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Le Corbusier is famous for his dictum that "a house is a machine for living in." What he meant by this was that architecture must be at the service of all of us: it must facilitate our daily lives and the relationships between us and it must, above all, provide a comfortable home. To achieve this, each element of the house must be part of a well-oiled machine.This(...)
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Le Corbusier is famous for his dictum that "a house is a machine for living in." What he meant by this was that architecture must be at the service of all of us: it must facilitate our daily lives and the relationships between us and it must, above all, provide a comfortable home. To achieve this, each element of the house must be part of a well-oiled machine.This(...)
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Le Corbusier, in his own words
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Le Corbusier is famous for his dictum that "a house is a machine for living in." What he meant by this was that architecture must be at the service of all of us: it must facilitate our daily lives and the relationships between us and it must, above all, provide a comfortable home. To achieve this, each element of the house must be part of a well-oiled machine.This introduction to the architecture and ideas of Le Corbusier for children of ten and over – it will fascinate architecture-minded adults too – brings to life the man, the architect, his work and the world in which he lived. The words are his own and with the accompanying photographs and drawings serve to reveal the philosophy behind the architecture.
Le Corbusier, in his own words
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Le Corbusier is famous for his dictum that "a house is a machine for living in." What he meant by this was that architecture must be at the service of all of us: it must facilitate our daily lives and the relationships between us and it must, above all, provide a comfortable home. To achieve this, each element of the house must be part of a well-oiled machine.This introduction to the architecture and ideas of Le Corbusier for children of ten and over – it will fascinate architecture-minded adults too – brings to life the man, the architect, his work and the world in which he lived. The words are his own and with the accompanying photographs and drawings serve to reveal the philosophy behind the architecture.
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July 2009
July 2009
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Italo Rota was born in 1953 in Milan and graduated from the Milan Polytechnic Institute in 1982. In 1980, he and Gae Aulenti created the plans for the Musee d’Orsay and the Centre Beaubourg in Paris. In 1990, he initiated the planning for the Center for Postgraduate Studies at Columbia University. His return to Italy marked the beginning of a highly creative phase,(...)
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Italo Rota was born in 1953 in Milan and graduated from the Milan Polytechnic Institute in 1982. In 1980, he and Gae Aulenti created the plans for the Musee d’Orsay and the Centre Beaubourg in Paris. In 1990, he initiated the planning for the Center for Postgraduate Studies at Columbia University. His return to Italy marked the beginning of a highly creative phase,(...)
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Italo Rota: projects, works, visions 1997-2007
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Italo Rota was born in 1953 in Milan and graduated from the Milan Polytechnic Institute in 1982. In 1980, he and Gae Aulenti created the plans for the Musee d’Orsay and the Centre Beaubourg in Paris. In 1990, he initiated the planning for the Center for Postgraduate Studies at Columbia University. His return to Italy marked the beginning of a highly creative phase, including projects that ranged from museum installations, the "Maison Cavalli" (the showroom-cafés in Miami, Milan, and Moscow), to a series of public buildings in Italy and India. This book focuses on a recent decade of Rota’s work and is aimed at professionals and lovers of architecture, fashion, and design.
Italo Rota: projects, works, visions 1997-2007
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Italo Rota was born in 1953 in Milan and graduated from the Milan Polytechnic Institute in 1982. In 1980, he and Gae Aulenti created the plans for the Musee d’Orsay and the Centre Beaubourg in Paris. In 1990, he initiated the planning for the Center for Postgraduate Studies at Columbia University. His return to Italy marked the beginning of a highly creative phase, including projects that ranged from museum installations, the "Maison Cavalli" (the showroom-cafés in Miami, Milan, and Moscow), to a series of public buildings in Italy and India. This book focuses on a recent decade of Rota’s work and is aimed at professionals and lovers of architecture, fashion, and design.
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December 2008
December 2008
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Un'opera che raccoglie e cataloga tutti i libri fotografici di Gabriele Basilico, coprendo un'attività quasi trentennale, dal 1978 al 2006. Ogni libro è presentato con la copertina originale, i dati bibliografici e una foto tratta dal volume. Pagina dopo pagina, foto dopo foto, salta all'occhio la ricchezza e la varietà dei soggetti scelti da Basilico per i suoi scatti:(...)
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Un'opera che raccoglie e cataloga tutti i libri fotografici di Gabriele Basilico, coprendo un'attività quasi trentennale, dal 1978 al 2006. Ogni libro è presentato con la copertina originale, i dati bibliografici e una foto tratta dal volume. Pagina dopo pagina, foto dopo foto, salta all'occhio la ricchezza e la varietà dei soggetti scelti da Basilico per i suoi scatti:(...)
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Gabriele Basilico: photobooks 1978-2005
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Un'opera che raccoglie e cataloga tutti i libri fotografici di Gabriele Basilico, coprendo un'attività quasi trentennale, dal 1978 al 2006. Ogni libro è presentato con la copertina originale, i dati bibliografici e una foto tratta dal volume. Pagina dopo pagina, foto dopo foto, salta all'occhio la ricchezza e la varietà dei soggetti scelti da Basilico per i suoi scatti: dalle periferie milanesi della fine degli anni Settanta, alle balere emiliane, alle industrie e ai porti, fino ad arrivare al centro di Beirut nei primi anni Novanta e alla nuova anima di Berlino. Questo libro si pone come uno strumento utile a studiosi ma anche a semplici appassionati di grande fotografia ed è un'occasione speciale per fare il punto sulla carriera di un fotografo che con i suoi scatti ha costruito la nostra percezione del paesaggio contemporaneo.
Gabriele Basilico: photobooks 1978-2005
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Un'opera che raccoglie e cataloga tutti i libri fotografici di Gabriele Basilico, coprendo un'attività quasi trentennale, dal 1978 al 2006. Ogni libro è presentato con la copertina originale, i dati bibliografici e una foto tratta dal volume. Pagina dopo pagina, foto dopo foto, salta all'occhio la ricchezza e la varietà dei soggetti scelti da Basilico per i suoi scatti: dalle periferie milanesi della fine degli anni Settanta, alle balere emiliane, alle industrie e ai porti, fino ad arrivare al centro di Beirut nei primi anni Novanta e alla nuova anima di Berlino. Questo libro si pone come uno strumento utile a studiosi ma anche a semplici appassionati di grande fotografia ed è un'occasione speciale per fare il punto sulla carriera di un fotografo che con i suoi scatti ha costruito la nostra percezione del paesaggio contemporaneo.
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books
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December 2006
December 2006
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John Gutmann (1905–1998) was one of America’s most distinctive photographers. Born in Germany where he trained as an artist and art teacher, he fled the Nazis in 1933 and settled in San Francisco, reinventing himself as a photo-reporter. Gutmann captured images of American culture, celebrating signs of a vibrant democracy, however imperfect. His own status as an(...)
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John Gutmann (1905–1998) was one of America’s most distinctive photographers. Born in Germany where he trained as an artist and art teacher, he fled the Nazis in 1933 and settled in San Francisco, reinventing himself as a photo-reporter. Gutmann captured images of American culture, celebrating signs of a vibrant democracy, however imperfect. His own status as an(...)
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January 2009
January 2009
Title:
John Gutmann: the photographer at work
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John Gutmann (1905–1998) was one of America’s most distinctive photographers. Born in Germany where he trained as an artist and art teacher, he fled the Nazis in 1933 and settled in San Francisco, reinventing himself as a photo-reporter. Gutmann captured images of American culture, celebrating signs of a vibrant democracy, however imperfect. His own status as an outsider—a Jew in Germany, a naturalized citizen in the United States—informed his focus on individuals from the Asian-American, African-American, and gay communities, as well as his photography in India, Burma, and China during World War II. This book acknowledges Gutmann’s place in the history of photography. Drawing on his archive of photographs and papers at the Center for Creative Photography, it presents both unfamiliar works and little-known contexts for his imagery, linking his photography to his passionate interest in painting and filmmaking, his collections of non-Western art and artifacts, and his pedagogy.
John Gutmann: the photographer at work
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John Gutmann (1905–1998) was one of America’s most distinctive photographers. Born in Germany where he trained as an artist and art teacher, he fled the Nazis in 1933 and settled in San Francisco, reinventing himself as a photo-reporter. Gutmann captured images of American culture, celebrating signs of a vibrant democracy, however imperfect. His own status as an outsider—a Jew in Germany, a naturalized citizen in the United States—informed his focus on individuals from the Asian-American, African-American, and gay communities, as well as his photography in India, Burma, and China during World War II. This book acknowledges Gutmann’s place in the history of photography. Drawing on his archive of photographs and papers at the Center for Creative Photography, it presents both unfamiliar works and little-known contexts for his imagery, linking his photography to his passionate interest in painting and filmmaking, his collections of non-Western art and artifacts, and his pedagogy.
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January 2009
January 2009
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Coming out of an international symposium at Germany's University of St. Gallen and Hamburg's Kampnagel Culture Factory in 2007, this book addresses the question of how art affects urban space. ParCITYpate is a departure for artists, curators and innovative minds in the urban and spatial realms far from the beaten path of art theory and urban political dialogue. Bringing(...)
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Coming out of an international symposium at Germany's University of St. Gallen and Hamburg's Kampnagel Culture Factory in 2007, this book addresses the question of how art affects urban space. ParCITYpate is a departure for artists, curators and innovative minds in the urban and spatial realms far from the beaten path of art theory and urban political dialogue. Bringing(...)
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April 2010
April 2010
Title:
Parcitypate: Art and urban space
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Coming out of an international symposium at Germany's University of St. Gallen and Hamburg's Kampnagel Culture Factory in 2007, this book addresses the question of how art affects urban space. ParCITYpate is a departure for artists, curators and innovative minds in the urban and spatial realms far from the beaten path of art theory and urban political dialogue. Bringing together the perspectives of international urban researchers and social scientists with artists, art theorists and curators, this fertile collection offers new ideas on the effects of urban art projects and their interaction with urban culture, development, economics and politics. Beyond praise or criticism, artistic interventions take part in the production of city space by opening new possibilities for urban action.
Parcitypate: Art and urban space
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Coming out of an international symposium at Germany's University of St. Gallen and Hamburg's Kampnagel Culture Factory in 2007, this book addresses the question of how art affects urban space. ParCITYpate is a departure for artists, curators and innovative minds in the urban and spatial realms far from the beaten path of art theory and urban political dialogue. Bringing together the perspectives of international urban researchers and social scientists with artists, art theorists and curators, this fertile collection offers new ideas on the effects of urban art projects and their interaction with urban culture, development, economics and politics. Beyond praise or criticism, artistic interventions take part in the production of city space by opening new possibilities for urban action.
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April 2010
April 2010
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This small but comprehensive book documents the rich cultural past of vernacular building styles, from Irish sod houses to sub-Saharan wattle-and-daub huts and redwoods treehouses. It offers inspiration for home woodworking enthusiasts as well as architects, conservationists, and anyone interested in energy-efficient building and sustainability. The variety and ingenuity(...)
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This small but comprehensive book documents the rich cultural past of vernacular building styles, from Irish sod houses to sub-Saharan wattle-and-daub huts and redwoods treehouses. It offers inspiration for home woodworking enthusiasts as well as architects, conservationists, and anyone interested in energy-efficient building and sustainability. The variety and ingenuity(...)
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Buildings without architects: a global guide to everyday architecture
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This small but comprehensive book documents the rich cultural past of vernacular building styles, from Irish sod houses to sub-Saharan wattle-and-daub huts and redwoods treehouses. It offers inspiration for home woodworking enthusiasts as well as architects, conservationists, and anyone interested in energy-efficient building and sustainability. The variety and ingenuity of the world’s vernacular building traditions are illustrated, and the materials and techniques are explored. With examples from every continent, the book documents the diverse methods people have used to create shelter from locally available natural materials, and shows the impressively handmade finished products through diagrams, cross-sections, and photographs. Unlike modern buildings that rely on industrially produced materials and specialized tools and techniques, the everyday architecture featured here represents a rapidly disappearing genre of handcrafted and beautifully composed structures that are irretrievably "of their place." These structures are the work of unsung and often anonymous builders that combine artistic beauty, practical form, and necessity.
Buildings without architects: a global guide to everyday architecture
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$6.95
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This small but comprehensive book documents the rich cultural past of vernacular building styles, from Irish sod houses to sub-Saharan wattle-and-daub huts and redwoods treehouses. It offers inspiration for home woodworking enthusiasts as well as architects, conservationists, and anyone interested in energy-efficient building and sustainability. The variety and ingenuity of the world’s vernacular building traditions are illustrated, and the materials and techniques are explored. With examples from every continent, the book documents the diverse methods people have used to create shelter from locally available natural materials, and shows the impressively handmade finished products through diagrams, cross-sections, and photographs. Unlike modern buildings that rely on industrially produced materials and specialized tools and techniques, the everyday architecture featured here represents a rapidly disappearing genre of handcrafted and beautifully composed structures that are irretrievably "of their place." These structures are the work of unsung and often anonymous builders that combine artistic beauty, practical form, and necessity.
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May 2010
May 2010
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$19.95
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A rediscovery of one of the most powerful schools of Modernism. Brazilian Modernism is the soulful alternative to its European parent, better known for theoretical rigor and cold precision. Using the modern materials of concrete and reinforced glass, as well as wood and steel, Brazilians brought to Modernism an unspoken philosophy that allowed for the free flow of nature(...)
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A rediscovery of one of the most powerful schools of Modernism. Brazilian Modernism is the soulful alternative to its European parent, better known for theoretical rigor and cold precision. Using the modern materials of concrete and reinforced glass, as well as wood and steel, Brazilians brought to Modernism an unspoken philosophy that allowed for the free flow of nature(...)
Publication:
October 2010
October 2010
Title:
Casa Modernista: A history of the Brazil Modern house
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A rediscovery of one of the most powerful schools of Modernism. Brazilian Modernism is the soulful alternative to its European parent, better known for theoretical rigor and cold precision. Using the modern materials of concrete and reinforced glass, as well as wood and steel, Brazilians brought to Modernism an unspoken philosophy that allowed for the free flow of nature and built forms, so that the one was not dominated by the other. The undulating and amorphous buildings of Oscar Niemeyer are perhaps the best known expressions of this philosophy, in which the typical straight line of Europe’s Modern home becomes a graceful arabesque. Casa Modernista features not only the work of Niemeyer, but also that of the most important modern architects of this extremely rich, multifaceted nation, including Affonso Eduardo Reidy, Jorge Machado Moreira, Carlos Leao, Alvaro Vital Brazil, Paulo Mendes da Rocha, Joao Walter Toscano, and Abrahao Sanovicz.
Casa Modernista: A history of the Brazil Modern house
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A rediscovery of one of the most powerful schools of Modernism. Brazilian Modernism is the soulful alternative to its European parent, better known for theoretical rigor and cold precision. Using the modern materials of concrete and reinforced glass, as well as wood and steel, Brazilians brought to Modernism an unspoken philosophy that allowed for the free flow of nature and built forms, so that the one was not dominated by the other. The undulating and amorphous buildings of Oscar Niemeyer are perhaps the best known expressions of this philosophy, in which the typical straight line of Europe’s Modern home becomes a graceful arabesque. Casa Modernista features not only the work of Niemeyer, but also that of the most important modern architects of this extremely rich, multifaceted nation, including Affonso Eduardo Reidy, Jorge Machado Moreira, Carlos Leao, Alvaro Vital Brazil, Paulo Mendes da Rocha, Joao Walter Toscano, and Abrahao Sanovicz.
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books
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October 2010
October 2010
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Title:
The century of Modern design
The century of Modern design
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$22.00
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The Stewart Collection -in Montreal—celebrates its thirtieth anniversary in 2010. The Collection incorporates iconic furniture, ceramics, textiles, posters, graphic art, jewelry, and everyday objects from the 1930s to today. This book presents items chronologically, highlighting contrasts and parallels between works including posters by Max Bill and an armchair by Frank(...)
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The Stewart Collection -in Montreal—celebrates its thirtieth anniversary in 2010. The Collection incorporates iconic furniture, ceramics, textiles, posters, graphic art, jewelry, and everyday objects from the 1930s to today. This book presents items chronologically, highlighting contrasts and parallels between works including posters by Max Bill and an armchair by Frank(...)
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The century of Modern design
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The Stewart Collection -in Montreal—celebrates its thirtieth anniversary in 2010. The Collection incorporates iconic furniture, ceramics, textiles, posters, graphic art, jewelry, and everyday objects from the 1930s to today. This book presents items chronologically, highlighting contrasts and parallels between works including posters by Max Bill and an armchair by Frank Lloyd Wright. Each decade of the twentieth century is introduced by an essay giving the context that shaped the works, providing a history of modern design. Great designers, including lesser-known but highly influential figures, are presented alongside their signature creations that retain a prominent place in the design world today.
The century of Modern design
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The Stewart Collection -in Montreal—celebrates its thirtieth anniversary in 2010. The Collection incorporates iconic furniture, ceramics, textiles, posters, graphic art, jewelry, and everyday objects from the 1930s to today. This book presents items chronologically, highlighting contrasts and parallels between works including posters by Max Bill and an armchair by Frank Lloyd Wright. Each decade of the twentieth century is introduced by an essay giving the context that shaped the works, providing a history of modern design. Great designers, including lesser-known but highly influential figures, are presented alongside their signature creations that retain a prominent place in the design world today.
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books
books
Publication:
September 2010
September 2010
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A principal member of the De Stijl group, the Dutch architect and theorist Robert van 't Hoff designed buildings, composed essays and provided financial support for the movement, making him an animating presence in the Dutch avant garde. Van 't Hoff's view of the architect's role exemplified the movement's utopian ideals. This monograph on van 't Hoff gathers his critical(...)
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A principal member of the De Stijl group, the Dutch architect and theorist Robert van 't Hoff designed buildings, composed essays and provided financial support for the movement, making him an animating presence in the Dutch avant garde. Van 't Hoff's view of the architect's role exemplified the movement's utopian ideals. This monograph on van 't Hoff gathers his critical(...)
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July 2010
July 2010
Title:
Robert van't Hoff: architect of a new society
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A principal member of the De Stijl group, the Dutch architect and theorist Robert van 't Hoff designed buildings, composed essays and provided financial support for the movement, making him an animating presence in the Dutch avant garde. Van 't Hoff's view of the architect's role exemplified the movement's utopian ideals. This monograph on van 't Hoff gathers his critical writings alongside unpublished materials and descriptions of his best known projects.
Robert van't Hoff: architect of a new society
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A principal member of the De Stijl group, the Dutch architect and theorist Robert van 't Hoff designed buildings, composed essays and provided financial support for the movement, making him an animating presence in the Dutch avant garde. Van 't Hoff's view of the architect's role exemplified the movement's utopian ideals. This monograph on van 't Hoff gathers his critical writings alongside unpublished materials and descriptions of his best known projects.
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July 2010
July 2010
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$2.00
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One House series
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One House series
Publication:
April 1997, New York
April 1997, New York
Title:
Turtle Creek House : Antoine Predock
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One House series
Turtle Creek House : Antoine Predock
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One House series
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April 1997, New York
April 1997, New York
