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"The Spiral Jetty Encyclo" draws on Smithson’s writings for encyclopedic entries that bring to light the context of the earthwork and Smithson’s many points of reference in creating it. Visitors and armchair travelers, too, will discover how much significance Smithson placed on regional considerations, his immersion in natural history, his passion for travel, and his(...)
The Spiral Jetty encyclo: exploring Robert Smithson's earthwork through time and space
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"The Spiral Jetty Encyclo" draws on Smithson’s writings for encyclopedic entries that bring to light the context of the earthwork and Smithson’s many points of reference in creating it. Visitors and armchair travelers, too, will discover how much significance Smithson placed on regional considerations, his immersion in natural history, his passion for travel, and his ability to use diverse mediums to create a cohesive and lasting work of art. Containing some 220 images, most of them in color, with some historical black and whites, "The Spiral Jetty Encyclo" lets readers explore the construction, connections, and significance of Smithson’s 1,500-foot-long curl into Great Salt Lake, created, in Smithson’s words, of “mud, salt crystals, rocks, water.”
Land Art
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With the publication of the Dymaxion House in 1929, Buckminster Fuller became an overnight sensation in the world of American architecture. It was an uncompromising design and spectacularly novel. The living areas were hexagonal and attached around a central supply tower, and the multistory interior was fully climate-controlled. The house was conceived as completely(...)
Fuller houses: R. Buckminster Fuller's dymaxion dwellings
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With the publication of the Dymaxion House in 1929, Buckminster Fuller became an overnight sensation in the world of American architecture. It was an uncompromising design and spectacularly novel. The living areas were hexagonal and attached around a central supply tower, and the multistory interior was fully climate-controlled. The house was conceived as completely self-sufficient – all the necessary supply modules were contained in the tower, including water and wastewater, energy production, and air filters. The rooms were equipped with the most modern furnishings and fixtures. The approximately 150 m2 house weighed just 3 tons, cost no more than a car, and was designed to be constructed and dismantled anytime and anywhere.
Architecture Monographs
n!studio : sense of matter
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A survey of the most important works produced by n!studio, in all its various configurations, between 1990 and 2006. Critical writings and essays are accompanied by extensive colour photographs, plans and models of thirty works, projects and competition entries. The vast majority of the studio's works are yet to be realised or remain at a conceptual level – including(...)
n!studio : sense of matter
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A survey of the most important works produced by n!studio, in all its various configurations, between 1990 and 2006. Critical writings and essays are accompanied by extensive colour photographs, plans and models of thirty works, projects and competition entries. The vast majority of the studio's works are yet to be realised or remain at a conceptual level – including designs for Ecoromabuilding – a sustainable residential building in Vigna Murata, Italy, the New School, Rome; The Museum of Urbanism, Salamanca and the Piezometric Water Tower, in the Po Valley, Codigoro. Realised projects featured include the Castel San Vincenzo Archaeological Museum, the Bari Archaeological Museum, and their library refit for the Ss. Quattro Coronati Library, Rome. text in Chinese / English
Architecture Monographs
Hydroelectric sublime
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The Emosson region in the Swiss canton of Valais boasts a breathtaking Alpine landscape punctuated by a series of monumental feats in hydroelectric engineering, which include three dams and a power plant hidden in a cavern 600 meters below ground. In "Hydroelectric sublime", the photographers Beatrice Gorelli (born 1996) and Keiichi Kitayama (born 1987) set out to capture(...)
Photography by Region
September 2023
Hydroelectric sublime
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The Emosson region in the Swiss canton of Valais boasts a breathtaking Alpine landscape punctuated by a series of monumental feats in hydroelectric engineering, which include three dams and a power plant hidden in a cavern 600 meters below ground. In "Hydroelectric sublime", the photographers Beatrice Gorelli (born 1996) and Keiichi Kitayama (born 1987) set out to capture the area’s awe-inspiring terrain, and find themselves on a three-year odyssey uncovering the intricate bond between humans, energy and water. Across mountains, seasons and generations, the book peels back the layers of a landscape that exemplifies the coming together of nature and the man-made so sublimely or severely, depending on one’s point of view.
Photography by Region
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Earth has been reinventing itself for more than four billion years, keeping a record of its experiments in the form of rocks. Yet most of us live our lives on the planet with no idea of its extraordinary history, unable to interpret the language of the rocks that surround us. Geologist Marcia Bjornerud believes that our lives can be enriched by understanding our heritage(...)
Turning to stone: Discovering the subtle wisdom of rocks
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Earth has been reinventing itself for more than four billion years, keeping a record of its experiments in the form of rocks. Yet most of us live our lives on the planet with no idea of its extraordinary history, unable to interpret the language of the rocks that surround us. Geologist Marcia Bjornerud believes that our lives can be enriched by understanding our heritage on this old and creative planet. Contrary to their reputation, rocks have eventful lives–and they intersect with our own in surprising ways. In "Turning to stone," Bjornerud reveals how rocks are the hidden infrastructure that keep the planet functioning, from sandstone aquifers purifying the water we drink to basalt formations slowly regulating global climate.
Fauna and flora
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Centered on the Al Ahsa region, one of the world's oldest and largest oases, "Maghras: A farm for experimentation" (accompanying the inaugural Saudi Pavilion at the 24th Triennale di Milano, marking Saudi Arabia's first participation in this global architecture and design platform) reimagines the farm as a site of collective inquiry, where environmental change, cultural(...)
Landscape Theory
December 2025
Maghras: A farm for experimentation
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Centered on the Al Ahsa region, one of the world's oldest and largest oases, "Maghras: A farm for experimentation" (accompanying the inaugural Saudi Pavilion at the 24th Triennale di Milano, marking Saudi Arabia's first participation in this global architecture and design platform) reimagines the farm as a site of collective inquiry, where environmental change, cultural memory, and community practices converge. The publication documents research, fieldwork, and newly commissioned projects by architects, artists, and practitioners who engaged with farmers, craftspeople, and residents of Al Ahsa. Through essays, images, oral histories, and archival material, it reflects on the shifting relationship between land, water, and community in a landscape transformed by modernization and urban expansion.
Landscape Theory
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As the book reveals, Maya Lin’s earthworks and public sculptures have always developed alongside small-scale, exploratory sculptures and monumental temporary installations, such as Avalanche (1998), through which Lin evokes the physical processes that shape the earth. This volume also introduces three new installation works created for the "Systematic Landscapes"(...)
Contemporary Art Monographs
September 2006, Seattle
Maya Lin : systematic landscapes
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As the book reveals, Maya Lin’s earthworks and public sculptures have always developed alongside small-scale, exploratory sculptures and monumental temporary installations, such as Avalanche (1998), through which Lin evokes the physical processes that shape the earth. This volume also introduces three new installation works created for the "Systematic Landscapes" exhibition, along with a series of related drawings and reliefs demonstrating the expanding scope of Lin’s creative process. The largest of these installations, 2 x 4 Landscape, is composed from more than 45,000 sections of lumber placed on end that from a distance take on a pixel-like image of a hill, and close up create a form that evokes both mound and wave, earth and water.
Contemporary Art Monographs
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Pause and look around: you will see that you are surrounded by glass. It reflects and refracts light through your windows; it encircles a glowing filament above you; it's in a mirror hanging on the wall; it lies shattered in a dented corner of an iPhone-you're drinking water out of a pint glass. Taking up a most common object, rarely considered because assumed to be(...)
Glass (Object Lessons series)
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Pause and look around: you will see that you are surrounded by glass. It reflects and refracts light through your windows; it encircles a glowing filament above you; it's in a mirror hanging on the wall; it lies shattered in a dented corner of an iPhone-you're drinking water out of a pint glass. Taking up a most common object, rarely considered because assumed to be transparent, John Garrison draws evocative connections between historical depictions of glass and emerging visions that see it as holding a unique promise for new forms of interaction. Grounded in everyday examples, this book offers a series of surprising insights into how we increasingly find ourselves living in a world made of glass.
Critical Theory
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''Who owns the land?'' is a central question because space is a resource as vital as air and water. Today, however, data ownership has become just as relevant as the question of land ownership in the context of urban planning. Technology companies are entering the field of architecture with algorithm-driven planning methods and massive investments in infrastructures and(...)
Arch+, The property issue: Politics of space and data.
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''Who owns the land?'' is a central question because space is a resource as vital as air and water. Today, however, data ownership has become just as relevant as the question of land ownership in the context of urban planning. Technology companies are entering the field of architecture with algorithm-driven planning methods and massive investments in infrastructures and smart cities. In their technocratic vision, citizens become users, architecture becomes an instrument of statistics, and concepts such as the city and society become mere algorithmic assemblages. This issue, co-edited by ARCH+, Arno Brandlhuber, and Olaf Grawert of station+/ETH Zurich, discusses the politics of space and data; the real and virtual assets of the city of the future.
Magazines
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To produce the images of ''They are lost as soon as they are made,'' Karen Zalamea built a large-format 4 x 5 analogue film camera for which she created biconvex lenses by freezing local water samples from Iceland in specially fabricated moulds. With the camera and ice lenses, Zalamea photographed the Icelandic landscape. The work explores the camera and its optics as(...)
They are lost as soon as they are made
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To produce the images of ''They are lost as soon as they are made,'' Karen Zalamea built a large-format 4 x 5 analogue film camera for which she created biconvex lenses by freezing local water samples from Iceland in specially fabricated moulds. With the camera and ice lenses, Zalamea photographed the Icelandic landscape. The work explores the camera and its optics as sites for experimentation, the translational capacity of photography, the perimeters of vision, and the possibilities of the landscape to reveal and render its own image. This artist book presents the full suite of colour photographs of ''They are lost as soon as they are made,'' with essays by Katie Belcher and Sara Matthews.
Photography monographs