporary, international architectural scene." [2] The sub-series contains research material, including photocopies of articles on the Radical movement and research on previous editions of the Venice Biennale. It also contains correspondence for the planning of the exhibition, including with Hans Hollein and the Biennale administration, a draft exhibition proposal, concept development notes by Pettena, proposals for promotional material on the exhibition and press clippings. Source: [1][2] Gianni Pettena website, https://www.giannipettena.it/english/exhibitions/settings/ (last accessed 29 January 2020).
AP207.S2.SS09
Description:
The sub-series documents the exhibition "Radicals. Architettura e design 1960-1975", curated by Pettena and presented in the Italian Pavilion at the Venice Biennale in 1996. This documentary exhibition on the Radical architecture movement in the 1960s and the 1970s, for presented the Radical movement not as "essentially conceptual contribution, as “fantastic” theories and utopian visions of the future" [1] but as "precursors of the most innovative production of the contemporary, international architectural scene." [2] The sub-series contains research material, including photocopies of articles on the Radical movement and research on previous editions of the Venice Biennale. It also contains correspondence for the planning of the exhibition, including with Hans Hollein and the Biennale administration, a draft exhibition proposal, concept development notes by Pettena, proposals for promotional material on the exhibition and press clippings. Source: [1][2] Gianni Pettena website, https://www.giannipettena.it/english/exhibitions/settings/ (last accessed 29 January 2020).
People:
Date:
1992-2010
1992-2010
Title:
Radicals. Architettura e Design 1960-1975 (1992)
Actions:
AP207.S2.SS09
Description:
The sub-series documents the exhibition "Radicals. Architettura e design 1960-1975", curated by Pettena and presented in the Italian Pavilion at the Venice Biennale in 1996. This documentary exhibition on the Radical architecture movement in the 1960s and the 1970s, for presented the Radical movement not as "essentially conceptual contribution, as “fantastic” theories and utopian visions of the future" [1] but as "precursors of the most innovative production of the contemporary, international architectural scene." [2] The sub-series contains research material, including photocopies of articles on the Radical movement and research on previous editions of the Venice Biennale. It also contains correspondence for the planning of the exhibition, including with Hans Hollein and the Biennale administration, a draft exhibition proposal, concept development notes by Pettena, proposals for promotional material on the exhibition and press clippings. Source: [1][2] Gianni Pettena website, https://www.giannipettena.it/english/exhibitions/settings/ (last accessed 29 January 2020).
Radicals. Architettura e Design 1960-1975 (1992)
Actions:
AP207.S2.SS09
Description:
The sub-series documents the exhibition "Radicals. Architettura e design 1960-1975", curated by Pettena and presented in the Italian Pavilion at the Venice Biennale in 1996. This documentary exhibition on the Radical architecture movement in the 1960s and the 1970s, for presented the Radical movement not as "essentially conceptual contribution, as “fantastic” theories and utopian visions of the future" [1] but as "precursors of the most innovative production of the contemporary, international architectural scene." [2] The sub-series contains research material, including photocopies of articles on the Radical movement and research on previous editions of the Venice Biennale. It also contains correspondence for the planning of the exhibition, including with Hans Hollein and the Biennale administration, a draft exhibition proposal, concept development notes by Pettena, proposals for promotional material on the exhibition and press clippings. Source: [1][2] Gianni Pettena website, https://www.giannipettena.it/english/exhibitions/settings/ (last accessed 29 January 2020).
Level of archival description:
Subseries
Subseries
Date:
1992-2010
1992-2010
People:
Form:
events
events
Title:
Devices of Design
Devices of Design
Actions:
Description:
A collaboration between the CCA and the Daniel Langlois Foundation for Art, Science, and Technology, Devices of Design was initiated in response to the increasingly widespread use of digital media and software technologies in architectural design and construction. A colloquium and a subsequent roundtable discussion address both the consequences that this shift implies for(...)
A collaboration between the CCA and the Daniel Langlois Foundation for Art, Science, and Technology, Devices of Design was initiated in response to the increasingly widespread use of digital media and software technologies in architectural design and construction. A colloquium and a subsequent roundtable discussion address both the consequences that this shift implies for(...)
Location:
Paul-Desmarais Theatre
Paul-Desmarais Theatre
Date:
18 November 2004 to 19 November 2004
18 November 2004 to 19 November 2004
Title:
Devices of Design
Actions:
Description:
A collaboration between the CCA and the Daniel Langlois Foundation for Art, Science, and Technology, Devices of Design was initiated in response to the increasingly widespread use of digital media and software technologies in architectural design and construction. A colloquium and a subsequent roundtable discussion address both the consequences that this shift implies for(...)
Devices of Design
Actions:
Description:
A collaboration between the CCA and the Daniel Langlois Foundation for Art, Science, and Technology, Devices of Design was initiated in response to the increasingly widespread use of digital media and software technologies in architectural design and construction. A colloquium and a subsequent roundtable discussion address both the consequences that this shift implies for(...)
Form:
events
events
Date:
18 November 2004 to
19 November 2004
18 November 2004 to
19 November 2004
Location:
Paul-Desmarais Theatre
Paul-Desmarais Theatre
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Robert Duchesnay fonds
Robert Duchesnay fonds
Actions:
Reference number:
AP115
Synopsis:
Le Fonds Robert Duchesnay consiste en une série de photographies montrant les divers structure (principalement des dômes géodésiques) conçus ou influencée par R. Buckminster Fuller. Les photographies, prises par l'artiste et photographe montréalais Robert Duchesnay, ont été créées entre 1985 et 1992.
AP115
Synopsis:
Le Fonds Robert Duchesnay consiste en une série de photographies montrant les divers structure (principalement des dômes géodésiques) conçus ou influencée par R. Buckminster Fuller. Les photographies, prises par l'artiste et photographe montréalais Robert Duchesnay, ont été créées entre 1985 et 1992.
People:
Date:
1985-1992
1985-1992
Title:
Robert Duchesnay fonds
Actions:
AP115
Synopsis:
Le Fonds Robert Duchesnay consiste en une série de photographies montrant les divers structure (principalement des dômes géodésiques) conçus ou influencée par R. Buckminster Fuller. Les photographies, prises par l'artiste et photographe montréalais Robert Duchesnay, ont été créées entre 1985 et 1992.
Robert Duchesnay fonds
Actions:
AP115
Synopsis:
Le Fonds Robert Duchesnay consiste en une série de photographies montrant les divers structure (principalement des dômes géodésiques) conçus ou influencée par R. Buckminster Fuller. Les photographies, prises par l'artiste et photographe montréalais Robert Duchesnay, ont été créées entre 1985 et 1992.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1985-1992
1985-1992
People:
