8238 Results
Form:
drawings
drawings
Actions:
Reference number:
DR1984:0282
DR1984:0282
People:
Subject:
architecture, urban planning
architecture, urban planning
Date:
January - May 1944
January - May 1944
Form:
drawings
drawings
Date:
January - May 1944
January - May 1944
People:
Subject:
architecture, urban planning
architecture, urban planning
Form:
drawings
drawings
Actions:
Reference number:
DR1982:0020:019
DR1982:0020:019
People:
Date:
between 1520 and 1550?
between 1520 and 1550?
Form:
drawings
drawings
Date:
between 1520 and 1550?
between 1520 and 1550?
People:
Form:
photographs
photographs
Actions:
Reference number:
PH1998:0020:024
PH1998:0020:024
People:
Subject:
architecture, sculpture
architecture, sculpture
Date:
after 1928 ?
after 1928 ?
Form:
photographs
photographs
Date:
after 1928 ?
after 1928 ?
People:
Subject:
architecture, sculpture
architecture, sculpture
Form:
drawings
Quantity:
3 portfolio(s)
drawings
Quantity:
3 portfolio(s)
Actions:
Reference number:
DR1974:0002:031:001-055
Description:
- The three portfolios of this group are entitled: Figures et Statues (DR1974:0002:031:001 - DR1974:0002:031:024), Architecture Antique Mélanges (DR1974:0002:031:025 - DR1974:0002:031:043), and Architecture Moderne Mélanges (DR1974:0002:031:044 - DR1974:0002:031:055). -- Portfolio Figures et Statues comprises primarily drawings of classical figures and architectural sculpture from both antique and 19th century sources. Few of the sources of these drawings are clearly identified, with the exception of Genie de la Liberté from the Colonne de Juillet (DR1974:0002:031:016:003). There are a number of drawings of sculpture from the 16th century tomb monument of Maximillian I in Innsbruck (DR1974:0002:031:017 - DR1974:0002:031:023:001-003). -- Portfolio Architecture Antique Mélanges comprises mostly architectural drawings from buildings or monuments in Pisa, Rome, Tivoli, Naples, Florence, Viterbo, and Nice. Also included are a reconstruction of Pliny the Younger's Villa Laurentine (DR1974:0002:031:043), an orthographic drawing of the L'arc des orfèvres (DR1974:0002:031:032:001-002), and an interior perspective of an imaginary church, perhaps inspired by Pugin (DR1974:0002:031:027). -- Portfolio Architecture Moderne Mélanges comprises drawings which represent the classical tradition of 19th century French and English architecture (Bergdoll, p. 2). The French subjects include the Palais de justice, Amiens (DR1974:0002:031:044:002), the Louvois fountain by Visconti, (DR1974:0002:031:049:002), the Arc du Carrousel (DR1974:0002:031:053:001), and the Vendome column (DR1974:0002:031:053:002). English architecture is represented by Charles Robert Cockerell's Hanover Chapel, Regent Street, London (DR1974:0002:031:054:001), and late Georgian\early Regency houses (DR1974:0002:031:045:001-002 and DR1974:0002:031:046:001-002). The drawings related to Amiens Cathedral (DR1974:0002:031:044:001-002) and the Cloaca Maxima (DR1974:0002:031:052:002) are notable exceptions to the contemporary contents of the folder.
DR1974:0002:031:001-055
Description:
- The three portfolios of this group are entitled: Figures et Statues (DR1974:0002:031:001 - DR1974:0002:031:024), Architecture Antique Mélanges (DR1974:0002:031:025 - DR1974:0002:031:043), and Architecture Moderne Mélanges (DR1974:0002:031:044 - DR1974:0002:031:055). -- Portfolio Figures et Statues comprises primarily drawings of classical figures and architectural sculpture from both antique and 19th century sources. Few of the sources of these drawings are clearly identified, with the exception of Genie de la Liberté from the Colonne de Juillet (DR1974:0002:031:016:003). There are a number of drawings of sculpture from the 16th century tomb monument of Maximillian I in Innsbruck (DR1974:0002:031:017 - DR1974:0002:031:023:001-003). -- Portfolio Architecture Antique Mélanges comprises mostly architectural drawings from buildings or monuments in Pisa, Rome, Tivoli, Naples, Florence, Viterbo, and Nice. Also included are a reconstruction of Pliny the Younger's Villa Laurentine (DR1974:0002:031:043), an orthographic drawing of the L'arc des orfèvres (DR1974:0002:031:032:001-002), and an interior perspective of an imaginary church, perhaps inspired by Pugin (DR1974:0002:031:027). -- Portfolio Architecture Moderne Mélanges comprises drawings which represent the classical tradition of 19th century French and English architecture (Bergdoll, p. 2). The French subjects include the Palais de justice, Amiens (DR1974:0002:031:044:002), the Louvois fountain by Visconti, (DR1974:0002:031:049:002), the Arc du Carrousel (DR1974:0002:031:053:001), and the Vendome column (DR1974:0002:031:053:002). English architecture is represented by Charles Robert Cockerell's Hanover Chapel, Regent Street, London (DR1974:0002:031:054:001), and late Georgian\early Regency houses (DR1974:0002:031:045:001-002 and DR1974:0002:031:046:001-002). The drawings related to Amiens Cathedral (DR1974:0002:031:044:001-002) and the Cloaca Maxima (DR1974:0002:031:052:002) are notable exceptions to the contemporary contents of the folder.
People:
Subject:
architecture, interior design, painting, sculpture
architecture, interior design, painting, sculpture
Date:
between 1800 and 1868
between 1800 and 1868
Title:
Three portfolios of drawings of classical figures, statues from the sepulchral monument of Maximilian I, Innsbruck, and ancient and modern buildings
Actions:
DR1974:0002:031:001-055
Description:
- The three portfolios of this group are entitled: Figures et Statues (DR1974:0002:031:001 - DR1974:0002:031:024), Architecture Antique Mélanges (DR1974:0002:031:025 - DR1974:0002:031:043), and Architecture Moderne Mélanges (DR1974:0002:031:044 - DR1974:0002:031:055). -- Portfolio Figures et Statues comprises primarily drawings of classical figures and architectural sculpture from both antique and 19th century sources. Few of the sources of these drawings are clearly identified, with the exception of Genie de la Liberté from the Colonne de Juillet (DR1974:0002:031:016:003). There are a number of drawings of sculpture from the 16th century tomb monument of Maximillian I in Innsbruck (DR1974:0002:031:017 - DR1974:0002:031:023:001-003). -- Portfolio Architecture Antique Mélanges comprises mostly architectural drawings from buildings or monuments in Pisa, Rome, Tivoli, Naples, Florence, Viterbo, and Nice. Also included are a reconstruction of Pliny the Younger's Villa Laurentine (DR1974:0002:031:043), an orthographic drawing of the L'arc des orfèvres (DR1974:0002:031:032:001-002), and an interior perspective of an imaginary church, perhaps inspired by Pugin (DR1974:0002:031:027). -- Portfolio Architecture Moderne Mélanges comprises drawings which represent the classical tradition of 19th century French and English architecture (Bergdoll, p. 2). The French subjects include the Palais de justice, Amiens (DR1974:0002:031:044:002), the Louvois fountain by Visconti, (DR1974:0002:031:049:002), the Arc du Carrousel (DR1974:0002:031:053:001), and the Vendome column (DR1974:0002:031:053:002). English architecture is represented by Charles Robert Cockerell's Hanover Chapel, Regent Street, London (DR1974:0002:031:054:001), and late Georgian\early Regency houses (DR1974:0002:031:045:001-002 and DR1974:0002:031:046:001-002). The drawings related to Amiens Cathedral (DR1974:0002:031:044:001-002) and the Cloaca Maxima (DR1974:0002:031:052:002) are notable exceptions to the contemporary contents of the folder.
Three portfolios of drawings of classical figures, statues from the sepulchral monument of Maximilian I, Innsbruck, and ancient and modern buildings
Actions:
DR1974:0002:031:001-055
Description:
- The three portfolios of this group are entitled: Figures et Statues (DR1974:0002:031:001 - DR1974:0002:031:024), Architecture Antique Mélanges (DR1974:0002:031:025 - DR1974:0002:031:043), and Architecture Moderne Mélanges (DR1974:0002:031:044 - DR1974:0002:031:055). -- Portfolio Figures et Statues comprises primarily drawings of classical figures and architectural sculpture from both antique and 19th century sources. Few of the sources of these drawings are clearly identified, with the exception of Genie de la Liberté from the Colonne de Juillet (DR1974:0002:031:016:003). There are a number of drawings of sculpture from the 16th century tomb monument of Maximillian I in Innsbruck (DR1974:0002:031:017 - DR1974:0002:031:023:001-003). -- Portfolio Architecture Antique Mélanges comprises mostly architectural drawings from buildings or monuments in Pisa, Rome, Tivoli, Naples, Florence, Viterbo, and Nice. Also included are a reconstruction of Pliny the Younger's Villa Laurentine (DR1974:0002:031:043), an orthographic drawing of the L'arc des orfèvres (DR1974:0002:031:032:001-002), and an interior perspective of an imaginary church, perhaps inspired by Pugin (DR1974:0002:031:027). -- Portfolio Architecture Moderne Mélanges comprises drawings which represent the classical tradition of 19th century French and English architecture (Bergdoll, p. 2). The French subjects include the Palais de justice, Amiens (DR1974:0002:031:044:002), the Louvois fountain by Visconti, (DR1974:0002:031:049:002), the Arc du Carrousel (DR1974:0002:031:053:001), and the Vendome column (DR1974:0002:031:053:002). English architecture is represented by Charles Robert Cockerell's Hanover Chapel, Regent Street, London (DR1974:0002:031:054:001), and late Georgian\early Regency houses (DR1974:0002:031:045:001-002 and DR1974:0002:031:046:001-002). The drawings related to Amiens Cathedral (DR1974:0002:031:044:001-002) and the Cloaca Maxima (DR1974:0002:031:052:002) are notable exceptions to the contemporary contents of the folder.
Form:
drawings
Quantity:
3 portfolio(s)
drawings
Quantity:
3 portfolio(s)
Date:
between 1800 and 1868
between 1800 and 1868
People:
Subject:
architecture, interior design, painting, sculpture
architecture, interior design, painting, sculpture
Form:
photographs
photographs
Actions:
Reference number:
PH1979:0036
Description:
- Grain Elevator No. 1 (now demolished) was located at the foot of rue Saint-Sulpice, Port of Montréal (Pinard, vol. 2, p. 215).
PH1979:0036
Description:
- Grain Elevator No. 1 (now demolished) was located at the foot of rue Saint-Sulpice, Port of Montréal (Pinard, vol. 2, p. 215).
People:
Subject:
architecture, engineering, sculpture
architecture, engineering, sculpture
Date:
October 1975 or April 1976
October 1975 or April 1976
Title:
View of Grain Elevator No. 1 (now demolished) showing railway cars and a monument in the foreground, Port of Montréal, Québec
Actions:
PH1979:0036
Description:
- Grain Elevator No. 1 (now demolished) was located at the foot of rue Saint-Sulpice, Port of Montréal (Pinard, vol. 2, p. 215).
View of Grain Elevator No. 1 (now demolished) showing railway cars and a monument in the foreground, Port of Montréal, Québec
Actions:
PH1979:0036
Description:
- Grain Elevator No. 1 (now demolished) was located at the foot of rue Saint-Sulpice, Port of Montréal (Pinard, vol. 2, p. 215).
Form:
photographs
photographs
Date:
October 1975 or April 1976
October 1975 or April 1976
People:
Subject:
architecture, engineering, sculpture
architecture, engineering, sculpture
Form:
photographs
photographs
Actions:
Reference number:
PH1993:0315
PH1993:0315
People:
Date:
1991
1991
Form:
photographs
photographs
Date:
1991
1991
People:
Form:
drawings
drawings
Actions:
Reference number:
DR1984:0356
DR1984:0356
People:
Subject:
architecture, military
architecture, military
Date:
27 October 1949
27 October 1949
Form:
drawings
drawings
Date:
27 October 1949
27 October 1949
People:
Subject:
architecture, military
architecture, military
Form:
drawings
drawings
Actions:
Reference number:
DR1984:0357
DR1984:0357
People:
Subject:
architecture, military
architecture, military
Date:
2 December 1949
2 December 1949
Form:
drawings
drawings
Date:
2 December 1949
2 December 1949
People:
Subject:
architecture, military
architecture, military
Form:
drawings
drawings
![Elevations, sections, and perspectives for Monumento às vítimas da Gestapo [Monument to Gestapo victims], Prinz-Albrecht-Palais, Berlin, Germany](/img-collection/0ea_Vf-NAWnbWvUlZ-6H414Ls7E=/500x672/489335.jpg)
Actions:
Reference number:
ARCH400634
ARCH400634
People:
Date:
circa 1983
circa 1983
Form:
drawings
drawings
Date:
circa 1983
circa 1983
People:
Form:
drawings
drawings
![Plan and south elevation for Monumento às vítimas da Gestapo [Monument to Gestapo victims], Prinz-Albrecht-Palais, Berlin, Germany](/img-collection/YDqxAo3u6sU2d1st_yMpglXt6rQ=/500x682/489337.jpg)
Actions:
Reference number:
ARCH400636
ARCH400636
People:
Date:
circa 1983
circa 1983
Form:
drawings
drawings
Date:
circa 1983
circa 1983
People:
