Sympathetic seeing : Esther McCoy and the heart of American modernist architecture and design
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Reyner Banham once said of the great architecture historian Esther McCoy (1904-1989) that "no-one can write about architecture in California without acknowledging her as the mother of us all.""Sympathetic Seeing: Esther McCoy and the Heart of American Modernist Architecture and Design" is the first major catalogue to survey this distinguished figure's life and work.(...)
Sympathetic seeing : Esther McCoy and the heart of American modernist architecture and design
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Reyner Banham once said of the great architecture historian Esther McCoy (1904-1989) that "no-one can write about architecture in California without acknowledging her as the mother of us all.""Sympathetic Seeing: Esther McCoy and the Heart of American Modernist Architecture and Design" is the first major catalogue to survey this distinguished figure's life and work. Highlighting the extraordinary range and significance of her presence in the field, this volume affirms McCoy's place as a key figure in American architectural history.
Architectural Theory
The rationalist reader: architecture and rationalism in Western Europe, 1920-1940 / 1960-11990
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The Rationalist Reader incorporates the first documentary collection of writing on rationalism in twentieth century architecture, providing an accessible introduction to the subject, direct insight into the thinking of individual architects and their critics, and a current re-evaluation of the context from which they emerged. German architectural historian Thilo Hilpert(...)
Architectural Theory
September 2013
The rationalist reader: architecture and rationalism in Western Europe, 1920-1940 / 1960-11990
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The Rationalist Reader incorporates the first documentary collection of writing on rationalism in twentieth century architecture, providing an accessible introduction to the subject, direct insight into the thinking of individual architects and their critics, and a current re-evaluation of the context from which they emerged. German architectural historian Thilo Hilpert and Dutch architect and critic Henk Engel, provide introductions to the two periods, while Cambridge historian Nicholas Bullock contributes a linking piece focused on French experience post-war. A postscript samples retrospective views.
Architectural Theory
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The catalogue from a biennial exhibition examining new architectural and creative urban work in Europe, Asia and Australia, with projects selected by Dominique Perrault and Hiroshi Hara. This publication features projects by twenty emerging architects and includes biographic information, plans, models and elevations. Architects include: Renée van Zuuk, dECOi Architects,(...)
New trends of architecture in Europe and Asia-Pacific, 2004-2005
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The catalogue from a biennial exhibition examining new architectural and creative urban work in Europe, Asia and Australia, with projects selected by Dominique Perrault and Hiroshi Hara. This publication features projects by twenty emerging architects and includes biographic information, plans, models and elevations. Architects include: Renée van Zuuk, dECOi Architects, Ocean North, Yung Ho Chang and RCR Architects.
Architecture since 1900, Europe
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The book reconstructs the story of Serbian modernism as a local history within a major movement and views the buildings designed in Belgrade in the 1920s and 1930s as part of a larger cultural phenomenon. Because so many of the buildings discussed are disintegrating or have been destroyed or altered beyond recognition, the book serves not only as a documentary and(...)
Architecture since 1900, Europe
June 2003, Cambridge, Mass.
Modernism in Serbia : the elusive margins of Belgrade architecture 1919-1941
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The book reconstructs the story of Serbian modernism as a local history within a major movement and views the buildings designed in Belgrade in the 1920s and 1930s as part of a larger cultural phenomenon. Because so many of the buildings discussed are disintegrating or have been destroyed or altered beyond recognition, the book serves not only as a documentary and critical study but also as a preservation resource. Most of the photographs and plans have never been published outside of Serbia, if at all. In restoring this work to its rightful place in the history of modern architecture, the book also sheds new light on a number of other stories. These include the influence of Le Corbusier and of the Yugoslav avant-garde movement Zenitism and the impact of international modern movements on the theoretical underpinnings of Serbian modernism. One of the subplots follows the story of the Group of Architects of the Modern Movement in Belgrade and its four founding members, Milan Zlokovic, Branislav Kojic, Jan Dubovy, and Dusan Babic. Through anexamination of their work and that of other modern architects, most notably Dragisa Brasovan and Nikola Dobrovic, the book discusses the identity of Serbian modernism as it was established in the period from 1925 to 1940. The book also identifies those buildings that represent the purest examples of Serbian modernism and analyzes the qualities that make them quintessentially local forms while part of the larger modernist movement
Architecture since 1900, Europe
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What if there is no ‘space,’ only a permanent, slow-motion mystic takeover, an implausibly careening awning? Nothing is utopian. Everything wants to be. Soft Architects face the reaching middle. If architecture is the language of concrete and steel, then Soft Architecture needs a vocabulary of flesh, air, fabric and colour. It’s about civic surface and natural history.(...)
August 2006, Toronto
Occasional work and seven walks from the office for soft architecture
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What if there is no ‘space,’ only a permanent, slow-motion mystic takeover, an implausibly careening awning? Nothing is utopian. Everything wants to be. Soft Architects face the reaching middle. If architecture is the language of concrete and steel, then Soft Architecture needs a vocabulary of flesh, air, fabric and colour. It’s about civic surface and natural history. It’s about social space and clothing and urban geography and visual art, and some intersection of all these. This delectable book collects the rococo prose of Lisa Robertson, the ambulatory Office for Soft Architecture. There are essays on Vancouver fountains, the syntax of the suburban home, Value Village, the joy of synthetics, sca×olding and the persistence of the Himalayan blackberry. There are also seven Walks, tours of Vancouver sites – poetic dioramas, really, and more material than cement could ever be.
books
August 2006, Toronto
books
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Author Robert A. M. Stern and his colleagues trace the rise and fall of the real estate market, the impact of the designation of historic districts and new zoning on development, and the emergence of new commercial and residential centers. The survey is organized geographically, moving north from Lower Manhattan and covering the Bronx, Queens, Brooklyn, and Staten Island(...)
New York 2000, architecture and urbanism between the bicentennial and the millennium
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Author Robert A. M. Stern and his colleagues trace the rise and fall of the real estate market, the impact of the designation of historic districts and new zoning on development, and the emergence of new commercial and residential centers. The survey is organized geographically, moving north from Lower Manhattan and covering the Bronx, Queens, Brooklyn, and Staten Island as well. This book documents milestones in the city's architectural history over the past forty years—the development of Battery Park City, the rebirth of Harlem and Times Square, the creation of the cultural precinct around the new MoMA, and the reclaiming of the waterfront along the East and Hudson Rivers as recreational parkland—and celebrates the achievements of internationally recognized architects such as Sir Norman Foster, Cesar Pelli, Richard Meier, and Renzo Piano.
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November 2006
Architecture since 1900, Europe
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In this volume, Ayala Levin charts the settler colonial imagination and practices that undergirded Israeli architectural development aid in Africa. Focusing on the ''golden age'' of Israel’s diplomatic relations in and throughout the continent from 1958 to 1973, Levin finds that Israel positioned itself as a developing-nation alternative in the competition over aid and(...)
Architecture and development: Israeli construction in sub-saharan Africa 1958-1973
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In this volume, Ayala Levin charts the settler colonial imagination and practices that undergirded Israeli architectural development aid in Africa. Focusing on the ''golden age'' of Israel’s diplomatic relations in and throughout the continent from 1958 to 1973, Levin finds that Israel positioned itself as a developing-nation alternative in the competition over aid and influence between global North and global South. In analyses of the design and construction of prestigious governmental projects in Nigeria, Sierra Leone, and Ethiopia, Levin details how architects, planners, and a trade union--owned construction company staged Israel as a new center of nonaligned expertise. These actors and professionals paradoxically capitalized on their settler colonial experience in Palestine, refashioning it as an alternative to Western colonial expertise. Levin traces how Israel became involved in the modernization of governance, education, and agriculture in Africa, as well as how African leaders chose to work with Israel to forge new South-South connections. In so doing, she offers new ways of understanding the role of architecture as a vehicle of postcolonial development and in the mobilization of development resources.
Architecture since 1900, Africa
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This book takes architectural history out of the realm of dreary textbooks into a world of dynamic design, succinct page-length essays and instructive sidebars. These graphic devices heighten the reader's ability to retain an impressive amount of information, even through a cursory reading. A brief run-through of the book's captions and sidebars provides a mini crash(...)
December 2001
The annotated arc, a crash course in the history of architecture
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This book takes architectural history out of the realm of dreary textbooks into a world of dynamic design, succinct page-length essays and instructive sidebars. These graphic devices heighten the reader's ability to retain an impressive amount of information, even through a cursory reading. A brief run-through of the book's captions and sidebars provides a mini crash course in the history of architecture. Incorporating more than 250 illustrations, The Annotated Arch draws on the very elements of architecture to craft a visual and textual approach to the subject that no ordinary textbook could match. From Stonehenge to the Eiffel Tower, from Flippo Brunelleschi to Frank Lloyd Wright, the language of architecture is clarified in five sections.
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December 2001
books
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Studies in Tectonic Culture is nothing less than a rethinking of the entire modern architectural tradition. The notion of tectonics as employed by Frampton -- the focus on architecture as a constructional craft -- constitutes a direct challenge to current mainstream thinking on the artistic limits of postmodernism, and suggests a convincing alternative. Indeed, Frampton(...)
Studies in tectonic culture: the poetics of construction in nineteenth and twentieth century architecture
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Studies in Tectonic Culture is nothing less than a rethinking of the entire modern architectural tradition. The notion of tectonics as employed by Frampton -- the focus on architecture as a constructional craft -- constitutes a direct challenge to current mainstream thinking on the artistic limits of postmodernism, and suggests a convincing alternative. Indeed, Frampton argues, modern architecture is invariably as much about structure and construction as it is about space and abstract form. Composed of ten essays and an epilogue that trace the history of contemporary form as an evolving poetic of structure and construction, the book's analytical framework rests on Frampton's close readings of key French and German, and English sources from the eighteenth century to the present. He clarifies the various turns that structural engineering and tectonic imagination have taken in the work of such architects as Perret, Wright, Kahn, Scarpa, and Mies, and shows how both constructional form and material character were integral to an evolving architectural expression of their work. Frampton also demonstrates that the way in which these elements are articulated from one work to the next provides a basis upon which to evaluate the works as a whole. This is especially evident in his consideration of the work of Perret, Mies, and Kahn and the continuities in their thought and attitudes that linked them to the past. Frampton considers the conscious cultivation of the tectonic tradition in architecture as an essential element in the future development of architectural form, casting a critical new light on the entire issue of modernity and on the place of much work that has passed as "avant-garde."
books
October 2001, Cambridge, Mass.
Architectural Theory
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After studying at the Architectural Association in London, John Godwin and Gillian Hopwood moved to Nigeria, where they significantly shaped the country's architectural landscape for more than sixty years. When Nigeria became independent in 1960 following British dominance since the 19th century, the couple worked to create architecture that was site-specific, modern, and(...)
Who are Godwin and Hopwood? Exploring tropical architecture in the age of climate crisis
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After studying at the Architectural Association in London, John Godwin and Gillian Hopwood moved to Nigeria, where they significantly shaped the country's architectural landscape for more than sixty years. When Nigeria became independent in 1960 following British dominance since the 19th century, the couple worked to create architecture that was site-specific, modern, and adapted to the climate relevant to Nigeria's aspirational political and economic policies. In this illustrated monograph, organised by typology, Ben Tosland examines Godwin and Hopwood's form of tropical modernism and illuminates its contemporary meanings and concluding with its relevance in times of the climate crisis.
Architecture Monographs