59481 Results
Form:
archives
Level of archival description:
Collection
archives
Level of archival description:
Collection
Reference number:
CD046
Synopsis:
The Rhodri Windsor-Liscombe collection consists of 2 drawings, 9 photographs and 0.3 metres of textual documents that range in date from 1946 to 1996. The fonds is arranged into four parts: Civic and Cultural Publications; Publications about Wood; Architectural Drawings; and Photographs.
CD046
Synopsis:
The Rhodri Windsor-Liscombe collection consists of 2 drawings, 9 photographs and 0.3 metres of textual documents that range in date from 1946 to 1996. The fonds is arranged into four parts: Civic and Cultural Publications; Publications about Wood; Architectural Drawings; and Photographs.
People:
Date:
1946-1996
1946-1996
Title:
Rhodri Windsor-Liscombe collection
Actions:
CD046
Synopsis:
The Rhodri Windsor-Liscombe collection consists of 2 drawings, 9 photographs and 0.3 metres of textual documents that range in date from 1946 to 1996. The fonds is arranged into four parts: Civic and Cultural Publications; Publications about Wood; Architectural Drawings; and Photographs.
Rhodri Windsor-Liscombe collection
Actions:
CD046
Synopsis:
The Rhodri Windsor-Liscombe collection consists of 2 drawings, 9 photographs and 0.3 metres of textual documents that range in date from 1946 to 1996. The fonds is arranged into four parts: Civic and Cultural Publications; Publications about Wood; Architectural Drawings; and Photographs.
Form:
archives
Level of archival description:
Collection 71
archives
Level of archival description:
Collection 71
Date:
1946-1996
1946-1996
People:
Form:
photographs
photographs
Actions:
Reference number:
AP197.S1.SS9.024
Description:
This box contains slides that depict architecture drawings, models and built projects by various architects such as: Antonin Raymond; Karl Friedrich Schinkel; Otto Wagner; Tadao Ando; futurism, iron, steel, misc history and Herman Hertzberger; Alvar Aalto; Renzo Piano; and Le Corbusier. Frampton used these slides for his lectures.
AP197.S1.SS9.024
Description:
This box contains slides that depict architecture drawings, models and built projects by various architects such as: Antonin Raymond; Karl Friedrich Schinkel; Otto Wagner; Tadao Ando; futurism, iron, steel, misc history and Herman Hertzberger; Alvar Aalto; Renzo Piano; and Le Corbusier. Frampton used these slides for his lectures.
People:
Date:
circa 1970-1990
circa 1970-1990
Title:
Slides of architecture drawings, models and built projects by various architects
Actions:
AP197.S1.SS9.024
Description:
This box contains slides that depict architecture drawings, models and built projects by various architects such as: Antonin Raymond; Karl Friedrich Schinkel; Otto Wagner; Tadao Ando; futurism, iron, steel, misc history and Herman Hertzberger; Alvar Aalto; Renzo Piano; and Le Corbusier. Frampton used these slides for his lectures.
Slides of architecture drawings, models and built projects by various architects
Actions:
AP197.S1.SS9.024
Description:
This box contains slides that depict architecture drawings, models and built projects by various architects such as: Antonin Raymond; Karl Friedrich Schinkel; Otto Wagner; Tadao Ando; futurism, iron, steel, misc history and Herman Hertzberger; Alvar Aalto; Renzo Piano; and Le Corbusier. Frampton used these slides for his lectures.
Form:
photographs
photographs
Date:
circa 1970-1990
circa 1970-1990
People:
Form:
events
events
Actions:
Description:
Soon after the opening of The University Is Now on Air: Broadcasting Modern Architecture, Tim Benton presents another reading of the new exhibition through a counter-tour. Rather than a tour through the galleries that gives voice to the curator’s ideas, counter-tours propose critical, subversive, corrective, or alternative versions of a given project through encounters(...)
Soon after the opening of The University Is Now on Air: Broadcasting Modern Architecture, Tim Benton presents another reading of the new exhibition through a counter-tour. Rather than a tour through the galleries that gives voice to the curator’s ideas, counter-tours propose critical, subversive, corrective, or alternative versions of a given project through encounters(...)
Date:
16 November 2017
16 November 2017
Title:
Counter-tour: Tim Benton’s Cut
Actions:
Description:
Soon after the opening of The University Is Now on Air: Broadcasting Modern Architecture, Tim Benton presents another reading of the new exhibition through a counter-tour. Rather than a tour through the galleries that gives voice to the curator’s ideas, counter-tours propose critical, subversive, corrective, or alternative versions of a given project through encounters(...)
Counter-tour: Tim Benton’s Cut
Actions:
Description:
Soon after the opening of The University Is Now on Air: Broadcasting Modern Architecture, Tim Benton presents another reading of the new exhibition through a counter-tour. Rather than a tour through the galleries that gives voice to the curator’s ideas, counter-tours propose critical, subversive, corrective, or alternative versions of a given project through encounters(...)
Form:
events
events
Date:
16 November 2017
16 November 2017
Level of archival description:
Project
Project
Reference number:
AP164.S1.2001.D4
Description:
The project series documents the competition entry for the international competition “Jubilee-Gardens” for the reorganization of the Southbank in London, England. Abalos & Herreros worked with an international team and the firm's entry was a finalist in the competition. The firm identified this project as number 139. “The competition programme asked for a new center for London. A center which would be perceived as a global icon. Comparing the statement with analogue enclaves showed that the Southbank was very small for such ambition, especially because of the fact that the project had to let as much metropolitan space open as possible. This forced to investigate how to enlarge the site. The problem was resolved by connecting adjacent areas in three levels. The original conditions and the programme offered a diverse mix of urban and natural elements: history, entertainment, culture, open spaces, the Thames… from where the conquest of the adjacent areas, the sub terrain and the margins of a linked event starts.” (ARCH270975) Documenting the project are conceptual and design development drawings, photographic and reference materials, notes, competition documents, and correspondence.
AP164.S1.2001.D4
Description:
The project series documents the competition entry for the international competition “Jubilee-Gardens” for the reorganization of the Southbank in London, England. Abalos & Herreros worked with an international team and the firm's entry was a finalist in the competition. The firm identified this project as number 139. “The competition programme asked for a new center for London. A center which would be perceived as a global icon. Comparing the statement with analogue enclaves showed that the Southbank was very small for such ambition, especially because of the fact that the project had to let as much metropolitan space open as possible. This forced to investigate how to enlarge the site. The problem was resolved by connecting adjacent areas in three levels. The original conditions and the programme offered a diverse mix of urban and natural elements: history, entertainment, culture, open spaces, the Thames… from where the conquest of the adjacent areas, the sub terrain and the margins of a linked event starts.” (ARCH270975) Documenting the project are conceptual and design development drawings, photographic and reference materials, notes, competition documents, and correspondence.
People:
Date:
1999-2001
1999-2001
Title:
Southbank Londres, London, United Kingdom (2001)
Actions:
AP164.S1.2001.D4
Description:
The project series documents the competition entry for the international competition “Jubilee-Gardens” for the reorganization of the Southbank in London, England. Abalos & Herreros worked with an international team and the firm's entry was a finalist in the competition. The firm identified this project as number 139. “The competition programme asked for a new center for London. A center which would be perceived as a global icon. Comparing the statement with analogue enclaves showed that the Southbank was very small for such ambition, especially because of the fact that the project had to let as much metropolitan space open as possible. This forced to investigate how to enlarge the site. The problem was resolved by connecting adjacent areas in three levels. The original conditions and the programme offered a diverse mix of urban and natural elements: history, entertainment, culture, open spaces, the Thames… from where the conquest of the adjacent areas, the sub terrain and the margins of a linked event starts.” (ARCH270975) Documenting the project are conceptual and design development drawings, photographic and reference materials, notes, competition documents, and correspondence.
Southbank Londres, London, United Kingdom (2001)
Actions:
AP164.S1.2001.D4
Description:
The project series documents the competition entry for the international competition “Jubilee-Gardens” for the reorganization of the Southbank in London, England. Abalos & Herreros worked with an international team and the firm's entry was a finalist in the competition. The firm identified this project as number 139. “The competition programme asked for a new center for London. A center which would be perceived as a global icon. Comparing the statement with analogue enclaves showed that the Southbank was very small for such ambition, especially because of the fact that the project had to let as much metropolitan space open as possible. This forced to investigate how to enlarge the site. The problem was resolved by connecting adjacent areas in three levels. The original conditions and the programme offered a diverse mix of urban and natural elements: history, entertainment, culture, open spaces, the Thames… from where the conquest of the adjacent areas, the sub terrain and the margins of a linked event starts.” (ARCH270975) Documenting the project are conceptual and design development drawings, photographic and reference materials, notes, competition documents, and correspondence.
Level of archival description:
Project
Project
Date:
1999-2001
1999-2001
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP207.S1.1978.PR02
Description:
The project series documents "Complimenti D'Architettura", an installation for the Biennale di Venezia at the Magazzini del Sale in 1978. The installation consists of a stone wall that showcases the different types of stone used as construction material over time, begining with uncut natural stone and ending with cut polished stone. "It is a symbolic history of architecture [...]: all the intermediate phases, from the collection of scattered pieces of rock, piled up to make a heap, to the hewn and polished stone, its surface as shiny as a mirror." [1] The installation was also presented at the exhibition "La fine del mondo" at the Centro Pecci per l'Arte Contemporanea in Prato, in 2016. The project series contains photographs of the first edition of the installation at the Biennale di Venezia, and installation sketches. It also contains two photographs of the second edition at the Centro Pecci per l'Arte Contemporanea. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-complements-1978/ (last accessed 14 November 2019).
AP207.S1.1978.PR02
Description:
The project series documents "Complimenti D'Architettura", an installation for the Biennale di Venezia at the Magazzini del Sale in 1978. The installation consists of a stone wall that showcases the different types of stone used as construction material over time, begining with uncut natural stone and ending with cut polished stone. "It is a symbolic history of architecture [...]: all the intermediate phases, from the collection of scattered pieces of rock, piled up to make a heap, to the hewn and polished stone, its surface as shiny as a mirror." [1] The installation was also presented at the exhibition "La fine del mondo" at the Centro Pecci per l'Arte Contemporanea in Prato, in 2016. The project series contains photographs of the first edition of the installation at the Biennale di Venezia, and installation sketches. It also contains two photographs of the second edition at the Centro Pecci per l'Arte Contemporanea. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-complements-1978/ (last accessed 14 November 2019).
People:
Date:
1978-2016
1978-2016
Title:
Complimenti D'Architettura [Complements of Architecture] (1978)
Actions:
AP207.S1.1978.PR02
Description:
The project series documents "Complimenti D'Architettura", an installation for the Biennale di Venezia at the Magazzini del Sale in 1978. The installation consists of a stone wall that showcases the different types of stone used as construction material over time, begining with uncut natural stone and ending with cut polished stone. "It is a symbolic history of architecture [...]: all the intermediate phases, from the collection of scattered pieces of rock, piled up to make a heap, to the hewn and polished stone, its surface as shiny as a mirror." [1] The installation was also presented at the exhibition "La fine del mondo" at the Centro Pecci per l'Arte Contemporanea in Prato, in 2016. The project series contains photographs of the first edition of the installation at the Biennale di Venezia, and installation sketches. It also contains two photographs of the second edition at the Centro Pecci per l'Arte Contemporanea. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-complements-1978/ (last accessed 14 November 2019).
