Greene & Greene
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Charles and Henry Greene created the definitive houses of the American Arts and Crafts Movement. Raised to be architects, the Greene brothers were educated together at MIT, where their natural artistic skills blossomed in concert with an excellent practical education. While they practised architecture jointly in Southern California from 1906 to 1922 they achieved a(...)
Architecture Monographs
October 2003, London / New York
Greene & Greene
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Charles and Henry Greene created the definitive houses of the American Arts and Crafts Movement. Raised to be architects, the Greene brothers were educated together at MIT, where their natural artistic skills blossomed in concert with an excellent practical education. While they practised architecture jointly in Southern California from 1906 to 1922 they achieved a powerful symbiosis, resulting in some of the most beautifully crafted houses in America. The elegant works of their peak period, such as the Gamble, Blacker and Thorsen houses, are masterful in their design and execution. No detail was overlooked: every element of the interior, including furniture, fittings and glasswork, as well as the building structure (down to pegs, air-vents and bracing) was conceived as an organic whole, and finished exquisitely. No hint of conflict was ever recorded between the gentlemanly brothers, yet their intertwined professional lives ultimately diverged into a physical separation and distinct design vocabularies. Even so, the automatic bond between the brothers was never completely severed, and they continued to consult each other on projects for the rest of their lives. This critical monograph, which charts the brothers’ careers (together and apart), is illustrated with superb new photography and draws on a wealth of previously unpublished archival material.
Architecture Monographs
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In this book, Vladimir Belogolovsky reflects on nearly twenty years of conversations with leading creatives from around the world whose focus is on art, photography, architecture, design, critical theory, and more. His intimate dialogues are with prolific visionaries, the likes of Paul Andreu, Aaron Betsky, Tatiana Bilbao, Christo, Norman Foster, Zaha Hadid, Toyo Ito,(...)
Imagine buildings floating like clouds: Thoughts and visions of contemporary architecture from 101 key creatives
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In this book, Vladimir Belogolovsky reflects on nearly twenty years of conversations with leading creatives from around the world whose focus is on art, photography, architecture, design, critical theory, and more. His intimate dialogues are with prolific visionaries, the likes of Paul Andreu, Aaron Betsky, Tatiana Bilbao, Christo, Norman Foster, Zaha Hadid, Toyo Ito, Glenn Murcutt, Renzo Piano, Moshe Safdie, Ric Scofido, Richard Serra, Frank Stella, Michael Sorkin, Stanley Tigerman, Bernard Tschumi, Lin Utzon, Massimo Vignelli, Madelon Vriesendorp, and so many others. He exposes the complexity of their thought processes, while comparing and contrasting them to one another to distill more than 101 ideas. His engaging narrative captures the stories behind every project and every personality while exploring many important questions, including: What makes a building architecture? How would a Futurist solve problems vs those whose focus is on nostalgia? The selection of interviews gathers many answers and intentions, but inevitably, also many more questions. ''Imagine buildings floating like clouds'' represents a diverse group of multitalented, creative people who work in disparate places culturally and climatically and came of age in very different times- from the revolutionary 1960s to our own time, when the future, for many, is being more feared than desired.
Contemporary Architecture
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Cornelia Hahn Oberlander (1921-2021) ws among the most eminent landscape architects in the world, known for many projects in Canada and abroad. ''Genius Loci,'' meaning the protective spirit of a place, is embodied in the seven decade span of her work. Her landscape designs demonstrate her desire to create terrains that are less an interruption and more an amplification(...)
MODIFIE Cooking sections: Salmon A Red Herring
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Cornelia Hahn Oberlander (1921-2021) ws among the most eminent landscape architects in the world, known for many projects in Canada and abroad. ''Genius Loci,'' meaning the protective spirit of a place, is embodied in the seven decade span of her work. Her landscape designs demonstrate her desire to create terrains that are less an interruption and more an amplification of what already exists on a site. Her training in modernist design and a desire to connect people with nature is immediately apparent in her landscapes. At a time when our relationship to the earth is of paramount importance, Oberlander’s projects reveal consistent and significant stewardship of the natural environment. Many of her designs—even those from 50 years ago—remain largely unchanged, testaments to her technical skill, research techniques, and judicious selection of flora. This bilingual book derives from an exhibition at the West Vancouver Art Museum, introduing projects by Oberlander, and presented in four sections devoted to playgrounds, social housing, public projects, and residential projects, showing photography of the places alongside her sketches, plans, and research proposals. The book includes contributions by Oberlander and the exhibition curators, Susan Herrington and Eva Matsuzaki.
Landscape Architecture, Monographs
Experiencing Olmsted: The enduring legacy of Frederick Law Olmsted's North American landscapes
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Frederick Law Olmsted is the father of American landscape architecture. His firm, and the successor firms that sprung from it, worked through the nineteenth and twentieth centuries to shape some of our most beloved green spaces, including national, state, and city parks, suburban neighborhoods, and academic campuses. He is most famous for creating New York’s Central and(...)
Landscape Architecture, Monographs
November 2022
Experiencing Olmsted: The enduring legacy of Frederick Law Olmsted's North American landscapes
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Frederick Law Olmsted is the father of American landscape architecture. His firm, and the successor firms that sprung from it, worked through the nineteenth and twentieth centuries to shape some of our most beloved green spaces, including national, state, and city parks, suburban neighborhoods, and academic campuses. He is most famous for creating New York’s Central and Prospect Parks, Stanford University’s campus, and the Capitol Grounds. What is less known and surprising about his legacy is that he worked widely across North America. By highlighting 200 iconic landscapes, many of which are still open to the public today,"Experiencing Olmsted" brings a fresh approach to the firms’ work and philosophy. It highlights not only grand city parks, but also other public venues born out of a desire for social equity. Olmsted was an early voice for parks as democratic spaces that could be reached on foot by a large percentage of any city’s populace. He viewed parks as restorative places—what he termed "the lungs of a city." Brimming with contemporary and archival photography as well as original drawings and plans, this truly remarkable record brings these places to vivid life.
Landscape Architecture, Monographs
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Hong Kong Inside Outside combines two major series of Wolf's work. For the first, Wolf has removed any trace of the horizon from the frame, capturing the relentless abstraction of the city’s residential high-rises while exploring the spatial experience of its inhabitants. For the second series, Wolf has juxtaposed the anonymity of these exteriors with interior portraits(...)
May 2010
Michael Wolf: Hong Kong inside outside
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Hong Kong Inside Outside combines two major series of Wolf's work. For the first, Wolf has removed any trace of the horizon from the frame, capturing the relentless abstraction of the city’s residential high-rises while exploring the spatial experience of its inhabitants. For the second series, Wolf has juxtaposed the anonymity of these exteriors with interior portraits of 100 individuals and families surrounded by all of their belongings in identical public housing spaces that measure 100 square feet. This study forms in part a typology that allows the viewer to study how individuals make the confined spaces their own.
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In three decades of visits to China, photographer Lois Conner has witnessed firsthand the monumental physical transformation of the country. Nowhere is this change more dramatic than in the capital city of Beijing, the subject of Conner's new book Beijing: Contemporary and Imperial. Conner's black-and-white panoramas reveal an ancient city in thrall to change, where the(...)
March 2014
Beijing: contemporary and imperial
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In three decades of visits to China, photographer Lois Conner has witnessed firsthand the monumental physical transformation of the country. Nowhere is this change more dramatic than in the capital city of Beijing, the subject of Conner's new book Beijing: Contemporary and Imperial. Conner's black-and-white panoramas reveal an ancient city in thrall to change, where the lingering splendor of a dynastic past is cast into shadow by rising concrete and steel.
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«I have always been interested in spiritual places where memories and stories reside in the landscape. Places that have been altered and impacted by the people who have made their lives on the land. The Gaspé Peninsula is such a place.» Linda Rutenberg
October 2014
Linda Rutenberg: The Gaspé peninsula, land on the edge of time
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«I have always been interested in spiritual places where memories and stories reside in the landscape. Places that have been altered and impacted by the people who have made their lives on the land. The Gaspé Peninsula is such a place.» Linda Rutenberg
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Based in Dublin, Cork and London, O'Donnell + Tuomey Architects are revered for their work with urban design, public and private housing, and key educational and cultural buildings in Ireland, the Netherlands and the UK. In London they are best known for two major projects: the Photographers' Gallery and the London School of Economics Saw Swee Hock Student Centre. Sheila(...)
Space for architecture: the work of O’Donnell + Tuomey
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Based in Dublin, Cork and London, O'Donnell + Tuomey Architects are revered for their work with urban design, public and private housing, and key educational and cultural buildings in Ireland, the Netherlands and the UK. In London they are best known for two major projects: the Photographers' Gallery and the London School of Economics Saw Swee Hock Student Centre. Sheila O'Donnell and John Tuomey, who both taught at University College Dublin and lecture internationally, constantly look at the way in which different geographical, social and political influences have shaped their iconic works and approach to architecture generally. This book, which is a second edition following the success of the first edition published in 2014, is divided into eight sections, each dealing with a different aspect of the practice's concerns: Studio, Courtyards, The World Outside, London Times, Subtraction and Addition, Venice Excursions, Building Ground and Cat's Cradles. Somewhere between a monograph and a memoir, a studio portfolio and a personal scrapbook, this book describes some of the motivating ideas behind the architects' iconic designs. Nine short essays, alternately written by Sheila O'Donnell and John Tuomey, set the theoretical background for thirteen projects carried out between 1999-2014. Illustrations range from early stage concept sketches to specific photography that has been especially commissioned for the book, to evocatively capture the essence of O'Donnell and Tuomey's buildings.
Architecture Monographs
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237 pages, 3 unnumbered pages : illustrations (chiefly color), facsimiles, color maps, color plans ; 33 cm
Paris : Parigramme, 2006., ©2006
Atlas de Paris au Moyen Âge : espace urbain, habitat, société, religion, lieux de pouvoir / Philippe Lorentz & Dany Sandron ; photographies Jacques Lebar ; cartographie, Bénédicte Loisel.
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237 pages, 3 unnumbered pages : illustrations (chiefly color), facsimiles, color maps, color plans ; 33 cm
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Paris : Parigramme, 2006., ©2006
books
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Lavoie médite sur la relation entre un acte final, soit la pose du dernier crampon du Chemin de fer Canadien Pacifique traversant le pays d'est en ouest en 1885 et, en même temps, fondateur puisqu'il permettait de donner réalité à l'idée même de "pays". Cet évènement historique est revisité afin d'y inclure le rôle de tout gouvernement quant à l'établissement du concept(...)
Images premières : mutations d'une icône nationale / Primal images : transmutations of a national icon
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Lavoie médite sur la relation entre un acte final, soit la pose du dernier crampon du Chemin de fer Canadien Pacifique traversant le pays d'est en ouest en 1885 et, en même temps, fondateur puisqu'il permettait de donner réalité à l'idée même de "pays". Cet évènement historique est revisité afin d'y inclure le rôle de tout gouvernement quant à l'établissement du concept de "la naissance de la nation". Illustrées avec des photographies, des dessins et des affiches d'époque, cette publication est le volet canadien de l'exposition du Mois de la Photo à Paris 2004 et accompagnera cette même exposition qui sera présentée au Musée McCord dans le cadre du Mois de la Photo à Montréal 2005. En français et anglais. -- This publication accompanies exhibitions in two international photography bienniales. Le Mois de la Photo à Paris 2004 and Le Mois de la Photo à Montréal 2005. The primal image referred to is the photograph recording the completion of Canada's national railway in 1885: "the driving of the last spike". Supported by a wide variety of historical and contemporary documentation, Lavoie shows how this apparently straightforward historical record was used to create the notion of Canada. By looking at the countless reproductions, copies and caricatures of this primal image he dissects the deliberate and ideological construction of nationhood. Profusely illustrated with photographs, film stills, posters and political cartoons from over 100 years. Produced in collaboration with the McCord Museum. In English and French.
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January 2005, Paris
Architecture in Canada