2050 Results
Level of archival description:
Sub-series
Sub-series
Title:
Student work
Student work
Reference number:
AP140.S1.SS1
Description:
Sub-series documents James Stirling's student work, probably from his third to fifth year at the Liverpool School of Architecture in Liverpool, England, from 1947 to 1950, and during his studies at the Association for Planning and Regional Reconstruction in London, England, from 1950 to 1952. A project for a Community Centre for a Small Town in the Middle West was probably produced during a student exchange in New York City, New York in the fall of 1948. Sub-series include projects for a Forest Rangers Lookout Station, a House for an Architect, Organic Chemistry Laboratories, Stirling's thesis project for a Town Centre and Community Centre and a student competition entry for the Merseyside Film Institute. Material in this sub-series was probably produced between 1947 and 1975. The publication drawings for James Stirling's projects were often drawn by Leon Krier, Russell Bevington, or Ulrich Schaad ('British Architecture Today', 1991). Sub-series contains several presentation drawings and panels, publication drawings, a small number of working drawings, photographic materials, a presentation model and Stirling's 1950 bound thesis 'Plan of Town Centre and Development of Community Centre for Newton Aycliffe, Co. Durham'.
AP140.S1.SS1
Description:
Sub-series documents James Stirling's student work, probably from his third to fifth year at the Liverpool School of Architecture in Liverpool, England, from 1947 to 1950, and during his studies at the Association for Planning and Regional Reconstruction in London, England, from 1950 to 1952. A project for a Community Centre for a Small Town in the Middle West was probably produced during a student exchange in New York City, New York in the fall of 1948. Sub-series include projects for a Forest Rangers Lookout Station, a House for an Architect, Organic Chemistry Laboratories, Stirling's thesis project for a Town Centre and Community Centre and a student competition entry for the Merseyside Film Institute. Material in this sub-series was probably produced between 1947 and 1975. The publication drawings for James Stirling's projects were often drawn by Leon Krier, Russell Bevington, or Ulrich Schaad ('British Architecture Today', 1991). Sub-series contains several presentation drawings and panels, publication drawings, a small number of working drawings, photographic materials, a presentation model and Stirling's 1950 bound thesis 'Plan of Town Centre and Development of Community Centre for Newton Aycliffe, Co. Durham'.
People:
Date:
[between 1947? and 1975?], predominant 1947-1952
[between 1947? and 1975?], predominant 1947-1952
Title:
Student work
Actions:
AP140.S1.SS1
Description:
Sub-series documents James Stirling's student work, probably from his third to fifth year at the Liverpool School of Architecture in Liverpool, England, from 1947 to 1950, and during his studies at the Association for Planning and Regional Reconstruction in London, England, from 1950 to 1952. A project for a Community Centre for a Small Town in the Middle West was probably produced during a student exchange in New York City, New York in the fall of 1948. Sub-series include projects for a Forest Rangers Lookout Station, a House for an Architect, Organic Chemistry Laboratories, Stirling's thesis project for a Town Centre and Community Centre and a student competition entry for the Merseyside Film Institute. Material in this sub-series was probably produced between 1947 and 1975. The publication drawings for James Stirling's projects were often drawn by Leon Krier, Russell Bevington, or Ulrich Schaad ('British Architecture Today', 1991). Sub-series contains several presentation drawings and panels, publication drawings, a small number of working drawings, photographic materials, a presentation model and Stirling's 1950 bound thesis 'Plan of Town Centre and Development of Community Centre for Newton Aycliffe, Co. Durham'.
Student work
Actions:
AP140.S1.SS1
Description:
Sub-series documents James Stirling's student work, probably from his third to fifth year at the Liverpool School of Architecture in Liverpool, England, from 1947 to 1950, and during his studies at the Association for Planning and Regional Reconstruction in London, England, from 1950 to 1952. A project for a Community Centre for a Small Town in the Middle West was probably produced during a student exchange in New York City, New York in the fall of 1948. Sub-series include projects for a Forest Rangers Lookout Station, a House for an Architect, Organic Chemistry Laboratories, Stirling's thesis project for a Town Centre and Community Centre and a student competition entry for the Merseyside Film Institute. Material in this sub-series was probably produced between 1947 and 1975. The publication drawings for James Stirling's projects were often drawn by Leon Krier, Russell Bevington, or Ulrich Schaad ('British Architecture Today', 1991). Sub-series contains several presentation drawings and panels, publication drawings, a small number of working drawings, photographic materials, a presentation model and Stirling's 1950 bound thesis 'Plan of Town Centre and Development of Community Centre for Newton Aycliffe, Co. Durham'.
Level of archival description:
Sub-series 1
Sub-series 1
Date:
[between 1947? and 1975?], predominant 1947-1952
[between 1947? and 1975?], predominant 1947-1952
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Marcel Parizeau fonds
Marcel Parizeau fonds
Actions:
Reference number:
AP104
Synopsis:
Le Fonds Marcel Parizeau contient des documents relatifs à la formation et à la vie de professionnel de Marcel Parizeau. Il contient aussi des œuvres d'art réalisées par ce dernier. Le fonds est composé de dessins d'architecture et de meubles, de carnets de croquis, de tableaux, de manuscrits, de correspondances, ainsi que quelques autres documents.
AP104
Synopsis:
Le Fonds Marcel Parizeau contient des documents relatifs à la formation et à la vie de professionnel de Marcel Parizeau. Il contient aussi des œuvres d'art réalisées par ce dernier. Le fonds est composé de dessins d'architecture et de meubles, de carnets de croquis, de tableaux, de manuscrits, de correspondances, ainsi que quelques autres documents.
People:
Date:
1917-1955
1917-1955
Title:
Marcel Parizeau fonds
Actions:
AP104
Synopsis:
Le Fonds Marcel Parizeau contient des documents relatifs à la formation et à la vie de professionnel de Marcel Parizeau. Il contient aussi des œuvres d'art réalisées par ce dernier. Le fonds est composé de dessins d'architecture et de meubles, de carnets de croquis, de tableaux, de manuscrits, de correspondances, ainsi que quelques autres documents.
Marcel Parizeau fonds
Actions:
AP104
Synopsis:
Le Fonds Marcel Parizeau contient des documents relatifs à la formation et à la vie de professionnel de Marcel Parizeau. Il contient aussi des œuvres d'art réalisées par ce dernier. Le fonds est composé de dessins d'architecture et de meubles, de carnets de croquis, de tableaux, de manuscrits, de correspondances, ainsi que quelques autres documents.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1917-1955
1917-1955
People:
Form:
photographs
Quantity:
112 photograph(s)
photographs
Quantity:
112 photograph(s)
Actions:
Reference number:
PH1988:0426:001-112
Description:
Group consists of 112 photographic prints depicting the Victoria Falls Bridge over the Zambezi River, crossing the border between Victoria Falls, Zimbabwe and Livingstone, Zambia. Some photographs depict the processes of 1904-05 construction and 1929-1930 reconstruction of Victoria Falls Bridge. This collection also contains photographs of local communities, living conditions, and Europeans. Photographs were compiled by an engineer associated with the Cleveland Bridge & Engineering Company.
PH1988:0426:001-112
Description:
Group consists of 112 photographic prints depicting the Victoria Falls Bridge over the Zambezi River, crossing the border between Victoria Falls, Zimbabwe and Livingstone, Zambia. Some photographs depict the processes of 1904-05 construction and 1929-1930 reconstruction of Victoria Falls Bridge. This collection also contains photographs of local communities, living conditions, and Europeans. Photographs were compiled by an engineer associated with the Cleveland Bridge & Engineering Company.
People:
Subject:
engineering
engineering
Date:
1903-1962
1903-1962
Title:
Construction stages of Victoria Falls Bridge, Zambezi River, crossing the border between Victoria Falls, Zimbabwe and Livingstone, Zambia
Actions:
PH1988:0426:001-112
Description:
Group consists of 112 photographic prints depicting the Victoria Falls Bridge over the Zambezi River, crossing the border between Victoria Falls, Zimbabwe and Livingstone, Zambia. Some photographs depict the processes of 1904-05 construction and 1929-1930 reconstruction of Victoria Falls Bridge. This collection also contains photographs of local communities, living conditions, and Europeans. Photographs were compiled by an engineer associated with the Cleveland Bridge & Engineering Company.
Construction stages of Victoria Falls Bridge, Zambezi River, crossing the border between Victoria Falls, Zimbabwe and Livingstone, Zambia
Actions:
PH1988:0426:001-112
Description:
Group consists of 112 photographic prints depicting the Victoria Falls Bridge over the Zambezi River, crossing the border between Victoria Falls, Zimbabwe and Livingstone, Zambia. Some photographs depict the processes of 1904-05 construction and 1929-1930 reconstruction of Victoria Falls Bridge. This collection also contains photographs of local communities, living conditions, and Europeans. Photographs were compiled by an engineer associated with the Cleveland Bridge & Engineering Company.
Form:
photographs
Quantity:
112 photograph(s)
photographs
Quantity:
112 photograph(s)
Date:
1903-1962
1903-1962
People:
Subject:
engineering
engineering
Form:
textual records
textual records
Actions:
Reference number:
ARCH258844
Description:
Correspondance avec le procureur du collège, BGL Ingénieurs, André Blouin (comprend un dessin du terrain du site), incluant des procès-verbaux du Comité Consultatif de Construction, des rapports et études, des photocopies de photos (P-893 è 897), des coupures de presse, des documents de reference (dessins du Saint-Michael's College et Boston), des plans (terrain, plan par Paul M. Lemieux, propriété, Montréal), et des notes par Cormier au sujet de la reconstruction.
ARCH258844
Description:
Correspondance avec le procureur du collège, BGL Ingénieurs, André Blouin (comprend un dessin du terrain du site), incluant des procès-verbaux du Comité Consultatif de Construction, des rapports et études, des photocopies de photos (P-893 è 897), des coupures de presse, des documents de reference (dessins du Saint-Michael's College et Boston), des plans (terrain, plan par Paul M. Lemieux, propriété, Montréal), et des notes par Cormier au sujet de la reconstruction.
People:
Date:
1958-1959
1958-1959
Title:
Correspondance avec client, procès-verbaux, rapports et études, plans du terrain et coupures de presse
Actions:
ARCH258844
Description:
Correspondance avec le procureur du collège, BGL Ingénieurs, André Blouin (comprend un dessin du terrain du site), incluant des procès-verbaux du Comité Consultatif de Construction, des rapports et études, des photocopies de photos (P-893 è 897), des coupures de presse, des documents de reference (dessins du Saint-Michael's College et Boston), des plans (terrain, plan par Paul M. Lemieux, propriété, Montréal), et des notes par Cormier au sujet de la reconstruction.
Correspondance avec client, procès-verbaux, rapports et études, plans du terrain et coupures de presse
Actions:
ARCH258844
Description:
Correspondance avec le procureur du collège, BGL Ingénieurs, André Blouin (comprend un dessin du terrain du site), incluant des procès-verbaux du Comité Consultatif de Construction, des rapports et études, des photocopies de photos (P-893 è 897), des coupures de presse, des documents de reference (dessins du Saint-Michael's College et Boston), des plans (terrain, plan par Paul M. Lemieux, propriété, Montréal), et des notes par Cormier au sujet de la reconstruction.
Form:
textual records
textual records
Date:
1958-1959
1958-1959
People:
Form:
events
events
Actions:
Description:
Lewis Jones and Jane Hall are founding members of Assemble, a multi-disciplinary collective of fifteen members based in London working across the fields of architecture, design and art. In this talk they will explain the background to Assemble and their working practices, which involve many collaborators and often occur outside of the traditional role of the architect.(...)
Lewis Jones and Jane Hall are founding members of Assemble, a multi-disciplinary collective of fifteen members based in London working across the fields of architecture, design and art. In this talk they will explain the background to Assemble and their working practices, which involve many collaborators and often occur outside of the traditional role of the architect.(...)
Location:
Paul-Desmarais Theatre
Paul-Desmarais Theatre
Date:
21 January 2016
21 January 2016
Title:
Assemble: Collective Practice
Actions:
Description:
Lewis Jones and Jane Hall are founding members of Assemble, a multi-disciplinary collective of fifteen members based in London working across the fields of architecture, design and art. In this talk they will explain the background to Assemble and their working practices, which involve many collaborators and often occur outside of the traditional role of the architect.(...)
Assemble: Collective Practice
Actions:
Description:
Lewis Jones and Jane Hall are founding members of Assemble, a multi-disciplinary collective of fifteen members based in London working across the fields of architecture, design and art. In this talk they will explain the background to Assemble and their working practices, which involve many collaborators and often occur outside of the traditional role of the architect.(...)
Form:
events
events
Date:
21 January 2016
21 January 2016
Location:
Paul-Desmarais Theatre
Paul-Desmarais Theatre
Form:
archives
Level of archival description:
Collection
archives
Level of archival description:
Collection
Title:
J.J.P. Oud Collection
J.J.P. Oud Collection
Reference number:
CI005
Synopsis:
The J.J.P. Oud Collection, 1911-1973, documents J.J.P. Oud's work as an architect between 1911 and 1973. The collection is focussed on Oud’s architectural projects, including work on major exectued and unrealized buildings in the Netherlands, Germany, Czechoslovakia, and the United States. The collection also includes Oud's designs for diverse projects on public housing, war memorials and interior design.
CI005
Synopsis:
The J.J.P. Oud Collection, 1911-1973, documents J.J.P. Oud's work as an architect between 1911 and 1973. The collection is focussed on Oud’s architectural projects, including work on major exectued and unrealized buildings in the Netherlands, Germany, Czechoslovakia, and the United States. The collection also includes Oud's designs for diverse projects on public housing, war memorials and interior design.
People:
Date:
1908-1966 (1911-1963 predominant)
1908-1966 (1911-1963 predominant)
Title:
J.J.P. Oud Collection
CI005
Synopsis:
The J.J.P. Oud Collection, 1911-1973, documents J.J.P. Oud's work as an architect between 1911 and 1973. The collection is focussed on Oud’s architectural projects, including work on major exectued and unrealized buildings in the Netherlands, Germany, Czechoslovakia, and the United States. The collection also includes Oud's designs for diverse projects on public housing, war memorials and interior design.
J.J.P. Oud Collection
CI005
Synopsis:
The J.J.P. Oud Collection, 1911-1973, documents J.J.P. Oud's work as an architect between 1911 and 1973. The collection is focussed on Oud’s architectural projects, including work on major exectued and unrealized buildings in the Netherlands, Germany, Czechoslovakia, and the United States. The collection also includes Oud's designs for diverse projects on public housing, war memorials and interior design.
Form:
archives
Level of archival description:
Collection institutionnelle
archives
Level of archival description:
Collection institutionnelle
Date:
1908-1966 (1911-1963 predominant)
1908-1966 (1911-1963 predominant)
People:
Level of archival description:
Project
Project
Reference number:
AP178.S1.1983.PR02
Description:
The project series documents the 1983 design entry for the competition of the Prinz-Albrecht-Palais Monument to Gestapo victims. While the records were held in the office’s archives this project was assigned the number 18/80. The office assigned the date 1983 for this project. This project was submitted to the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987), an urban renewal strategy for West Berlin, Germany. Siza had previously submitted four other projects to this competition: the Görtlitzer Bad swimming pool, Block 70 and 89 (Fränkelufer residential complex), Bonjour Tristesse (Block 121), and Block 11-12. He would also submit a design proposal to the IBA competition for the Kulturforum. According to the documentation from the IBA competition, entries for the memorial were to include a pedestrian walkway that cut through the memorial parallel to Schöneberger strasse leading to Kochstrasse. Entries were also to include a playground and along Stresemann strasse there was to be the addition of a two storey building and a corner building. Other requested components included a parking lot and a partial reconstruction of the Fine Arts School. Documenting the design proposal are conceptual and design development drawings, including studies, a site axonometric drawing, ground plan, site plan and north, south, and east elevations. Also included is textual documentation on the competition as well as correspondence from IBA officials such as Marion Wilbert. Photographic materials consist of slides of plans, sections and elevations.
AP178.S1.1983.PR02
Description:
The project series documents the 1983 design entry for the competition of the Prinz-Albrecht-Palais Monument to Gestapo victims. While the records were held in the office’s archives this project was assigned the number 18/80. The office assigned the date 1983 for this project. This project was submitted to the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987), an urban renewal strategy for West Berlin, Germany. Siza had previously submitted four other projects to this competition: the Görtlitzer Bad swimming pool, Block 70 and 89 (Fränkelufer residential complex), Bonjour Tristesse (Block 121), and Block 11-12. He would also submit a design proposal to the IBA competition for the Kulturforum. According to the documentation from the IBA competition, entries for the memorial were to include a pedestrian walkway that cut through the memorial parallel to Schöneberger strasse leading to Kochstrasse. Entries were also to include a playground and along Stresemann strasse there was to be the addition of a two storey building and a corner building. Other requested components included a parking lot and a partial reconstruction of the Fine Arts School. Documenting the design proposal are conceptual and design development drawings, including studies, a site axonometric drawing, ground plan, site plan and north, south, and east elevations. Also included is textual documentation on the competition as well as correspondence from IBA officials such as Marion Wilbert. Photographic materials consist of slides of plans, sections and elevations.
People:
Date:
1983-1984
1983-1984
Title:
Monumento às vítimas da Gestapo [Monument to Gestapo victims], Prinz-Albrecht-Palais, Berlin, Germany (1983)
Actions:
AP178.S1.1983.PR02
Description:
The project series documents the 1983 design entry for the competition of the Prinz-Albrecht-Palais Monument to Gestapo victims. While the records were held in the office’s archives this project was assigned the number 18/80. The office assigned the date 1983 for this project. This project was submitted to the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987), an urban renewal strategy for West Berlin, Germany. Siza had previously submitted four other projects to this competition: the Görtlitzer Bad swimming pool, Block 70 and 89 (Fränkelufer residential complex), Bonjour Tristesse (Block 121), and Block 11-12. He would also submit a design proposal to the IBA competition for the Kulturforum. According to the documentation from the IBA competition, entries for the memorial were to include a pedestrian walkway that cut through the memorial parallel to Schöneberger strasse leading to Kochstrasse. Entries were also to include a playground and along Stresemann strasse there was to be the addition of a two storey building and a corner building. Other requested components included a parking lot and a partial reconstruction of the Fine Arts School. Documenting the design proposal are conceptual and design development drawings, including studies, a site axonometric drawing, ground plan, site plan and north, south, and east elevations. Also included is textual documentation on the competition as well as correspondence from IBA officials such as Marion Wilbert. Photographic materials consist of slides of plans, sections and elevations.
Monumento às vítimas da Gestapo [Monument to Gestapo victims], Prinz-Albrecht-Palais, Berlin, Germany (1983)
Actions:
AP178.S1.1983.PR02
Description:
The project series documents the 1983 design entry for the competition of the Prinz-Albrecht-Palais Monument to Gestapo victims. While the records were held in the office’s archives this project was assigned the number 18/80. The office assigned the date 1983 for this project. This project was submitted to the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987), an urban renewal strategy for West Berlin, Germany. Siza had previously submitted four other projects to this competition: the Görtlitzer Bad swimming pool, Block 70 and 89 (Fränkelufer residential complex), Bonjour Tristesse (Block 121), and Block 11-12. He would also submit a design proposal to the IBA competition for the Kulturforum. According to the documentation from the IBA competition, entries for the memorial were to include a pedestrian walkway that cut through the memorial parallel to Schöneberger strasse leading to Kochstrasse. Entries were also to include a playground and along Stresemann strasse there was to be the addition of a two storey building and a corner building. Other requested components included a parking lot and a partial reconstruction of the Fine Arts School. Documenting the design proposal are conceptual and design development drawings, including studies, a site axonometric drawing, ground plan, site plan and north, south, and east elevations. Also included is textual documentation on the competition as well as correspondence from IBA officials such as Marion Wilbert. Photographic materials consist of slides of plans, sections and elevations.
Level of archival description:
Project
Project
Date:
1983-1984
1983-1984
People:
Form:
articles
articles
Title:
Shooting the Breeze
Shooting the Breeze
Actions:
Mae-ling Lokko and Elizabeth (Lizzie) Biney-Amissah on the interconnectedness of energy, materials, and rebuilding community
Title:
Shooting the Breeze
Mae-ling Lokko and Elizabeth (Lizzie) Biney-Amissah on the interconnectedness of energy, materials, and rebuilding community
Actions:
Shooting the Breeze
Mae-ling Lokko and Elizabeth (Lizzie) Biney-Amissah on the interconnectedness of energy, materials, and rebuilding community
Actions:
Issue:
Forces of Friction
Forces of Friction
Form:
exhibitions
exhibitions
Description:
In the 1980s and 1990s, the trend in urban design shifted from the global planning approach—exemplified by the urban master plans of the 1950s and 1960s—to a sector based approach favouring gradual change rather than the rebuilding of cities. Urban Revisions: Current Projects for the Public Realm examines the physical and social space of the city, as seen by contemporary(...)
In the 1980s and 1990s, the trend in urban design shifted from the global planning approach—exemplified by the urban master plans of the 1950s and 1960s—to a sector based approach favouring gradual change rather than the rebuilding of cities. Urban Revisions: Current Projects for the Public Realm examines the physical and social space of the city, as seen by contemporary(...)
Location:
Main galleries
Main galleries
Date:
19 October 1994 to 8 January 1995
19 October 1994 to 8 January 1995
Title:
Urban Revisions: Current Projects for the Public Realm
Actions:
Description:
In the 1980s and 1990s, the trend in urban design shifted from the global planning approach—exemplified by the urban master plans of the 1950s and 1960s—to a sector based approach favouring gradual change rather than the rebuilding of cities. Urban Revisions: Current Projects for the Public Realm examines the physical and social space of the city, as seen by contemporary(...)
Urban Revisions: Current Projects for the Public Realm
Actions:
Description:
In the 1980s and 1990s, the trend in urban design shifted from the global planning approach—exemplified by the urban master plans of the 1950s and 1960s—to a sector based approach favouring gradual change rather than the rebuilding of cities. Urban Revisions: Current Projects for the Public Realm examines the physical and social space of the city, as seen by contemporary(...)
Form:
exhibitions
exhibitions
Date:
19 October 1994 to
8 January 1995
19 October 1994 to
8 January 1995
Location:
Main galleries
Main galleries
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Robert Duchesnay fonds
Robert Duchesnay fonds
Actions:
Reference number:
AP115
Synopsis:
Le Fonds Robert Duchesnay consiste en une série de photographies montrant les divers structure (principalement des dômes géodésiques) conçus ou influencée par R. Buckminster Fuller. Les photographies, prises par l'artiste et photographe montréalais Robert Duchesnay, ont été créées entre 1985 et 1992.
AP115
Synopsis:
Le Fonds Robert Duchesnay consiste en une série de photographies montrant les divers structure (principalement des dômes géodésiques) conçus ou influencée par R. Buckminster Fuller. Les photographies, prises par l'artiste et photographe montréalais Robert Duchesnay, ont été créées entre 1985 et 1992.
People:
Date:
1985-1992
1985-1992
Title:
Robert Duchesnay fonds
Actions:
AP115
Synopsis:
Le Fonds Robert Duchesnay consiste en une série de photographies montrant les divers structure (principalement des dômes géodésiques) conçus ou influencée par R. Buckminster Fuller. Les photographies, prises par l'artiste et photographe montréalais Robert Duchesnay, ont été créées entre 1985 et 1992.
Robert Duchesnay fonds
Actions:
AP115
Synopsis:
Le Fonds Robert Duchesnay consiste en une série de photographies montrant les divers structure (principalement des dômes géodésiques) conçus ou influencée par R. Buckminster Fuller. Les photographies, prises par l'artiste et photographe montréalais Robert Duchesnay, ont été créées entre 1985 et 1992.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1985-1992
1985-1992
People:
