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''Time within Time'' is both a diary and a notebook, maintained by Tarkovsky from 1970 until his death. Intense and intimate, it offers reflections on Dostoyevsky, Tolstoy, Hermann Hesse, Thomas Mann, and others. He writes movingly of his family, especially his father, Arseniy Tarkovsky, whose poems appear in his films. He records haunting dreams in detail and speaks of(...)
Time within time: the diaries, 1970-1986
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''Time within Time'' is both a diary and a notebook, maintained by Tarkovsky from 1970 until his death. Intense and intimate, it offers reflections on Dostoyevsky, Tolstoy, Hermann Hesse, Thomas Mann, and others. He writes movingly of his family, especially his father, Arseniy Tarkovsky, whose poems appear in his films. He records haunting dreams in detail and speaks of the state of society and the future of art, noting significant world events and purely personal dramas along with fascinating accounts of his own filmmaking. Rounding out this volume are Tarkovsky's plans and notes for his stage version of ''Hamlet''; a detailed proposal for a film adaptation of Dostoyevsky's ''The Idiot''; and a glimpse of the more public Tarkovsky answering questions put to him by interviewers.
Literature and poetry
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This first issue of the JoCA, published on Mid-Summer's Eve 2018, somewhat deliberately brings together a series of themes that might be loosely described as portraiture. The question of architecture as autobiography reveals in fact that the civic character of Pleznik's cemetery is the fruit of a profoundly emotional and empathetic imagination. Tom de Paor's Palace cinema(...)
JoCA: Journal of Civic Architecture 01
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This first issue of the JoCA, published on Mid-Summer's Eve 2018, somewhat deliberately brings together a series of themes that might be loosely described as portraiture. The question of architecture as autobiography reveals in fact that the civic character of Pleznik's cemetery is the fruit of a profoundly emotional and empathetic imagination. Tom de Paor's Palace cinema is not only the work of a powerfully situational memory, but also somewhere where the extreme atmospheric character of Galway merges with the dream world of film: an expanded threshold that frames the town as a subject of contemplation. These, and the other projects, poems and essays in issue 1, locate creative energy in the city, in the everyday world of work and human meaning.
Magazines
Architecture without place, 1968/2008 : unbuilt visionary, ephemeral architecture & installations
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The exhibition 'Architectures without Place (1968-2008)' presents a series of works that either were never built or no longer exist : a vast field which ranges from theoretical speculations, visionary prefigurings and ideas competitions to modified projects, ephemeral installations and botched buildings. This variegated realm of the unbuilt (or of the now non-existent)(...)
June 2009
Architecture without place, 1968/2008 : unbuilt visionary, ephemeral architecture & installations
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The exhibition 'Architectures without Place (1968-2008)' presents a series of works that either were never built or no longer exist : a vast field which ranges from theoretical speculations, visionary prefigurings and ideas competitions to modified projects, ephemeral installations and botched buildings. This variegated realm of the unbuilt (or of the now non-existent) allows us to analyse the conceptual heritage of a long period of Catalonian cultural history; in other words, it lets us dissect forty years of architecture produced locally, highlighting the prevailing ideas at each step of the way. This is a heterogeneous field of project design in which converge other disciplines fuelled by a powerful desire to articulate and transform space : comics, theatre, film, ephemeral installations and the visual arts in general.
B is for Bauhaus
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This book is not a dictionary, though it tells you all you need know about everything from Authenticity to Zips. It's not an autobiography, though it does offer a revealing and highly personal inside view of contemporary culture. It's an essential tool kit for understanding the world around us. It's about what makes a Warhol a genuine fake; the creation of national(...)
B is for Bauhaus
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This book is not a dictionary, though it tells you all you need know about everything from Authenticity to Zips. It's not an autobiography, though it does offer a revealing and highly personal inside view of contemporary culture. It's an essential tool kit for understanding the world around us. It's about what makes a Warhol a genuine fake; the creation of national identities; the mania to collect. It's also about the city as seen from the rear view mirror of Grand Theft Auto V; digital ornament and why we value imperfection. It's about drinking a bruisingly dry martini in Adolf Loo's American bar in Vienna, and about Hitchcock's film sets. It's about the modern world of fashion, technology, design and art.
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A fog of information and images has flooded the world: from advertising, television, radio, and film to the information glut produced by the new economy. With the rise of social networking, even our contemporaries, peers, and friends are all suddenly selling us the ultimate product: themselves. Here curator and critic Nato Thompson interrogates the implications of these(...)
Seeing power: art and activism in the 21st century
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A fog of information and images has flooded the world: from advertising, television, radio, and film to the information glut produced by the new economy. With the rise of social networking, even our contemporaries, peers, and friends are all suddenly selling us the ultimate product: themselves. Here curator and critic Nato Thompson interrogates the implications of these developments for those dedicated to socially engaged art and activism. How can anyone find a voice and make change when the world is flooded with images and information? And what is one to make of the endless machine of consumer capitalism, which has appropriated much from the history of art and, in recent years, the methods of grassroots political organizing and social networking?
Art Theory
AD California dreaming
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California has historically provided a fertile breeding ground for radical modes of architectural thinking, practice and building, which from the 1920s onwards was sparked by the presence of eminent émigré architects. It was also central to the birth of ‘cool’ mid-century Modernism – all in parallel with the intense concentration of design and experimentation in the film,(...)
AD California dreaming
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California has historically provided a fertile breeding ground for radical modes of architectural thinking, practice and building, which from the 1920s onwards was sparked by the presence of eminent émigré architects. It was also central to the birth of ‘cool’ mid-century Modernism – all in parallel with the intense concentration of design and experimentation in the film, aerospace and tech industries. This AD issue explores the influential formal tropes generated in the nexus between Los Angeles and the Bay Area, as well as the thriving theoretical preoccupations that have brought California's architects global attention. Between Hollywood and the Silicon Valley, this unique context has nurtured and become the platform for those who not only build buildings around the world, but have also founded and directed schools and educated emergent generations of architects.
Magazines
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The Madrid-based studio Gutiérrez-delaFuente Arquitectos (GdlF) takes on a paradoxical challenge: in an almost entirely built urban landscape, they care for the unbuilt environment. Instead of focusing only on new architecture, the team led by Natalia Gutiérrez and Julio de la Fuente adapts existing spaces, revealing their hidden potential. Their approach – working with(...)
Gutiérrez-delaFuente Arquitectos, Madrid: Shaping the unbuilt environment
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The Madrid-based studio Gutiérrez-delaFuente Arquitectos (GdlF) takes on a paradoxical challenge: in an almost entirely built urban landscape, they care for the unbuilt environment. Instead of focusing only on new architecture, the team led by Natalia Gutiérrez and Julio de la Fuente adapts existing spaces, revealing their hidden potential. Their approach – working with the already-there – understands the unbuilt as a crucial component of an ecological transformation. The exhibition at Aedes, curated by Kaye Geipel and Gutiérrez-delaFuente Arquitectos, presents sustainable strategies for improving in-between spaces through selected projects in Germany, Belgium, Spain, the UK and Switzerland. A central element is the film installation European Encounter Cabinet, in which international experts close to the studio share their perspectives on the future of architecture and urban planning in European cities and territories.
Architecture Monographs
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The photographs in Geomancy were taken from October 2007 to November 2008, using an Olympus Stylus with color film. I had left New York for Beijing, where I lived on Xindong Lu, sometimes tutored English, and occasionally wrote a column called "Raw China" for Vice. The city embodied an almost too good to be true clichéd "otherness" with an overabundance of literally(...)
Photography monographs
November 2025
Geomancy
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The photographs in Geomancy were taken from October 2007 to November 2008, using an Olympus Stylus with color film. I had left New York for Beijing, where I lived on Xindong Lu, sometimes tutored English, and occasionally wrote a column called "Raw China" for Vice. The city embodied an almost too good to be true clichéd "otherness" with an overabundance of literally foreign colors, textures, shapes, and structures. Put another way, China, and Beijing in particular, is extremely photogenic. The title comes from a reference to the Forbidden City in the accompanying story "The First Bus of Beijing" about riding the No. 1 bus. It couldn’t be more appropriate, as Geomancy is a concept taken very seriously in China that means "the art of placing or arranging buildings or other sites auspiciously."
Photography monographs
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Following the Second World War, Montreal earned a reputation as a North American hotbed of eroticism due to its red-light district, nightclub scene, and pornography industry. Although this erotic environment had a significant presence in the art and media of the period, the topic has been neglected by scholars. "The pornographic delicatessen" offers an important(...)
The pornographic delicatessen: Midcentury Montreal's erotic art, media, and spaces
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Following the Second World War, Montreal earned a reputation as a North American hotbed of eroticism due to its red-light district, nightclub scene, and pornography industry. Although this erotic environment had a significant presence in the art and media of the period, the topic has been neglected by scholars. "The pornographic delicatessen" offers an important examination of the development of erotic art and design in the city’s postwar and Quiet Revolution era. Matthew Purvis surveys a range of erotic materials to rediscover nearly forgotten artworks in a period that expanded definitions of what could be considered art. He stresses the confluence of visual art and film, magazines, and journalism during the period as formal models passed from surrealism and automatism into the evolution of a Quebec-specific variation of Pop Art called "ti-pop."
Architecture de Montréal
Passing through moving in and getting away with it: Gordon Matta-Clark New York city graffiti
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From 1972 to 1973, Gordon Matta-Clark took over fifteen hundred photographs of gra?ti in New York City. These pictures are some of the earliest documentation of an emerging art form, and are an under-recognized body of work from Matta-Clark—an artist who used the city’s crumbling infrastructure to reveal the social and political implications of architecture and urban(...)
Passing through moving in and getting away with it: Gordon Matta-Clark New York city graffiti
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From 1972 to 1973, Gordon Matta-Clark took over fifteen hundred photographs of gra?ti in New York City. These pictures are some of the earliest documentation of an emerging art form, and are an under-recognized body of work from Matta-Clark—an artist who used the city’s crumbling infrastructure to reveal the social and political implications of architecture and urban design. This publication features every frame from every roll of film Matta-Clark shot, organized according to the sequence of contact sheets in the artist’s archive. Taken together, these pictures demonstrate Matta-Clark’s obsession with the gra?ti that had exploded across the city’s walls, subways, and buses, and show him growing bolder as he moved from photographing on the streets and subway platforms, to trespassing in outer borough train yards.
Photography monographs