City, climate and architecture: A theory of collective practice, Volume 1. Revised second edition
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The publication rethinks climate control – a key concern of the discipline of architecture – through the lens of city climate phenomena over the course of the 20th century. Based on a history of climate control on urban scales, it promotes the integration of indoors and outdoors in order to reduce environmental and thermal loads in cities. Just as heating and cooling(...)
City, climate and architecture: A theory of collective practice, Volume 1. Revised second edition
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$105.00
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The publication rethinks climate control – a key concern of the discipline of architecture – through the lens of city climate phenomena over the course of the 20th century. Based on a history of climate control on urban scales, it promotes the integration of indoors and outdoors in order to reduce environmental and thermal loads in cities. Just as heating and cooling practices inside the buildings are affecting the (urban) climate outdoors, urban heat islands are influencing the energy requirements and thermal conditions inside the buildings. While the first part of the book focuses on the interwar period in Europe, the publication’s second part considers examples from all over the globe, tracing the growing significance of ecological thinking for the design of urban environments.
Green Architecture
Elastic architecture: Frederick Kiesler and design research in the first age of robotic culture
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In 1960, architect Philip Johnson championed Frederick Kiesler, calling him “the greatest non-building architect of our time.” Kiesler’s ideas were difficult to construct, but as Johnson believed, “enormous” and “profound.” Kiesler (1890–1965) went against the grain of the accepted modern style, rejecting rectilinear glass and steel in favor of more organic forms and(...)
Elastic architecture: Frederick Kiesler and design research in the first age of robotic culture
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In 1960, architect Philip Johnson championed Frederick Kiesler, calling him “the greatest non-building architect of our time.” Kiesler’s ideas were difficult to construct, but as Johnson believed, “enormous” and “profound.” Kiesler (1890–1965) went against the grain of the accepted modern style, rejecting rectilinear glass and steel in favor of more organic forms and flexible structures that could respond to the ever-changing needs of the body in motion. In Elastic Architecture, Stephen Phillips offers the first in-depth exploration of Kiesler’s innovative and multidisciplinary research and design practice. Exploring Kiesler’s formative relationships with the European avant-garde, Phillips shows how Kiesler found inspiration in the plastic arts, experimental theater, early animation, and automatons to develop and refine his spatial concept of the Endless. Moving from Europe to New York in the 1920s, Kiesler applied these radical Dadaist, constructivist, and surrealist practices to his urban display projects, which included shop windows for Saks Fifth Avenue. After launching his innovative Design Correlation Laboratory at Columbia and Yale, Kiesler went on to invent new houses, theaters, and galleries that were meant to move, shift, and adapt to evolutionary changes occurring within the natural and built environment.
Architectural Theory
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"Five ways to make architecture political" presents an innovative pragmatist agenda that will inspire new thinking about the politics of design and architectural practice. Moving beyond conventional conversations about design and politics, the book shows how recent developments in political philosophy can transform our understanding of the role of the architect. It asks:(...)
Five ways to make architecture political: An introduction to the politics of design practice
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"Five ways to make architecture political" presents an innovative pragmatist agenda that will inspire new thinking about the politics of design and architectural practice. Moving beyond conventional conversations about design and politics, the book shows how recent developments in political philosophy can transform our understanding of the role of the architect. It asks: how, when, and under what circumstances can design practice generate political relations? How can architectural design become more 'political'? Five central chapters, which can be read alone or in sequence, explore the answers to these questions. Powerfully pragmatic in approach, each presents one of the 'five ways to make architecture political', and each is illustrated by case studies from a range of contemporary situations around the world. We see how politics happens in architectural practice, learn how different design technologies have political effects, and follow how architects reach different publics, trigger reactions and affect different communities worldwide.
Architectural Theory
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This book looks at architecture history in reverse, in order to follow chains of precedents back through time to see how ideas alter the course of civilization in general and the discipline of architecture in particular. Part One begins with present-day attitudes about architecture and traces them back to seminal ideas from the beginning of the twentieth century. Part Two(...)
Architecture history and theory in reverse: from an information age to eras of meaning
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This book looks at architecture history in reverse, in order to follow chains of precedents back through time to see how ideas alter the course of civilization in general and the discipline of architecture in particular. Part One begins with present-day attitudes about architecture and traces them back to seminal ideas from the beginning of the twentieth century. Part Two examines how pre-twentieth century societies designed and understood architecture, how they strove to create communal physical languages, and how their disagreements set the stage for our information age practices. Includes 45 black and white images.
Architectural Theory
Hans Zwimpfer : Peter Meriam Haus Basel - at the interface between art, technology and architecture
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Designed by Zwimpfer Partner Architects in cooperation with the American artist Donald Judd, the Peter Merian house in Basel Switzerland involved artists Hans Danuser, Brigitte Kowanz, Roni Horn, François Morellet, Ursula Mumenthaler, Pipilotti Rist. Beat Zoderer also participated in the project. When architects incorporate art into their projects, when artists involve(...)
Hans Zwimpfer : Peter Meriam Haus Basel - at the interface between art, technology and architecture
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Designed by Zwimpfer Partner Architects in cooperation with the American artist Donald Judd, the Peter Merian house in Basel Switzerland involved artists Hans Danuser, Brigitte Kowanz, Roni Horn, François Morellet, Ursula Mumenthaler, Pipilotti Rist. Beat Zoderer also participated in the project. When architects incorporate art into their projects, when artists involve themselves in the constraints of the construction industry, the results can be immensely fruitful as this striking new building in the Basel cityscape goes to prove.
Architecture Monographs
books
Notes for those beginning the discipline of architecture alternate ending 1 : the glimmering noise
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Michael Meredith hits hard with his first publication in the form of a Manifesto on architecture but the theme crosses into all design related professions.
Notes for those beginning the discipline of architecture alternate ending 1 : the glimmering noise
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Michael Meredith hits hard with his first publication in the form of a Manifesto on architecture but the theme crosses into all design related professions.
books
January 2007
Architectural Theory
Beauty matters: Human judgement and the pursuit of new aesthetics in post-digital architecture
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Beauty in architecture matters again. This issue of AD posits that after 80 years of aggressive suppression of engagement with aesthetics, the temporarily dormant preoccupation with beauty is back. This is evidenced by a current cultural shift from the supposedly objective to an emerging trust in the subjective – a renewed fascination for aesthetics supported by new(...)
Beauty matters: Human judgement and the pursuit of new aesthetics in post-digital architecture
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Beauty in architecture matters again. This issue of AD posits that after 80 years of aggressive suppression of engagement with aesthetics, the temporarily dormant preoccupation with beauty is back. This is evidenced by a current cultural shift from the supposedly objective to an emerging trust in the subjective – a renewed fascination for aesthetics supported by new knowledge emanating simultaneously from disparate disciplines. The issue takes an interdisciplinary approach to this re-emerging interest in beauty across neuroscience, neuroaesthetics, mathematics, philosophy and architecture, while discussing the work of the international architects, in both practice and academe, who are generating new aesthetics.
Architectural Theory
For the temporary accomodation of settlers: Architecture and immigrant reception in Canada 1870-1930
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For immigrants making the transoceanic journey from Europe or Asia to North America, the experience of a new country began when they disembarked. In Canada the federal government built a network of buildings that provided newcomers with shelter, services, and state support. "Immigration sheds" such as Pier 21 in Halifax – where ocean liners would dock and global migrants(...)
For the temporary accomodation of settlers: Architecture and immigrant reception in Canada 1870-1930
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For immigrants making the transoceanic journey from Europe or Asia to North America, the experience of a new country began when they disembarked. In Canada the federal government built a network of buildings that provided newcomers with shelter, services, and state support. "Immigration sheds" such as Pier 21 in Halifax – where ocean liners would dock and global migrants arrived and were processed – had many counterparts across the country: new arrivals were accommodated or incarcerated at reception halls, quarantine stations, and immigrant detention hospitals. For the Temporary Accommodation of Settlers reconstructs the experiences of people in these spaces – both immigrants and government agents – to pose a question at the heart of architectural thinking: how is meaning produced in the built environments that we encounter? David Monteyne interprets official governmental intentions and policy goals embodied by the architecture of immigration but foregrounds the unofficial, informal practices of people who negotiated these spaces to satisfy basic needs, ensure the safety of their families, learn about land and job opportunities, and ultimately arrive at their destinations. The extent of this Canadian network, which peaked in the early twentieth century at over sixty different sites, and the range of building types that comprised it are unique among immigrant-receiving nations in this period. In our era of pandemic quarantine and migrant detention facilities, ''For the temporary accommodation of settlers'' offers new ways of seeing and thinking about the historical processes of immigration, challenging readers to consider government architecture and the experience of migrants across global networks.
Architecture in Canada
Icebergs, zombies, and the ultra thin: architecture and capitalism in the twenty-first century
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In "Icebergs, zombies, and the ultra thin," Matthew Soules issues an indictment of how finance capitalism dramatically alters not only architectural forms but also the very nature of our cities and societies. We rarely consider architecture to be an important factor in contemporary economic and political debates, yet sparsely occupied ultra-thin "pencil towers" develop in(...)
Icebergs, zombies, and the ultra thin: architecture and capitalism in the twenty-first century
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In "Icebergs, zombies, and the ultra thin," Matthew Soules issues an indictment of how finance capitalism dramatically alters not only architectural forms but also the very nature of our cities and societies. We rarely consider architecture to be an important factor in contemporary economic and political debates, yet sparsely occupied ultra-thin "pencil towers" develop in our cities, functioning as speculative wealth storage for the superrich, and cavernous "iceberg" homes extend architectural assets many stories below street level. Meanwhile, communities around the globe are blighted by zombie and ghost urbanism, marked by unoccupied neighborhoods and abandoned housing developments.
Architectural Theory
Andrea Palladio and the Architecture of Battle: With the unpublished edition of Polybius’ Histories
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Published here for the first time are Palladio's preparatory materials for an illustrated edition of Polybius' Histories alongside Palladio's material for his edition of Julius Caesar' Commentaries (1575). Long thought to have been lost, his original Polybius has now been recomposed by drawing on three manuscript copies: the mock-up used by Palladio to plan the(...)
Andrea Palladio and the Architecture of Battle: With the unpublished edition of Polybius’ Histories
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Published here for the first time are Palladio's preparatory materials for an illustrated edition of Polybius' Histories alongside Palladio's material for his edition of Julius Caesar' Commentaries (1575). Long thought to have been lost, his original Polybius has now been recomposed by drawing on three manuscript copies: the mock-up used by Palladio to plan the edition, rediscovered in the London British Library in 1977; a second copy found in Florence in 1986 and a third exemplar only very recently found in the New York Public Library. Here the reproductions of the 43 etchings for the Polybius have been accompanied by 42 etchings which Palladio dedicated to Caesar's deeds. This offers a complete picture of his effort to reconstruct those excellent features of ancient warfare on which Palladio wished to base his own proposals for reforming the contemporary Venetian militia, as well as give a different point of view on the history of architecture.
Architecture Monographs