Complimenti D'Architettura [Complements of Architecture] (1978)
Actions:
AP207.S1.1978.PR02
Description:
The project series documents "Complimenti D'Architettura", an installation for the Biennale di Venezia at the Magazzini del Sale in 1978. The installation consists of a stone wall that showcases the different types of stone used as construction material over time, begining with uncut natural stone and ending with cut polished stone. "It is a symbolic history of architecture [...]: all the intermediate phases, from the collection of scattered pieces of rock, piled up to make a heap, to the hewn and polished stone, its surface as shiny as a mirror." [1] The installation was also presented at the exhibition "La fine del mondo" at the Centro Pecci per l'Arte Contemporanea in Prato, in 2016. The project series contains photographs of the first edition of the installation at the Biennale di Venezia, and installation sketches. It also contains two photographs of the second edition at the Centro Pecci per l'Arte Contemporanea. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-complements-1978/ (last accessed 14 November 2019).
Level of archival description:
Project
Project
Date:
1978-2016
1978-2016
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP178.S1.2003.PR02
Description:
This project series documents the Recupero del Palazzo Donnaregina / Museu de Arte Contemporâneo in Napoli, Italy. While the records were held in the office’s archives this project was assigned the number 55/00. The office assigned the date 2003 for this project. The Palazzo Donnaregina was built during the 19th century and served multiple functions during his history, including a bank and a school of administration. In 2001, the building was abandoned after a flood. In 2005, the Campania Regional Government bought the building and leased it to the Fondazione Donnaregina per le arti contemporane. Àlvaro Siza and the Studio DAZ-Dumontet Antonini Zaske were selected to renovate and repurpose the builsing into a contemporary art museum. The museum included exhibition halls, a library, a bookshop, and a mediatheque. The project was realized. Documenting this project are sketches, studies, design development drawings, plans, and details. Textual material includes project documentation, catalogs from suppliers, and correspondence. Photographic material documents Siza's visits, project site, and construction work.
AP178.S1.2003.PR02
Description:
This project series documents the Recupero del Palazzo Donnaregina / Museu de Arte Contemporâneo in Napoli, Italy. While the records were held in the office’s archives this project was assigned the number 55/00. The office assigned the date 2003 for this project. The Palazzo Donnaregina was built during the 19th century and served multiple functions during his history, including a bank and a school of administration. In 2001, the building was abandoned after a flood. In 2005, the Campania Regional Government bought the building and leased it to the Fondazione Donnaregina per le arti contemporane. Àlvaro Siza and the Studio DAZ-Dumontet Antonini Zaske were selected to renovate and repurpose the builsing into a contemporary art museum. The museum included exhibition halls, a library, a bookshop, and a mediatheque. The project was realized. Documenting this project are sketches, studies, design development drawings, plans, and details. Textual material includes project documentation, catalogs from suppliers, and correspondence. Photographic material documents Siza's visits, project site, and construction work.
People:
Date:
2003-2006
2003-2006
Title:
Recupero del Palazzo Donnaregina, Museu de Arte Contem. [Restoration of the Palazzo Donnaregina, Museum of contemporary Art], Naples, Italy (2003)
Actions:
AP178.S1.2003.PR02
Description:
This project series documents the Recupero del Palazzo Donnaregina / Museu de Arte Contemporâneo in Napoli, Italy. While the records were held in the office’s archives this project was assigned the number 55/00. The office assigned the date 2003 for this project. The Palazzo Donnaregina was built during the 19th century and served multiple functions during his history, including a bank and a school of administration. In 2001, the building was abandoned after a flood. In 2005, the Campania Regional Government bought the building and leased it to the Fondazione Donnaregina per le arti contemporane. Àlvaro Siza and the Studio DAZ-Dumontet Antonini Zaske were selected to renovate and repurpose the builsing into a contemporary art museum. The museum included exhibition halls, a library, a bookshop, and a mediatheque. The project was realized. Documenting this project are sketches, studies, design development drawings, plans, and details. Textual material includes project documentation, catalogs from suppliers, and correspondence. Photographic material documents Siza's visits, project site, and construction work.
Recupero del Palazzo Donnaregina, Museu de Arte Contem. [Restoration of the Palazzo Donnaregina, Museum of contemporary Art], Naples, Italy (2003)
Actions:
AP178.S1.2003.PR02
Description:
This project series documents the Recupero del Palazzo Donnaregina / Museu de Arte Contemporâneo in Napoli, Italy. While the records were held in the office’s archives this project was assigned the number 55/00. The office assigned the date 2003 for this project. The Palazzo Donnaregina was built during the 19th century and served multiple functions during his history, including a bank and a school of administration. In 2001, the building was abandoned after a flood. In 2005, the Campania Regional Government bought the building and leased it to the Fondazione Donnaregina per le arti contemporane. Àlvaro Siza and the Studio DAZ-Dumontet Antonini Zaske were selected to renovate and repurpose the builsing into a contemporary art museum. The museum included exhibition halls, a library, a bookshop, and a mediatheque. The project was realized. Documenting this project are sketches, studies, design development drawings, plans, and details. Textual material includes project documentation, catalogs from suppliers, and correspondence. Photographic material documents Siza's visits, project site, and construction work.
Level of archival description:
Project
Project
Date:
2003-2006
2003-2006
People:
Form:
textual records, photographs
textual records, photographs
Reference number:
DR1999:0356
Description:
Documents include 3 audiocassettes, 44 slides, 57 photographs, 54 negatives, drawings (including computer drawings and sketches), blueprints, a project proposal, newspapers, competition brief, program, DNA information, surveys, meeting minutes, building area calculations, book, correspondence, schedule, progress report, budget, postcards, file index, master plan and a history of Frankfurt.
DR1999:0356
Description:
Documents include 3 audiocassettes, 44 slides, 57 photographs, 54 negatives, drawings (including computer drawings and sketches), blueprints, a project proposal, newspapers, competition brief, program, DNA information, surveys, meeting minutes, building area calculations, book, correspondence, schedule, progress report, budget, postcards, file index, master plan and a history of Frankfurt.
People:
Title:
Meeting records, building analysis, budget, reports and other reference documentation
Actions:
DR1999:0356
Description:
Documents include 3 audiocassettes, 44 slides, 57 photographs, 54 negatives, drawings (including computer drawings and sketches), blueprints, a project proposal, newspapers, competition brief, program, DNA information, surveys, meeting minutes, building area calculations, book, correspondence, schedule, progress report, budget, postcards, file index, master plan and a history of Frankfurt.
Meeting records, building analysis, budget, reports and other reference documentation
Actions:
DR1999:0356
Description:
Documents include 3 audiocassettes, 44 slides, 57 photographs, 54 negatives, drawings (including computer drawings and sketches), blueprints, a project proposal, newspapers, competition brief, program, DNA information, surveys, meeting minutes, building area calculations, book, correspondence, schedule, progress report, budget, postcards, file index, master plan and a history of Frankfurt.
Form:
textual records, photographs
textual records, photographs
People:
Form:
textual records
textual records
Actions:
Reference number:
AP197.S2.018
Description:
The box includes writings about culture, style, science, proportions, geometry, ecology/environment, landscape/gardens, and design. More specifically, the subjects explored in these files include the Gothic revival to functional form, modernism and post modernism, cultural history, Richard Wagner, Angelo Rizzuto, museums, expressionism, modular and alchemy, and the avant garde.
AP197.S2.018
Description:
The box includes writings about culture, style, science, proportions, geometry, ecology/environment, landscape/gardens, and design. More specifically, the subjects explored in these files include the Gothic revival to functional form, modernism and post modernism, cultural history, Richard Wagner, Angelo Rizzuto, museums, expressionism, modular and alchemy, and the avant garde.
People:
Date:
circa 1963- 1990
circa 1963- 1990
Title:
Various research files on culture, style, science, proportions, geometry, ecology/environment, landscape/gardens, and design
Actions:
AP197.S2.018
Description:
The box includes writings about culture, style, science, proportions, geometry, ecology/environment, landscape/gardens, and design. More specifically, the subjects explored in these files include the Gothic revival to functional form, modernism and post modernism, cultural history, Richard Wagner, Angelo Rizzuto, museums, expressionism, modular and alchemy, and the avant garde.
Various research files on culture, style, science, proportions, geometry, ecology/environment, landscape/gardens, and design
Actions:
AP197.S2.018
Description:
The box includes writings about culture, style, science, proportions, geometry, ecology/environment, landscape/gardens, and design. More specifically, the subjects explored in these files include the Gothic revival to functional form, modernism and post modernism, cultural history, Richard Wagner, Angelo Rizzuto, museums, expressionism, modular and alchemy, and the avant garde.
Form:
textual records
textual records
Date:
circa 1963- 1990
circa 1963- 1990
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Van Ginkel Associates fonds
Van Ginkel Associates fonds
Reference number:
AP027
Synopsis:
The Van Ginkel Associates fonds is comprised of documents concerning van Ginkel Associates, van Ginkel Associates Ltd., Ecos Ltd., van Ginkel Partners, Ginkelvan Ltd, van Ginkel Associates Ltd. (1977), the styles under which H.P. van Ginkel and Blanche Lemco van Ginkel practiced as a multidisciplinary planning, management and architecture firm. Much of the van Ginkels' work was done in the Montréal area and nation-wide. The fonds contains approximately 1 985 drawings (1 420 originals plus 565 reproductions), 41 boards, 3 photographs, 2 collages, 2 typescripts, 1 model, 1 sketchbook and approximately 12.23 meters of textual documents. The documents were primarily produced between 1955 and 1980.
AP027
Synopsis:
The Van Ginkel Associates fonds is comprised of documents concerning van Ginkel Associates, van Ginkel Associates Ltd., Ecos Ltd., van Ginkel Partners, Ginkelvan Ltd, van Ginkel Associates Ltd. (1977), the styles under which H.P. van Ginkel and Blanche Lemco van Ginkel practiced as a multidisciplinary planning, management and architecture firm. Much of the van Ginkels' work was done in the Montréal area and nation-wide. The fonds contains approximately 1 985 drawings (1 420 originals plus 565 reproductions), 41 boards, 3 photographs, 2 collages, 2 typescripts, 1 model, 1 sketchbook and approximately 12.23 meters of textual documents. The documents were primarily produced between 1955 and 1980.
People:
Date:
1944-1992
1944-1992
Title:
Van Ginkel Associates fonds
Actions:
AP027
Synopsis:
The Van Ginkel Associates fonds is comprised of documents concerning van Ginkel Associates, van Ginkel Associates Ltd., Ecos Ltd., van Ginkel Partners, Ginkelvan Ltd, van Ginkel Associates Ltd. (1977), the styles under which H.P. van Ginkel and Blanche Lemco van Ginkel practiced as a multidisciplinary planning, management and architecture firm. Much of the van Ginkels' work was done in the Montréal area and nation-wide. The fonds contains approximately 1 985 drawings (1 420 originals plus 565 reproductions), 41 boards, 3 photographs, 2 collages, 2 typescripts, 1 model, 1 sketchbook and approximately 12.23 meters of textual documents. The documents were primarily produced between 1955 and 1980.
Van Ginkel Associates fonds
Actions:
AP027
Synopsis:
The Van Ginkel Associates fonds is comprised of documents concerning van Ginkel Associates, van Ginkel Associates Ltd., Ecos Ltd., van Ginkel Partners, Ginkelvan Ltd, van Ginkel Associates Ltd. (1977), the styles under which H.P. van Ginkel and Blanche Lemco van Ginkel practiced as a multidisciplinary planning, management and architecture firm. Much of the van Ginkels' work was done in the Montréal area and nation-wide. The fonds contains approximately 1 985 drawings (1 420 originals plus 565 reproductions), 41 boards, 3 photographs, 2 collages, 2 typescripts, 1 model, 1 sketchbook and approximately 12.23 meters of textual documents. The documents were primarily produced between 1955 and 1980.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1944-1992
1944-1992
People:
Quantity:
12 file
12 file
Actions:
Reference number:
ARCH240288
Description:
Tape 1 - Anymore 23/06/99 - Paris Prologue : Emerging French Architecture Tape 2 - Anymore 23/06/99 - Paris Prologue : Emerging French Architecture Tape 3 - Anymore 23/06/99 - Anymore Theory or History? Tape 4 - Anymore 23/06/99 - Anymore Theory or History? Tape 5 - Anymore 24/06/99 - Anymore Context? Tape 6 - Anymore 24/06/99 - Anymore Context? Tape 7 - Anymore 24/06/99 - Anymore Architecture? Tape 8 - Anymore 24/06/99 - Anymore Architecture? Tape 9 - Anymore 25/06/99 - Anymore Technology? Tape 10 - Anymore 25/06/99 - Anymore Technology? Tape 11- Anymore 25/06/99 - Anymore Mores? Tape 12- Anymore 25/06/99 - Anymore Mores?
ARCH240288
Description:
Tape 1 - Anymore 23/06/99 - Paris Prologue : Emerging French Architecture Tape 2 - Anymore 23/06/99 - Paris Prologue : Emerging French Architecture Tape 3 - Anymore 23/06/99 - Anymore Theory or History? Tape 4 - Anymore 23/06/99 - Anymore Theory or History? Tape 5 - Anymore 24/06/99 - Anymore Context? Tape 6 - Anymore 24/06/99 - Anymore Context? Tape 7 - Anymore 24/06/99 - Anymore Architecture? Tape 8 - Anymore 24/06/99 - Anymore Architecture? Tape 9 - Anymore 25/06/99 - Anymore Technology? Tape 10 - Anymore 25/06/99 - Anymore Technology? Tape 11- Anymore 25/06/99 - Anymore Mores? Tape 12- Anymore 25/06/99 - Anymore Mores?
People:
Date:
1999-06-23 - 1999-06-25
1999-06-23 - 1999-06-25
Title:
Audio recordings of Anymore Conference
Actions:
ARCH240288
Description:
Tape 1 - Anymore 23/06/99 - Paris Prologue : Emerging French Architecture Tape 2 - Anymore 23/06/99 - Paris Prologue : Emerging French Architecture Tape 3 - Anymore 23/06/99 - Anymore Theory or History? Tape 4 - Anymore 23/06/99 - Anymore Theory or History? Tape 5 - Anymore 24/06/99 - Anymore Context? Tape 6 - Anymore 24/06/99 - Anymore Context? Tape 7 - Anymore 24/06/99 - Anymore Architecture? Tape 8 - Anymore 24/06/99 - Anymore Architecture? Tape 9 - Anymore 25/06/99 - Anymore Technology? Tape 10 - Anymore 25/06/99 - Anymore Technology? Tape 11- Anymore 25/06/99 - Anymore Mores? Tape 12- Anymore 25/06/99 - Anymore Mores?
Audio recordings of Anymore Conference
Actions:
ARCH240288
Description:
Tape 1 - Anymore 23/06/99 - Paris Prologue : Emerging French Architecture Tape 2 - Anymore 23/06/99 - Paris Prologue : Emerging French Architecture Tape 3 - Anymore 23/06/99 - Anymore Theory or History? Tape 4 - Anymore 23/06/99 - Anymore Theory or History? Tape 5 - Anymore 24/06/99 - Anymore Context? Tape 6 - Anymore 24/06/99 - Anymore Context? Tape 7 - Anymore 24/06/99 - Anymore Architecture? Tape 8 - Anymore 24/06/99 - Anymore Architecture? Tape 9 - Anymore 25/06/99 - Anymore Technology? Tape 10 - Anymore 25/06/99 - Anymore Technology? Tape 11- Anymore 25/06/99 - Anymore Mores? Tape 12- Anymore 25/06/99 - Anymore Mores?
Quantity:
12 file
12 file
Date:
1999-06-23 - 1999-06-25
1999-06-23 - 1999-06-25
People:
