books
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232 unnumbered pages : illustrations (chiefly color), facsimiles ; 31 cm
Montréal, Québec : Canadian Centre for Architecture ; Milan, Italy : Lenz, [2025], ©2025
The museum is not enough. No. 10-14 / Canadian Centre for Architecture ; compiled by Giovanna Borasi, Albert Ferré, Francesco Garutti, Jayne Kelley ; designed by Jonathan Hares ; with help from Lev Bratishenko [and twenty-one others] ; editors, Giovanna Borasi [and three others]
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232 unnumbered pages : illustrations (chiefly color), facsimiles ; 31 cm
books
Montréal, Québec : Canadian Centre for Architecture ; Milan, Italy : Lenz, [2025], ©2025
books
Description:
191 unnumbered pages : illustrations (chiefly color), facsimiles ; 31 cm
Montréal, Québec : Canadian Centre for Architecture ; Berlin : Sternberg Press, [2019], ©2019
The museum is not enough. No. 1-9 / Canadian Centre for Architecture ; compiled by Giovanna Borasi, Albert Ferré, Francesco Garutti, Jayne Kelley, Mirko Zardini ; designed by Jonathan Hares ; with help from Noura Al Sayeh [and twenty-three others] ; editors, Giovanna Borasi [and four others].
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191 unnumbered pages : illustrations (chiefly color), facsimiles ; 31 cm
books
Montréal, Québec : Canadian Centre for Architecture ; Berlin : Sternberg Press, [2019], ©2019
books
Description:
232 unnumbered pages : illustrations (chiefly color), facsimiles ; 31 cm
Montréal, Québec : Centre canadien d'architecture ; Milan, Italy : Lenz, [2025], ©2025
Le musée ne suffit pas. No. 10 à 14 / Centre canadien d'architecture ; des réflexions proposées par Giovanna Borasi, Albert Ferré, Francesco Garutti, Jayne Kelley ; conception graphique de Jonathan Hares ; avec l'apport de Lev Bratishenko [and 21 others] ; sous la direction de Giovanna Borasi [and 3 others]
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Description:
232 unnumbered pages : illustrations (chiefly color), facsimiles ; 31 cm
books
Montréal, Québec : Centre canadien d'architecture ; Milan, Italy : Lenz, [2025], ©2025
The Things Around Us
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Embedded in politically and economically charged sites in the Pearl River Delta, Mongolia, and the European Union, 51N4E (Johan Anrys and Freek Persyn) and Rural Urban Framework (Joshua Bolchover and John Lin) operate in expanded ecologies of architectural practice, questioning the role of the architect today. By collaborating with policymakers, local contractors, and(...)
The Things Around Us
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Embedded in politically and economically charged sites in the Pearl River Delta, Mongolia, and the European Union, 51N4E (Johan Anrys and Freek Persyn) and Rural Urban Framework (Joshua Bolchover and John Lin) operate in expanded ecologies of architectural practice, questioning the role of the architect today. By collaborating with policymakers, local contractors, and NGOs, and by engaging their respective labs at ETH Zu¨rich and the University of Hong Kong as key research locations, both offices investigate new forms of cooperation and dialogue as crucial strategies for design. 51N4E and RUF work at the seams of urbanization, with projects situated in transitional settlements in Ulaanbaatar, the rural regions of China, the transforming neighborhoods of Brussels, and Albania’s shifting public spaces. This publication compares their research and design processes in order to question the extents and certainties of architecture against backdrops of indeterminate notions of citizenship, unstable stages of urbanization, and insecure economies and ecologies.
CCA Publications
Diego Perrone: War games
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Stemming from a project dedicated to the city of Genoa and in particular to its relationship with the sea, this photographic artist's book extends the site-specific glass sculpture designed by Perrone inside Villa del Principe's Hall of the Shipwreck.
Diego Perrone: War games
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$42.95
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Stemming from a project dedicated to the city of Genoa and in particular to its relationship with the sea, this photographic artist's book extends the site-specific glass sculpture designed by Perrone inside Villa del Principe's Hall of the Shipwreck.
Contemporary Art Monographs
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Comment concevoir la ville lorsque nos expériences les plus intimes sont constamment traquées et nos sentiments utilisés comme base à de nouveaux modes de production favorisant l’immatériel au détriment du matériel ? Depuis la crise financière de 2008, les listes d’indicateurs du bien-être et d’indices du bonheur, ainsi que les classements fondés sur la qualité de vie,(...)
Nos jours heureux : architecture et bien-être à l'ère du capitalisme émotionnel
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Comment concevoir la ville lorsque nos expériences les plus intimes sont constamment traquées et nos sentiments utilisés comme base à de nouveaux modes de production favorisant l’immatériel au détriment du matériel ? Depuis la crise financière de 2008, les listes d’indicateurs du bien-être et d’indices du bonheur, ainsi que les classements fondés sur la qualité de vie, circulent de manière virale. Parallèlement, les données émotionnelles présentées dans ces enquêtes, y compris les perceptions relatives aux notions de solitude, d’amitié et de peurs intimes, alimentent un agenda politique du bonheur en croissance et une nouvelle forme de marché dont l’atout le plus déterminant est l’« affect ». Nos jours heureux examine les implications architecturales de cette tendance en disséquant et en questionnant les conditions politiques, économiques et émotionnelles qui génèrent l’espace aujourd’hui. Structuré comme une narration visuelle – assortie de lectures critiques de William Davies, Daniel Fujiwara, Simon Fujiwara, Ingo Niermann, Deane Simpson et Mirko Zardini –, cet ouvrage présente l’architecture, la ville et le paysage comme des surfaces contestées, prises entre les lignes directrices intangibles des indices de bonheur, le nouveau marché des émotions et l’idéologie implacable de la positivité.
CCA Publications
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How do we design our cities when our most intimate experiences are incessantly tracked and our feelings become the base of new modes of production that prioritize the immaterial over the material? Since the 2008 financial crisis, lists of well-being indicators, happiness indexes, and quality-of-life rankings have become viral. Concurrently, the emotional data presented in(...)
Our happy life: architecture and well-being in the age of emotional capitalism
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How do we design our cities when our most intimate experiences are incessantly tracked and our feelings become the base of new modes of production that prioritize the immaterial over the material? Since the 2008 financial crisis, lists of well-being indicators, happiness indexes, and quality-of-life rankings have become viral. Concurrently, the emotional data presented in these surveys- including perceptions on questions such as loneliness, friendship and intimate fears- feed an expanding political agenda of happiness and a new form of market whose most decisive asset is "affect." 'Our Happy Life' investigates the architectural implications of this trend by dissecting and questioning the political, economic, and emotional conditions that generate space today. Organized as a visual narrative with critical readings by Will Davies, Daniel Fujiwara, Simon Fujiwara, Ingo Niermann, Deane Simpson, and Mirko Zardini, this book reveals architecture, city, and landscape as contested surfaces, caught between the intagible guidelines of happiness indexes, the new marketplace of emotions, and the relentless ideology of positivity.
CCA Publications
Le musée ne suffit pas
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« Le musée ne suffit pas » est le fruit de réflexions collectives sur l’architecture, les préoccupations sociales contemporaines, les institutions et le public, effectuées au CCA ces dernières années. Alimenté par le questionnement continu que mène le CCA sur le rôle des institutions culturelles et leurs problèmes actuels, « Le musée ne suffit pas » permet d’amorcer des(...)
CCA Publications
October 2019
Le musée ne suffit pas
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« Le musée ne suffit pas » est le fruit de réflexions collectives sur l’architecture, les préoccupations sociales contemporaines, les institutions et le public, effectuées au CCA ces dernières années. Alimenté par le questionnement continu que mène le CCA sur le rôle des institutions culturelles et leurs problèmes actuels, « Le musée ne suffit pas » permet d’amorcer des discussions avec des partenaires qui se posent des questions semblables.
CCA Publications
books
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As a follow-up of a first volume published in 2019 that built on years of thematic investigations, the book focuses on how the institution works out and on these questions by rethinking its tools and how it relates to others. ''The Museum Is Not Enough'' (no. 10–14) gathers conversations among curators, artists, academics, and architects on how institutions engage(...)
CCA Publications
January 2022
The Museum Is Not Enough, Num.10-14
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As a follow-up of a first volume published in 2019 that built on years of thematic investigations, the book focuses on how the institution works out and on these questions by rethinking its tools and how it relates to others. ''The Museum Is Not Enough'' (no. 10–14) gathers conversations among curators, artists, academics, and architects on how institutions engage multiple contexts, objects, and perspectives: reflecting on strategies to unlearn and decentre established ways of seeing and doing; looking closely at how to describe and document archival sources while interrogating the stakes, and often the harm, in separating cultural objects from their context; questioning the relationship between institutions and “the public”; and discussing curatorial tools—and particularly film—that collapse research and display, observation and action, here and there. Underlying these reflections is the realization that the museum’s activity can’t be constructed from a fixed position. Unless the questions it deals with are observed from another angle, it is hard not to perpetuate the thinking that created them. The book responds to an urgent need to equip the institution to understand how things around it are rapidly changing, and the importance of conveying and discussing this instability. Here, the museum gets outside its physical walls to explore on-site, to talk with people, to connect and activate collaborators, to design conditions for different forms of dialogue to happen on the ground.
books
January 2022
CCA Publications
The museum is not enough
$25.00
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Summary:
'The Museum Is Not Enough' is the result of collective reflections on architecture, contemporary social concerns, institutions, and the public undertaken by the CCA in recent years. Building on years of thematic investigations and of a continued questioning of the role of cultural institutions and the issues they face today, the book puts forward the CCA’s own positions(...)
CCA Publications
October 2019
The museum is not enough
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$25.00
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Summary:
'The Museum Is Not Enough' is the result of collective reflections on architecture, contemporary social concerns, institutions, and the public undertaken by the CCA in recent years. Building on years of thematic investigations and of a continued questioning of the role of cultural institutions and the issues they face today, the book puts forward the CCA’s own positions and opens them up to a dialogue with designers, curators, photographers, publishers, and other institutions who ask themselves similar questions.
CCA Publications