drawings
AP075.S1.1967.PR01.001
circa 1967
drawings
circa 1967
textual records
ARCH34942
Notes, drawing, correspondence, blueprints, catalogues, calculations, memo
Actions:
ARCH34942
textual records
drawings
DR1994:0132:059
circa 1970-1971
drawings
circa 1970-1971
drawings
AP056.S1.1989.PR08.099
circa 1989
Competition presentation drawing, Kitchener City Hall Competition
Actions:
AP056.S1.1989.PR08.099
drawings
circa 1989
drawings
AP056.S1.1989.PR08.102
1989
Competition presentation drawing, Kitchener City Hall Competition
Actions:
AP056.S1.1989.PR08.102
drawings
1989
drawings
Quantity:
2 presentation drawing(s)
AP140.S2.SS1.D12.P1
Description:
drawings for the first scheme including a hand-coloured drawing for the main elevation, and a hand-coloured drawing showing elevations and floor plans
1956
Drawings for the first scheme including a hand-coloured drawing for the main elevation
Actions:
AP140.S2.SS1.D12.P1
Description:
drawings for the first scheme including a hand-coloured drawing for the main elevation, and a hand-coloured drawing showing elevations and floor plans
drawings
Quantity:
2 presentation drawing(s)
1956
DR1988:0022:001
Description:
Drawing signed "Prometheus", pseudonym of Finsterlin for Die gläserne Kette correspondence.
n.d.
Drawing and letter by Hermann Finsterlin to an unidentified correspondent
Actions:
DR1988:0022:001
Description:
Drawing signed "Prometheus", pseudonym of Finsterlin for Die gläserne Kette correspondence.
DR1967:0010:002
Description:
- The two halves of this drawing show alternate stage sets from which the patron could make his choice. It is unclear whether this design was for a painted trompe-l'oeil stage backdrop and/or a constructed stage set. The deep unified space and low vanishing point of the central piazza/hemicycle interior indicates that this section is probably a painted trompe-l'oeil, however, the curtain pulled back within the central arch and the inscribed scale suggest that some of the architectural elements may have been constructed (Fuhring, 161 and 570). An etching of the Hermes is laid down on the left variant of the central portion of the drawing. The prickings indicate that the overall design was intended to be executed, and the crown above the central cartouche indicates a possible royal connection.
theatre design
probably between 1745-1775
Presentation drawing for a stage set with alternate designs
Actions:
DR1967:0010:002
Description:
- The two halves of this drawing show alternate stage sets from which the patron could make his choice. It is unclear whether this design was for a painted trompe-l'oeil stage backdrop and/or a constructed stage set. The deep unified space and low vanishing point of the central piazza/hemicycle interior indicates that this section is probably a painted trompe-l'oeil, however, the curtain pulled back within the central arch and the inscribed scale suggest that some of the architectural elements may have been constructed (Fuhring, 161 and 570). An etching of the Hermes is laid down on the left variant of the central portion of the drawing. The prickings indicate that the overall design was intended to be executed, and the crown above the central cartouche indicates a possible royal connection.
theatre design
textual records
ARCH255907
1986-1988
textual records
1986-1988
photographs
Quantity:
10 photograph(s)
Aerial views, views of perspective drawings, photomontage of site views with perspective drawing
DR2004:0088
Description:
aerial views, views of perspective drawings, photomontage of site views with perspective drawing, views of sites, and clipping
Aerial views, views of perspective drawings, photomontage of site views with perspective drawing
Actions:
DR2004:0088
Description:
aerial views, views of perspective drawings, photomontage of site views with perspective drawing, views of sites, and clipping
photographs
Quantity:
10 photograph(s)