10674 Results
Level of archival description:
Project
Project
Reference number:
AP056.S1.1987.PR04
Description:
This project series documents the restoration and redevelopmet of King James Place in Toronto, Ontario. The office assigned the number 8722 to this project. King James Place is located on King St. East between Jarvis St. and Church St. and was completed in 1839. Construction on the project began in 1990. Drawings in the project series show the changes made to the floor plans and interiors while preserving the historic facade. The project received a Governor General's Award for Architecture in 1992, the Toronto Urban Design Award in 1993, and the Heritage Toronto Award in 1994. The project is recorded through sketches, original plans, elevations, sections, several perspectives, as well as presentation drawings. Also included are two photographs of the finished exterior and a model.
AP056.S1.1987.PR04
Description:
This project series documents the restoration and redevelopmet of King James Place in Toronto, Ontario. The office assigned the number 8722 to this project. King James Place is located on King St. East between Jarvis St. and Church St. and was completed in 1839. Construction on the project began in 1990. Drawings in the project series show the changes made to the floor plans and interiors while preserving the historic facade. The project received a Governor General's Award for Architecture in 1992, the Toronto Urban Design Award in 1993, and the Heritage Toronto Award in 1994. The project is recorded through sketches, original plans, elevations, sections, several perspectives, as well as presentation drawings. Also included are two photographs of the finished exterior and a model.
People:
Date:
1987-1996
1987-1996
Title:
King James Place, Toronto, Ontario (1987-1991)
Actions:
AP056.S1.1987.PR04
Description:
This project series documents the restoration and redevelopmet of King James Place in Toronto, Ontario. The office assigned the number 8722 to this project. King James Place is located on King St. East between Jarvis St. and Church St. and was completed in 1839. Construction on the project began in 1990. Drawings in the project series show the changes made to the floor plans and interiors while preserving the historic facade. The project received a Governor General's Award for Architecture in 1992, the Toronto Urban Design Award in 1993, and the Heritage Toronto Award in 1994. The project is recorded through sketches, original plans, elevations, sections, several perspectives, as well as presentation drawings. Also included are two photographs of the finished exterior and a model.
King James Place, Toronto, Ontario (1987-1991)
Actions:
AP056.S1.1987.PR04
Description:
This project series documents the restoration and redevelopmet of King James Place in Toronto, Ontario. The office assigned the number 8722 to this project. King James Place is located on King St. East between Jarvis St. and Church St. and was completed in 1839. Construction on the project began in 1990. Drawings in the project series show the changes made to the floor plans and interiors while preserving the historic facade. The project received a Governor General's Award for Architecture in 1992, the Toronto Urban Design Award in 1993, and the Heritage Toronto Award in 1994. The project is recorded through sketches, original plans, elevations, sections, several perspectives, as well as presentation drawings. Also included are two photographs of the finished exterior and a model.
Level of archival description:
Project
Project
Date:
1987-1996
1987-1996
People:
Level of archival description:
Project
Project
Reference number:
AP056.S1.1995.PR04
Description:
This project series documents the expansion of the Marc Laurent store from its original location at 110 Bloor Street West to a new space at 151 Bloor Street West in Toronto in 1995. The office identified the project number as 9518. This project consisted of the expansion of the high-end retail store whose original design was completed prior to the founding of KPMB, by Bruce Kuwabara and Thomas Payne in 1986. The new space across the street from the original store was designed in a similar style and material palette. This project is considered Phase 5 of the store's development. The project is recorded through original drawings dating from on or around 1995, including sketches, floor plans, perspectives and details.
AP056.S1.1995.PR04
Description:
This project series documents the expansion of the Marc Laurent store from its original location at 110 Bloor Street West to a new space at 151 Bloor Street West in Toronto in 1995. The office identified the project number as 9518. This project consisted of the expansion of the high-end retail store whose original design was completed prior to the founding of KPMB, by Bruce Kuwabara and Thomas Payne in 1986. The new space across the street from the original store was designed in a similar style and material palette. This project is considered Phase 5 of the store's development. The project is recorded through original drawings dating from on or around 1995, including sketches, floor plans, perspectives and details.
People:
Date:
1995
1995
Title:
Marc Laurent Store, Phase 5, Toronto (1995)
Actions:
AP056.S1.1995.PR04
Description:
This project series documents the expansion of the Marc Laurent store from its original location at 110 Bloor Street West to a new space at 151 Bloor Street West in Toronto in 1995. The office identified the project number as 9518. This project consisted of the expansion of the high-end retail store whose original design was completed prior to the founding of KPMB, by Bruce Kuwabara and Thomas Payne in 1986. The new space across the street from the original store was designed in a similar style and material palette. This project is considered Phase 5 of the store's development. The project is recorded through original drawings dating from on or around 1995, including sketches, floor plans, perspectives and details.
Marc Laurent Store, Phase 5, Toronto (1995)
Actions:
AP056.S1.1995.PR04
Description:
This project series documents the expansion of the Marc Laurent store from its original location at 110 Bloor Street West to a new space at 151 Bloor Street West in Toronto in 1995. The office identified the project number as 9518. This project consisted of the expansion of the high-end retail store whose original design was completed prior to the founding of KPMB, by Bruce Kuwabara and Thomas Payne in 1986. The new space across the street from the original store was designed in a similar style and material palette. This project is considered Phase 5 of the store's development. The project is recorded through original drawings dating from on or around 1995, including sketches, floor plans, perspectives and details.
Level of archival description:
Project
Project
Date:
1995
1995
People:
Level of archival description:
Project
Project
Reference number:
AP164.S1.2000.D5
Description:
The project series documents the design of social and elderly housing complexes, office equipment, gardening and landscaping, in the village Es Pil·lari, Palma de Mallorca, Spain. The firm gave iterations of this project the following identification numbers: 129, 157, 166, 167, and 168. Each of these iterations is found within this project series. Abalos & Herreros were invited to participate in a competition organised by the Institut Balear de la Vivienda. They won the first prize. The firm worked with Ángel Jaramillo, Uriel Fogué, Fermina Garrído, Renata Sentkiewicz and Jacob Hense. Documenting this project are conceptual, design development, presentation and working drawings, digital, photographic and reference materials, notes, minutes, correspondence, specifications, presentation documents, reports, studies, and a postcard.
AP164.S1.2000.D5
Description:
The project series documents the design of social and elderly housing complexes, office equipment, gardening and landscaping, in the village Es Pil·lari, Palma de Mallorca, Spain. The firm gave iterations of this project the following identification numbers: 129, 157, 166, 167, and 168. Each of these iterations is found within this project series. Abalos & Herreros were invited to participate in a competition organised by the Institut Balear de la Vivienda. They won the first prize. The firm worked with Ángel Jaramillo, Uriel Fogué, Fermina Garrído, Renata Sentkiewicz and Jacob Hense. Documenting this project are conceptual, design development, presentation and working drawings, digital, photographic and reference materials, notes, minutes, correspondence, specifications, presentation documents, reports, studies, and a postcard.
People:
Date:
1998-2004
1998-2004
Title:
Es Pil·lari, Palma de Mallorca, Spain (2000)
Actions:
AP164.S1.2000.D5
Description:
The project series documents the design of social and elderly housing complexes, office equipment, gardening and landscaping, in the village Es Pil·lari, Palma de Mallorca, Spain. The firm gave iterations of this project the following identification numbers: 129, 157, 166, 167, and 168. Each of these iterations is found within this project series. Abalos & Herreros were invited to participate in a competition organised by the Institut Balear de la Vivienda. They won the first prize. The firm worked with Ángel Jaramillo, Uriel Fogué, Fermina Garrído, Renata Sentkiewicz and Jacob Hense. Documenting this project are conceptual, design development, presentation and working drawings, digital, photographic and reference materials, notes, minutes, correspondence, specifications, presentation documents, reports, studies, and a postcard.
Es Pil·lari, Palma de Mallorca, Spain (2000)
Actions:
AP164.S1.2000.D5
Description:
The project series documents the design of social and elderly housing complexes, office equipment, gardening and landscaping, in the village Es Pil·lari, Palma de Mallorca, Spain. The firm gave iterations of this project the following identification numbers: 129, 157, 166, 167, and 168. Each of these iterations is found within this project series. Abalos & Herreros were invited to participate in a competition organised by the Institut Balear de la Vivienda. They won the first prize. The firm worked with Ángel Jaramillo, Uriel Fogué, Fermina Garrído, Renata Sentkiewicz and Jacob Hense. Documenting this project are conceptual, design development, presentation and working drawings, digital, photographic and reference materials, notes, minutes, correspondence, specifications, presentation documents, reports, studies, and a postcard.
Level of archival description:
Project
Project
Date:
1998-2004
1998-2004
People:
Level of archival description:
Series
Series
Title:
Audio-Visual Materials
Audio-Visual Materials
Actions:
Reference number:
AP144.S8
Description:
Series contains audio-visual materials, including audio reels, audiocassettes, a film reel and videocassettes that document Cedric Price's projects, lectures, presentations, gallery talks, and interviews. Audiocassettes also include recordings of lectures presented at the AA, office design chats, conversations with clients (Generator, 1977-78), design notes, and site visits. Series also includes audio-visual materials from other sources, such as BBC radio and television broadcasts, as well as commercially-produced material such as 'Insite: the Video Magazine for Architects' (1986-87). Also included is a set consisting of 24 slides and one audiocassette by Cedric Price, titled 'Technology is the Answer but What Was the Question', (Pidgeon Audio Visual). Material in this series was produced between 1966 and 1987.
AP144.S8
Description:
Series contains audio-visual materials, including audio reels, audiocassettes, a film reel and videocassettes that document Cedric Price's projects, lectures, presentations, gallery talks, and interviews. Audiocassettes also include recordings of lectures presented at the AA, office design chats, conversations with clients (Generator, 1977-78), design notes, and site visits. Series also includes audio-visual materials from other sources, such as BBC radio and television broadcasts, as well as commercially-produced material such as 'Insite: the Video Magazine for Architects' (1986-87). Also included is a set consisting of 24 slides and one audiocassette by Cedric Price, titled 'Technology is the Answer but What Was the Question', (Pidgeon Audio Visual). Material in this series was produced between 1966 and 1987.
People:
Date:
1966-1987
1966-1987
Title:
Audio-Visual Materials
Actions:
AP144.S8
Description:
Series contains audio-visual materials, including audio reels, audiocassettes, a film reel and videocassettes that document Cedric Price's projects, lectures, presentations, gallery talks, and interviews. Audiocassettes also include recordings of lectures presented at the AA, office design chats, conversations with clients (Generator, 1977-78), design notes, and site visits. Series also includes audio-visual materials from other sources, such as BBC radio and television broadcasts, as well as commercially-produced material such as 'Insite: the Video Magazine for Architects' (1986-87). Also included is a set consisting of 24 slides and one audiocassette by Cedric Price, titled 'Technology is the Answer but What Was the Question', (Pidgeon Audio Visual). Material in this series was produced between 1966 and 1987.
Audio-Visual Materials
Actions:
AP144.S8
Description:
Series contains audio-visual materials, including audio reels, audiocassettes, a film reel and videocassettes that document Cedric Price's projects, lectures, presentations, gallery talks, and interviews. Audiocassettes also include recordings of lectures presented at the AA, office design chats, conversations with clients (Generator, 1977-78), design notes, and site visits. Series also includes audio-visual materials from other sources, such as BBC radio and television broadcasts, as well as commercially-produced material such as 'Insite: the Video Magazine for Architects' (1986-87). Also included is a set consisting of 24 slides and one audiocassette by Cedric Price, titled 'Technology is the Answer but What Was the Question', (Pidgeon Audio Visual). Material in this series was produced between 1966 and 1987.
Level of archival description:
Series
Series
Date:
1966-1987
1966-1987
People:
Form:
photographs
photographs
Actions:
Reference number:
ARCH256139
ARCH256139
People:
Date:
1967
1967
Form:
photographs
photographs
Date:
1967
1967
People:
Form:
photographs
photographs
Actions:
Reference number:
ARCH256351
ARCH256351
People:
Date:
1967
1967
Form:
photographs
photographs
Date:
1967
1967
People:
Form:
photographs
photographs
Actions:
Reference number:
ARCH256360
ARCH256360
People:
Date:
1967
1967
Form:
photographs
photographs
Date:
1967
1967
People:
Form:
photographs
photographs
Actions:
Reference number:
ARCH256452
ARCH256452
People:
Date:
1967
1967
Title:
Partial view of the Polymer and Air Canada's Pavilions, Expo 67, Montréal, Québec
Actions:
ARCH256452
Partial view of the Polymer and Air Canada's Pavilions, Expo 67, Montréal, Québec
Actions:
ARCH256452
Form:
photographs
photographs
Date:
1967
1967
People:
Level of archival description:
Sub-series
Sub-series
Reference number:
AP178.S1.1980.PR02.SS1
Description:
This project subseries documents the residential complex Bonjour Tristesse after Siza won the competition for Block 121. While the records were held in the office’s archives this project was assigned the number 2/80 A. The office assigned the date 1980 for this project. Among materials for the competition phase are conceptual sketches intermingled with sketches of people, design development drawings including drawings for the model, site plans for the competition site, proposed plans, proposed elevations, and plans for the proposed nursery and school extension. Also included are photographs, negatives, and slides for the competition, and general photographs and negatives of Berlin. Textual documentation includes correspondence from IBA officials, such as Hämer, Kleihues, and Dagmar Tanuschev, as well as letters from Brigitte Cassirer (later Brigitte Fleck). Fleck was responsible for national and international competitions for the Senate of Berlin (1971-1985) and first invited Siza to participate in the IBA competition by entering a design for the Görlitzer Bad swimming pool. Other correspondence included in this project series are letters from Peter Brinkert, Siza’s contact architect in Berlin, in which they discuss the Kita and the Seniors Club Anziani. Furthermore, there is textual documentation from the IBA, as well as historical documentation on the project site and notes.
AP178.S1.1980.PR02.SS1
Description:
This project subseries documents the residential complex Bonjour Tristesse after Siza won the competition for Block 121. While the records were held in the office’s archives this project was assigned the number 2/80 A. The office assigned the date 1980 for this project. Among materials for the competition phase are conceptual sketches intermingled with sketches of people, design development drawings including drawings for the model, site plans for the competition site, proposed plans, proposed elevations, and plans for the proposed nursery and school extension. Also included are photographs, negatives, and slides for the competition, and general photographs and negatives of Berlin. Textual documentation includes correspondence from IBA officials, such as Hämer, Kleihues, and Dagmar Tanuschev, as well as letters from Brigitte Cassirer (later Brigitte Fleck). Fleck was responsible for national and international competitions for the Senate of Berlin (1971-1985) and first invited Siza to participate in the IBA competition by entering a design for the Görlitzer Bad swimming pool. Other correspondence included in this project series are letters from Peter Brinkert, Siza’s contact architect in Berlin, in which they discuss the Kita and the Seniors Club Anziani. Furthermore, there is textual documentation from the IBA, as well as historical documentation on the project site and notes.
People:
Date:
circa 1981-1988
circa 1981-1988
Title:
Concurso, Block 121, Schlesisches Tor [Competition for Schlesisches Tor residential complex], Berlin, Germany (1981-1988)
Actions:
AP178.S1.1980.PR02.SS1
Description:
This project subseries documents the residential complex Bonjour Tristesse after Siza won the competition for Block 121. While the records were held in the office’s archives this project was assigned the number 2/80 A. The office assigned the date 1980 for this project. Among materials for the competition phase are conceptual sketches intermingled with sketches of people, design development drawings including drawings for the model, site plans for the competition site, proposed plans, proposed elevations, and plans for the proposed nursery and school extension. Also included are photographs, negatives, and slides for the competition, and general photographs and negatives of Berlin. Textual documentation includes correspondence from IBA officials, such as Hämer, Kleihues, and Dagmar Tanuschev, as well as letters from Brigitte Cassirer (later Brigitte Fleck). Fleck was responsible for national and international competitions for the Senate of Berlin (1971-1985) and first invited Siza to participate in the IBA competition by entering a design for the Görlitzer Bad swimming pool. Other correspondence included in this project series are letters from Peter Brinkert, Siza’s contact architect in Berlin, in which they discuss the Kita and the Seniors Club Anziani. Furthermore, there is textual documentation from the IBA, as well as historical documentation on the project site and notes.
Concurso, Block 121, Schlesisches Tor [Competition for Schlesisches Tor residential complex], Berlin, Germany (1981-1988)
Actions:
AP178.S1.1980.PR02.SS1
Description:
This project subseries documents the residential complex Bonjour Tristesse after Siza won the competition for Block 121. While the records were held in the office’s archives this project was assigned the number 2/80 A. The office assigned the date 1980 for this project. Among materials for the competition phase are conceptual sketches intermingled with sketches of people, design development drawings including drawings for the model, site plans for the competition site, proposed plans, proposed elevations, and plans for the proposed nursery and school extension. Also included are photographs, negatives, and slides for the competition, and general photographs and negatives of Berlin. Textual documentation includes correspondence from IBA officials, such as Hämer, Kleihues, and Dagmar Tanuschev, as well as letters from Brigitte Cassirer (later Brigitte Fleck). Fleck was responsible for national and international competitions for the Senate of Berlin (1971-1985) and first invited Siza to participate in the IBA competition by entering a design for the Görlitzer Bad swimming pool. Other correspondence included in this project series are letters from Peter Brinkert, Siza’s contact architect in Berlin, in which they discuss the Kita and the Seniors Club Anziani. Furthermore, there is textual documentation from the IBA, as well as historical documentation on the project site and notes.
Level of archival description:
Project
Project
Date:
circa 1981-1988
circa 1981-1988
People:
Level of archival description:
Project
Project
Reference number:
AP178.S1.1988.PR03
Description:
This project series documents the Centro Galego de Arte Contemporânea in Santiago de Compostela, Spain. While the records were held in the office’s archives this project was assigned the number 54/80. The office assigned the date 1988 for this project. This project was commissioned by the Xunta de Galicia for the autonomous community of Galicia in Spain. The building was located near the Galego Pobo Museum and the Convento de Santo Domingo de Bonaval. The museum was approximately 75,000 square feet and divided into two L-shaped structures. The building had four floors and included exhibition halls, a terrace, a cafeteria, administrative spaces, an auditorium, and a library. The exterior was principally made of granite panels. The exhibition spaces were very bright, principally due to the natural light that came from multiple openings in the building as well as the white walls. The floors of the public spaces and exhibition rooms were made of Greek marble. Siza also transformed the Convento de Santo Domingo de Bonaval garden into a public park. The park was understood as an extension of the museum. Documenting this project are sketches, studies, preliminary drawings, plans and working drawings. Textual materials include project documentation and correspondence. Photographic materials document the models, project site and built project.
AP178.S1.1988.PR03
Description:
This project series documents the Centro Galego de Arte Contemporânea in Santiago de Compostela, Spain. While the records were held in the office’s archives this project was assigned the number 54/80. The office assigned the date 1988 for this project. This project was commissioned by the Xunta de Galicia for the autonomous community of Galicia in Spain. The building was located near the Galego Pobo Museum and the Convento de Santo Domingo de Bonaval. The museum was approximately 75,000 square feet and divided into two L-shaped structures. The building had four floors and included exhibition halls, a terrace, a cafeteria, administrative spaces, an auditorium, and a library. The exterior was principally made of granite panels. The exhibition spaces were very bright, principally due to the natural light that came from multiple openings in the building as well as the white walls. The floors of the public spaces and exhibition rooms were made of Greek marble. Siza also transformed the Convento de Santo Domingo de Bonaval garden into a public park. The park was understood as an extension of the museum. Documenting this project are sketches, studies, preliminary drawings, plans and working drawings. Textual materials include project documentation and correspondence. Photographic materials document the models, project site and built project.
People:
Date:
1988-1995
1988-1995
Title:
Centro Galego de Arte Contemporânea [Galician Centre of Contemporary Art], Santiago de Compostela, Spain, 1988-1993
Actions:
AP178.S1.1988.PR03
Description:
This project series documents the Centro Galego de Arte Contemporânea in Santiago de Compostela, Spain. While the records were held in the office’s archives this project was assigned the number 54/80. The office assigned the date 1988 for this project. This project was commissioned by the Xunta de Galicia for the autonomous community of Galicia in Spain. The building was located near the Galego Pobo Museum and the Convento de Santo Domingo de Bonaval. The museum was approximately 75,000 square feet and divided into two L-shaped structures. The building had four floors and included exhibition halls, a terrace, a cafeteria, administrative spaces, an auditorium, and a library. The exterior was principally made of granite panels. The exhibition spaces were very bright, principally due to the natural light that came from multiple openings in the building as well as the white walls. The floors of the public spaces and exhibition rooms were made of Greek marble. Siza also transformed the Convento de Santo Domingo de Bonaval garden into a public park. The park was understood as an extension of the museum. Documenting this project are sketches, studies, preliminary drawings, plans and working drawings. Textual materials include project documentation and correspondence. Photographic materials document the models, project site and built project.
Centro Galego de Arte Contemporânea [Galician Centre of Contemporary Art], Santiago de Compostela, Spain, 1988-1993
Actions:
AP178.S1.1988.PR03
Description:
This project series documents the Centro Galego de Arte Contemporânea in Santiago de Compostela, Spain. While the records were held in the office’s archives this project was assigned the number 54/80. The office assigned the date 1988 for this project. This project was commissioned by the Xunta de Galicia for the autonomous community of Galicia in Spain. The building was located near the Galego Pobo Museum and the Convento de Santo Domingo de Bonaval. The museum was approximately 75,000 square feet and divided into two L-shaped structures. The building had four floors and included exhibition halls, a terrace, a cafeteria, administrative spaces, an auditorium, and a library. The exterior was principally made of granite panels. The exhibition spaces were very bright, principally due to the natural light that came from multiple openings in the building as well as the white walls. The floors of the public spaces and exhibition rooms were made of Greek marble. Siza also transformed the Convento de Santo Domingo de Bonaval garden into a public park. The park was understood as an extension of the museum. Documenting this project are sketches, studies, preliminary drawings, plans and working drawings. Textual materials include project documentation and correspondence. Photographic materials document the models, project site and built project.
Level of archival description:
Project
Project
Date:
1988-1995
1988-1995
People:
