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Comics emerged parallel to, and in several ways intertwined with, the development of modern urban mass societies at the turn of the 20th century. On the one hand, urban topoi, self-portrayals, forms of urban cultural memories, and variant readings of the city (strolling, advertising, architecture, detective stories, mass phenomena, street life, etc.) are all incorporated(...)
Comics and the city: urban space in print, picture and sequence
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Comics emerged parallel to, and in several ways intertwined with, the development of modern urban mass societies at the turn of the 20th century. On the one hand, urban topoi, self-portrayals, forms of urban cultural memories, and variant readings of the city (strolling, advertising, architecture, detective stories, mass phenomena, street life, etc.) are all incorporated into comics. On the other hand, comics have unique abilities to capture urban space and city life because of their hybrid nature, consisting of words, pictures, and sequences. These formal aspects of comics are also to be found within the cityscape itself: one can see the influence of comic book aesthetics all around us today.
Urban Theory
Christopher Wool
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In-your-face, achingly simple, deceptively frank, the work of Christopher Wool is so very New York. Though he owes a debt to abstract expressionism and pop art, he completely transcends—even demolishes—these genres. Whether it’s a text-based painting or an abstract spray-painted piece, his work is immediately engaging. Wool questions painting, like many other artists in(...)
Christopher Wool
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In-your-face, achingly simple, deceptively frank, the work of Christopher Wool is so very New York. Though he owes a debt to abstract expressionism and pop art, he completely transcends—even demolishes—these genres. Whether it’s a text-based painting or an abstract spray-painted piece, his work is immediately engaging. Wool questions painting, like many other artists in his generation, but he doesn’t provide any easy answers. “The harder you look the harder you look,” he puts it in one of his word paintings, and that is an excellent example of how he states the obvious whilst provoking us to think deeper about what seems obvious.
Contemporary Art Monographs
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Trois expériences du Nord, réel ou perçu, qui nous confrontent à notre méconnaissance des réalités d'une terre en processus accéléré de transformation. Tout à la fois habitat pour une population clairsemée, écosystème vital pour l'entièreté du continent et vaste bassin de ressources plus que jamais inscrit dans la mire du développement... Three experiences of the(...)
CV 92 : plein nord / true north
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Trois expériences du Nord, réel ou perçu, qui nous confrontent à notre méconnaissance des réalités d'une terre en processus accéléré de transformation. Tout à la fois habitat pour une population clairsemée, écosystème vital pour l'entièreté du continent et vaste bassin de ressources plus que jamais inscrit dans la mire du développement... Three experiences of the North, real or perceived, that bring us face to face with the realities of a little-known region undergoing accelerated transformation. The North is at once home to a sparse population, an ecosystem vital to the entire continent, and a vast resource base that is in the sights of developers as ever before…
Magazines
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In an expanding and socially fractious early twentieth-century Winnipeg, Lewis Benjamin Foote (1873-1957) rose to become the city's pre-eminent commercial photographer. Documenting everything from royal visits to deep poverty, from the building of the landmark Fort Garry Hotel to the riots of the 1919 General Strike, Foote's photographs have come to be iconic(...)
Imagining Winnipeg: History through the photographs of L.B. Foote
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In an expanding and socially fractious early twentieth-century Winnipeg, Lewis Benjamin Foote (1873-1957) rose to become the city's pre-eminent commercial photographer. Documenting everything from royal visits to deep poverty, from the building of the landmark Fort Garry Hotel to the riots of the 1919 General Strike, Foote's photographs have come to be iconic representations of early Winnipeg life. In Imagining Winnipeg, historian Esyllt W. Jones takes us beyond the iconic to reveal the complex artist behind the lens and the conflicting ways in which his photographs have been used to give credence to diverse and sometimes irreconcilable views of Winnipeg's past.
Architecture in Canada
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High modernism is now as far from us as antiquity was for the Renaissance. Such is the premise of Fredric Jameson’s major new work in which modernist works, this time in painting (Rubens) and music (Wagner and Mahler), are pitted against late-modernist ones (in film) as well as a variety of postmodern experiments (from SF to The Wire, from “Eurotrash” in opera to Altman(...)
The ancients and the postmoderns: on the historicity of forms
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High modernism is now as far from us as antiquity was for the Renaissance. Such is the premise of Fredric Jameson’s major new work in which modernist works, this time in painting (Rubens) and music (Wagner and Mahler), are pitted against late-modernist ones (in film) as well as a variety of postmodern experiments (from SF to The Wire, from “Eurotrash” in opera to Altman and East German literature): all of which attempt, in their different ways, to invent new forms to grasp a specific social totality. Throughout the historical periods, argues Jameson, the question of narrative persists through its multiple formal changes and metamorphoses
Critical Theory
On architecture
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In this publication, Fred Rush argues this is a consequence of neglecting the role of the body in architecture. Our encounter with a building is first and foremost a bodily one; buildings are lived-in, communal spaces and their construction reveals a lot about our relation to the environment as a whole. Drawing on examples from architects classic and contemporary such as(...)
On architecture
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In this publication, Fred Rush argues this is a consequence of neglecting the role of the body in architecture. Our encounter with a building is first and foremost a bodily one; buildings are lived-in, communal spaces and their construction reveals a lot about our relation to the environment as a whole. Drawing on examples from architects classic and contemporary such as Le Corbusier and Frank Lloyd Wright, and exploring the significance of buildings in relation to film and music and philosophers such as Heidegger and Merleau-Ponty, Fred Rush argues that philosophical reflection on building can tell us something important about the human condition.
Architectural Theory
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It's a truism of the age of globalization that where we live doesn't matter - we can work just as easily from a ski chalet in Aspen as in a house in Provence or an office in Chicago. Wrong, argues Richard Florida. Globalization may open up more of the world to us, but it also makes place a key factor in life. Based on more than twenty years of research, 'Who's yor City?'(...)
Who's your City? How the creative economy is making where to live the most important decision of your life
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It's a truism of the age of globalization that where we live doesn't matter - we can work just as easily from a ski chalet in Aspen as in a house in Provence or an office in Chicago. Wrong, argues Richard Florida. Globalization may open up more of the world to us, but it also makes place a key factor in life. Based on more than twenty years of research, 'Who's yor City?' shows how a new economic unit - the mega-region- is the real driver of the global economy explains why mega-regions are diverging not only in economic specialization but even in personality.
Urban Theory
On the metaphor of growth
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This catalogue of a travelling exhibition (Hannover, Basel, Frankfurt am Main) demonstrates that artists are able, past all doctrines of growth, to bring forth an artistic treatment of the concept of growth. They indicate lines of connection and dependencies which seem strange to us. Among these are the splendid Venetian Murano glass with which Tue Greenfort illustrates(...)
August 2011
On the metaphor of growth
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This catalogue of a travelling exhibition (Hannover, Basel, Frankfurt am Main) demonstrates that artists are able, past all doctrines of growth, to bring forth an artistic treatment of the concept of growth. They indicate lines of connection and dependencies which seem strange to us. Among these are the splendid Venetian Murano glass with which Tue Greenfort illustrates the growth of algae in the Adriatic, the ludicrous flooding of a McDonald’s restaurant, by means of which the Danish artist’s group Superflex alludes to the threatening growth in sea levels. Also works by Dirk Fleischmann, Sylvie Fleury, Mika Rottenberg, Julika Rudelius, Lois Weinberger, Franck Scurti, Dan Peterman and many others.
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Michael Pollan and Maira Kalman come together to create an enhanced "Food Rules" for hardcover, now beautifully illustrated and with even more food wisdom. Michael Pollan's definitive compendium, "Food Rules," is here brought to colorful life with the addition of Maira Kalman's beloved illustrations. This brilliant pairing is rooted in Pollan's and Kalman's(...)
Food rules : an eater's manual
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Michael Pollan and Maira Kalman come together to create an enhanced "Food Rules" for hardcover, now beautifully illustrated and with even more food wisdom. Michael Pollan's definitive compendium, "Food Rules," is here brought to colorful life with the addition of Maira Kalman's beloved illustrations. This brilliant pairing is rooted in Pollan's and Kalman's shared appreciation for eating's pleasures, and their understanding that eating doesn't have to be so complicated. Written with the clarity, concision, and wit that is Michael Pollan's trademark, this indispensable handbook lays out a set of straightforward, memorable rules for eating wisely. Kalman's paintings remind us that there is delight in learning to eat well.
Illustration
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Thirty two large format photographic color prints focus on arctic and sub-arctic regions of Canada. Arnold Zageris captures the images using a traditional large format 4x5 view camera, technology that is unsurpassed for landscape photography in this digital age. The method allows for fine details and subtle nuances of form and texture to emerge. Although the colors and(...)
Arnold Zageris: on the Labrador
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Thirty two large format photographic color prints focus on arctic and sub-arctic regions of Canada. Arnold Zageris captures the images using a traditional large format 4x5 view camera, technology that is unsurpassed for landscape photography in this digital age. The method allows for fine details and subtle nuances of form and texture to emerge. Although the colors and contrasts may appear enhanced, these works have no special filters or treatments. Zageris states his commitment is “to search and find the quality of light that can inspire the imagination.” His combination of traditional technique and methodical patience lends him the ability to show us a world we may not see otherwise.
Photography monographs