4448 Results
Form:
photographs
photographs
Reference number:
ARCH269100
Description:
Épreuve commandée par Jacqueline Jeanneret. Print commissioned by Jacqueline Jeanneret.
ARCH269100
Description:
Épreuve commandée par Jacqueline Jeanneret. Print commissioned by Jacqueline Jeanneret.
People:
Date:
between 1950 and 1966
between 1950 and 1966
Title:
House Type 6-J in sector 16 in Chandigarh, India
Actions:
ARCH269100
Description:
Épreuve commandée par Jacqueline Jeanneret. Print commissioned by Jacqueline Jeanneret.
House Type 6-J in sector 16 in Chandigarh, India
Actions:
ARCH269100
Description:
Épreuve commandée par Jacqueline Jeanneret. Print commissioned by Jacqueline Jeanneret.
Form:
photographs
photographs
Date:
between 1950 and 1966
between 1950 and 1966
People:
Form:
photographs
photographs
Actions:
Reference number:
ARCH269102
Description:
Épreuves commandées par Jacqueline Jeanneret. Print commissioned by Jacqueline Jeanneret.
ARCH269102
Description:
Épreuves commandées par Jacqueline Jeanneret. Print commissioned by Jacqueline Jeanneret.
People:
Date:
between 1950 and 1966
between 1950 and 1966
Title:
Panoramic view of Boys Hostel
Actions:
ARCH269102
Description:
Épreuves commandées par Jacqueline Jeanneret. Print commissioned by Jacqueline Jeanneret.
Panoramic view of Boys Hostel
Actions:
ARCH269102
Description:
Épreuves commandées par Jacqueline Jeanneret. Print commissioned by Jacqueline Jeanneret.
Form:
photographs
photographs
Date:
between 1950 and 1966
between 1950 and 1966
People:
Form:
photographs
photographs
Reference number:
ARCH269104
Description:
Épreuve commandée par Jacqueline Jeanneret. Print commissioned by Jacqueline Jeanneret.
ARCH269104
Description:
Épreuve commandée par Jacqueline Jeanneret. Print commissioned by Jacqueline Jeanneret.
People:
Date:
between 1950 and 1966
between 1950 and 1966
Title:
Unidentified structure in Chandigarh, India
Actions:
ARCH269104
Description:
Épreuve commandée par Jacqueline Jeanneret. Print commissioned by Jacqueline Jeanneret.
Unidentified structure in Chandigarh, India
Actions:
ARCH269104
Description:
Épreuve commandée par Jacqueline Jeanneret. Print commissioned by Jacqueline Jeanneret.
Form:
photographs
photographs
Date:
between 1950 and 1966
between 1950 and 1966
People:
Form:
photographs
photographs
Actions:
Reference number:
ARCH269105
Description:
Épreuve commandée par Jacqueline Jeanneret. Print commissioned by Jacqueline Jeanneret.
ARCH269105
Description:
Épreuve commandée par Jacqueline Jeanneret. Print commissioned by Jacqueline Jeanneret.
People:
Date:
between 1950 and 1965
between 1950 and 1965
Title:
View on the Museum and Art Gallery in sector 10 in Chandigarh, India
Actions:
ARCH269105
Description:
Épreuve commandée par Jacqueline Jeanneret. Print commissioned by Jacqueline Jeanneret.
View on the Museum and Art Gallery in sector 10 in Chandigarh, India
Actions:
ARCH269105
Description:
Épreuve commandée par Jacqueline Jeanneret. Print commissioned by Jacqueline Jeanneret.
Form:
photographs
photographs
Date:
between 1950 and 1965
between 1950 and 1965
People:
Level of archival description:
Project
Project
Title:
Weavers' Studio
Weavers' Studio
Reference number:
AP182.S1.2013.D2
Description:
File documents a project for a live-work complex in Dehradun, Uttarakhand, India. Commissioned by Chiaki Maki, a Japanese textile weaver who spends a portion of each year in northern India, this complex in the Himalayan foothills provides working space for a studio of twenty-five weavers from all over the country. It is conceived as a cyclical, self-sufficient farm system that integrates all aspects of the weaving process, from cultivating indigo and henna for dye to gathering silk from cocoons and spinning wool. The site had been previously cultivated, and the design works with the landscape's existing pathways, terraces, and mango groves. Nearly all construction materials--including the brick, limestone, and phosphorescent river stones used in the foundation and to treat the brick walls--come from within a two-kilometre radius of the studio. The five-sided building occupying the centre of the site is the workshop itself, which frames a courtyard for gatherings (of weavers, children, etc.). A gallery in the complex displays the weavers' work, while the linear buildings accommodate motorcycle parking, a guest house, and residences for Maki and her partner as well as the site caretaker and his family. File contains artefacts and realia, models, photographs, drawings, site reports, and a video recording.
AP182.S1.2013.D2
Description:
File documents a project for a live-work complex in Dehradun, Uttarakhand, India. Commissioned by Chiaki Maki, a Japanese textile weaver who spends a portion of each year in northern India, this complex in the Himalayan foothills provides working space for a studio of twenty-five weavers from all over the country. It is conceived as a cyclical, self-sufficient farm system that integrates all aspects of the weaving process, from cultivating indigo and henna for dye to gathering silk from cocoons and spinning wool. The site had been previously cultivated, and the design works with the landscape's existing pathways, terraces, and mango groves. Nearly all construction materials--including the brick, limestone, and phosphorescent river stones used in the foundation and to treat the brick walls--come from within a two-kilometre radius of the studio. The five-sided building occupying the centre of the site is the workshop itself, which frames a courtyard for gatherings (of weavers, children, etc.). A gallery in the complex displays the weavers' work, while the linear buildings accommodate motorcycle parking, a guest house, and residences for Maki and her partner as well as the site caretaker and his family. File contains artefacts and realia, models, photographs, drawings, site reports, and a video recording.
People:
Date:
2012-2015
2012-2015
Title:
Weavers' Studio
Actions:
AP182.S1.2013.D2
Description:
File documents a project for a live-work complex in Dehradun, Uttarakhand, India. Commissioned by Chiaki Maki, a Japanese textile weaver who spends a portion of each year in northern India, this complex in the Himalayan foothills provides working space for a studio of twenty-five weavers from all over the country. It is conceived as a cyclical, self-sufficient farm system that integrates all aspects of the weaving process, from cultivating indigo and henna for dye to gathering silk from cocoons and spinning wool. The site had been previously cultivated, and the design works with the landscape's existing pathways, terraces, and mango groves. Nearly all construction materials--including the brick, limestone, and phosphorescent river stones used in the foundation and to treat the brick walls--come from within a two-kilometre radius of the studio. The five-sided building occupying the centre of the site is the workshop itself, which frames a courtyard for gatherings (of weavers, children, etc.). A gallery in the complex displays the weavers' work, while the linear buildings accommodate motorcycle parking, a guest house, and residences for Maki and her partner as well as the site caretaker and his family. File contains artefacts and realia, models, photographs, drawings, site reports, and a video recording.
Weavers' Studio
Actions:
AP182.S1.2013.D2
Description:
File documents a project for a live-work complex in Dehradun, Uttarakhand, India. Commissioned by Chiaki Maki, a Japanese textile weaver who spends a portion of each year in northern India, this complex in the Himalayan foothills provides working space for a studio of twenty-five weavers from all over the country. It is conceived as a cyclical, self-sufficient farm system that integrates all aspects of the weaving process, from cultivating indigo and henna for dye to gathering silk from cocoons and spinning wool. The site had been previously cultivated, and the design works with the landscape's existing pathways, terraces, and mango groves. Nearly all construction materials--including the brick, limestone, and phosphorescent river stones used in the foundation and to treat the brick walls--come from within a two-kilometre radius of the studio. The five-sided building occupying the centre of the site is the workshop itself, which frames a courtyard for gatherings (of weavers, children, etc.). A gallery in the complex displays the weavers' work, while the linear buildings accommodate motorcycle parking, a guest house, and residences for Maki and her partner as well as the site caretaker and his family. File contains artefacts and realia, models, photographs, drawings, site reports, and a video recording.
Level of archival description:
Project
Project
Date:
2012-2015
2012-2015
People:
Level of archival description:
Project
Project
Reference number:
AP178.S1.1988.PR03
Description:
This project series documents the Centro Galego de Arte Contemporânea in Santiago de Compostela, Spain. While the records were held in the office’s archives this project was assigned the number 54/80. The office assigned the date 1988 for this project. This project was commissioned by the Xunta de Galicia for the autonomous community of Galicia in Spain. The building was located near the Galego Pobo Museum and the Convento de Santo Domingo de Bonaval. The museum was approximately 75,000 square feet and divided into two L-shaped structures. The building had four floors and included exhibition halls, a terrace, a cafeteria, administrative spaces, an auditorium, and a library. The exterior was principally made of granite panels. The exhibition spaces were very bright, principally due to the natural light that came from multiple openings in the building as well as the white walls. The floors of the public spaces and exhibition rooms were made of Greek marble. Siza also transformed the Convento de Santo Domingo de Bonaval garden into a public park. The park was understood as an extension of the museum. Documenting this project are sketches, studies, preliminary drawings, plans and working drawings. Textual materials include project documentation and correspondence. Photographic materials document the models, project site and built project.
AP178.S1.1988.PR03
Description:
This project series documents the Centro Galego de Arte Contemporânea in Santiago de Compostela, Spain. While the records were held in the office’s archives this project was assigned the number 54/80. The office assigned the date 1988 for this project. This project was commissioned by the Xunta de Galicia for the autonomous community of Galicia in Spain. The building was located near the Galego Pobo Museum and the Convento de Santo Domingo de Bonaval. The museum was approximately 75,000 square feet and divided into two L-shaped structures. The building had four floors and included exhibition halls, a terrace, a cafeteria, administrative spaces, an auditorium, and a library. The exterior was principally made of granite panels. The exhibition spaces were very bright, principally due to the natural light that came from multiple openings in the building as well as the white walls. The floors of the public spaces and exhibition rooms were made of Greek marble. Siza also transformed the Convento de Santo Domingo de Bonaval garden into a public park. The park was understood as an extension of the museum. Documenting this project are sketches, studies, preliminary drawings, plans and working drawings. Textual materials include project documentation and correspondence. Photographic materials document the models, project site and built project.
People:
Date:
1988-1995
1988-1995
Title:
Centro Galego de Arte Contemporânea [Galician Centre of Contemporary Art], Santiago de Compostela, Spain, 1988-1993
Actions:
AP178.S1.1988.PR03
Description:
This project series documents the Centro Galego de Arte Contemporânea in Santiago de Compostela, Spain. While the records were held in the office’s archives this project was assigned the number 54/80. The office assigned the date 1988 for this project. This project was commissioned by the Xunta de Galicia for the autonomous community of Galicia in Spain. The building was located near the Galego Pobo Museum and the Convento de Santo Domingo de Bonaval. The museum was approximately 75,000 square feet and divided into two L-shaped structures. The building had four floors and included exhibition halls, a terrace, a cafeteria, administrative spaces, an auditorium, and a library. The exterior was principally made of granite panels. The exhibition spaces were very bright, principally due to the natural light that came from multiple openings in the building as well as the white walls. The floors of the public spaces and exhibition rooms were made of Greek marble. Siza also transformed the Convento de Santo Domingo de Bonaval garden into a public park. The park was understood as an extension of the museum. Documenting this project are sketches, studies, preliminary drawings, plans and working drawings. Textual materials include project documentation and correspondence. Photographic materials document the models, project site and built project.
Centro Galego de Arte Contemporânea [Galician Centre of Contemporary Art], Santiago de Compostela, Spain, 1988-1993
Actions:
AP178.S1.1988.PR03
Description:
This project series documents the Centro Galego de Arte Contemporânea in Santiago de Compostela, Spain. While the records were held in the office’s archives this project was assigned the number 54/80. The office assigned the date 1988 for this project. This project was commissioned by the Xunta de Galicia for the autonomous community of Galicia in Spain. The building was located near the Galego Pobo Museum and the Convento de Santo Domingo de Bonaval. The museum was approximately 75,000 square feet and divided into two L-shaped structures. The building had four floors and included exhibition halls, a terrace, a cafeteria, administrative spaces, an auditorium, and a library. The exterior was principally made of granite panels. The exhibition spaces were very bright, principally due to the natural light that came from multiple openings in the building as well as the white walls. The floors of the public spaces and exhibition rooms were made of Greek marble. Siza also transformed the Convento de Santo Domingo de Bonaval garden into a public park. The park was understood as an extension of the museum. Documenting this project are sketches, studies, preliminary drawings, plans and working drawings. Textual materials include project documentation and correspondence. Photographic materials document the models, project site and built project.
Level of archival description:
Project
Project
Date:
1988-1995
1988-1995
People:
Form:
exhibitions
exhibitions
Description:
Twenty-two colour photographs reveal Ernest Cormier’s central pavilion of the Université de Montréal as an integral part of the Montréal urban landscape and as a complex, varied spatial experience. The exhibition originated in a commission to Gabor Szilasi by the CCA when research into the Fonds Cormier revealed a major gap in the photographic documentation of the(...)
Twenty-two colour photographs reveal Ernest Cormier’s central pavilion of the Université de Montréal as an integral part of the Montréal urban landscape and as a complex, varied spatial experience. The exhibition originated in a commission to Gabor Szilasi by the CCA when research into the Fonds Cormier revealed a major gap in the photographic documentation of the(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
2 May 1990 to 28 October 1990
2 May 1990 to 28 October 1990
Title:
Sighting the Université de Montréal: Photographs by Gabor Szilasi
Actions:
Description:
Twenty-two colour photographs reveal Ernest Cormier’s central pavilion of the Université de Montréal as an integral part of the Montréal urban landscape and as a complex, varied spatial experience. The exhibition originated in a commission to Gabor Szilasi by the CCA when research into the Fonds Cormier revealed a major gap in the photographic documentation of the(...)
Sighting the Université de Montréal: Photographs by Gabor Szilasi
Actions:
Description:
Twenty-two colour photographs reveal Ernest Cormier’s central pavilion of the Université de Montréal as an integral part of the Montréal urban landscape and as a complex, varied spatial experience. The exhibition originated in a commission to Gabor Szilasi by the CCA when research into the Fonds Cormier revealed a major gap in the photographic documentation of the(...)
Form:
exhibitions
exhibitions
Date:
2 May 1990 to
28 October 1990
2 May 1990 to
28 October 1990
Location:
Octagonal gallery
Octagonal gallery
Level of archival description:
Project
Project
Reference number:
AP075.S1.1995.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for proposed improvements to the garden of the Rotman Residence on Forest Hill Road in Toronto, Ontario. Orberlander worked on this project in 1994. The Georgian style residence was originally design by architect John Lyle in 1924. As the residence was sited perpendicularly to the street, Oberlander's landscape concept was to create a series of garden from the street to the back of the property, which included terraces for entertaining at the front of the property, a rose garden and lawn for strolling. She also created a birch trees walk with ascending grass stairs. Oberlander was later commissioned in 1996-1997 to combine the existing garden with an extensionof the property after the acquisition of a lot next door by the owners of the residence. She extended the birch walk and created a oval-shaped lawn accessed through a wrought iron gate. The project series also contains material related to later restorations to the garden, including an alteration to the garden in 2013 to improve the view from the living room. The project series contains design development drawings, including landscape plans, planting plans, and grading plans, and also a landscape presentation drawing.The project is also documents through photographs of the landscaping, research material, correspondence with clients and contractors, concept notes by Oberlander, specifications, and meetings notes.
AP075.S1.1995.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for proposed improvements to the garden of the Rotman Residence on Forest Hill Road in Toronto, Ontario. Orberlander worked on this project in 1994. The Georgian style residence was originally design by architect John Lyle in 1924. As the residence was sited perpendicularly to the street, Oberlander's landscape concept was to create a series of garden from the street to the back of the property, which included terraces for entertaining at the front of the property, a rose garden and lawn for strolling. She also created a birch trees walk with ascending grass stairs. Oberlander was later commissioned in 1996-1997 to combine the existing garden with an extensionof the property after the acquisition of a lot next door by the owners of the residence. She extended the birch walk and created a oval-shaped lawn accessed through a wrought iron gate. The project series also contains material related to later restorations to the garden, including an alteration to the garden in 2013 to improve the view from the living room. The project series contains design development drawings, including landscape plans, planting plans, and grading plans, and also a landscape presentation drawing.The project is also documents through photographs of the landscaping, research material, correspondence with clients and contractors, concept notes by Oberlander, specifications, and meetings notes.
People:
Date:
1994-2014
1994-2014
Title:
Rotman Residence, Toronto, Ontario (1995-1997)
Actions:
AP075.S1.1995.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for proposed improvements to the garden of the Rotman Residence on Forest Hill Road in Toronto, Ontario. Orberlander worked on this project in 1994. The Georgian style residence was originally design by architect John Lyle in 1924. As the residence was sited perpendicularly to the street, Oberlander's landscape concept was to create a series of garden from the street to the back of the property, which included terraces for entertaining at the front of the property, a rose garden and lawn for strolling. She also created a birch trees walk with ascending grass stairs. Oberlander was later commissioned in 1996-1997 to combine the existing garden with an extensionof the property after the acquisition of a lot next door by the owners of the residence. She extended the birch walk and created a oval-shaped lawn accessed through a wrought iron gate. The project series also contains material related to later restorations to the garden, including an alteration to the garden in 2013 to improve the view from the living room. The project series contains design development drawings, including landscape plans, planting plans, and grading plans, and also a landscape presentation drawing.The project is also documents through photographs of the landscaping, research material, correspondence with clients and contractors, concept notes by Oberlander, specifications, and meetings notes.
Rotman Residence, Toronto, Ontario (1995-1997)
Actions:
AP075.S1.1995.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for proposed improvements to the garden of the Rotman Residence on Forest Hill Road in Toronto, Ontario. Orberlander worked on this project in 1994. The Georgian style residence was originally design by architect John Lyle in 1924. As the residence was sited perpendicularly to the street, Oberlander's landscape concept was to create a series of garden from the street to the back of the property, which included terraces for entertaining at the front of the property, a rose garden and lawn for strolling. She also created a birch trees walk with ascending grass stairs. Oberlander was later commissioned in 1996-1997 to combine the existing garden with an extensionof the property after the acquisition of a lot next door by the owners of the residence. She extended the birch walk and created a oval-shaped lawn accessed through a wrought iron gate. The project series also contains material related to later restorations to the garden, including an alteration to the garden in 2013 to improve the view from the living room. The project series contains design development drawings, including landscape plans, planting plans, and grading plans, and also a landscape presentation drawing.The project is also documents through photographs of the landscaping, research material, correspondence with clients and contractors, concept notes by Oberlander, specifications, and meetings notes.
Level of archival description:
Project
Project
Date:
1994-2014
1994-2014
People:
Form:
drawings
Quantity:
118 drawing(s)
drawings
Quantity:
118 drawing(s)
Reference number:
DR1995:0160:001-118
Description:
This file consists of design development drawings, presentation drawings, plans, sections, elevations, conceptual drawings, sketches, perspectives, working drawings, details, axonometric drawings, site plan, beer bottle labels, financial statement, and form from Price's time at the Architectural Association School of Architecture. Projects represented in this file consist of an ice rink (Richmond, Richmond upon Thames, London); the British Transport Commission offices, exhibition halls and restaurants (London); a wholesale gown showroom and offices (London); and the Eel and Elephant, a pub and restaurant with boarding facilities (location unknown).
DR1995:0160:001-118
Description:
This file consists of design development drawings, presentation drawings, plans, sections, elevations, conceptual drawings, sketches, perspectives, working drawings, details, axonometric drawings, site plan, beer bottle labels, financial statement, and form from Price's time at the Architectural Association School of Architecture. Projects represented in this file consist of an ice rink (Richmond, Richmond upon Thames, London); the British Transport Commission offices, exhibition halls and restaurants (London); a wholesale gown showroom and offices (London); and the Eel and Elephant, a pub and restaurant with boarding facilities (location unknown).
People:
Title:
Drawings for various Architectural Association School of Architecture school projects
Actions:
DR1995:0160:001-118
Description:
This file consists of design development drawings, presentation drawings, plans, sections, elevations, conceptual drawings, sketches, perspectives, working drawings, details, axonometric drawings, site plan, beer bottle labels, financial statement, and form from Price's time at the Architectural Association School of Architecture. Projects represented in this file consist of an ice rink (Richmond, Richmond upon Thames, London); the British Transport Commission offices, exhibition halls and restaurants (London); a wholesale gown showroom and offices (London); and the Eel and Elephant, a pub and restaurant with boarding facilities (location unknown).
Drawings for various Architectural Association School of Architecture school projects
Actions:
DR1995:0160:001-118
Description:
This file consists of design development drawings, presentation drawings, plans, sections, elevations, conceptual drawings, sketches, perspectives, working drawings, details, axonometric drawings, site plan, beer bottle labels, financial statement, and form from Price's time at the Architectural Association School of Architecture. Projects represented in this file consist of an ice rink (Richmond, Richmond upon Thames, London); the British Transport Commission offices, exhibition halls and restaurants (London); a wholesale gown showroom and offices (London); and the Eel and Elephant, a pub and restaurant with boarding facilities (location unknown).
Form:
drawings
Quantity:
118 drawing(s)
drawings
Quantity:
118 drawing(s)
People:
Form:
archives
Level of archival description:
Collection
archives
Level of archival description:
Collection
Title:
Eva Hollo Vecsei collection
Eva Hollo Vecsei collection
Actions:
Reference number:
CD041
Synopsis:
The Eva Hollo Vecsei collection documents the career of Hungarian-Canadian architect Eva Hollo Vecsei with a few materials from her husband’s, Andrei Vecsei, work. Records in this collection, ranging from 1959 to 2019, document key elements of several of Vecsei’s projects, including built and unbuilt designs.
CD041
Synopsis:
The Eva Hollo Vecsei collection documents the career of Hungarian-Canadian architect Eva Hollo Vecsei with a few materials from her husband’s, Andrei Vecsei, work. Records in this collection, ranging from 1959 to 2019, document key elements of several of Vecsei’s projects, including built and unbuilt designs.
People:
Date:
1959-2019
1959-2019
Title:
Eva Hollo Vecsei collection
Actions:
CD041
Synopsis:
The Eva Hollo Vecsei collection documents the career of Hungarian-Canadian architect Eva Hollo Vecsei with a few materials from her husband’s, Andrei Vecsei, work. Records in this collection, ranging from 1959 to 2019, document key elements of several of Vecsei’s projects, including built and unbuilt designs.
Eva Hollo Vecsei collection
Actions:
CD041
Synopsis:
The Eva Hollo Vecsei collection documents the career of Hungarian-Canadian architect Eva Hollo Vecsei with a few materials from her husband’s, Andrei Vecsei, work. Records in this collection, ranging from 1959 to 2019, document key elements of several of Vecsei’s projects, including built and unbuilt designs.
Form:
archives
Level of archival description:
Collection
archives
Level of archival description:
Collection
Date:
1959-2019
1959-2019
People:
