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"Visual cultures as time travel" makes a case for cultural, aesthetic, and historical research that is oriented toward the future, not the past, actively constructing new categories of assembly that don't yet exist. Ayesha Hameed considers the relationship between climate change and plantation economies, proposing a watery plantationocene that revolves around two islands:(...)
Visual cultures as time travel
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$22.00
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"Visual cultures as time travel" makes a case for cultural, aesthetic, and historical research that is oriented toward the future, not the past, actively constructing new categories of assembly that don't yet exist. Ayesha Hameed considers the relationship between climate change and plantation economies, proposing a watery plantationocene that revolves around two islands: a former plantation in St. George's Parish in Barbados, and the port city of Port of Spain in Trinidad. It visits a marine research institute on a third island, Seili in Finland, to consider how notions of temporality and adaptation are produced in the climate emergency we face. Henriette Gunkel introduces the idea of time travel through notions of dizziness, freefall, and of being in vertigo as set out in Octavia Butler's novel Kindred and Kitso Lynn Lelliott's multimedia installation South Atlantic Hauntings, exploring what counts as technology, how it operates in relation to time, including deep space time, and how it interacts with the different types of bodies—human, machine, planetary, spectral, ancestral—that inhabit the terrestrial and extraterrestrial worlds. In conversation, Hameed and Gunkel propose a notion of time travel marked by possibility and loss—in the aftermath of transatlantic slavery and in the moment of mass illegalized migration, of blackness and time, of wildfires and floods, of lost and co-opted futures, of deep geological time, and of falling.
Critical Theory
books
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xiii, 197 pages : illustrations (chiefly color), color maps ; 28 cm
New Delhi : Rupa & Co., [2009], ©2009
Soak : Mumbai in an estuary / Anuradha Mathur, Dilip da Cunha.
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xiii, 197 pages : illustrations (chiefly color), color maps ; 28 cm
books
New Delhi : Rupa & Co., [2009], ©2009
$102.00
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Richard Misrach is among the most influential, prolific, and internationally recognized photographers working today. Best known for his epic ongoing project, Desert Cantos-an extensive and unique photographic exploration of place-Misrach consistently addresses political and social issues through the adaptation of different photographic strategies, even as he expands(...)
Richard Misrach : chronologies
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$102.00
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Richard Misrach is among the most influential, prolific, and internationally recognized photographers working today. Best known for his epic ongoing project, Desert Cantos-an extensive and unique photographic exploration of place-Misrach consistently addresses political and social issues through the adaptation of different photographic strategies, even as he expands notions of traditional landscape practice, and builds a complex and poignant document of American culture. His subjects have included manmade floods and fires, military bombing ranges, mass graves of dead animals, sublime night skies, and details of paintings housed in the museums of the Southwest. In one recent series, "On the beach"-which was inspired by Nevil Shute’s postapocalyptic novel of the 1950s-Misrach’s color photographs deal with the human figure seen at a distance on an unspecified beach or in the water, observed from an unsettling and difficult-to-identify point of view located high above. Misrach’s newest publication, "Chronologies" is a compelling study of the photographer’s process over the past 30 years. Stripped of their original context, the photographs-presented in chronological order-illuminate how the photographer thinks and works. Through fits and starts, reiterations and detours, the work evolves and matures, weaving in and out of the series for which Misrach has become known. Side-by-side, classic images and never-before-seen pictures flesh out the photographer’s logic and complicate it at the same time. Ultimately, "Chronologies" is about time: the span of thirty years, the importance of time in each photograph, the chronology of a life within its time, and the book itself as a timepiece.
Photography monographs
Disobedient objects
$32.95
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From political activism comes the art of protest, symbols, and designs that defy standard definitions. This timely book shows how objects can change the world by out-designing authority. It focuses on the period from 1980 to the present, a time that brought new technologies and political challenges to protest movements. Provocative and engaging, this book showcases how(...)
Disobedient objects
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$32.95
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From political activism comes the art of protest, symbols, and designs that defy standard definitions. This timely book shows how objects can change the world by out-designing authority. It focuses on the period from 1980 to the present, a time that brought new technologies and political challenges to protest movements. Provocative and engaging, this book showcases how artists have produced work within the context of social movements, which become the vibrant engines for ingenuity and collective creativity.
Design Theory
$49.50
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Once symbols of the past, ruins have become ubiquitous signs of our future. Americans today encounter ruins in the media on a daily basis - images of abandoned factories and malls, toxic landscapes, devastating fires, hurricanes, and floods. In this sweeping study, Miles Orvell offers a new understanding of the spectacle of ruins in US culture, exploring how(...)
Empire of ruins: American culture, photography, and the spectacle of destruction
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Once symbols of the past, ruins have become ubiquitous signs of our future. Americans today encounter ruins in the media on a daily basis - images of abandoned factories and malls, toxic landscapes, devastating fires, hurricanes, and floods. In this sweeping study, Miles Orvell offers a new understanding of the spectacle of ruins in US culture, exploring how photographers, writers, painters, and filmmakers have responded to ruin and destruction, both real and imaginary, in an effort to make sense of the past and envision the future. ''Empire of ruins'' explains why Americans in the nineteenth century yearned for the ruins of Rome and Egypt and how they portrayed a past as ancient and mysterious in the remains of Native American cultures. As the romance of ruins gave way to twentieth-century capitalism, older structures were demolished to make way for grander ones, a process interpreted by artists as a symptom of America's "creative destruction." In the late twentieth century, Americans began to inhabit a perpetual state of ruins, made visible by photographs of decaying inner cities, derelict factories and malls, and the waste lands of the mining industry. This interdisciplinary work focuses on how visual media have transformed disaster and decay into spectacles that compel our moral attention even as they balance horror and beauty. Looking to the future, Orvell considers the visual portrayal of climate ruins as we face the political and ethical responsibilities of our changing world. A wide-ranging work by an acclaimed urban, cultural, and photography scholar, ''Empire of ruins'' offers a provocative and lavishly illustrated look at the American past, present, and future.
Theory of Photography
$85.00
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The photographer Édouard Baldus (1813-1889), a central figure in the early development of French photography and acknowledged in his day as a pioneer in the still-experimental field, was widely acclaimed both for his aesthetic sensitivity and for his technical prowess. Establishing a new mode of representing architecture and describing the emerging modern landscape with(...)
CCA Publications
October 1994, Montréal / New York
The photographs of Edouard Baldus
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The photographer Édouard Baldus (1813-1889), a central figure in the early development of French photography and acknowledged in his day as a pioneer in the still-experimental field, was widely acclaimed both for his aesthetic sensitivity and for his technical prowess. Establishing a new mode of representing architecture and describing the emerging modern landscape with magnificent authority, he enjoyed high patronage in the 1850s and 1860s. Yet, despite the artist's renown during his lifetime, his name is all but unknown today, his work savored only by connoisseurs. This book, the first to chronicle the life and career of this important artist, brings his work once more before the public. The superb quality of the reproductions captures the subtle tones and soft matte surfaces of the original prints, many of which are published here for the first time. Baldus made his reputation with views of the monuments of Paris and the south of France, with dramatic landscape of the Auvergne, with photographs of the New Louvre, and with a poignant record of the devastating floods of 1856. But it is his two railroad albums -- the first commissioned in 1855 by Baron James de Rothschild for presentation to Queen Victoria, the second in 1861 by the Paris-Lyon-Méditerranée railroad company -- that are his greatest achievement. Here he brought together his earlier architectural and scenic images with bold geometric views of the modern landscape -- railroad tracks, stations, bridges, viaducts, and tunnels -- to address the influence of technology (of which both the railroad and the camera are prime examples). In so doing, Baldus anticipated the concerns of Impressionnist painters a decade later and those of many artists of our own day, meeting his task with a clarity and directness not since surpassed.
CCA Publications
Food: eating tomorrow
$48.00
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Engaging with artists, designers, architects, activists, and food professionals who are examining key activities and relationships throughout the food system, this book discusses diverse and creative ways to reimagine food waste, supply chains, and social empowerment through the politics and the pleasures of food.
Food: eating tomorrow
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$48.00
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Engaging with artists, designers, architects, activists, and food professionals who are examining key activities and relationships throughout the food system, this book discusses diverse and creative ways to reimagine food waste, supply chains, and social empowerment through the politics and the pleasures of food.
Food
$60.00
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Humphry Repton made a particularly significant contribution to the landscape of Hertfordshire, working at no less than eighteen places in the county, ranging in size from great mansions like Cashiobury and Panshanger to more modest 'villas' owned by wealthy businessmen and industrialists, such as Wood Hill in Essendon. Particular attention is given to those places for(...)
Landscape Architecture, Monographs
July 2018
Humphry Repton in Hertfordshire
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Humphry Repton made a particularly significant contribution to the landscape of Hertfordshire, working at no less than eighteen places in the county, ranging in size from great mansions like Cashiobury and Panshanger to more modest 'villas' owned by wealthy businessmen and industrialists, such as Wood Hill in Essendon. Particular attention is given to those places for which Repton prepared one of his famous "Red Books," such as Tewin Water, Lamer House, New Barnes, and Wall Hall. In all cases, the book presents complete transcriptions of all the key documents relating to Repton's activities, including the full text of seven Red Books.
Landscape Architecture, Monographs
books
Description:
400 pages : illustrations (some color), maps ; 24 cm
Amsterdam : Valiz, 2025, ©2025, [New York] : International distribution, USA/Canada/Latin America, D.A.P.
Water works : ecosocial design / Henriëtte Waal & Clemens Driessen (eds.) ; contributors Jon Ardern, Mari Bastashevski [and 62 others].
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400 pages : illustrations (some color), maps ; 24 cm
books
Amsterdam : Valiz, 2025, ©2025, [New York] : International distribution, USA/Canada/Latin America, D.A.P.