10674 Results
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Project
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Reference number:
AP056.S1.1990.PR01
Description:
This project series documents a proposal for renovations and additions to 347 and 372 Bay Street in Toronto in 1990. The office identified the project number as 9004. The majority of materials in this project series focus on renovations and additions to 347 Bay Street, which was built in 1926 by Chapman & Oxley and known as the National Building. The building was to have retail, restaurant and lobby space on the ground floor, and open floor layouts on the remaining floors to rent to tenants. Some sketches for 372 Bay Street are also included. The project is recorded through drawings and a presentation painting dating from 1990. The drawings are mostly originals and include sketches, presentation drawings, plans, elevations, sections, perspectives and axonometric drawings.
AP056.S1.1990.PR01
Description:
This project series documents a proposal for renovations and additions to 347 and 372 Bay Street in Toronto in 1990. The office identified the project number as 9004. The majority of materials in this project series focus on renovations and additions to 347 Bay Street, which was built in 1926 by Chapman & Oxley and known as the National Building. The building was to have retail, restaurant and lobby space on the ground floor, and open floor layouts on the remaining floors to rent to tenants. Some sketches for 372 Bay Street are also included. The project is recorded through drawings and a presentation painting dating from 1990. The drawings are mostly originals and include sketches, presentation drawings, plans, elevations, sections, perspectives and axonometric drawings.
People:
Date:
1990
1990
Title:
347 and 372 Bay Street, Toronto (1990)
Actions:
AP056.S1.1990.PR01
Description:
This project series documents a proposal for renovations and additions to 347 and 372 Bay Street in Toronto in 1990. The office identified the project number as 9004. The majority of materials in this project series focus on renovations and additions to 347 Bay Street, which was built in 1926 by Chapman & Oxley and known as the National Building. The building was to have retail, restaurant and lobby space on the ground floor, and open floor layouts on the remaining floors to rent to tenants. Some sketches for 372 Bay Street are also included. The project is recorded through drawings and a presentation painting dating from 1990. The drawings are mostly originals and include sketches, presentation drawings, plans, elevations, sections, perspectives and axonometric drawings.
347 and 372 Bay Street, Toronto (1990)
Actions:
AP056.S1.1990.PR01
Description:
This project series documents a proposal for renovations and additions to 347 and 372 Bay Street in Toronto in 1990. The office identified the project number as 9004. The majority of materials in this project series focus on renovations and additions to 347 Bay Street, which was built in 1926 by Chapman & Oxley and known as the National Building. The building was to have retail, restaurant and lobby space on the ground floor, and open floor layouts on the remaining floors to rent to tenants. Some sketches for 372 Bay Street are also included. The project is recorded through drawings and a presentation painting dating from 1990. The drawings are mostly originals and include sketches, presentation drawings, plans, elevations, sections, perspectives and axonometric drawings.
Level of archival description:
Project
Project
Date:
1990
1990
People:
Level of archival description:
Project
Project
Reference number:
AP178.S1.1996.PR01
Description:
This project series documents the Kolonihaven - Exposição ao ar livre in Copenhagen, Denmark. While the records were held in the office’s archives this project was assigned the number 73/90 The office assigned the date 1996 to this project. At the end of the 19th century, there was an important migration of people from the rural areas to the cities in Denmark. Some migrants missed the contact with the soil and decided to built small houses with gardens to help them to adapt to their new urban life. These small Danish houses we're later named Kolonihavehus and became emblematic in Denmark. The exhibition Kolonihaven - The International challenge was held in Copenhagen by the Arken Museum of Modern Art. Fourteen international architects, including Álvaro Siza, Aldo Rossi, Mario Botta, Michael Graves, Arata Isozaki, and Leon Krier were invited to design a 7.5 square meter Danish house. Siza's design was based on his idea of a house as a child mixed with his memories of a trip to Scandinavia. The fourteen architects also participated in the exhibition "Major Projects" at the Køge Museum, in Køge, Danmark. The exhibition focused on the sketches and preliminary drawings of majort projects by each architect. Documenting this project are sketches and documentation.
AP178.S1.1996.PR01
Description:
This project series documents the Kolonihaven - Exposição ao ar livre in Copenhagen, Denmark. While the records were held in the office’s archives this project was assigned the number 73/90 The office assigned the date 1996 to this project. At the end of the 19th century, there was an important migration of people from the rural areas to the cities in Denmark. Some migrants missed the contact with the soil and decided to built small houses with gardens to help them to adapt to their new urban life. These small Danish houses we're later named Kolonihavehus and became emblematic in Denmark. The exhibition Kolonihaven - The International challenge was held in Copenhagen by the Arken Museum of Modern Art. Fourteen international architects, including Álvaro Siza, Aldo Rossi, Mario Botta, Michael Graves, Arata Isozaki, and Leon Krier were invited to design a 7.5 square meter Danish house. Siza's design was based on his idea of a house as a child mixed with his memories of a trip to Scandinavia. The fourteen architects also participated in the exhibition "Major Projects" at the Køge Museum, in Køge, Danmark. The exhibition focused on the sketches and preliminary drawings of majort projects by each architect. Documenting this project are sketches and documentation.
People:
Date:
1996
1996
Title:
Kolonihaven - The International Challenge, Copenhagen, Denmark (1996)
Actions:
AP178.S1.1996.PR01
Description:
This project series documents the Kolonihaven - Exposição ao ar livre in Copenhagen, Denmark. While the records were held in the office’s archives this project was assigned the number 73/90 The office assigned the date 1996 to this project. At the end of the 19th century, there was an important migration of people from the rural areas to the cities in Denmark. Some migrants missed the contact with the soil and decided to built small houses with gardens to help them to adapt to their new urban life. These small Danish houses we're later named Kolonihavehus and became emblematic in Denmark. The exhibition Kolonihaven - The International challenge was held in Copenhagen by the Arken Museum of Modern Art. Fourteen international architects, including Álvaro Siza, Aldo Rossi, Mario Botta, Michael Graves, Arata Isozaki, and Leon Krier were invited to design a 7.5 square meter Danish house. Siza's design was based on his idea of a house as a child mixed with his memories of a trip to Scandinavia. The fourteen architects also participated in the exhibition "Major Projects" at the Køge Museum, in Køge, Danmark. The exhibition focused on the sketches and preliminary drawings of majort projects by each architect. Documenting this project are sketches and documentation.
Kolonihaven - The International Challenge, Copenhagen, Denmark (1996)
Actions:
AP178.S1.1996.PR01
Description:
This project series documents the Kolonihaven - Exposição ao ar livre in Copenhagen, Denmark. While the records were held in the office’s archives this project was assigned the number 73/90 The office assigned the date 1996 to this project. At the end of the 19th century, there was an important migration of people from the rural areas to the cities in Denmark. Some migrants missed the contact with the soil and decided to built small houses with gardens to help them to adapt to their new urban life. These small Danish houses we're later named Kolonihavehus and became emblematic in Denmark. The exhibition Kolonihaven - The International challenge was held in Copenhagen by the Arken Museum of Modern Art. Fourteen international architects, including Álvaro Siza, Aldo Rossi, Mario Botta, Michael Graves, Arata Isozaki, and Leon Krier were invited to design a 7.5 square meter Danish house. Siza's design was based on his idea of a house as a child mixed with his memories of a trip to Scandinavia. The fourteen architects also participated in the exhibition "Major Projects" at the Køge Museum, in Køge, Danmark. The exhibition focused on the sketches and preliminary drawings of majort projects by each architect. Documenting this project are sketches and documentation.
Level of archival description:
Project
Project
Date:
1996
1996
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP018.S1.1970.PR09
Description:
This project series documents ramp equipment maintenance and commissary stores for Air Canada at the Toronto International Airport in Mississauga, Ontario in 1970. The office identified the project number as 70058. During this time, John B. Parkin Associates, and later John C. Parkin's new firm Parkin Architects Planners, were commissioned by the government Department of Transport Air Services to complete more than a dozen projects at the Toronto International Airport, including terminals one and two. This project consisted of the expansion of the ramp and addition of a commissary store for airline Air Canada. The project is recorded through reprographic copies of drawings dating from 1970, including site and floor plans, sections, elevations and details.
AP018.S1.1970.PR09
Description:
This project series documents ramp equipment maintenance and commissary stores for Air Canada at the Toronto International Airport in Mississauga, Ontario in 1970. The office identified the project number as 70058. During this time, John B. Parkin Associates, and later John C. Parkin's new firm Parkin Architects Planners, were commissioned by the government Department of Transport Air Services to complete more than a dozen projects at the Toronto International Airport, including terminals one and two. This project consisted of the expansion of the ramp and addition of a commissary store for airline Air Canada. The project is recorded through reprographic copies of drawings dating from 1970, including site and floor plans, sections, elevations and details.
People:
Date:
1970
1970
Title:
Air Canada Ramp Equipment Maintenance and Commissary Stores, Toronto International Airport, Mississauga, Ontario (1970)
Actions:
AP018.S1.1970.PR09
Description:
This project series documents ramp equipment maintenance and commissary stores for Air Canada at the Toronto International Airport in Mississauga, Ontario in 1970. The office identified the project number as 70058. During this time, John B. Parkin Associates, and later John C. Parkin's new firm Parkin Architects Planners, were commissioned by the government Department of Transport Air Services to complete more than a dozen projects at the Toronto International Airport, including terminals one and two. This project consisted of the expansion of the ramp and addition of a commissary store for airline Air Canada. The project is recorded through reprographic copies of drawings dating from 1970, including site and floor plans, sections, elevations and details.
Air Canada Ramp Equipment Maintenance and Commissary Stores, Toronto International Airport, Mississauga, Ontario (1970)
Actions:
AP018.S1.1970.PR09
Description:
This project series documents ramp equipment maintenance and commissary stores for Air Canada at the Toronto International Airport in Mississauga, Ontario in 1970. The office identified the project number as 70058. During this time, John B. Parkin Associates, and later John C. Parkin's new firm Parkin Architects Planners, were commissioned by the government Department of Transport Air Services to complete more than a dozen projects at the Toronto International Airport, including terminals one and two. This project consisted of the expansion of the ramp and addition of a commissary store for airline Air Canada. The project is recorded through reprographic copies of drawings dating from 1970, including site and floor plans, sections, elevations and details.
Level of archival description:
Project
Project
Date:
1970
1970
People:
Level of archival description:
Project
Project
Reference number:
AP018.S1.1953.PR01
Description:
This project series documents the residence of John C. Parkin and his family in North York, Ontario from 1953-1955. The office identified the project number as 5301. This project consisted of the architect's own family home for himself, his wife, and their children at 75 The Bridle Path. The one-storey bungalow, faced in white brick, became an acclaimed symbol of a modernist dwelling in North America. The house has since been demolished. The project is recorded through drawings and textual records dating from 1948-1957. The drawings include sketches of furniture designed by Parkin, as well as floor plans, sections, details, elevations and construction drawings. The textual records include tender documentation, estimates and building restrictions.
AP018.S1.1953.PR01
Description:
This project series documents the residence of John C. Parkin and his family in North York, Ontario from 1953-1955. The office identified the project number as 5301. This project consisted of the architect's own family home for himself, his wife, and their children at 75 The Bridle Path. The one-storey bungalow, faced in white brick, became an acclaimed symbol of a modernist dwelling in North America. The house has since been demolished. The project is recorded through drawings and textual records dating from 1948-1957. The drawings include sketches of furniture designed by Parkin, as well as floor plans, sections, details, elevations and construction drawings. The textual records include tender documentation, estimates and building restrictions.
People:
Date:
1948-1957
1948-1957
Title:
Residence of Mr. & Mrs. John C. Parkin, North York, Ontario (1953-1955)
Actions:
AP018.S1.1953.PR01
Description:
This project series documents the residence of John C. Parkin and his family in North York, Ontario from 1953-1955. The office identified the project number as 5301. This project consisted of the architect's own family home for himself, his wife, and their children at 75 The Bridle Path. The one-storey bungalow, faced in white brick, became an acclaimed symbol of a modernist dwelling in North America. The house has since been demolished. The project is recorded through drawings and textual records dating from 1948-1957. The drawings include sketches of furniture designed by Parkin, as well as floor plans, sections, details, elevations and construction drawings. The textual records include tender documentation, estimates and building restrictions.
Residence of Mr. & Mrs. John C. Parkin, North York, Ontario (1953-1955)
Actions:
AP018.S1.1953.PR01
Description:
This project series documents the residence of John C. Parkin and his family in North York, Ontario from 1953-1955. The office identified the project number as 5301. This project consisted of the architect's own family home for himself, his wife, and their children at 75 The Bridle Path. The one-storey bungalow, faced in white brick, became an acclaimed symbol of a modernist dwelling in North America. The house has since been demolished. The project is recorded through drawings and textual records dating from 1948-1957. The drawings include sketches of furniture designed by Parkin, as well as floor plans, sections, details, elevations and construction drawings. The textual records include tender documentation, estimates and building restrictions.
Level of archival description:
Project
Project
Date:
1948-1957
1948-1957
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Reginald Malcolmson fonds
Reginald Malcolmson fonds
Actions:
Reference number:
AP150
Synopsis:
The Reginald Malcolmson fonds documents the personal activities and professional practice of architect Reginald Francis Malcolmson. It pertains to his work as architectural student, and to the architectural and urban planning projects by Reginald Malcolmson, working alone and on behalf of other architectural firms. It also pertains to Malcolmson's role as author and to his involvement in exhibitions.
AP150
Synopsis:
The Reginald Malcolmson fonds documents the personal activities and professional practice of architect Reginald Francis Malcolmson. It pertains to his work as architectural student, and to the architectural and urban planning projects by Reginald Malcolmson, working alone and on behalf of other architectural firms. It also pertains to Malcolmson's role as author and to his involvement in exhibitions.
People:
Date:
1933-1992
1933-1992
Title:
Reginald Malcolmson fonds
Actions:
AP150
Synopsis:
The Reginald Malcolmson fonds documents the personal activities and professional practice of architect Reginald Francis Malcolmson. It pertains to his work as architectural student, and to the architectural and urban planning projects by Reginald Malcolmson, working alone and on behalf of other architectural firms. It also pertains to Malcolmson's role as author and to his involvement in exhibitions.
Reginald Malcolmson fonds
Actions:
AP150
Synopsis:
The Reginald Malcolmson fonds documents the personal activities and professional practice of architect Reginald Francis Malcolmson. It pertains to his work as architectural student, and to the architectural and urban planning projects by Reginald Malcolmson, working alone and on behalf of other architectural firms. It also pertains to Malcolmson's role as author and to his involvement in exhibitions.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1933-1992
1933-1992
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Amancio Williams fonds
Amancio Williams fonds
Reference number:
AP205
Synopsis:
The Amancio Williams fonds documents Williams' career as an architect and designer from the 1940s to the late 1980s. The fonds documents his work for over 80 architectural, urban planning and furniture design projects, as well as the administration of his architecture practice, and his professional activities through correspondence, photographic material, and promotional materials.
AP205
Synopsis:
The Amancio Williams fonds documents Williams' career as an architect and designer from the 1940s to the late 1980s. The fonds documents his work for over 80 architectural, urban planning and furniture design projects, as well as the administration of his architecture practice, and his professional activities through correspondence, photographic material, and promotional materials.
People:
Date:
1848-2010s
1848-2010s
Title:
Amancio Williams fonds
Actions:
AP205
Synopsis:
The Amancio Williams fonds documents Williams' career as an architect and designer from the 1940s to the late 1980s. The fonds documents his work for over 80 architectural, urban planning and furniture design projects, as well as the administration of his architecture practice, and his professional activities through correspondence, photographic material, and promotional materials.
Amancio Williams fonds
Actions:
AP205
Synopsis:
The Amancio Williams fonds documents Williams' career as an architect and designer from the 1940s to the late 1980s. The fonds documents his work for over 80 architectural, urban planning and furniture design projects, as well as the administration of his architecture practice, and his professional activities through correspondence, photographic material, and promotional materials.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1848-2010s
1848-2010s
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Bernard Tschumi fonds
Bernard Tschumi fonds
Actions:
Reference number:
AP214
Synopsis:
The Bernard Tschumi fonds, dating from approximately 1965-2015, documents the professional activities of Bernard Tschumi including Tschumi’s career in academia and his professional practice as an architect through approximately 75 projects dating from the late 1980s to 2012.
AP214
Synopsis:
The Bernard Tschumi fonds, dating from approximately 1965-2015, documents the professional activities of Bernard Tschumi including Tschumi’s career in academia and his professional practice as an architect through approximately 75 projects dating from the late 1980s to 2012.
People:
Date:
circa 1964-2015
circa 1964-2015
Title:
Bernard Tschumi fonds
Actions:
AP214
Synopsis:
The Bernard Tschumi fonds, dating from approximately 1965-2015, documents the professional activities of Bernard Tschumi including Tschumi’s career in academia and his professional practice as an architect through approximately 75 projects dating from the late 1980s to 2012.
Bernard Tschumi fonds
Actions:
AP214
Synopsis:
The Bernard Tschumi fonds, dating from approximately 1965-2015, documents the professional activities of Bernard Tschumi including Tschumi’s career in academia and his professional practice as an architect through approximately 75 projects dating from the late 1980s to 2012.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
circa 1964-2015
circa 1964-2015
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP154.S1.1967.PR02
Description:
Project series AP154.S1.1967.PR02, State University College at Potsdam, New York (1967), documents three executed projects for buildings at the State University College at Potsdam. The architect Edward Larrabee Barnes produced a master plan for the campus of the college starting in 1962.Later, the New York State University Construction Fund commissioned major Potsdam buildings from three young architects--Giovanni Pasanella, Joseph Merz and Richard Moger--who had worked on the Potsdam campus project while they were on staff at Barnes's office. The project series is divided into three subseries. One of the three subseries documents the project for the Science Building II by Merz and Pasanella. A second subseries is composed of drawings related to the conversion of a dormitory into classrooms, offices and a computer center. The third subseries contains drawings for the administration building designed by Giovanni Pasanella.
AP154.S1.1967.PR02
Description:
Project series AP154.S1.1967.PR02, State University College at Potsdam, New York (1967), documents three executed projects for buildings at the State University College at Potsdam. The architect Edward Larrabee Barnes produced a master plan for the campus of the college starting in 1962.Later, the New York State University Construction Fund commissioned major Potsdam buildings from three young architects--Giovanni Pasanella, Joseph Merz and Richard Moger--who had worked on the Potsdam campus project while they were on staff at Barnes's office. The project series is divided into three subseries. One of the three subseries documents the project for the Science Building II by Merz and Pasanella. A second subseries is composed of drawings related to the conversion of a dormitory into classrooms, offices and a computer center. The third subseries contains drawings for the administration building designed by Giovanni Pasanella.
People:
Date:
1967-1970
1967-1970
Title:
State University College at Potsdam, New York (1967)
Actions:
AP154.S1.1967.PR02
Description:
Project series AP154.S1.1967.PR02, State University College at Potsdam, New York (1967), documents three executed projects for buildings at the State University College at Potsdam. The architect Edward Larrabee Barnes produced a master plan for the campus of the college starting in 1962.Later, the New York State University Construction Fund commissioned major Potsdam buildings from three young architects--Giovanni Pasanella, Joseph Merz and Richard Moger--who had worked on the Potsdam campus project while they were on staff at Barnes's office. The project series is divided into three subseries. One of the three subseries documents the project for the Science Building II by Merz and Pasanella. A second subseries is composed of drawings related to the conversion of a dormitory into classrooms, offices and a computer center. The third subseries contains drawings for the administration building designed by Giovanni Pasanella.
State University College at Potsdam, New York (1967)
Actions:
AP154.S1.1967.PR02
Description:
Project series AP154.S1.1967.PR02, State University College at Potsdam, New York (1967), documents three executed projects for buildings at the State University College at Potsdam. The architect Edward Larrabee Barnes produced a master plan for the campus of the college starting in 1962.Later, the New York State University Construction Fund commissioned major Potsdam buildings from three young architects--Giovanni Pasanella, Joseph Merz and Richard Moger--who had worked on the Potsdam campus project while they were on staff at Barnes's office. The project series is divided into three subseries. One of the three subseries documents the project for the Science Building II by Merz and Pasanella. A second subseries is composed of drawings related to the conversion of a dormitory into classrooms, offices and a computer center. The third subseries contains drawings for the administration building designed by Giovanni Pasanella.
Level of archival description:
project
project
Date:
1967-1970
1967-1970
People:
Level of archival description:
Project
Project
Reference number:
AP178.S1.1993.PR06
Description:
This project series documents the proposed design for the J. Paul Getty Museum. While the records were held in the office’s archives this project was assigned the number 40/90. The office assigned the date 1993 to this project. The project was a collaboration between Álvaro Siza and Peter Testa. The proposal included renovations of the Villa and the Ranch House, the reorganization of the site, as well as the addition of new installations. The main change proposed by the architects was the creation of a Terrace Gallery and a natural amphitheater, forming a new entrance west of the Villa. Renovations to the Villa included modifications to the structure and the reorganization of the interior spaces. They proposed to rearrangeme the interior of the Ranch House and the construction of a 6,000 sqaure foot auditorium with a capacity of 200 people. The proposal also included the construction of a 13,000 square foot U-shaped building for the conservation program, the scholar program, and artist residency program. The main public entrance was redirected to the Los Liones Drives and a new parking area was proposed, with a 300 automobile and 6 bus capacity. In 1994, the Machado Silvetti Firm proposal was selected. Documenting this project are sketches and studies. Textual materials include project documentation and correspondence. Photographic materials document the models and project site.
AP178.S1.1993.PR06
Description:
This project series documents the proposed design for the J. Paul Getty Museum. While the records were held in the office’s archives this project was assigned the number 40/90. The office assigned the date 1993 to this project. The project was a collaboration between Álvaro Siza and Peter Testa. The proposal included renovations of the Villa and the Ranch House, the reorganization of the site, as well as the addition of new installations. The main change proposed by the architects was the creation of a Terrace Gallery and a natural amphitheater, forming a new entrance west of the Villa. Renovations to the Villa included modifications to the structure and the reorganization of the interior spaces. They proposed to rearrangeme the interior of the Ranch House and the construction of a 6,000 sqaure foot auditorium with a capacity of 200 people. The proposal also included the construction of a 13,000 square foot U-shaped building for the conservation program, the scholar program, and artist residency program. The main public entrance was redirected to the Los Liones Drives and a new parking area was proposed, with a 300 automobile and 6 bus capacity. In 1994, the Machado Silvetti Firm proposal was selected. Documenting this project are sketches and studies. Textual materials include project documentation and correspondence. Photographic materials document the models and project site.
People:
Date:
1993-2012
1993-2012
Title:
Museu J. Paul Getty [The J. Paul Getty Museum], Malibu, United States (1993)
Actions:
AP178.S1.1993.PR06
Description:
This project series documents the proposed design for the J. Paul Getty Museum. While the records were held in the office’s archives this project was assigned the number 40/90. The office assigned the date 1993 to this project. The project was a collaboration between Álvaro Siza and Peter Testa. The proposal included renovations of the Villa and the Ranch House, the reorganization of the site, as well as the addition of new installations. The main change proposed by the architects was the creation of a Terrace Gallery and a natural amphitheater, forming a new entrance west of the Villa. Renovations to the Villa included modifications to the structure and the reorganization of the interior spaces. They proposed to rearrangeme the interior of the Ranch House and the construction of a 6,000 sqaure foot auditorium with a capacity of 200 people. The proposal also included the construction of a 13,000 square foot U-shaped building for the conservation program, the scholar program, and artist residency program. The main public entrance was redirected to the Los Liones Drives and a new parking area was proposed, with a 300 automobile and 6 bus capacity. In 1994, the Machado Silvetti Firm proposal was selected. Documenting this project are sketches and studies. Textual materials include project documentation and correspondence. Photographic materials document the models and project site.
Museu J. Paul Getty [The J. Paul Getty Museum], Malibu, United States (1993)
Actions:
AP178.S1.1993.PR06
Description:
This project series documents the proposed design for the J. Paul Getty Museum. While the records were held in the office’s archives this project was assigned the number 40/90. The office assigned the date 1993 to this project. The project was a collaboration between Álvaro Siza and Peter Testa. The proposal included renovations of the Villa and the Ranch House, the reorganization of the site, as well as the addition of new installations. The main change proposed by the architects was the creation of a Terrace Gallery and a natural amphitheater, forming a new entrance west of the Villa. Renovations to the Villa included modifications to the structure and the reorganization of the interior spaces. They proposed to rearrangeme the interior of the Ranch House and the construction of a 6,000 sqaure foot auditorium with a capacity of 200 people. The proposal also included the construction of a 13,000 square foot U-shaped building for the conservation program, the scholar program, and artist residency program. The main public entrance was redirected to the Los Liones Drives and a new parking area was proposed, with a 300 automobile and 6 bus capacity. In 1994, the Machado Silvetti Firm proposal was selected. Documenting this project are sketches and studies. Textual materials include project documentation and correspondence. Photographic materials document the models and project site.
Level of archival description:
Project
Project
Date:
1993-2012
1993-2012
People:
Level of archival description:
Sub-series
Sub-series
Actions:
Reference number:
AP178.S1.1988.PR07.SS2
Description:
This project subseries documents the Bloco A of the reconstruction of the Chiado in Lisbon, Portugal. The office's archives identified this project as 58/80. The office assigned the dates 1988-1998 for this project. The Bloco A was located between Rua Ivens, Rua Garrett, and Rua Nova Do Almada. In the reconstruction plan, Bloco A included buildings 7 (Camara Chaves building) 8/9 (Castro & Melo building), 10, 11, 20, 21, 22, 23, and 24. The construction work for the buildings of Bloco A included restorations of windows, doors, façades, painting, stonework, as well as work on the structure and mechanical systems. Drawings include plans prior to the fire, working drawings, and structural drawings. Textual material includes project documentation and studies. Photographic materials and slides document the buildings prior to the fire, damaged buildings, project site, construction work, and models. It is important to note that this subseries includes general details of the Bloco A. For more specific details, see individual project subseries: the Camara Chaves building (AP178.S1.1988.PR07.SS3) and Edifício Castro e Melo (AP178.S1.1988.PR07.SS4). General documentation can also be found in the master plans and exterior spaces work subseries (AP178.S1.1988.PR07.SS1).
AP178.S1.1988.PR07.SS2
Description:
This project subseries documents the Bloco A of the reconstruction of the Chiado in Lisbon, Portugal. The office's archives identified this project as 58/80. The office assigned the dates 1988-1998 for this project. The Bloco A was located between Rua Ivens, Rua Garrett, and Rua Nova Do Almada. In the reconstruction plan, Bloco A included buildings 7 (Camara Chaves building) 8/9 (Castro & Melo building), 10, 11, 20, 21, 22, 23, and 24. The construction work for the buildings of Bloco A included restorations of windows, doors, façades, painting, stonework, as well as work on the structure and mechanical systems. Drawings include plans prior to the fire, working drawings, and structural drawings. Textual material includes project documentation and studies. Photographic materials and slides document the buildings prior to the fire, damaged buildings, project site, construction work, and models. It is important to note that this subseries includes general details of the Bloco A. For more specific details, see individual project subseries: the Camara Chaves building (AP178.S1.1988.PR07.SS3) and Edifício Castro e Melo (AP178.S1.1988.PR07.SS4). General documentation can also be found in the master plans and exterior spaces work subseries (AP178.S1.1988.PR07.SS1).
People:
Date:
1988-1998
1988-1998
Title:
Bloco A, Reconstrução do Chiado [Block A, Reconstruction of the Chiado area] Lisbon, Portugal (1988-1998)
Actions:
AP178.S1.1988.PR07.SS2
Description:
This project subseries documents the Bloco A of the reconstruction of the Chiado in Lisbon, Portugal. The office's archives identified this project as 58/80. The office assigned the dates 1988-1998 for this project. The Bloco A was located between Rua Ivens, Rua Garrett, and Rua Nova Do Almada. In the reconstruction plan, Bloco A included buildings 7 (Camara Chaves building) 8/9 (Castro & Melo building), 10, 11, 20, 21, 22, 23, and 24. The construction work for the buildings of Bloco A included restorations of windows, doors, façades, painting, stonework, as well as work on the structure and mechanical systems. Drawings include plans prior to the fire, working drawings, and structural drawings. Textual material includes project documentation and studies. Photographic materials and slides document the buildings prior to the fire, damaged buildings, project site, construction work, and models. It is important to note that this subseries includes general details of the Bloco A. For more specific details, see individual project subseries: the Camara Chaves building (AP178.S1.1988.PR07.SS3) and Edifício Castro e Melo (AP178.S1.1988.PR07.SS4). General documentation can also be found in the master plans and exterior spaces work subseries (AP178.S1.1988.PR07.SS1).
Bloco A, Reconstrução do Chiado [Block A, Reconstruction of the Chiado area] Lisbon, Portugal (1988-1998)
Actions:
AP178.S1.1988.PR07.SS2
Description:
This project subseries documents the Bloco A of the reconstruction of the Chiado in Lisbon, Portugal. The office's archives identified this project as 58/80. The office assigned the dates 1988-1998 for this project. The Bloco A was located between Rua Ivens, Rua Garrett, and Rua Nova Do Almada. In the reconstruction plan, Bloco A included buildings 7 (Camara Chaves building) 8/9 (Castro & Melo building), 10, 11, 20, 21, 22, 23, and 24. The construction work for the buildings of Bloco A included restorations of windows, doors, façades, painting, stonework, as well as work on the structure and mechanical systems. Drawings include plans prior to the fire, working drawings, and structural drawings. Textual material includes project documentation and studies. Photographic materials and slides document the buildings prior to the fire, damaged buildings, project site, construction work, and models. It is important to note that this subseries includes general details of the Bloco A. For more specific details, see individual project subseries: the Camara Chaves building (AP178.S1.1988.PR07.SS3) and Edifício Castro e Melo (AP178.S1.1988.PR07.SS4). General documentation can also be found in the master plans and exterior spaces work subseries (AP178.S1.1988.PR07.SS1).
Level of archival description:
Project
Project
Date:
1988-1998
1988-1998
People:
