10704 Results
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Project
Project
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Reference number:
AP198.S1.1997.PR02
Description:
Project records document the design process for OCEAN North’s competition entry for the Jyväskylä Music and Arts Centre in 1997. The project was titled Terra Cultura by OCEAN North. The international competition called to create a multi-usage space that would include a venue for the symphonic orchestra, a music school, exhibition spaces, and the possibility to host a variety of small cultural events in the Finnish city of Jyväskylä. The proposed site is in the center of the town, across the street from the Jyväskylä city church and its park, and nearby buildings designed by Alvar Aalto. OCEAN North’s concept presents a topological surface as an extension of the surrounding urban scape with two masses that would host the formal functions of the building (concert hall, music school, exhibition halls). The two volumes, or raised blocks, are divided along a diagonal elevated space, which is the extension of the ground’s topological surface filled and dubbed “Liquid Flow Space” by the design team. In their interview with Greg Lynn, Johan Bettum and Kivi Sotamaa mentioned that the idea for Jyväskylä was that it was a cloud. Digital files, in particular, show the process to achieve the projected design. Drawings provide views of streamed particles and of resulting peels. They also include plans, elevations and axonometric views of the structure. Most files are raster or vector images, likely saved from CAD software. A few files are in CAD formats such as Microstation, 3D Studio and form*Z. Digital files also present sine wave analysis and resulting charts for each component of the program. The analysis and charts present the relationships between various components of the building’s program such as the Art Museum, the Concert Halls, the technical space, and the Common facilities. These files are raster images and spreadsheets. Photographs of the site in Jyväskylä and of models built by OCEAN North were digitized and are included with the digital working files. Physical drawings are chiefly floor plans for the building, but also include sections and sketches. Finally, project files include photographic prints of two built models. One of these models, a small model of the conceptual masses of the building structure, is itself in the archive. Photographs show the model in the context of a city scape model. The second model, not part of the archive at CCA, was built at a bigger scale and was an intricate cardboard and wooden stick structure. Sources: Softspace: from a representation of form to a simulation of space, Edited by Sean Lally and Jessica Young. London, New York: Routledge, 2007. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
AP198.S1.1997.PR02
Description:
Project records document the design process for OCEAN North’s competition entry for the Jyväskylä Music and Arts Centre in 1997. The project was titled Terra Cultura by OCEAN North. The international competition called to create a multi-usage space that would include a venue for the symphonic orchestra, a music school, exhibition spaces, and the possibility to host a variety of small cultural events in the Finnish city of Jyväskylä. The proposed site is in the center of the town, across the street from the Jyväskylä city church and its park, and nearby buildings designed by Alvar Aalto. OCEAN North’s concept presents a topological surface as an extension of the surrounding urban scape with two masses that would host the formal functions of the building (concert hall, music school, exhibition halls). The two volumes, or raised blocks, are divided along a diagonal elevated space, which is the extension of the ground’s topological surface filled and dubbed “Liquid Flow Space” by the design team. In their interview with Greg Lynn, Johan Bettum and Kivi Sotamaa mentioned that the idea for Jyväskylä was that it was a cloud. Digital files, in particular, show the process to achieve the projected design. Drawings provide views of streamed particles and of resulting peels. They also include plans, elevations and axonometric views of the structure. Most files are raster or vector images, likely saved from CAD software. A few files are in CAD formats such as Microstation, 3D Studio and form*Z. Digital files also present sine wave analysis and resulting charts for each component of the program. The analysis and charts present the relationships between various components of the building’s program such as the Art Museum, the Concert Halls, the technical space, and the Common facilities. These files are raster images and spreadsheets. Photographs of the site in Jyväskylä and of models built by OCEAN North were digitized and are included with the digital working files. Physical drawings are chiefly floor plans for the building, but also include sections and sketches. Finally, project files include photographic prints of two built models. One of these models, a small model of the conceptual masses of the building structure, is itself in the archive. Photographs show the model in the context of a city scape model. The second model, not part of the archive at CCA, was built at a bigger scale and was an intricate cardboard and wooden stick structure. Sources: Softspace: from a representation of form to a simulation of space, Edited by Sean Lally and Jessica Young. London, New York: Routledge, 2007. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
People:
Date:
1997
1997
Title:
Terra Cultura – Jyväskylä Music and Arts Centre, international competition entry
Actions:
AP198.S1.1997.PR02
Description:
Project records document the design process for OCEAN North’s competition entry for the Jyväskylä Music and Arts Centre in 1997. The project was titled Terra Cultura by OCEAN North. The international competition called to create a multi-usage space that would include a venue for the symphonic orchestra, a music school, exhibition spaces, and the possibility to host a variety of small cultural events in the Finnish city of Jyväskylä. The proposed site is in the center of the town, across the street from the Jyväskylä city church and its park, and nearby buildings designed by Alvar Aalto. OCEAN North’s concept presents a topological surface as an extension of the surrounding urban scape with two masses that would host the formal functions of the building (concert hall, music school, exhibition halls). The two volumes, or raised blocks, are divided along a diagonal elevated space, which is the extension of the ground’s topological surface filled and dubbed “Liquid Flow Space” by the design team. In their interview with Greg Lynn, Johan Bettum and Kivi Sotamaa mentioned that the idea for Jyväskylä was that it was a cloud. Digital files, in particular, show the process to achieve the projected design. Drawings provide views of streamed particles and of resulting peels. They also include plans, elevations and axonometric views of the structure. Most files are raster or vector images, likely saved from CAD software. A few files are in CAD formats such as Microstation, 3D Studio and form*Z. Digital files also present sine wave analysis and resulting charts for each component of the program. The analysis and charts present the relationships between various components of the building’s program such as the Art Museum, the Concert Halls, the technical space, and the Common facilities. These files are raster images and spreadsheets. Photographs of the site in Jyväskylä and of models built by OCEAN North were digitized and are included with the digital working files. Physical drawings are chiefly floor plans for the building, but also include sections and sketches. Finally, project files include photographic prints of two built models. One of these models, a small model of the conceptual masses of the building structure, is itself in the archive. Photographs show the model in the context of a city scape model. The second model, not part of the archive at CCA, was built at a bigger scale and was an intricate cardboard and wooden stick structure. Sources: Softspace: from a representation of form to a simulation of space, Edited by Sean Lally and Jessica Young. London, New York: Routledge, 2007. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
Terra Cultura – Jyväskylä Music and Arts Centre, international competition entry
Actions:
AP198.S1.1997.PR02
Description:
Project records document the design process for OCEAN North’s competition entry for the Jyväskylä Music and Arts Centre in 1997. The project was titled Terra Cultura by OCEAN North. The international competition called to create a multi-usage space that would include a venue for the symphonic orchestra, a music school, exhibition spaces, and the possibility to host a variety of small cultural events in the Finnish city of Jyväskylä. The proposed site is in the center of the town, across the street from the Jyväskylä city church and its park, and nearby buildings designed by Alvar Aalto. OCEAN North’s concept presents a topological surface as an extension of the surrounding urban scape with two masses that would host the formal functions of the building (concert hall, music school, exhibition halls). The two volumes, or raised blocks, are divided along a diagonal elevated space, which is the extension of the ground’s topological surface filled and dubbed “Liquid Flow Space” by the design team. In their interview with Greg Lynn, Johan Bettum and Kivi Sotamaa mentioned that the idea for Jyväskylä was that it was a cloud. Digital files, in particular, show the process to achieve the projected design. Drawings provide views of streamed particles and of resulting peels. They also include plans, elevations and axonometric views of the structure. Most files are raster or vector images, likely saved from CAD software. A few files are in CAD formats such as Microstation, 3D Studio and form*Z. Digital files also present sine wave analysis and resulting charts for each component of the program. The analysis and charts present the relationships between various components of the building’s program such as the Art Museum, the Concert Halls, the technical space, and the Common facilities. These files are raster images and spreadsheets. Photographs of the site in Jyväskylä and of models built by OCEAN North were digitized and are included with the digital working files. Physical drawings are chiefly floor plans for the building, but also include sections and sketches. Finally, project files include photographic prints of two built models. One of these models, a small model of the conceptual masses of the building structure, is itself in the archive. Photographs show the model in the context of a city scape model. The second model, not part of the archive at CCA, was built at a bigger scale and was an intricate cardboard and wooden stick structure. Sources: Softspace: from a representation of form to a simulation of space, Edited by Sean Lally and Jessica Young. London, New York: Routledge, 2007. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
Level of archival description:
Project
Project
Date:
1997
1997
People:
Level of archival description:
Series
Series
Reference number:
AP181.S1
Description:
Series 1, BMW Welt development and construction records, 1994-2015, documents the design development and construction phases of COOP HIMMELB(L)AU BMW Welt building, located nearby the BMW headquarters in Munich. This series also contains some materials from the competition phase, corresponding to less than 2000 digital files, and models from the third phase of the competition. More than half of the records were created from 2003 to 2006. Records show how COOP HIMMELB(L)AU, and the numerous consultants on the project, materialized the original concept, from Wolf Prix sketch, of this cloud-like roof emerging from a double cone suggesting an hurricane eye. To achieve this, extensive digital structural testing was done with engineers Bollinger + Grohmann. Consultants list also include: - Hans Lechner ZT GmbH for in-house project management; - Schmitt, Stumpf, Frühauf + Partner for construction documents of concrete works, interior fittings, tender and construction administration; - Emmer Pfenninger + Partner AG for the facade; - Transsolar, Klima Engineering for the photovoltaic plant on the roof; - PRO, Elektroplan for electrical systems and lifts; - AG-Licht for lighting; - Büro Dr. Pfeiler for structural physics or building physics; - Theater Projekte Daberto+Kollegen for the stage and auditorium; - PBB Planungsbüro Balke for kitchen technology - realgruen Landschaftsarchitekten for lansdcape design; - Kersken & Kirchner for fire protection; - TAW Weisse for height accessibility planning, in consideration for maintenance access; - Lang & Brukhardt for traffic engineering; - Ingenieurbüro Schoenenberg for civil engineering and road construction; - Büro für Gestaltung / Wangler & Abele for signage; - And Zilch, Müller, Henneke as inspection engineers. The approximately 52,400 digital files include raster images, CAD drawings and 3D digital models, plotter files, standard office documents, databases, and scripts. Design files are predominantly in AutoCAD, but the archive also includes over 1,100 Rhinoceros files (primarily in Rhino version 2, with some files in versions 3 and 4) and a smaller number of files in Maya, 3D Studio, Microstation, form*Z, and Revit formats. Because the firm’s computing environment included Macs, the archive also includes a few AppleDouble resource forks. Often, CAD drawings were also saved as PDF files. Photographs and screen captures were most times saved as JPEG files. Finally, design files also include wireframes and renderings. Most often, design files are plans of a designated area, a complete level of the building for example, but they also often show very specific and technical details, such as a few millimetres to be corrected on a panel or a structural element. These types of corrections are frequently shown in PDF files where annotations were either made digitally, or they were handwritten on a printed version which would then be digitized. Design files document all parts of the building including the facade, the roof, the double cone (Doppelkegel), the restaurants, the shops, the exhibition areas, the auditorium, etc. Accompanying textual records are at times quite technical in their content, such as lists of construction elements required in a given room, or analysis reports from consulting engineers. They also take into account the organization and planning of the work, for example including documentation’s exchange or meeting agendas. Finally, they show the design development through presentations, either PDF or Powerpoint files, and through a portfolio of the project and the preparation of the book Dynamic Forces. The archive’s physical component includes 52 physical study models, which were used in combination with digital modeling tools to iteratively refine the building’s design. These are a selection made by the firm of study models from the later stages of the competition and the early stages of the design development. Source: Feireiss, Kristin, editor. “Dynamic Forces, BMW WELT Munich”. Munich: Prestel Verlag, 2007.
AP181.S1
Description:
Series 1, BMW Welt development and construction records, 1994-2015, documents the design development and construction phases of COOP HIMMELB(L)AU BMW Welt building, located nearby the BMW headquarters in Munich. This series also contains some materials from the competition phase, corresponding to less than 2000 digital files, and models from the third phase of the competition. More than half of the records were created from 2003 to 2006. Records show how COOP HIMMELB(L)AU, and the numerous consultants on the project, materialized the original concept, from Wolf Prix sketch, of this cloud-like roof emerging from a double cone suggesting an hurricane eye. To achieve this, extensive digital structural testing was done with engineers Bollinger + Grohmann. Consultants list also include: - Hans Lechner ZT GmbH for in-house project management; - Schmitt, Stumpf, Frühauf + Partner for construction documents of concrete works, interior fittings, tender and construction administration; - Emmer Pfenninger + Partner AG for the facade; - Transsolar, Klima Engineering for the photovoltaic plant on the roof; - PRO, Elektroplan for electrical systems and lifts; - AG-Licht for lighting; - Büro Dr. Pfeiler for structural physics or building physics; - Theater Projekte Daberto+Kollegen for the stage and auditorium; - PBB Planungsbüro Balke for kitchen technology - realgruen Landschaftsarchitekten for lansdcape design; - Kersken & Kirchner for fire protection; - TAW Weisse for height accessibility planning, in consideration for maintenance access; - Lang & Brukhardt for traffic engineering; - Ingenieurbüro Schoenenberg for civil engineering and road construction; - Büro für Gestaltung / Wangler & Abele for signage; - And Zilch, Müller, Henneke as inspection engineers. The approximately 52,400 digital files include raster images, CAD drawings and 3D digital models, plotter files, standard office documents, databases, and scripts. Design files are predominantly in AutoCAD, but the archive also includes over 1,100 Rhinoceros files (primarily in Rhino version 2, with some files in versions 3 and 4) and a smaller number of files in Maya, 3D Studio, Microstation, form*Z, and Revit formats. Because the firm’s computing environment included Macs, the archive also includes a few AppleDouble resource forks. Often, CAD drawings were also saved as PDF files. Photographs and screen captures were most times saved as JPEG files. Finally, design files also include wireframes and renderings. Most often, design files are plans of a designated area, a complete level of the building for example, but they also often show very specific and technical details, such as a few millimetres to be corrected on a panel or a structural element. These types of corrections are frequently shown in PDF files where annotations were either made digitally, or they were handwritten on a printed version which would then be digitized. Design files document all parts of the building including the facade, the roof, the double cone (Doppelkegel), the restaurants, the shops, the exhibition areas, the auditorium, etc. Accompanying textual records are at times quite technical in their content, such as lists of construction elements required in a given room, or analysis reports from consulting engineers. They also take into account the organization and planning of the work, for example including documentation’s exchange or meeting agendas. Finally, they show the design development through presentations, either PDF or Powerpoint files, and through a portfolio of the project and the preparation of the book Dynamic Forces. The archive’s physical component includes 52 physical study models, which were used in combination with digital modeling tools to iteratively refine the building’s design. These are a selection made by the firm of study models from the later stages of the competition and the early stages of the design development. Source: Feireiss, Kristin, editor. “Dynamic Forces, BMW WELT Munich”. Munich: Prestel Verlag, 2007.
People:
Date:
1994-2015
1994-2015
Title:
BMW Welt development and construction records
Actions:
AP181.S1
Description:
Series 1, BMW Welt development and construction records, 1994-2015, documents the design development and construction phases of COOP HIMMELB(L)AU BMW Welt building, located nearby the BMW headquarters in Munich. This series also contains some materials from the competition phase, corresponding to less than 2000 digital files, and models from the third phase of the competition. More than half of the records were created from 2003 to 2006. Records show how COOP HIMMELB(L)AU, and the numerous consultants on the project, materialized the original concept, from Wolf Prix sketch, of this cloud-like roof emerging from a double cone suggesting an hurricane eye. To achieve this, extensive digital structural testing was done with engineers Bollinger + Grohmann. Consultants list also include: - Hans Lechner ZT GmbH for in-house project management; - Schmitt, Stumpf, Frühauf + Partner for construction documents of concrete works, interior fittings, tender and construction administration; - Emmer Pfenninger + Partner AG for the facade; - Transsolar, Klima Engineering for the photovoltaic plant on the roof; - PRO, Elektroplan for electrical systems and lifts; - AG-Licht for lighting; - Büro Dr. Pfeiler for structural physics or building physics; - Theater Projekte Daberto+Kollegen for the stage and auditorium; - PBB Planungsbüro Balke for kitchen technology - realgruen Landschaftsarchitekten for lansdcape design; - Kersken & Kirchner for fire protection; - TAW Weisse for height accessibility planning, in consideration for maintenance access; - Lang & Brukhardt for traffic engineering; - Ingenieurbüro Schoenenberg for civil engineering and road construction; - Büro für Gestaltung / Wangler & Abele for signage; - And Zilch, Müller, Henneke as inspection engineers. The approximately 52,400 digital files include raster images, CAD drawings and 3D digital models, plotter files, standard office documents, databases, and scripts. Design files are predominantly in AutoCAD, but the archive also includes over 1,100 Rhinoceros files (primarily in Rhino version 2, with some files in versions 3 and 4) and a smaller number of files in Maya, 3D Studio, Microstation, form*Z, and Revit formats. Because the firm’s computing environment included Macs, the archive also includes a few AppleDouble resource forks. Often, CAD drawings were also saved as PDF files. Photographs and screen captures were most times saved as JPEG files. Finally, design files also include wireframes and renderings. Most often, design files are plans of a designated area, a complete level of the building for example, but they also often show very specific and technical details, such as a few millimetres to be corrected on a panel or a structural element. These types of corrections are frequently shown in PDF files where annotations were either made digitally, or they were handwritten on a printed version which would then be digitized. Design files document all parts of the building including the facade, the roof, the double cone (Doppelkegel), the restaurants, the shops, the exhibition areas, the auditorium, etc. Accompanying textual records are at times quite technical in their content, such as lists of construction elements required in a given room, or analysis reports from consulting engineers. They also take into account the organization and planning of the work, for example including documentation’s exchange or meeting agendas. Finally, they show the design development through presentations, either PDF or Powerpoint files, and through a portfolio of the project and the preparation of the book Dynamic Forces. The archive’s physical component includes 52 physical study models, which were used in combination with digital modeling tools to iteratively refine the building’s design. These are a selection made by the firm of study models from the later stages of the competition and the early stages of the design development. Source: Feireiss, Kristin, editor. “Dynamic Forces, BMW WELT Munich”. Munich: Prestel Verlag, 2007.
BMW Welt development and construction records
Actions:
AP181.S1
Description:
Series 1, BMW Welt development and construction records, 1994-2015, documents the design development and construction phases of COOP HIMMELB(L)AU BMW Welt building, located nearby the BMW headquarters in Munich. This series also contains some materials from the competition phase, corresponding to less than 2000 digital files, and models from the third phase of the competition. More than half of the records were created from 2003 to 2006. Records show how COOP HIMMELB(L)AU, and the numerous consultants on the project, materialized the original concept, from Wolf Prix sketch, of this cloud-like roof emerging from a double cone suggesting an hurricane eye. To achieve this, extensive digital structural testing was done with engineers Bollinger + Grohmann. Consultants list also include: - Hans Lechner ZT GmbH for in-house project management; - Schmitt, Stumpf, Frühauf + Partner for construction documents of concrete works, interior fittings, tender and construction administration; - Emmer Pfenninger + Partner AG for the facade; - Transsolar, Klima Engineering for the photovoltaic plant on the roof; - PRO, Elektroplan for electrical systems and lifts; - AG-Licht for lighting; - Büro Dr. Pfeiler for structural physics or building physics; - Theater Projekte Daberto+Kollegen for the stage and auditorium; - PBB Planungsbüro Balke for kitchen technology - realgruen Landschaftsarchitekten for lansdcape design; - Kersken & Kirchner for fire protection; - TAW Weisse for height accessibility planning, in consideration for maintenance access; - Lang & Brukhardt for traffic engineering; - Ingenieurbüro Schoenenberg for civil engineering and road construction; - Büro für Gestaltung / Wangler & Abele for signage; - And Zilch, Müller, Henneke as inspection engineers. The approximately 52,400 digital files include raster images, CAD drawings and 3D digital models, plotter files, standard office documents, databases, and scripts. Design files are predominantly in AutoCAD, but the archive also includes over 1,100 Rhinoceros files (primarily in Rhino version 2, with some files in versions 3 and 4) and a smaller number of files in Maya, 3D Studio, Microstation, form*Z, and Revit formats. Because the firm’s computing environment included Macs, the archive also includes a few AppleDouble resource forks. Often, CAD drawings were also saved as PDF files. Photographs and screen captures were most times saved as JPEG files. Finally, design files also include wireframes and renderings. Most often, design files are plans of a designated area, a complete level of the building for example, but they also often show very specific and technical details, such as a few millimetres to be corrected on a panel or a structural element. These types of corrections are frequently shown in PDF files where annotations were either made digitally, or they were handwritten on a printed version which would then be digitized. Design files document all parts of the building including the facade, the roof, the double cone (Doppelkegel), the restaurants, the shops, the exhibition areas, the auditorium, etc. Accompanying textual records are at times quite technical in their content, such as lists of construction elements required in a given room, or analysis reports from consulting engineers. They also take into account the organization and planning of the work, for example including documentation’s exchange or meeting agendas. Finally, they show the design development through presentations, either PDF or Powerpoint files, and through a portfolio of the project and the preparation of the book Dynamic Forces. The archive’s physical component includes 52 physical study models, which were used in combination with digital modeling tools to iteratively refine the building’s design. These are a selection made by the firm of study models from the later stages of the competition and the early stages of the design development. Source: Feireiss, Kristin, editor. “Dynamic Forces, BMW WELT Munich”. Munich: Prestel Verlag, 2007.
Level of archival description:
Series
Series
Date:
1994-2015
1994-2015
People:
Form:
born digital
born digital
Actions:
Reference number:
AP167.S1.SS2.005
Description:
This directory chiefly contains the STL files for the 3D models of the A2 Cockpit and Soundbarrier displayed by ONL at the exhibition. There are also a number of files with the extension .zdb, which sliced build files related to the 3DS ZPrinter (3D printer). These may be related to or redundant of the existing STL files. Original directory name: "85 3d printer". Most common file formats: STL (Standard Tessellation Language) Binary, 3DM, 3D Studio, RAR Archive.
AP167.S1.SS2.005
Description:
This directory chiefly contains the STL files for the 3D models of the A2 Cockpit and Soundbarrier displayed by ONL at the exhibition. There are also a number of files with the extension .zdb, which sliced build files related to the 3DS ZPrinter (3D printer). These may be related to or redundant of the existing STL files. Original directory name: "85 3d printer". Most common file formats: STL (Standard Tessellation Language) Binary, 3DM, 3D Studio, RAR Archive.
People:
Date:
16 July 2003 - 2 June 2004
16 July 2003 - 2 June 2004
Title:
A2 Cockpit and Soundbarrier 3D printer files of the NSA Muscle
Actions:
AP167.S1.SS2.005
Description:
This directory chiefly contains the STL files for the 3D models of the A2 Cockpit and Soundbarrier displayed by ONL at the exhibition. There are also a number of files with the extension .zdb, which sliced build files related to the 3DS ZPrinter (3D printer). These may be related to or redundant of the existing STL files. Original directory name: "85 3d printer". Most common file formats: STL (Standard Tessellation Language) Binary, 3DM, 3D Studio, RAR Archive.
A2 Cockpit and Soundbarrier 3D printer files of the NSA Muscle
Actions:
AP167.S1.SS2.005
Description:
This directory chiefly contains the STL files for the 3D models of the A2 Cockpit and Soundbarrier displayed by ONL at the exhibition. There are also a number of files with the extension .zdb, which sliced build files related to the 3DS ZPrinter (3D printer). These may be related to or redundant of the existing STL files. Original directory name: "85 3d printer". Most common file formats: STL (Standard Tessellation Language) Binary, 3DM, 3D Studio, RAR Archive.
Form:
born digital
born digital
Date:
16 July 2003 - 2 June 2004
16 July 2003 - 2 June 2004
People:
Level of archival description:
Project
Project
Reference number:
AP178.S1.1995.PR07
Description:
This project series documents the Renovação e extensão do Museu Stedelijk in Amsterdam, The Netherlands. While the records were held in the office’s archives this project was assigned the number 57/90. The office assigned the date 1995 to this project. At the beginning of the nineties, Rem Koolhaas, Wim Quist, Carel Weeber, and Robert Venturi were invited to propose a design for the extension and renovations of the Stedelijk Museum. Robert Venturi was the architect selected, but the project was suspended in 1993 due to the infeasibility of the program and budget restrictions. The following year, five applicants, including Siza, were asked to present a new design to a committee. In December 1995, Siza was officially announced as the new design architect for the project by the city of Amsterdam. The firm A+D+P was selected as the executive architect. Siza's first proposal was presented in 1998. His master plan included the demolition of the Marmottenhuis, the renovation of the 19th-century patios, and the relocation of the public toilets to the basement in order to create exhibition halls. The master plan also included the construction of three new wings and two underground passages to connect the newer and older buildings. A new wing, located to one side of Sandbergplein, included offices in the basement and on the ground floor as well as exhibition halls on the first floor. A new building surrounding the museum garden included storage space in the basement, a restaurant on the ground floor, and exhibition halls at the first floor. Construction work was projected to start in June 2000, however due to budget restrictions the project was not realized and a new competition was held in 2004. The firm Benthem Crouwel Architects realized the project. Documenting this project are sketches, studies, preliminary drawings, plans, and working drawings. Textual materials include project documentation and correspondence. Photographic materials document the models and project site.
AP178.S1.1995.PR07
Description:
This project series documents the Renovação e extensão do Museu Stedelijk in Amsterdam, The Netherlands. While the records were held in the office’s archives this project was assigned the number 57/90. The office assigned the date 1995 to this project. At the beginning of the nineties, Rem Koolhaas, Wim Quist, Carel Weeber, and Robert Venturi were invited to propose a design for the extension and renovations of the Stedelijk Museum. Robert Venturi was the architect selected, but the project was suspended in 1993 due to the infeasibility of the program and budget restrictions. The following year, five applicants, including Siza, were asked to present a new design to a committee. In December 1995, Siza was officially announced as the new design architect for the project by the city of Amsterdam. The firm A+D+P was selected as the executive architect. Siza's first proposal was presented in 1998. His master plan included the demolition of the Marmottenhuis, the renovation of the 19th-century patios, and the relocation of the public toilets to the basement in order to create exhibition halls. The master plan also included the construction of three new wings and two underground passages to connect the newer and older buildings. A new wing, located to one side of Sandbergplein, included offices in the basement and on the ground floor as well as exhibition halls on the first floor. A new building surrounding the museum garden included storage space in the basement, a restaurant on the ground floor, and exhibition halls at the first floor. Construction work was projected to start in June 2000, however due to budget restrictions the project was not realized and a new competition was held in 2004. The firm Benthem Crouwel Architects realized the project. Documenting this project are sketches, studies, preliminary drawings, plans, and working drawings. Textual materials include project documentation and correspondence. Photographic materials document the models and project site.
People:
Date:
1989-2002
1989-2002
Title:
Renovação e extensão do Museu Stedelijk [Restoration and extension of Stedelijk Museum], Amsterdam, The Netherlands (1995)
Actions:
AP178.S1.1995.PR07
Description:
This project series documents the Renovação e extensão do Museu Stedelijk in Amsterdam, The Netherlands. While the records were held in the office’s archives this project was assigned the number 57/90. The office assigned the date 1995 to this project. At the beginning of the nineties, Rem Koolhaas, Wim Quist, Carel Weeber, and Robert Venturi were invited to propose a design for the extension and renovations of the Stedelijk Museum. Robert Venturi was the architect selected, but the project was suspended in 1993 due to the infeasibility of the program and budget restrictions. The following year, five applicants, including Siza, were asked to present a new design to a committee. In December 1995, Siza was officially announced as the new design architect for the project by the city of Amsterdam. The firm A+D+P was selected as the executive architect. Siza's first proposal was presented in 1998. His master plan included the demolition of the Marmottenhuis, the renovation of the 19th-century patios, and the relocation of the public toilets to the basement in order to create exhibition halls. The master plan also included the construction of three new wings and two underground passages to connect the newer and older buildings. A new wing, located to one side of Sandbergplein, included offices in the basement and on the ground floor as well as exhibition halls on the first floor. A new building surrounding the museum garden included storage space in the basement, a restaurant on the ground floor, and exhibition halls at the first floor. Construction work was projected to start in June 2000, however due to budget restrictions the project was not realized and a new competition was held in 2004. The firm Benthem Crouwel Architects realized the project. Documenting this project are sketches, studies, preliminary drawings, plans, and working drawings. Textual materials include project documentation and correspondence. Photographic materials document the models and project site.
Renovação e extensão do Museu Stedelijk [Restoration and extension of Stedelijk Museum], Amsterdam, The Netherlands (1995)
Actions:
AP178.S1.1995.PR07
Description:
This project series documents the Renovação e extensão do Museu Stedelijk in Amsterdam, The Netherlands. While the records were held in the office’s archives this project was assigned the number 57/90. The office assigned the date 1995 to this project. At the beginning of the nineties, Rem Koolhaas, Wim Quist, Carel Weeber, and Robert Venturi were invited to propose a design for the extension and renovations of the Stedelijk Museum. Robert Venturi was the architect selected, but the project was suspended in 1993 due to the infeasibility of the program and budget restrictions. The following year, five applicants, including Siza, were asked to present a new design to a committee. In December 1995, Siza was officially announced as the new design architect for the project by the city of Amsterdam. The firm A+D+P was selected as the executive architect. Siza's first proposal was presented in 1998. His master plan included the demolition of the Marmottenhuis, the renovation of the 19th-century patios, and the relocation of the public toilets to the basement in order to create exhibition halls. The master plan also included the construction of three new wings and two underground passages to connect the newer and older buildings. A new wing, located to one side of Sandbergplein, included offices in the basement and on the ground floor as well as exhibition halls on the first floor. A new building surrounding the museum garden included storage space in the basement, a restaurant on the ground floor, and exhibition halls at the first floor. Construction work was projected to start in June 2000, however due to budget restrictions the project was not realized and a new competition was held in 2004. The firm Benthem Crouwel Architects realized the project. Documenting this project are sketches, studies, preliminary drawings, plans, and working drawings. Textual materials include project documentation and correspondence. Photographic materials document the models and project site.
Level of archival description:
Project
Project
Date:
1989-2002
1989-2002
People:
Form:
textual records
textual records
Title:
Conferences and event programs, invitations to events, various awards and publications on Erickson
Conferences and event programs, invitations to events, various awards and publications on Erickson
Actions:
Reference number:
ARCH276933
Description:
Group contains McGill University's publication, Arthur Erickson: The Middle East Projects Guide to the Archive, Canadian Wood Design Awards 1965 publication, Architecture and the College, University of Illinois (17-21 April 1966) conference program, Canadian Housing Design Council Awards for Residential Design '81 publication, event programs and invitations and certificate conferred upon Arthur Erickon in recognition of significant contribution to compatriots, community and to Canada, the commemorative medal for the 125th anniversary of the Confederation of Canada (1992).
ARCH276933
Description:
Group contains McGill University's publication, Arthur Erickson: The Middle East Projects Guide to the Archive, Canadian Wood Design Awards 1965 publication, Architecture and the College, University of Illinois (17-21 April 1966) conference program, Canadian Housing Design Council Awards for Residential Design '81 publication, event programs and invitations and certificate conferred upon Arthur Erickon in recognition of significant contribution to compatriots, community and to Canada, the commemorative medal for the 125th anniversary of the Confederation of Canada (1992).
People:
Date:
1965-1999
1965-1999
Title:
Conferences and event programs, invitations to events, various awards and publications on Erickson
Actions:
ARCH276933
Description:
Group contains McGill University's publication, Arthur Erickson: The Middle East Projects Guide to the Archive, Canadian Wood Design Awards 1965 publication, Architecture and the College, University of Illinois (17-21 April 1966) conference program, Canadian Housing Design Council Awards for Residential Design '81 publication, event programs and invitations and certificate conferred upon Arthur Erickon in recognition of significant contribution to compatriots, community and to Canada, the commemorative medal for the 125th anniversary of the Confederation of Canada (1992).
Conferences and event programs, invitations to events, various awards and publications on Erickson
Actions:
ARCH276933
Description:
Group contains McGill University's publication, Arthur Erickson: The Middle East Projects Guide to the Archive, Canadian Wood Design Awards 1965 publication, Architecture and the College, University of Illinois (17-21 April 1966) conference program, Canadian Housing Design Council Awards for Residential Design '81 publication, event programs and invitations and certificate conferred upon Arthur Erickon in recognition of significant contribution to compatriots, community and to Canada, the commemorative medal for the 125th anniversary of the Confederation of Canada (1992).
Form:
textual records
textual records
Date:
1965-1999
1965-1999
People:
Form:
exhibitions
exhibitions
Actions:
Description:
Archaeology of the Digital: Complexity and Convention is the third exhibition related to the development of a strategy for collecting and preserving digital archives at the CCA. The Archaeology of the Digital program comprises twenty-five projects for which digital materials are integral to an understanding of the design process. For projects included in the first two(...)
Archaeology of the Digital: Complexity and Convention is the third exhibition related to the development of a strategy for collecting and preserving digital archives at the CCA. The Archaeology of the Digital program comprises twenty-five projects for which digital materials are integral to an understanding of the design process. For projects included in the first two(...)
Date:
11 May 2016 to 16 October 2016
11 May 2016 to 16 October 2016
Title:
Archaeology of the Digital: Complexity and Convention
Actions:
Description:
Archaeology of the Digital: Complexity and Convention is the third exhibition related to the development of a strategy for collecting and preserving digital archives at the CCA. The Archaeology of the Digital program comprises twenty-five projects for which digital materials are integral to an understanding of the design process. For projects included in the first two(...)
Archaeology of the Digital: Complexity and Convention
Actions:
Description:
Archaeology of the Digital: Complexity and Convention is the third exhibition related to the development of a strategy for collecting and preserving digital archives at the CCA. The Archaeology of the Digital program comprises twenty-five projects for which digital materials are integral to an understanding of the design process. For projects included in the first two(...)
Form:
exhibitions
exhibitions
Date:
11 May 2016 to
16 October 2016
11 May 2016 to
16 October 2016
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Wells Coates fonds
Wells Coates fonds
Actions:
Reference number:
AP030
Synopsis:
The Wells Coates Fonds, 1909-1986, documents the professional career and personal life of architect Wells Wintemute Coates. The fonds consists of the following materials: approximately 1,937 photographic materials, 530 drawings (including reprographic copies), 3 l.m. textual records, 200 slides, 37 books, 2 reels of 16mm film (400 feet Cine- Kodak Film), 2 medals, 1 box of buttons and 1 box of keys.
AP030
Synopsis:
The Wells Coates Fonds, 1909-1986, documents the professional career and personal life of architect Wells Wintemute Coates. The fonds consists of the following materials: approximately 1,937 photographic materials, 530 drawings (including reprographic copies), 3 l.m. textual records, 200 slides, 37 books, 2 reels of 16mm film (400 feet Cine- Kodak Film), 2 medals, 1 box of buttons and 1 box of keys.
People:
Date:
1909-1986
1909-1986
Title:
Wells Coates fonds
Actions:
AP030
Synopsis:
The Wells Coates Fonds, 1909-1986, documents the professional career and personal life of architect Wells Wintemute Coates. The fonds consists of the following materials: approximately 1,937 photographic materials, 530 drawings (including reprographic copies), 3 l.m. textual records, 200 slides, 37 books, 2 reels of 16mm film (400 feet Cine- Kodak Film), 2 medals, 1 box of buttons and 1 box of keys.
Wells Coates fonds
Actions:
AP030
Synopsis:
The Wells Coates Fonds, 1909-1986, documents the professional career and personal life of architect Wells Wintemute Coates. The fonds consists of the following materials: approximately 1,937 photographic materials, 530 drawings (including reprographic copies), 3 l.m. textual records, 200 slides, 37 books, 2 reels of 16mm film (400 feet Cine- Kodak Film), 2 medals, 1 box of buttons and 1 box of keys.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1909-1986
1909-1986
People:
Level of archival description:
Project
Project
Reference number:
AP178.S1.1968.PR02
Description:
This project series documents the Edifício de Escritórios na Av. D. Afonso Henriques, in Porto, also referred to as Avenida da Ponte I. While the records were held in the office’s archives this project was assigned the number 31/60. In the past the office identified the project as number 121. The office assigned the dates 1968-1974 for this project. The Edifício de Escritórios na Av. D. Afonso Henriques consisted of a building with offices, stores, and parking. Located on a historic site, the intention for the Edifício de Escritórios was to integrate the building into the existing urban landscape. The building was never realized. This project was done in relation to the Arranjo Urbanístico para a Av. D. Afonso Henriques, which was an urban renewal program in Porto. In the 1940s, waves of demolition in the old town created a rupture with the remaining buildings, including the Porto Cathedral. Since the 1950s, there have been several studies and proposals to revitalize this part of the city. Siza’s plan was the first to be accepted by the city council in 1968. Please see project series AP178.S1.1968.PR03, also described in this fonds, for further documentation. Siza also proposed a new design in 2001 for the site across the avenue from this one, known as Avenida da Ponte II. This included a museum, library, stores, parking, and houses. This project related to the building Casa Dos 24 Fernando Távora. The scheme was not realized. Documenting this project series are drawings, photographic materials and textual documentation. Among the drawings are plans, profiles, elevations, sections, cadastral maps and working details. Photographic materials document the model, site and residents of the neighborhood. Textual materials include project documentation, as well as correspondence with the city of Porto and suppliers. Note that materials related to the Arranjo Urbanístico para a Av. D. Afonso Henriques (project series AP178.S1.1968.PR03 in this fonds) are also found among these materials.
AP178.S1.1968.PR02
Description:
This project series documents the Edifício de Escritórios na Av. D. Afonso Henriques, in Porto, also referred to as Avenida da Ponte I. While the records were held in the office’s archives this project was assigned the number 31/60. In the past the office identified the project as number 121. The office assigned the dates 1968-1974 for this project. The Edifício de Escritórios na Av. D. Afonso Henriques consisted of a building with offices, stores, and parking. Located on a historic site, the intention for the Edifício de Escritórios was to integrate the building into the existing urban landscape. The building was never realized. This project was done in relation to the Arranjo Urbanístico para a Av. D. Afonso Henriques, which was an urban renewal program in Porto. In the 1940s, waves of demolition in the old town created a rupture with the remaining buildings, including the Porto Cathedral. Since the 1950s, there have been several studies and proposals to revitalize this part of the city. Siza’s plan was the first to be accepted by the city council in 1968. Please see project series AP178.S1.1968.PR03, also described in this fonds, for further documentation. Siza also proposed a new design in 2001 for the site across the avenue from this one, known as Avenida da Ponte II. This included a museum, library, stores, parking, and houses. This project related to the building Casa Dos 24 Fernando Távora. The scheme was not realized. Documenting this project series are drawings, photographic materials and textual documentation. Among the drawings are plans, profiles, elevations, sections, cadastral maps and working details. Photographic materials document the model, site and residents of the neighborhood. Textual materials include project documentation, as well as correspondence with the city of Porto and suppliers. Note that materials related to the Arranjo Urbanístico para a Av. D. Afonso Henriques (project series AP178.S1.1968.PR03 in this fonds) are also found among these materials.
People:
Date:
1968-1981
1968-1981
Title:
Edifício de Escritórios na Av. D. Afonso Henriques, Avenida da Ponte [Office building, Av. D. Afonso Henriques], Porto, Portugal (1968-1981)
Actions:
AP178.S1.1968.PR02
Description:
This project series documents the Edifício de Escritórios na Av. D. Afonso Henriques, in Porto, also referred to as Avenida da Ponte I. While the records were held in the office’s archives this project was assigned the number 31/60. In the past the office identified the project as number 121. The office assigned the dates 1968-1974 for this project. The Edifício de Escritórios na Av. D. Afonso Henriques consisted of a building with offices, stores, and parking. Located on a historic site, the intention for the Edifício de Escritórios was to integrate the building into the existing urban landscape. The building was never realized. This project was done in relation to the Arranjo Urbanístico para a Av. D. Afonso Henriques, which was an urban renewal program in Porto. In the 1940s, waves of demolition in the old town created a rupture with the remaining buildings, including the Porto Cathedral. Since the 1950s, there have been several studies and proposals to revitalize this part of the city. Siza’s plan was the first to be accepted by the city council in 1968. Please see project series AP178.S1.1968.PR03, also described in this fonds, for further documentation. Siza also proposed a new design in 2001 for the site across the avenue from this one, known as Avenida da Ponte II. This included a museum, library, stores, parking, and houses. This project related to the building Casa Dos 24 Fernando Távora. The scheme was not realized. Documenting this project series are drawings, photographic materials and textual documentation. Among the drawings are plans, profiles, elevations, sections, cadastral maps and working details. Photographic materials document the model, site and residents of the neighborhood. Textual materials include project documentation, as well as correspondence with the city of Porto and suppliers. Note that materials related to the Arranjo Urbanístico para a Av. D. Afonso Henriques (project series AP178.S1.1968.PR03 in this fonds) are also found among these materials.
Edifício de Escritórios na Av. D. Afonso Henriques, Avenida da Ponte [Office building, Av. D. Afonso Henriques], Porto, Portugal (1968-1981)
Actions:
AP178.S1.1968.PR02
Description:
This project series documents the Edifício de Escritórios na Av. D. Afonso Henriques, in Porto, also referred to as Avenida da Ponte I. While the records were held in the office’s archives this project was assigned the number 31/60. In the past the office identified the project as number 121. The office assigned the dates 1968-1974 for this project. The Edifício de Escritórios na Av. D. Afonso Henriques consisted of a building with offices, stores, and parking. Located on a historic site, the intention for the Edifício de Escritórios was to integrate the building into the existing urban landscape. The building was never realized. This project was done in relation to the Arranjo Urbanístico para a Av. D. Afonso Henriques, which was an urban renewal program in Porto. In the 1940s, waves of demolition in the old town created a rupture with the remaining buildings, including the Porto Cathedral. Since the 1950s, there have been several studies and proposals to revitalize this part of the city. Siza’s plan was the first to be accepted by the city council in 1968. Please see project series AP178.S1.1968.PR03, also described in this fonds, for further documentation. Siza also proposed a new design in 2001 for the site across the avenue from this one, known as Avenida da Ponte II. This included a museum, library, stores, parking, and houses. This project related to the building Casa Dos 24 Fernando Távora. The scheme was not realized. Documenting this project series are drawings, photographic materials and textual documentation. Among the drawings are plans, profiles, elevations, sections, cadastral maps and working details. Photographic materials document the model, site and residents of the neighborhood. Textual materials include project documentation, as well as correspondence with the city of Porto and suppliers. Note that materials related to the Arranjo Urbanístico para a Av. D. Afonso Henriques (project series AP178.S1.1968.PR03 in this fonds) are also found among these materials.
Level of archival description:
Project
Project
Date:
1968-1981
1968-1981
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Barry Downs fonds
Barry Downs fonds
Reference number:
AP077
Synopsis:
The Barry Downs fonds contains 6 drawings and 8 presentation panels for a total of 11 projects conceived between 1956 and 1968. This period coincided with Down's position as design architect for Thompson, Berwick, Pratt & Partners, and his subsequent partnership with Fred Thornton Hollingsworth. The documents, particularly the drawings, reveal the considerable skill Downs possessed as both a draughtsman and a designer.
AP077
Synopsis:
The Barry Downs fonds contains 6 drawings and 8 presentation panels for a total of 11 projects conceived between 1956 and 1968. This period coincided with Down's position as design architect for Thompson, Berwick, Pratt & Partners, and his subsequent partnership with Fred Thornton Hollingsworth. The documents, particularly the drawings, reveal the considerable skill Downs possessed as both a draughtsman and a designer.
People:
Date:
[1956-1968]
[1956-1968]
Title:
Barry Downs fonds
Actions:
AP077
Synopsis:
The Barry Downs fonds contains 6 drawings and 8 presentation panels for a total of 11 projects conceived between 1956 and 1968. This period coincided with Down's position as design architect for Thompson, Berwick, Pratt & Partners, and his subsequent partnership with Fred Thornton Hollingsworth. The documents, particularly the drawings, reveal the considerable skill Downs possessed as both a draughtsman and a designer.
Barry Downs fonds
Actions:
AP077
Synopsis:
The Barry Downs fonds contains 6 drawings and 8 presentation panels for a total of 11 projects conceived between 1956 and 1968. This period coincided with Down's position as design architect for Thompson, Berwick, Pratt & Partners, and his subsequent partnership with Fred Thornton Hollingsworth. The documents, particularly the drawings, reveal the considerable skill Downs possessed as both a draughtsman and a designer.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
[1956-1968]
[1956-1968]
People:
Form:
events
events
Actions:
Description:
2016 Visiting Scholar Farhan Karim presents his research: In the recent development of architectural history, the involvement of Western architects in emerging postcolonial nations has been reviewed within the broader geopolitics of decolonization and global cold war. That analysis is certainly correct, as far as it goes, but what is needed historiographically is nuanced(...)
2016 Visiting Scholar Farhan Karim presents his research: In the recent development of architectural history, the involvement of Western architects in emerging postcolonial nations has been reviewed within the broader geopolitics of decolonization and global cold war. That analysis is certainly correct, as far as it goes, but what is needed historiographically is nuanced(...)
Location:
Shaughnessy House
Shaughnessy House
Date:
7 July 2016, 6pm
7 July 2016, 6pm
Title:
Visiting Scholar Seminar: Farhan Karim
Actions:
Description:
2016 Visiting Scholar Farhan Karim presents his research: In the recent development of architectural history, the involvement of Western architects in emerging postcolonial nations has been reviewed within the broader geopolitics of decolonization and global cold war. That analysis is certainly correct, as far as it goes, but what is needed historiographically is nuanced(...)
Visiting Scholar Seminar: Farhan Karim
Actions:
Description:
2016 Visiting Scholar Farhan Karim presents his research: In the recent development of architectural history, the involvement of Western architects in emerging postcolonial nations has been reviewed within the broader geopolitics of decolonization and global cold war. That analysis is certainly correct, as far as it goes, but what is needed historiographically is nuanced(...)
Form:
events
events
Date:
7 July 2016
6pm
7 July 2016
6pm
Location:
Shaughnessy House
Shaughnessy House
