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$38.81
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Featuring the Guggenheim Museum in Bilbao, by Frank Gehry; Educatorium, by OMA; Beyeler Foundation Museum, by Renzo Piano; and an article on Finnish contemporary architecture and city planning in Helsinki.
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Featuring the Guggenheim Museum in Bilbao, by Frank Gehry; Educatorium, by OMA; Beyeler Foundation Museum, by Renzo Piano; and an article on Finnish contemporary architecture and city planning in Helsinki.
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Kenchiku Bunka 3 march 1998 : Gehry, Koolhaas, Piano
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Featuring the Guggenheim Museum in Bilbao, by Frank Gehry; Educatorium, by OMA; Beyeler Foundation Museum, by Renzo Piano; and an article on Finnish contemporary architecture and city planning in Helsinki.
Kenchiku Bunka 3 march 1998 : Gehry, Koolhaas, Piano
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Featuring the Guggenheim Museum in Bilbao, by Frank Gehry; Educatorium, by OMA; Beyeler Foundation Museum, by Renzo Piano; and an article on Finnish contemporary architecture and city planning in Helsinki.
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books
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March 1998, Tokyo
March 1998, Tokyo
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sale books
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$45.00
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Published in conjunction with the first museum exhibition to address this vital and engaging aspect of modern photographic practice, this volume is at once a serious examination of the snapshot as a cultural artifact and a visually delightful collection of some outstanding examples of the form.
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Published in conjunction with the first museum exhibition to address this vital and engaging aspect of modern photographic practice, this volume is at once a serious examination of the snapshot as a cultural artifact and a visually delightful collection of some outstanding examples of the form.
Title:
Snapshots : the photography of everyday life,1888 to the present
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Published in conjunction with the first museum exhibition to address this vital and engaging aspect of modern photographic practice, this volume is at once a serious examination of the snapshot as a cultural artifact and a visually delightful collection of some outstanding examples of the form.
Snapshots : the photography of everyday life,1888 to the present
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Published in conjunction with the first museum exhibition to address this vital and engaging aspect of modern photographic practice, this volume is at once a serious examination of the snapshot as a cultural artifact and a visually delightful collection of some outstanding examples of the form.
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books
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Publication:
March 1999, San Francisco
March 1999, San Francisco
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$11.95
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This book is part of the small-format series "A History of Architecture".
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This book is part of the small-format series "A History of Architecture".
Title:
Imperial Form: From Achaemenid Iran to Augustan Rome
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This book is part of the small-format series "A History of Architecture".
Imperial Form: From Achaemenid Iran to Augustan Rome
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This book is part of the small-format series "A History of Architecture".
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April 1998, London
April 1998, London
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Title:
Leicester University Engineering Building : Leicester 1959-63, James Stirling and James Gowan
Leicester University Engineering Building : Leicester 1959-63, James Stirling and James Gowan
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Architecture in Detail series.
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Architecture in Detail series.
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Leicester University Engineering Building : Leicester 1959-63, James Stirling and James Gowan
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Architecture in Detail series.
Leicester University Engineering Building : Leicester 1959-63, James Stirling and James Gowan
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Architecture in Detail series.
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Publication:
October 1994, London
October 1994, London
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Taschen’s new architecture series brings a unique perspective to world architecture, highlighting architectural trends by country. Each book features 15 to 20 architects—from the firmly established to the up-and-coming—with the focus on how they have contributed to very recent architecture in the chosen nation. Architects/firms included: David Adjaye Alsop Architects(...)
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Taschen’s new architecture series brings a unique perspective to world architecture, highlighting architectural trends by country. Each book features 15 to 20 architects—from the firmly established to the up-and-coming—with the focus on how they have contributed to very recent architecture in the chosen nation. Architects/firms included: David Adjaye Alsop Architects(...)
Title:
Architecture in the United Kingdom
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Taschen’s new architecture series brings a unique perspective to world architecture, highlighting architectural trends by country. Each book features 15 to 20 architects—from the firmly established to the up-and-coming—with the focus on how they have contributed to very recent architecture in the chosen nation. Architects/firms included: David Adjaye Alsop Architects Caruso St John Architects Chetwood Associates David Chipperfield Edward Cullinan dECOi Ellis Williams Eva Jiricna Foreign Office Architects FOA Norman Foster Nicholas Grimshaw Zaha Hadid Michael Hopkins Richard Rogers
Architecture in the United Kingdom
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Taschen’s new architecture series brings a unique perspective to world architecture, highlighting architectural trends by country. Each book features 15 to 20 architects—from the firmly established to the up-and-coming—with the focus on how they have contributed to very recent architecture in the chosen nation. Architects/firms included: David Adjaye Alsop Architects Caruso St John Architects Chetwood Associates David Chipperfield Edward Cullinan dECOi Ellis Williams Eva Jiricna Foreign Office Architects FOA Norman Foster Nicholas Grimshaw Zaha Hadid Michael Hopkins Richard Rogers
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Publication:
April 2006, Köln
April 2006, Köln
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$55.00
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Le travail de deux architectes du Sud de la France C+D (Nicolas Crégut + Laurent Duport) sous une forme originale.
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Le travail de deux architectes du Sud de la France C+D (Nicolas Crégut + Laurent Duport) sous une forme originale.
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$22.95
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Charles Sheeler (1883-1965) is recognized as one of the founders of American modernism and one of the master photographers of the twentieth century. His work is synonymous with precisionism, a crisp, clean, hard-edged style that reconciled cubist abstraction and the machine aesthetic of Marcel Duchamp with American subject matter. Trained in industrial drawing, decorative(...)
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Charles Sheeler (1883-1965) is recognized as one of the founders of American modernism and one of the master photographers of the twentieth century. His work is synonymous with precisionism, a crisp, clean, hard-edged style that reconciled cubist abstraction and the machine aesthetic of Marcel Duchamp with American subject matter. Trained in industrial drawing, decorative(...)
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Charles Sheeler : across media
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Charles Sheeler (1883-1965) is recognized as one of the founders of American modernism and one of the master photographers of the twentieth century. His work is synonymous with precisionism, a crisp, clean, hard-edged style that reconciled cubist abstraction and the machine aesthetic of Marcel Duchamp with American subject matter. Trained in industrial drawing, decorative painting, and applied art at the School of Industrial Art in Philadelphia, Sheeler also attended the Pennsylvania Academy of the Fine Arts, where he learned an impressionistic, painterly style. He later embraced European modernism and taught himself photography. Sheeler fully absorbed the lessons of each discipline and forged his own singular approach. This illustrated book, created to accompany a traveling exhibition of Sheeler's work, features detailed analyses of the artist's mediums and working methods. Focusing on the complex, often paradoxical, relationships among photography, film, drawing, printmaking, and painting that were central to Sheeler's art, this book traces critical points in Sheeler's trajectory, beginning with a small selection of Sheeler's seminal photographs, circa 1917, of the interior of an eighteenth-century Quaker fieldstone house in Doylestown, Pennsylvania. Sections are also devoted to the 1920 film Manhatta, made in collaboration with Paul Strand; a series of commercial photographs of the Ford Motor Company's River Rogue factory (1927); the enigmatic painting The Artist Looks at Nature (1943) and its related works; and finally a group of mill subjects from the 1940s and 1950s that experiments with photomontage.
Charles Sheeler : across media
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Charles Sheeler (1883-1965) is recognized as one of the founders of American modernism and one of the master photographers of the twentieth century. His work is synonymous with precisionism, a crisp, clean, hard-edged style that reconciled cubist abstraction and the machine aesthetic of Marcel Duchamp with American subject matter. Trained in industrial drawing, decorative painting, and applied art at the School of Industrial Art in Philadelphia, Sheeler also attended the Pennsylvania Academy of the Fine Arts, where he learned an impressionistic, painterly style. He later embraced European modernism and taught himself photography. Sheeler fully absorbed the lessons of each discipline and forged his own singular approach. This illustrated book, created to accompany a traveling exhibition of Sheeler's work, features detailed analyses of the artist's mediums and working methods. Focusing on the complex, often paradoxical, relationships among photography, film, drawing, printmaking, and painting that were central to Sheeler's art, this book traces critical points in Sheeler's trajectory, beginning with a small selection of Sheeler's seminal photographs, circa 1917, of the interior of an eighteenth-century Quaker fieldstone house in Doylestown, Pennsylvania. Sections are also devoted to the 1920 film Manhatta, made in collaboration with Paul Strand; a series of commercial photographs of the Ford Motor Company's River Rogue factory (1927); the enigmatic painting The Artist Looks at Nature (1943) and its related works; and finally a group of mill subjects from the 1940s and 1950s that experiments with photomontage.
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books
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Publication:
July 2006, Berkeley, Los Angeles, London
July 2006, Berkeley, Los Angeles, London
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$33.25
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For many Americans at the turn of the twentieth century and into the 1920s, the city of New York conjured dark images of crime, poverty, and the desperation of crowded immigrants. In How New York Became American, 1890--1924 Angela Blake explores how advertising professionals and savvy business leaders "reinvented" the city, creating a brand image of New York that(...)
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For many Americans at the turn of the twentieth century and into the 1920s, the city of New York conjured dark images of crime, poverty, and the desperation of crowded immigrants. In How New York Became American, 1890--1924 Angela Blake explores how advertising professionals and savvy business leaders "reinvented" the city, creating a brand image of New York that(...)
Title:
How New York became american 1890-1924
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For many Americans at the turn of the twentieth century and into the 1920s, the city of New York conjured dark images of crime, poverty, and the desperation of crowded immigrants. In How New York Became American, 1890--1924 Angela Blake explores how advertising professionals and savvy business leaders "reinvented" the city, creating a brand image of New York that capitalized on the trend toward pleasure travel. Blake examines the ways in which these early boosters built on the attention drawn to the city and its exotic populations to craft an image of New York City as America writ urban -- a place where the arts flourished, diverse peoples lived together boisterously but peacefully, and where one could enjoy a visit.
How New York became american 1890-1924
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For many Americans at the turn of the twentieth century and into the 1920s, the city of New York conjured dark images of crime, poverty, and the desperation of crowded immigrants. In How New York Became American, 1890--1924 Angela Blake explores how advertising professionals and savvy business leaders "reinvented" the city, creating a brand image of New York that capitalized on the trend toward pleasure travel. Blake examines the ways in which these early boosters built on the attention drawn to the city and its exotic populations to craft an image of New York City as America writ urban -- a place where the arts flourished, diverse peoples lived together boisterously but peacefully, and where one could enjoy a visit.
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books
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April 2009
April 2009
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Published on the occasion of the exhibiton at Arnolfini, Bristol from 15 september to 11 november 2007 and tour in Southampton and Liverpool. Included artists: Erik van Lieshout, Mary Evans, Jenny Vogel, Raimi Gbadamosi and all.
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Published on the occasion of the exhibiton at Arnolfini, Bristol from 15 september to 11 november 2007 and tour in Southampton and Liverpool. Included artists: Erik van Lieshout, Mary Evans, Jenny Vogel, Raimi Gbadamosi and all.
Title:
Port city on mobility & exchange
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Published on the occasion of the exhibiton at Arnolfini, Bristol from 15 september to 11 november 2007 and tour in Southampton and Liverpool. Included artists: Erik van Lieshout, Mary Evans, Jenny Vogel, Raimi Gbadamosi and all.
Port city on mobility & exchange
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Published on the occasion of the exhibiton at Arnolfini, Bristol from 15 september to 11 november 2007 and tour in Southampton and Liverpool. Included artists: Erik van Lieshout, Mary Evans, Jenny Vogel, Raimi Gbadamosi and all.
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books
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Publication:
November 2008, Bristol
November 2008, Bristol
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$7.99
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Product Description This book focuses on the letterforms and typography in public places, from road signs to building names, that help us to navigate cities and countryside and contribute to a sense of place. Featuring examples from around the world, the book discusses the function and execution of signage. Visually led, "Signs" contains 700 colour images grouped(...)
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Product Description This book focuses on the letterforms and typography in public places, from road signs to building names, that help us to navigate cities and countryside and contribute to a sense of place. Featuring examples from around the world, the book discusses the function and execution of signage. Visually led, "Signs" contains 700 colour images grouped(...)
Title:
Signs: lettering in the environment
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Product Description This book focuses on the letterforms and typography in public places, from road signs to building names, that help us to navigate cities and countryside and contribute to a sense of place. Featuring examples from around the world, the book discusses the function and execution of signage. Visually led, "Signs" contains 700 colour images grouped together thematically and described in extended captions, showing the best current examples alongside historical material. Part resource, part celebration, the book forms an exciting visual compendium. Phil Baines is Professor of Typography at Central Saint Martins College of Art & Design in London. Catherine Dixon completed her Ph.D. in typeform description at Central Saint Martin where she is now Senior Lecturer in Typography.
Signs: lettering in the environment
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Product Description This book focuses on the letterforms and typography in public places, from road signs to building names, that help us to navigate cities and countryside and contribute to a sense of place. Featuring examples from around the world, the book discusses the function and execution of signage. Visually led, "Signs" contains 700 colour images grouped together thematically and described in extended captions, showing the best current examples alongside historical material. Part resource, part celebration, the book forms an exciting visual compendium. Phil Baines is Professor of Typography at Central Saint Martins College of Art & Design in London. Catherine Dixon completed her Ph.D. in typeform description at Central Saint Martin where she is now Senior Lecturer in Typography.
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books
books
Publication:
October 2008, London
October 2008, London
Subject:
sale books
sale books
