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Dans une approche à la fois documentaire et artistique, Vestiges ou les fondements d’une cyberécologie parlent de l’écologie humaine, ou du fonctionnement de l’espèce humaine par rapport à son environnement. Pierre Redon s’appuie sur des rencontres effectuées sur le territoire de Saint-Ouen l’Aumône, ainsi que sur des recherches réalisées au musée de l’Éducation du(...)
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Dans une approche à la fois documentaire et artistique, Vestiges ou les fondements d’une cyberécologie parlent de l’écologie humaine, ou du fonctionnement de l’espèce humaine par rapport à son environnement. Pierre Redon s’appuie sur des rencontres effectuées sur le territoire de Saint-Ouen l’Aumône, ainsi que sur des recherches réalisées au musée de l’Éducation du(...)
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Vertiges ou les fondements d'une cyberécologie
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Dans une approche à la fois documentaire et artistique, Vestiges ou les fondements d’une cyberécologie parlent de l’écologie humaine, ou du fonctionnement de l’espèce humaine par rapport à son environnement. Pierre Redon s’appuie sur des rencontres effectuées sur le territoire de Saint-Ouen l’Aumône, ainsi que sur des recherches réalisées au musée de l’Éducation du Val-d’Oise pour réaliser cet ouvrage. Ce livre se présente sous la forme d’un recueil de textes et de photographies réunis lors de la création de la Marche Sonore commandée par le centre d’art contemporain de l’Abbaye de Maubuisson ainsi que du CD audio.
Vertiges ou les fondements d'une cyberécologie
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Dans une approche à la fois documentaire et artistique, Vestiges ou les fondements d’une cyberécologie parlent de l’écologie humaine, ou du fonctionnement de l’espèce humaine par rapport à son environnement. Pierre Redon s’appuie sur des rencontres effectuées sur le territoire de Saint-Ouen l’Aumône, ainsi que sur des recherches réalisées au musée de l’Éducation du Val-d’Oise pour réaliser cet ouvrage. Ce livre se présente sous la forme d’un recueil de textes et de photographies réunis lors de la création de la Marche Sonore commandée par le centre d’art contemporain de l’Abbaye de Maubuisson ainsi que du CD audio.
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books
books
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November 2011
November 2011
Subject:
Acoustics
Acoustics
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books
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$94.95
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The internationally acclaimed team of architect Boa Baumann and musician/cross-media artist Fritz Hauser has worked together for two decades exploring the tension and interaction between music and architecture. This monograph recounts the story of their collaboration and the environmental installations that result. Active in the areas of improvised music, radio play, film(...)
$94.95
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The internationally acclaimed team of architect Boa Baumann and musician/cross-media artist Fritz Hauser has worked together for two decades exploring the tension and interaction between music and architecture. This monograph recounts the story of their collaboration and the environmental installations that result. Active in the areas of improvised music, radio play, film(...)
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Architecture music: Boa Baumann and Fritz Hauser
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The internationally acclaimed team of architect Boa Baumann and musician/cross-media artist Fritz Hauser has worked together for two decades exploring the tension and interaction between music and architecture. This monograph recounts the story of their collaboration and the environmental installations that result. Active in the areas of improvised music, radio play, film music, theatre and sound installation, Hauser is a percussionist who is one of Switzerland’s most diverse musicians. He and Baumann have created spaces and performed in New York, Melbourne and throughout the world. Author Hubertus Adam interviews Baumann, Hauser and others, and fashions a narrative text enhanced by large-format images by artists Andreas Fahrni, Christian Lichtenberg and Isabel Bürgin.
Architecture music: Boa Baumann and Fritz Hauser
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The internationally acclaimed team of architect Boa Baumann and musician/cross-media artist Fritz Hauser has worked together for two decades exploring the tension and interaction between music and architecture. This monograph recounts the story of their collaboration and the environmental installations that result. Active in the areas of improvised music, radio play, film music, theatre and sound installation, Hauser is a percussionist who is one of Switzerland’s most diverse musicians. He and Baumann have created spaces and performed in New York, Melbourne and throughout the world. Author Hubertus Adam interviews Baumann, Hauser and others, and fashions a narrative text enhanced by large-format images by artists Andreas Fahrni, Christian Lichtenberg and Isabel Bürgin.
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books
books
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April 2012
April 2012
Subject:
Acoustics
Acoustics
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books
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$25.00
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Perhaps the only postwar classical composer to invest avant-garde music with overt eroticism, Luc Ferrari (1929-2005) was one of France's leading composers of the twentieth century, relentlessly experimental while always preserving his keen sense of humor. Ferrari was a first-generation exponent of musique concrète, and made brilliant use of field recordings to develop(...)
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Perhaps the only postwar classical composer to invest avant-garde music with overt eroticism, Luc Ferrari (1929-2005) was one of France's leading composers of the twentieth century, relentlessly experimental while always preserving his keen sense of humor. Ferrari was a first-generation exponent of musique concrète, and made brilliant use of field recordings to develop(...)
Title:
Almost nothing with Luc Ferrari
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Perhaps the only postwar classical composer to invest avant-garde music with overt eroticism, Luc Ferrari (1929-2005) was one of France's leading composers of the twentieth century, relentlessly experimental while always preserving his keen sense of humor. Ferrari was a first-generation exponent of musique concrète, and made brilliant use of field recordings to develop sensual, proto-ambient narrative that he termed "anecdotal music" or "cinema for the ear." Perhaps the most notorious instance of this approach was Danses Organiques (1973), for which Ferrari recorded the meeting and sexual encounter of two young women, cut with other ambient and music sound. In his final decades Ferrari was championed by David Grubbs (of Gastr del Sol), who brought his music to a postrock audience. Almost Nothing is the first publication on this composer. It alternates Jacqueline Caux's interviews with 14 "imaginary autobiographies" by the composer, offering a lively account of new music's most revolutionary era.
Almost nothing with Luc Ferrari
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Perhaps the only postwar classical composer to invest avant-garde music with overt eroticism, Luc Ferrari (1929-2005) was one of France's leading composers of the twentieth century, relentlessly experimental while always preserving his keen sense of humor. Ferrari was a first-generation exponent of musique concrète, and made brilliant use of field recordings to develop sensual, proto-ambient narrative that he termed "anecdotal music" or "cinema for the ear." Perhaps the most notorious instance of this approach was Danses Organiques (1973), for which Ferrari recorded the meeting and sexual encounter of two young women, cut with other ambient and music sound. In his final decades Ferrari was championed by David Grubbs (of Gastr del Sol), who brought his music to a postrock audience. Almost Nothing is the first publication on this composer. It alternates Jacqueline Caux's interviews with 14 "imaginary autobiographies" by the composer, offering a lively account of new music's most revolutionary era.
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books
books
Publication:
March 2012
March 2012
Subject:
Acoustics
Acoustics
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books
books
Title:
A brief history of new music
A brief history of new music
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Hans Ulrich Obrist’s interviews map the evolution of the new music in Europe and America across all of its genres, from musique concrète to the recent hybridizations between pop and avant-garde, as techniques from both realms cross-pollinate. A Brief History of New Music is an ideal introduction to the experimental and new classical music of the past half-century.
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Hans Ulrich Obrist’s interviews map the evolution of the new music in Europe and America across all of its genres, from musique concrète to the recent hybridizations between pop and avant-garde, as techniques from both realms cross-pollinate. A Brief History of New Music is an ideal introduction to the experimental and new classical music of the past half-century.
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A brief history of new music
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Hans Ulrich Obrist’s interviews map the evolution of the new music in Europe and America across all of its genres, from musique concrète to the recent hybridizations between pop and avant-garde, as techniques from both realms cross-pollinate. A Brief History of New Music is an ideal introduction to the experimental and new classical music of the past half-century.
A brief history of new music
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$29.95
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Summary:
Hans Ulrich Obrist’s interviews map the evolution of the new music in Europe and America across all of its genres, from musique concrète to the recent hybridizations between pop and avant-garde, as techniques from both realms cross-pollinate. A Brief History of New Music is an ideal introduction to the experimental and new classical music of the past half-century.
Form:
books
books
Publication:
June 2012
June 2012
Subject:
Acoustics
Acoustics
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books
books
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$27.95
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Summary:
Sounding New Media examines the long-neglected role of sound and audio in the development of new media theory and practice, including new technologies and performance art events, with particular emphasis on sound, embodiment, art, and technological interactions. Frances Dyson takes an historical approach, focusing on technologies that became available in the mid-twentieth(...)
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Sounding New Media examines the long-neglected role of sound and audio in the development of new media theory and practice, including new technologies and performance art events, with particular emphasis on sound, embodiment, art, and technological interactions. Frances Dyson takes an historical approach, focusing on technologies that became available in the mid-twentieth(...)
Title:
Sounding new media, immersion and embodiment in the arts and culture
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Sounding New Media examines the long-neglected role of sound and audio in the development of new media theory and practice, including new technologies and performance art events, with particular emphasis on sound, embodiment, art, and technological interactions. Frances Dyson takes an historical approach, focusing on technologies that became available in the mid-twentieth century-electronics, imaging, and digital and computer processing-and analyzing the work of such artists as John Cage, Edgard Varèse, Antonin Artaud, and Char Davies. She utilizes sound's intangibility to study ideas about embodiment (or its lack) in art and technology as well as fears about technology and the so-called "post-human."
Sounding new media, immersion and embodiment in the arts and culture
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$27.95
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Summary:
Sounding New Media examines the long-neglected role of sound and audio in the development of new media theory and practice, including new technologies and performance art events, with particular emphasis on sound, embodiment, art, and technological interactions. Frances Dyson takes an historical approach, focusing on technologies that became available in the mid-twentieth century-electronics, imaging, and digital and computer processing-and analyzing the work of such artists as John Cage, Edgard Varèse, Antonin Artaud, and Char Davies. She utilizes sound's intangibility to study ideas about embodiment (or its lack) in art and technology as well as fears about technology and the so-called "post-human."
Form:
books
books
Publication:
September 2009
September 2009
Subject:
Acoustics
Acoustics
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books
books
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$34.95
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Summary:
Wonderfully displaying the richness of Adorno's provocative ideas on the composition and development of classical and modern music and their necessary relationship to historical and material contexts, this volume brings together two significant collections of essays, Moments Musicaux and Theory of New Music, from the German collected works of one of the 20th century's(...)
$34.95
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Summary:
Wonderfully displaying the richness of Adorno's provocative ideas on the composition and development of classical and modern music and their necessary relationship to historical and material contexts, this volume brings together two significant collections of essays, Moments Musicaux and Theory of New Music, from the German collected works of one of the 20th century's(...)
Title:
Night music, essays on music 1928-1962
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Wonderfully displaying the richness of Adorno's provocative ideas on the composition and development of classical and modern music and their necessary relationship to historical and material contexts, this volume brings together two significant collections of essays, Moments Musicaux and Theory of New Music, from the German collected works of one of the 20th century's most dazzling yet perplexing philosophers. The fidelity to the ordering of the original German editions allows some of the less well-known essays (such as those on Ravel and Offenbach) to thematically and stylistically resonate in the company of the famous (and infamous) works on Beethoven, Schubert, Schoenberg and jazz.
Night music, essays on music 1928-1962
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$34.95
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Summary:
Wonderfully displaying the richness of Adorno's provocative ideas on the composition and development of classical and modern music and their necessary relationship to historical and material contexts, this volume brings together two significant collections of essays, Moments Musicaux and Theory of New Music, from the German collected works of one of the 20th century's most dazzling yet perplexing philosophers. The fidelity to the ordering of the original German editions allows some of the less well-known essays (such as those on Ravel and Offenbach) to thematically and stylistically resonate in the company of the famous (and infamous) works on Beethoven, Schubert, Schoenberg and jazz.
Form:
books
books
Publication:
October 2009, Chicago
October 2009, Chicago
Subject:
Acoustics
Acoustics
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books
books
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$27.95
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In this publication, Caleb Kelly explores how the deliberate utilization of the normally undesirable (a crack, a break) has become the site of productive creation. Cracked media, Kelly writes, slides across disciplines, through music, sound, and noise. Cracked media encompasses everything from Cage's silences and indeterminacies, to Paik's often humorous tape works, to(...)
$27.95
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Summary:
In this publication, Caleb Kelly explores how the deliberate utilization of the normally undesirable (a crack, a break) has become the site of productive creation. Cracked media, Kelly writes, slides across disciplines, through music, sound, and noise. Cracked media encompasses everything from Cage's silences and indeterminacies, to Paik's often humorous tape works, to(...)
Title:
Cracked media : the sound of malfunction
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In this publication, Caleb Kelly explores how the deliberate utilization of the normally undesirable (a crack, a break) has become the site of productive creation. Cracked media, Kelly writes, slides across disciplines, through music, sound, and noise. Cracked media encompasses everything from Cage's silences and indeterminacies, to Paik's often humorous tape works, to the cold and clean sounds of digital glitch in the work of Tone and Oval. Kelly offers a detailed historical account of these practices, arguing that they can be read as precursors to contemporary new media. Kelly looks at the nature of recording technology and the music industry in relation to the crack and the break, and discusses the various manifestations of noise, concluding that neither theories of recording nor theories of noise offer an adequate framework for understanding cracked media. Connecting the historical avant-garde to modern-day turntablism, and predigital destructive techniques to the digital ticks, pops, and clicks of the glitch, Kelly proposes new media theorizations of cracked media that focus on materiality and the everyday.
Cracked media : the sound of malfunction
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$27.95
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Summary:
In this publication, Caleb Kelly explores how the deliberate utilization of the normally undesirable (a crack, a break) has become the site of productive creation. Cracked media, Kelly writes, slides across disciplines, through music, sound, and noise. Cracked media encompasses everything from Cage's silences and indeterminacies, to Paik's often humorous tape works, to the cold and clean sounds of digital glitch in the work of Tone and Oval. Kelly offers a detailed historical account of these practices, arguing that they can be read as precursors to contemporary new media. Kelly looks at the nature of recording technology and the music industry in relation to the crack and the break, and discusses the various manifestations of noise, concluding that neither theories of recording nor theories of noise offer an adequate framework for understanding cracked media. Connecting the historical avant-garde to modern-day turntablism, and predigital destructive techniques to the digital ticks, pops, and clicks of the glitch, Kelly proposes new media theorizations of cracked media that focus on materiality and the everyday.
Form:
books
books
Publication:
September 2009
September 2009
Subject:
Acoustics
Acoustics
Form:
books
books
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$22.00
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is first monograph on sound artist Christof Migone tracks his work since the mid-80s: a weaving together of multiple media, from radio to telephone to digital objects, that has formed a stunning and highly dynamic practice, one that combines an acute sonic sensibility with performative usages of the body, video, and voice.
$22.00
(available in store)
Summary:
is first monograph on sound artist Christof Migone tracks his work since the mid-80s: a weaving together of multiple media, from radio to telephone to digital objects, that has formed a stunning and highly dynamic practice, one that combines an acute sonic sensibility with performative usages of the body, video, and voice.
Title:
Christof Migone: sound, voice, perform
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$22.00
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is first monograph on sound artist Christof Migone tracks his work since the mid-80s: a weaving together of multiple media, from radio to telephone to digital objects, that has formed a stunning and highly dynamic practice, one that combines an acute sonic sensibility with performative usages of the body, video, and voice.
Christof Migone: sound, voice, perform
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$22.00
(available in store)
Summary:
is first monograph on sound artist Christof Migone tracks his work since the mid-80s: a weaving together of multiple media, from radio to telephone to digital objects, that has formed a stunning and highly dynamic practice, one that combines an acute sonic sensibility with performative usages of the body, video, and voice.
Form:
books
books
Publication:
September 2009
September 2009
Subject:
Acoustics
Acoustics
Form:
books
books
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$24.00
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Continuing the work initiated in Surface Tension: Problematics of Site, this second in the Supplement series engages questions of location and performative interventionist practices through essays and creative projects. Probing the intersection of art and architecture, Surface Tension No. 2 offers a critical glance at recent urban planning policies in China and a history(...)
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Summary:
Continuing the work initiated in Surface Tension: Problematics of Site, this second in the Supplement series engages questions of location and performative interventionist practices through essays and creative projects. Probing the intersection of art and architecture, Surface Tension No. 2 offers a critical glance at recent urban planning policies in China and a history(...)
Title:
What remains of a building divided into equal parts and distributed for reconfiguration
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Continuing the work initiated in Surface Tension: Problematics of Site, this second in the Supplement series engages questions of location and performative interventionist practices through essays and creative projects. Probing the intersection of art and architecture, Surface Tension No. 2 offers a critical glance at recent urban planning policies in China and a history of "participatory" architecture. It includes temporary architectural work by the Tijuana-based consortium of artists, designers and musicians known as Torolab, as well as a study of Nis Roemer's innovative Hot Summer urban farming project in Copenhagen. With essays digital culture in Brazil, electronic waste and camouflage as creative strategy, this volume offers fresh reading on the specifics of site.
What remains of a building divided into equal parts and distributed for reconfiguration
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Price:
$24.00
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Summary:
Continuing the work initiated in Surface Tension: Problematics of Site, this second in the Supplement series engages questions of location and performative interventionist practices through essays and creative projects. Probing the intersection of art and architecture, Surface Tension No. 2 offers a critical glance at recent urban planning policies in China and a history of "participatory" architecture. It includes temporary architectural work by the Tijuana-based consortium of artists, designers and musicians known as Torolab, as well as a study of Nis Roemer's innovative Hot Summer urban farming project in Copenhagen. With essays digital culture in Brazil, electronic waste and camouflage as creative strategy, this volume offers fresh reading on the specifics of site.
Form:
books
books
Publication:
September 2009
September 2009
Subject:
Acoustics
Acoustics
Form:
books
books
Title:
Toy instruments
Toy instruments
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$26.95
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Toy Instruments comprises an eye-popping collection of musical toys made between the 1950s and 1990s. Created to excite children about learning how to play an instrument, it turns out that adults also had fun with these products.
$26.95
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Toy Instruments comprises an eye-popping collection of musical toys made between the 1950s and 1990s. Created to excite children about learning how to play an instrument, it turns out that adults also had fun with these products.
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Toy instruments
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$26.95
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Toy Instruments comprises an eye-popping collection of musical toys made between the 1950s and 1990s. Created to excite children about learning how to play an instrument, it turns out that adults also had fun with these products.
Toy instruments
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$26.95
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Summary:
Toy Instruments comprises an eye-popping collection of musical toys made between the 1950s and 1990s. Created to excite children about learning how to play an instrument, it turns out that adults also had fun with these products.
Form:
books
books
Publication:
October 2009
October 2009
Subject:
Acoustics
Acoustics
