textual records
ARCH34942
Notes, drawing, correspondence, blueprints, catalogues, calculations, memo
Actions:
ARCH34942
textual records
drawings
ARCH82124
circa 1947-2002
drawings
circa 1947-2002
drawings
ARCH82126
circa 1947-2002
drawings
circa 1947-2002
drawings
ARCH82127
circa 1947-2002
drawings
circa 1947-2002
drawings
Quantity:
2 presentation drawing(s)
AP140.S2.SS1.D12.P1
Description:
drawings for the first scheme including a hand-coloured drawing for the main elevation, and a hand-coloured drawing showing elevations and floor plans
1956
Drawings for the first scheme including a hand-coloured drawing for the main elevation
Actions:
AP140.S2.SS1.D12.P1
Description:
drawings for the first scheme including a hand-coloured drawing for the main elevation, and a hand-coloured drawing showing elevations and floor plans
drawings
Quantity:
2 presentation drawing(s)
1956
DR1988:0022:001
Description:
Drawing signed "Prometheus", pseudonym of Finsterlin for Die gläserne Kette correspondence.
n.d.
Drawing and letter by Hermann Finsterlin to an unidentified correspondent
Actions:
DR1988:0022:001
Description:
Drawing signed "Prometheus", pseudonym of Finsterlin for Die gläserne Kette correspondence.
DR1967:0010:002
Description:
- The two halves of this drawing show alternate stage sets from which the patron could make his choice. It is unclear whether this design was for a painted trompe-l'oeil stage backdrop and/or a constructed stage set. The deep unified space and low vanishing point of the central piazza/hemicycle interior indicates that this section is probably a painted trompe-l'oeil, however, the curtain pulled back within the central arch and the inscribed scale suggest that some of the architectural elements may have been constructed (Fuhring, 161 and 570). An etching of the Hermes is laid down on the left variant of the central portion of the drawing. The prickings indicate that the overall design was intended to be executed, and the crown above the central cartouche indicates a possible royal connection.
theatre design
probably between 1745-1775
Presentation drawing for a stage set with alternate designs
Actions:
DR1967:0010:002
Description:
- The two halves of this drawing show alternate stage sets from which the patron could make his choice. It is unclear whether this design was for a painted trompe-l'oeil stage backdrop and/or a constructed stage set. The deep unified space and low vanishing point of the central piazza/hemicycle interior indicates that this section is probably a painted trompe-l'oeil, however, the curtain pulled back within the central arch and the inscribed scale suggest that some of the architectural elements may have been constructed (Fuhring, 161 and 570). An etching of the Hermes is laid down on the left variant of the central portion of the drawing. The prickings indicate that the overall design was intended to be executed, and the crown above the central cartouche indicates a possible royal connection.
theatre design
textual records
ARCH255907
1986-1988
textual records
1986-1988
photographs
AP140.S2.SS1.D21.P3
Description:
views of a design development drawing for the first schemes showing two elevations and of presentation drawings for the executed scheme
1958 or after and 31 December 1962
Views of a design development drawing for the first schemes
Actions:
AP140.S2.SS1.D21.P3
Description:
views of a design development drawing for the first schemes showing two elevations and of presentation drawings for the executed scheme
photographs
1958 or after and 31 December 1962
PH1987:0582